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Supporting Res<strong>our</strong>ces stories <strong>for</strong> teachers & students 2013<br />

Dutch Lives in the World<br />

stories by winthrop pr<strong>of</strong>essor susan broomhall<br />

The Dutch at Home<br />

This painting appears at first glance rather austere, yet also<br />

shows the little luxuries <strong>of</strong> a well-to-do Dutch family during the<br />

Golden Age. It says much about Dutch sentiments in this period,<br />

about their perceptions <strong>of</strong> hard work and faith which led to a<br />

new-found prosperity <strong>for</strong> the nation. The Dutch were Godfearing,<br />

mainly Protestant, people and they worried that all this<br />

wealth and overvloed (abundance), flowing into the country would<br />

corrupt them. How could they manage to remain good Was this<br />

a test <strong>of</strong> their morals from God<br />

They worried a lot about how they could contain their pride in<br />

their own success. This is shown in their clothing, which <strong>of</strong>ten<br />

seems very sombre to us, simple black and white. But look<br />

closely, the white lace collars are very finely wrought pieces <strong>of</strong><br />

work, costing a great deal <strong>of</strong> money because <strong>of</strong> their lab<strong>our</strong>. So<br />

in some ways, Dutch clothing reflects these combined feelings<br />

– <strong>of</strong> pride in wealth and luxury coupled with humility and<br />

modesty that this pride ought to be contained.<br />

The items on the table also highlight some <strong>of</strong> these conflicting<br />

emotions. We can see the conspicuous display <strong>of</strong> salt and<br />

herenbrood (refined white bread) rather than the semelbrood<br />

(rye black bread) <strong>of</strong> poorer folk, little everyday luxuries <strong>for</strong> the<br />

family, as well as the exotic green-and-white serving bowl which<br />

stands out against their simple pewter plates.<br />

The Dutch were obsessed with the cleanliness <strong>of</strong> their morals<br />

which they thought was reflected in the cleanliness <strong>of</strong> their<br />

homes. Housewives were expected to keep their pewterware<br />

gleaming, just as it is in this picture. Low windows and no<br />

curtains in Dutch houses are typical even today because anyone<br />

should be able to peer in at any time, and there should be<br />

nothing to hide. Dutch women were reputed across Europe as<br />

extremely houseproud. One seventeenth-century English visitor<br />

even reported that the wife <strong>of</strong> a friend he had gone to visit had<br />

picked him up and carried him from the front door to the<br />

reception room herself, rather than let him put his muddy boots<br />

on her nicely polished floor!<br />

Even the family around the table show the same mix <strong>of</strong> pride and<br />

humility. They were a large, healthy family, something to be<br />

proud <strong>of</strong>. God had blessed them. They were also keen to show<br />

that they were sober and serious in their faith, and demonstrated<br />

their gratitude in the picture through prayer. So, in this age <strong>of</strong><br />

great riches and new discoveries <strong>for</strong> the Dutch, people were also,<br />

perhaps surprisingly to us, quite fearful about their future: they<br />

felt guilty about being so wealthy, and tried to be humble,<br />

industrious, and sensible about how they used their riches, and<br />

they also hoped and trusted in God to protect them from its<br />

moral and emotional dangers.<br />

Image/ Anonymous, Family Portrait, 1627. © Rijksmuseum SK-A-4469.<br />

54 FAR FROM HOME: ADVENTURES, TREKS, EXILES & MIGRATION

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