Viva Brighton April 2015 Issue #26
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its and bobs<br />
...............................<br />
miniclicks<br />
Three photographers who deal with abstraction have been<br />
invited to The Old Market (27th <strong>April</strong>, 7pm start) by <strong>Viva</strong>’s Jim<br />
Stephenson, in his long-running Miniclicks series, to give illustrated<br />
talks explaining their philosophy. London-based Dafna<br />
Talmor deals with ‘Constructed Landscapes’, creating C-type<br />
prints made of collages and montages of colour negatives. Different<br />
natural scenes are juxtaposed; sometimes there’s a gap of<br />
blackness, as if the earth has cracked. Man-made constructions<br />
are notable by their absence: there’s an ancient, almost primeval<br />
look to things. <strong>Brighton</strong> University-educated Esme Horne,<br />
meanwhile, is interested in the process of photography: ‘Working<br />
in the darkroom,’ explains Jim, ‘she encourages the chance<br />
aspect of engaging with the simple elements of light, a lens<br />
and photographic paper’. The results are colourful, and rather<br />
delicately beautiful. Finally Lucia Pizzani has been experimenting<br />
with ferrotypes – a Victorian method of exposing collodion<br />
emulsified plates to light (see above); she’ll explain her methodology and the philosophy behind it.<br />
FOUR-LINE POEM: ‘Land’ by Leon Freeman<br />
what ties the sky, sea to sand<br />
who bore our fruits, on whom we stand<br />
impoverished now with tin cans and rubber wrist bands.<br />
Where were you when they branded our land?<br />
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