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Viva Brighton April 2015 Issue #26

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its and bobs<br />

...............................<br />

miniclicks<br />

Three photographers who deal with abstraction have been<br />

invited to The Old Market (27th <strong>April</strong>, 7pm start) by <strong>Viva</strong>’s Jim<br />

Stephenson, in his long-running Miniclicks series, to give illustrated<br />

talks explaining their philosophy. London-based Dafna<br />

Talmor deals with ‘Constructed Landscapes’, creating C-type<br />

prints made of collages and montages of colour negatives. Different<br />

natural scenes are juxtaposed; sometimes there’s a gap of<br />

blackness, as if the earth has cracked. Man-made constructions<br />

are notable by their absence: there’s an ancient, almost primeval<br />

look to things. <strong>Brighton</strong> University-educated Esme Horne,<br />

meanwhile, is interested in the process of photography: ‘Working<br />

in the darkroom,’ explains Jim, ‘she encourages the chance<br />

aspect of engaging with the simple elements of light, a lens<br />

and photographic paper’. The results are colourful, and rather<br />

delicately beautiful. Finally Lucia Pizzani has been experimenting<br />

with ferrotypes – a Victorian method of exposing collodion<br />

emulsified plates to light (see above); she’ll explain her methodology and the philosophy behind it.<br />

FOUR-LINE POEM: ‘Land’ by Leon Freeman<br />

what ties the sky, sea to sand<br />

who bore our fruits, on whom we stand<br />

impoverished now with tin cans and rubber wrist bands.<br />

Where were you when they branded our land?<br />

....16....

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