The End and the Beginning - Open Book Publishers

More documents

Recommendations

Info

Table of Contents I. Feuilletons and fairy tales. A sampling by Hermynia Zur Mühlen (Translations by L. Gossman) Page Editor’s Note (L. Gossman) 4 1. The Red Redeemer 6 2. Confession 10 3. High Treason 13 4. Death of a Shade 16 5. A Secondary Happiness 22 6. The Señora 26 7. Miss Brington 29 8. We have to tell them 33 9. Painted on Ivory 37 10. The Sparrow 44 11. The Spectacles 58 II. Unsere Töchter die Nazinen (Our Daughters the Nazi Girls). A Synopsis (Prepared by L. Gossman) 64 III. A Recollection of Hermynia Zur Mühlen and Stefan Klein by Sándor Márai, the well-known Hungarian novelist and author of Embers (Translated by L. Gossman) 117 V. “Fairy Tales for Workers’ Children.” Zur Mühlen and the Socialist Fairy Tale (By L. Gossman) 122 VI. Zur Mühlen as Translator of Upton Sinclair (By L. Gossman) 138
Page VII. Image Portfolio (Prepared by L. Gossman) 157 1. Illustrations from Was Peterchens Freunde erzählen. Märchen von Hermynia Zur Mühlen mit Zeichnungen von Georg Grosz (Berlin: Der Malik-Verlag, 1921). 2. Illustrations from Upton Sinclair, Hundert Prozent. Autorisierte Übersetzung von Hermynia zur Muehlen, 10 Lithographien von Georg Grosz (Berlin: Der Malik Verlag, 1921. Die Rote Romane). 3. Illustrations from Hermynia zur Mühlen, Es war einmal…und es wird sein. Märchen. Umschlag, Initialen und Bilder zeichnete Heinrich Vogeler (Berlin: Verlag der Jugendinternationale, 1930) and from Schmiede der Zukunft (Berlin: Verlag der Jugendinternationale, 1933). 4. John Heartfield. Cover designs for Zur Mühlen’s translations of Sinclair’s novels. 158 161 171 176
Page 1: The End and the Beginning by Hermyn
Page 5 and 6: and identifying with others is the
Page 7 and 8: The Red Redeemer The priest (desper
Page 9 and 10: The Red Redeemer The priest (shriek
Page 11 and 12: Confession forgotten opened its hel
Page 13 and 14: 3. High Treason The uniform hung lo
Page 15 and 16: High Treason This time it was not p
Page 17 and 18: Death of a Shade No door was ever s
Page 19 and 20: Death of a Shade she belonged to a
Page 21 and 22: Death of a Shade “Tod eines Schat
Page 23 and 24: A Secondary Happiness babies and th
Page 25 and 26: A Secondary Happiness After a year
Page 27 and 28: The Señora Señor Geraldo would pr
Page 29 and 30: 7. Miss Brington Every evening, whe
Page 31 and 32: Miss Brington to say? They worked a
Page 33 and 34: 8. We Have to Tell Them By June the
Page 35 and 36: We Have to Tell Them your business.
Page 37 and 38: 9. Painted on Ivory October had tur
Page 39 and 40: Painted on Ivory other window on to
Page 41 and 42: Painted on Ivory Time - to write mo
Page 43 and 44: Painted on Ivory writer as she watc
Page 45 and 46: The Sparrow shook. “A respectable
Page 47 and 48: The Sparrow comfortably at home in
Page 49 and 50: The Sparrow “We have travelled a
Page 51 and 52: The Sparrow beating heart, Sparrow
Page 53 and 54:
The Sparrow them. To be sure, you w
Page 55 and 56:
The Sparrow sand flew about her as
Page 57 and 58:
The Sparrow struggled against their
Page 59 and 60:
The Spectacles the poor saw their b
Page 61 and 62:
The Spectacles take good care of hi
Page 63 and 64:
The Spectacles act. In those lands
Page 65 and 66:
Unsere Töchter die Nazinen 65 Cath
Page 67 and 68:
Unsere Töchter die Nazinen Finally
Page 69 and 70:
Unsere Töchter die Nazinen of thre
Page 71 and 72:
Unsere Töchter die Nazinen Aryan G
Page 73 and 74:
Unsere Töchter die Nazinen rivals
Page 75 and 76:
Unsere Töchter die Nazinen her kne
Page 77 and 78:
Unsere Töchter die Nazinen and har
Page 79 and 80:
Unsere Töchter die Nazinen to unbu
Page 81 and 82:
Unsere Töchter die Nazinen avail.
Page 83 and 84:
Unsere Töchter die Nazinen could d
Page 85 and 86:
Unsere Töchter die Nazinen in a bo
Page 87 and 88:
Unsere Töchter die Nazinen class,
Page 89 and 90:
Unsere Töchter die Nazinen by ten
Page 91 and 92:
Unsere Töchter die Nazinen 91 chil
Page 93 and 94:
Unsere Töchter die Nazinen 93 thre
Page 95 and 96:
Unsere Töchter die Nazinen will no
Page 97 and 98:
Unsere Töchter die Nazinen face of
Page 99 and 100:
Unsere Töchter die Nazinen is Febr
Page 101 and 102:
Unsere Töchter die Nazinen 101 get
Page 103 and 104:
Unsere Töchter die Nazinen 103 if
Page 105 and 106:
Unsere Töchter die Nazinen 105 A s
Page 107 and 108:
Unsere Töchter die Nazinen 107 hav
Page 109 and 110:
Unsere Töchter die Nazinen 109 Pra
Page 111 and 112:
Unsere Töchter die Nazinen 111 ind
Page 113 and 114:
Unsere Töchter die Nazinen 113 App
Page 115 and 116:
Unsere Töchter die Nazinen already
Page 117 and 118:
III A Recollection of Hermynia Zur
Page 119 and 120:
A Recollection 119 manuscripts and
Page 121 and 122:
A Recollection 121 and naturally le
Page 123 and 124:
Fairy Tales for Workers’ Children
Page 125 and 126:
Page 127 and 128:
Page 129 and 130:
Page 131 and 132:
Page 133 and 134:
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
Zur Mühlen as translator of Upton
Page 141 and 142:
Page 143 and 144:
Page 145 and 146:
Page 147 and 148:
Page 149 and 150:
Page 151 and 152:
Page 153 and 154:
Page 155 and 156:
Page 157 and 158:
VI Image Portfolio (Prepared by L.
Page 159 and 160:
Image Portfolio 159
Page 161 and 162:
2. Illustrations from Upton Sinclai
Page 163 and 164:
Image Portfolio 163
Page 165 and 166:
Image Portfolio 165
Page 167 and 168:
Image Portfolio 167
Page 169 and 170:
Image Portfolio 169
Page 171 and 172:
Image Portfolio 171 3. Heinrich Vog
Page 173 and 174:
Image Portfolio 173
Page 175 and 176:
Image Portfolio 175
Page 177 and 178:
Image Portfolio 177
Page 179 and 180:
Image Portfolio 179
Page 181 and 182:
Image Portfolio 181
Page 183 and 184:
Image Portfolio 183
Page 185:
Image Portfolio 185
show all

The End and the Beginning - Open Book Publishers

Create successful ePaper yourself

Delete template?

Save as template?