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stories <strong>for</strong> teachers & students 2013<br />

The Exotic World<br />

Supporting Res<strong>our</strong>ces<br />

Dutch Lives in the World<br />

stories by winthrop pr<strong>of</strong>essor susan broomhall<br />

If the VOC seemed resolutely practical in its pr<strong>of</strong>it-making<br />

mission, many who travelled the world wrote with a sense <strong>of</strong><br />

wonder about its many marvels. Travel accounts made popular<br />

reading <strong>for</strong> Europeans at home, stimulating their imagination<br />

about the exotic.<br />

Australia, <strong>for</strong> example, had long been known as the great<br />

Southland, a land fabled since classical times to be replete<br />

with gold and peopled with giants. For all their practicality, the<br />

directors <strong>of</strong> the VOC held a glimmer <strong>of</strong> hope that such tales<br />

might be true. Their instructions to captains charting the<br />

west coast or searching <strong>for</strong> survivors also required their crews<br />

to look out <strong>for</strong> gold. Some captains obliged, writing back<br />

optimistically <strong>of</strong> their hopes. Supercargo Jacob Dedel wrote<br />

to the Managers <strong>of</strong> the VOC <strong>of</strong> what he had seen from the<br />

Amsterdam in 1619: ‘a red, muddy coast, which according<br />

to the surmises <strong>of</strong> some <strong>of</strong> us might not unlikely prove to be<br />

gold-bearing, a point which may be cleared up in time.’<br />

However, many returned to Batavia pr<strong>of</strong>oundly disappointed<br />

by the unfamiliar and seemingly barren landscape.<br />

feature in banketje (little banquet) still life paintings. It was very<br />

fashionable to collect exotic objects and <strong>for</strong> wealthy people to set<br />

up special cabinets full <strong>of</strong> wonders or curiosities from around<br />

the globe. On many occasions they did not understand the deep<br />

significance <strong>of</strong> some <strong>of</strong> these objects <strong>for</strong> local peoples and some<br />

<strong>of</strong> these objects have now ended up on public display in<br />

museums and other settings in ways that their makers find<br />

inappropriate, <strong>of</strong>fensive or simply wrong. This has led to<br />

discussions about returning some objects and certainly to<br />

creating better in<strong>for</strong>med displays about objects and their original<br />

meanings. But in the seventeenth century, the Dutch marvelled<br />

at these weird and wonderful things as they travelled the world,<br />

to take back to show their friends and families, much as we<br />

would with souvenirs today.<br />

As to the giants, Aucke Pieterszoon Jonck on the Emeloordt<br />

in 1658 noted the presence <strong>of</strong> ‘five persons <strong>of</strong> tall stature<br />

and imposing appearance’. When Willem de Vlamingh landed<br />

closer to Perth in his 1696-7 mission in the Geelvinck, his crew<br />

brought news <strong>of</strong> a little hut and eighteen-inch footsteps they<br />

had found. Vlamingh was sceptical. When in the morning they<br />

reached the little hut, they found ‘the eighteen inch footsteps<br />

changed into ordinary ones.’ The great Southland was full <strong>of</strong><br />

imaginative possibilities. Other observations were almost too<br />

bizarre to be believed. Vlamingh was equally reticent to give<br />

much credence to his crew’s sighting <strong>of</strong> a red serpent and a<br />

yellow dog amusing itself at the seashore: ‘What truth there was<br />

in these statements, I do not know. At all events I did not see<br />

either <strong>of</strong> these things myself.’<br />

François Pelsaert, aboard the Batavia in 1629, also recorded<br />

‘large numbers <strong>of</strong> a species <strong>of</strong> cats, which are very strange<br />

creatures’ that seemed scarcely imaginable: this animal,<br />

the size <strong>of</strong> a hare, had the head <strong>of</strong> a civet cat, the <strong>for</strong>epaws<br />

and tail like a monkey, ate in the manner <strong>of</strong> squirrels and<br />

carried its young in a pouch – ‘exceedingly strange and highly<br />

worth observing’.<br />

Of c<strong>our</strong>se, curiosity held practical motivations too. Instructions<br />

<strong>for</strong> captains requested that they observe carefully the nature <strong>of</strong><br />

inhabitants, what they wore, how they administered themelves,<br />

their industries, housing, village layouts as well as their produce.<br />

They should endeav<strong>our</strong> to ‘get hold’ <strong>of</strong> someone who would join<br />

their ship and teach them local customs and languages, but only<br />

if they came freely. The Dutch merchants needed to understand<br />

a people to know their desires and passions – what might they<br />

want and what would they be willing to trade <strong>for</strong> it As such<br />

contact was in Dutch interests, captains were ordered to proceed<br />

in friendship, and to watch that they and their crews overlooked<br />

cultural misunderstandings and behaved with respect towards<br />

peoples they met. Abel Tasman was specifically directed in his<br />

1644 expedition not to insult their houses, gardens, ships,<br />

possession or the women.<br />

Image/ Nicolaes van Gelder; Still life with a basket <strong>of</strong> peaches, grapes and plums.<br />

In front, white grapes on a metal plate, at left a Roemer filled with roses, to the right<br />

a Chinese jug, a pewter salt cellar, some fruit and a glass bottle. Behind the basket,<br />

a splendid golden cup and a box containing a lobster, lemons, a bowl <strong>of</strong> berries<br />

and a Berkemeyer, all on a marble surface covered with a Smyrna rug. 1664.<br />

Copyright Rijksmuseum SK-A-1536.<br />

The Dutch were very excited about the new products that they<br />

found when they explored the wider world and many <strong>of</strong> them,<br />

like exotic fruits, lobster and Chinese porcelain serving dishes,<br />

FAR FROM HOME: ADVENTURES, TREKS, EXILES & MIGRATION<br />

57

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