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Download a PDF - Stage Directions Magazine

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Dan Hernandez<br />

Editor’s Note<br />

Greetings<br />

& Salutations<br />

If you look to the left of this column,<br />

you’ll see a new face grinning<br />

back at you. My name is<br />

Jacob Coakley, and this is my first<br />

issue as editor of <strong>Stage</strong> <strong>Directions</strong><br />

magazine. Welcome!<br />

I appreciate the history and<br />

mission of <strong>Stage</strong> <strong>Directions</strong> and am<br />

honored to be a part of carrying it<br />

on. This is a 19-year-old magazine<br />

dedicated to serving the theatrical community, and to<br />

helping everyone reading it put on better shows from all<br />

aspects: technically, artistically and financially. Everyone<br />

involved in theatre is doing it from a place of love and<br />

dedication — that’s why so many of us stick around,<br />

despite all the challenges and struggles.<br />

You need to know that I’ve experienced these challenges<br />

first-hand. I’ve worked in theatres across the<br />

country, in all aspects of production — onstage, offstage<br />

and in the business office. Currently I’m a member of<br />

IATSE Local 720 here in Las Vegas, and I still go to gigs<br />

wearing my stagehand blacks and Leatherman/Gerber/<br />

multipurpose tool of choice. And while the world is better<br />

off without me onstage, like many of you I was introduced<br />

into the world of theatre through acting.<br />

Acting led me to New York City and Off-Broadway.<br />

From there, I leapt across the country to the San<br />

Francisco Bay Area, where I worked at some of the<br />

regional theatres before deciding to study sound. Sound<br />

led me to different theatres, and it also opened the<br />

doors to IATSE for me. I dove deeper into the production<br />

side of things and returned to school again, spending<br />

time interviewing theatre companies about how they<br />

were integrating video into their productions. Along the<br />

way, I kept writing about what I found, and writing the<br />

works I thought would be interesting on stage.<br />

I mention struggles, but the fact of the matter is, I<br />

truly believe that live theatre is one of the most amazing<br />

experiences in the world. I trust you do, too, and<br />

I’m going to do everything in my power to make sure<br />

that <strong>Stage</strong> <strong>Directions</strong> continues to create vital, compelling<br />

content for you — so you can keep on creating<br />

amazing work.<br />

Let’s get started!<br />

Jacob Coakley<br />

Editor<br />

<strong>Stage</strong> <strong>Directions</strong><br />

www.stage-directions.com • September 2007

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