Viva Brighton April 2015 Issue #26
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literature<br />
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DARK AEMILIA by Sally O’Reilly<br />
Shakespeare’s muse?<br />
‘Double, double, toil and trouble;<br />
Fire burn and cauldron bubble.’<br />
Shakespeare’s three witches<br />
shadow the narrative of Dark<br />
Aemilia, <strong>Brighton</strong>-based author<br />
Sally O’Reilly’s first historical novel.<br />
“I had wanted to write a version of<br />
Macbeth from Lady Macbeth’s point<br />
of view but I struggled with the 11th<br />
century,” says O’Reilly, who has<br />
published two contemporary novels,<br />
and teaches creative writing for the OU. “Then I<br />
thought about setting my novel when the play was<br />
written.” Looking into primary sources from the<br />
turn of the 17th century - Macbeth was first staged<br />
in London in 1606 - O’Reilly stumbled upon Aemilia<br />
Bassano, a courtier’s mistress, England’s first<br />
female professional poet and, possibly (according to<br />
some scholars), muse for Shakespeare’s ‘Dark Lady’<br />
sonnets. O’Reilly had her heroine. “If you can read<br />
someone’s writing, you can get inside their head,”<br />
the author says of Bassano, whose single volume of<br />
poems was published in 1611. “I felt such a strong<br />
connection with her.”<br />
O’Reilly was able to trace the real life Bassano<br />
through her appearances in the diaries of the<br />
16th-century physician and astrologer<br />
Simon Forman, who kept annotated<br />
records of the comings and goings<br />
of his clients. “Historical fiction is<br />
a compromise,” says the author. “A<br />
negotiation between fact and fiction. Of<br />
course one is anachronistically projecting<br />
a modern viewpoint, but if the story<br />
and characters feel authentic, then the<br />
reader will make the leap.” O’Reilly has<br />
Aemilia ‘lie with’ Shakespeare, and the<br />
ensuing erotically charged tug o’ love between the<br />
bard and the dark-eyed female poet is laced with<br />
sorcery and the occult. ‘I am a witch for the modern<br />
age,’ begins the novel in Bassano’s beguiling voice.<br />
Does O’Reilly believe in witches? “Not in the<br />
tall-hat-plus-cat sense, no. But I had my Tarot cards<br />
read in the North Laine recently by a woman who<br />
had an amazing atmosphere about her - she was<br />
no-nonsense, no frills, no customer service. But she<br />
had an incredible way of reading people - reading<br />
me, anyway. Maybe that is the fascination for me - a<br />
good witch will take female intuition to the max. In<br />
that sense, there is a bit of witchcraft in all women.”<br />
Dark Aemilia by Sally O’Reilly (Myriad Editions) is<br />
published in paperback on 23rd <strong>April</strong>.<br />
bookends<br />
Mary Portas, the instantly recognizable, orange-haired champion of High Street retailers, is coming to<br />
<strong>Brighton</strong> in <strong>April</strong>. Shop Girl, her keenly awaited memoir, tells of the young Mary Newton growing up<br />
in a Watford semi, constantly in trouble – eating Chappie for a bet, setting fire to the school – whilst<br />
dreaming of being an actress. The ever-entertaining Queen of Shops will be reading from her book and<br />
explaining how, due to a family tragedy, her thespian dreams were diverted into the window displays of<br />
Harvey Nicholls. Amongst the mannequins, handbags and frocks, she found her true calling.<br />
Ropetackle Arts Centre, Shoreham, 7pm, 1st <strong>April</strong>, £8.00, ropetacklecentre.co.uk, 01273 464440<br />
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