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School Spotlight<br />

By Phil Gilbert<br />

What a Difference<br />

a Decade Makes<br />

How Westlake High School’s fine arts facility<br />

changed its focus and found a purpose<br />

All photography by richard cadena<br />

The end of a dance number during the<br />

popular annual show Zenith.<br />

Westlake High School technical<br />

theatre teacher David<br />

Poole briefs the entire crew<br />

before the show.<br />

Ten years ago, the theatre at Westlake High School was<br />

like so many others. Built during a period of growth<br />

in the Eanes Independent School District, the theatre<br />

looked much the same as it had when it was built almost<br />

20 years before: same reel-to-reel, same light fixtures, same<br />

speakers, same dimmers and same seats.<br />

School assemblies, band/orchestra concerts, choir and<br />

dance shows were run by a small group of students, most of<br />

whom had taken the technical theatre class as an easy elective<br />

— an hour when they were assured of little responsibility<br />

and even less homework. Then something changed.<br />

Old Haunts and New Beginnings<br />

David Poole didn’t ever think that he’d be a teacher. After<br />

graduating from Westlake High School and earning a degree<br />

from the University of Texas, he had spent time as a touring sound<br />

engineer and then as a realtor in Austin. During this time, he’d<br />

never really lost touch with his alma mater, returning annually to<br />

provide a sound system for the school’s spring dance show.<br />

In the mid-1990s, Poole convinced a friend at Austin-based<br />

High End Systems to loan the school a dozen automated lighting<br />

fixtures. With a little help from this friend, Poole gave the students<br />

their first glimpse into the modern look of staged events.<br />

It was near this time that Poole did something he had promised<br />

would never happen: he went back to school. Returning to<br />

the University of Texas, Poole dove into the required coursework<br />

that would let him teach in the state of Texas. Within a year<br />

of graduation, he was hired by Westlake as technical theatre<br />

teacher and fine arts facility director.<br />

Left to right: Olivia Vescovo, primary Wholehog III console<br />

op, Chad Garyet, the backup Wholehog III op and Lewis<br />

King, the audio console op.<br />

A New Direction<br />

Under Poole’s supervision, the focus of the program was soon<br />

turned on its head. Students could no longer get by just by showing<br />

up. A spirit of learning, a sense of pride and a drive to do the<br />

best work possible was not only expected — it was demanded.<br />

Amid all of this, an organization was formed to support<br />

the students’ extracurricular activities. Dubbed the Technical<br />

Entertainment Crew, or TEC, the organization became an<br />

outlet for hundreds of students over the years.<br />

The students would eventually coin the following mission<br />

statement: “The Westlake Technical Entertainment Crew<br />

works together to put on professional-level productions<br />

while promoting leadership, camaraderie and fun.”<br />

As the program grew, the composition of the group began<br />

to quickly change. Formerly a small band of students who<br />

shared only a lack of direction, the Technical Entertainment<br />

Crew began to attract boys and girls who already were actively<br />

involved with programs as diverse as choir, football, dance,<br />

cheerleading, computer science and lacrosse.<br />

While working with the students to constantly improve<br />

themselves and their program, Poole worked tirelessly to justify<br />

larger budgets to the school district. By staffing the outside<br />

events solely with TEC students, he offered the teens a<br />

way to earn money with what they had learned in class, gave<br />

them an outlet for their spare time and showed the district<br />

that increased operating budgets were directly benefiting<br />

the students and community.<br />

By 1999, TEC had grown four-fold. Since then, the program<br />

has doubled in size again, with roughly 100 members currently<br />

involved with the program. Under Poole’s tutelage, the<br />

students have expanded the technical capabilities of their<br />

workspace, moving beyond the theatre and having a direct<br />

impact on almost every student organization on campus, as<br />

well as many more throughout the district.<br />

Progress<br />

On any given day, the students of the Technical Entertainment<br />

Crew handle just about any kind of event. While they get gen-<br />

26 September 2007 • www.stage-directions.com

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