shr_4.1
shr_4.1
shr_4.1
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Kami Westhoff<br />
Release<br />
The phone call about his release<br />
enters her ear like a letter<br />
opener. It’s unlikely he will cause<br />
you any more grief, she is told, but<br />
we want to be on safe side.<br />
Their daughter, only a month into walking,<br />
toddles into the gate at the top of the stairs.<br />
It quivers, and she worries about its installation.<br />
She’d never before held a drill, and its vibration<br />
settled in her throat like a lie.<br />
She thanks the man<br />
on the phone, and promises,<br />
at his insistence, caution. She imagines<br />
his head as two dots, a triangle, an semi-circle,<br />
arms and legs and body as simple<br />
as sticks. If he were real, flesh and shit<br />
and guts and bone, he would at least let slip<br />
a tone of defeat, regret, some hint<br />
of the pity one feels when it watches<br />
a creature, whatever its kind,<br />
drag itself roadside.<br />
The baby shakes the gate’s railing,<br />
her smile exposes gums erupting<br />
with bone. It is almost time for her dinner:<br />
mashed avocado, blueberries, cheese cubed<br />
smaller than necessary. Then her bath<br />
where the yellow duck tests the temperature<br />
and promises Okay. She lifts her, hushes<br />
her fussing before it begins. Its legs tighten<br />
around her hip as its chest twists away, back<br />
in an arch toward the gate.<br />
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