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Viva Brighton April 2015 Issue #26

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literature<br />

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DARK AEMILIA by Sally O’Reilly<br />

Shakespeare’s muse?<br />

‘Double, double, toil and trouble;<br />

Fire burn and cauldron bubble.’<br />

Shakespeare’s three witches<br />

shadow the narrative of Dark<br />

Aemilia, <strong>Brighton</strong>-based author<br />

Sally O’Reilly’s first historical novel.<br />

“I had wanted to write a version of<br />

Macbeth from Lady Macbeth’s point<br />

of view but I struggled with the 11th<br />

century,” says O’Reilly, who has<br />

published two contemporary novels,<br />

and teaches creative writing for the OU. “Then I<br />

thought about setting my novel when the play was<br />

written.” Looking into primary sources from the<br />

turn of the 17th century - Macbeth was first staged<br />

in London in 1606 - O’Reilly stumbled upon Aemilia<br />

Bassano, a courtier’s mistress, England’s first<br />

female professional poet and, possibly (according to<br />

some scholars), muse for Shakespeare’s ‘Dark Lady’<br />

sonnets. O’Reilly had her heroine. “If you can read<br />

someone’s writing, you can get inside their head,”<br />

the author says of Bassano, whose single volume of<br />

poems was published in 1611. “I felt such a strong<br />

connection with her.”<br />

O’Reilly was able to trace the real life Bassano<br />

through her appearances in the diaries of the<br />

16th-century physician and astrologer<br />

Simon Forman, who kept annotated<br />

records of the comings and goings<br />

of his clients. “Historical fiction is<br />

a compromise,” says the author. “A<br />

negotiation between fact and fiction. Of<br />

course one is anachronistically projecting<br />

a modern viewpoint, but if the story<br />

and characters feel authentic, then the<br />

reader will make the leap.” O’Reilly has<br />

Aemilia ‘lie with’ Shakespeare, and the<br />

ensuing erotically charged tug o’ love between the<br />

bard and the dark-eyed female poet is laced with<br />

sorcery and the occult. ‘I am a witch for the modern<br />

age,’ begins the novel in Bassano’s beguiling voice.<br />

Does O’Reilly believe in witches? “Not in the<br />

tall-hat-plus-cat sense, no. But I had my Tarot cards<br />

read in the North Laine recently by a woman who<br />

had an amazing atmosphere about her - she was<br />

no-nonsense, no frills, no customer service. But she<br />

had an incredible way of reading people - reading<br />

me, anyway. Maybe that is the fascination for me - a<br />

good witch will take female intuition to the max. In<br />

that sense, there is a bit of witchcraft in all women.”<br />

Dark Aemilia by Sally O’Reilly (Myriad Editions) is<br />

published in paperback on 23rd <strong>April</strong>.<br />

bookends<br />

Mary Portas, the instantly recognizable, orange-haired champion of High Street retailers, is coming to<br />

<strong>Brighton</strong> in <strong>April</strong>. Shop Girl, her keenly awaited memoir, tells of the young Mary Newton growing up<br />

in a Watford semi, constantly in trouble – eating Chappie for a bet, setting fire to the school – whilst<br />

dreaming of being an actress. The ever-entertaining Queen of Shops will be reading from her book and<br />

explaining how, due to a family tragedy, her thespian dreams were diverted into the window displays of<br />

Harvey Nicholls. Amongst the mannequins, handbags and frocks, she found her true calling.<br />

Ropetackle Arts Centre, Shoreham, 7pm, 1st <strong>April</strong>, £8.00, ropetacklecentre.co.uk, 01273 464440<br />

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