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visual team check list - Sweet Adelines International

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"VISUAL TEAM CHECK LIST"<br />

QUESTIONS TO BE DISCUSSED BEFORE DESIGNING THE PLAN...<br />

Words of wisdom from the director and the music <strong>team</strong>...<br />

•:. What is the overall vision?<br />

.:. Where are the areas of vocal challenge or concern?<br />

.:. What is the forum for which the song will be performed?<br />

.:. What is the chorus size and current level of performance skills?<br />

.:. Is the song primarily rhythmic or lyrical in style?<br />

.:. What is the musical, lyrical, and emotional interpretation of the song?<br />

.:. What are the thoughts on scenario, character, era, and style?<br />

.:. How could the costume and makeup plan enhance the character and overall vision?<br />

QUESTIONS TO BE ASKED TO TEST THE PLAN'S SUCCESS...<br />

1. Can the level of the chorus effectively perform the plan, and sing well?<br />

2. Does the choreography/showmanship plan completely support the music?<br />

3. Are the characters well defined and does the choreography/showmanship plan support them?<br />

4. Does the choreography/showmanship plan support the lyrics?<br />

5. Is the plan completely in style of the era?<br />

6. Was the pitch pipe technique planned into the performance?<br />

7. Were the areas of vocal challenge planned to enable vocal freedom?<br />

8. Does the <strong>visual</strong> plan for the chorus and front row support each other?<br />

9. Does the plan build from beginning to end, or as the arrangement and interpretation require?<br />

10. Is the drama and emotion within the plan evident?<br />

11. Have we planned the director's role in the performance?<br />

12. Have we planned the emcee staging and transitions before and after each song?<br />

Handout: Creating a Visual Plan/How to Create and Use a Visual Team/Script: Lynne Smith, <strong>International</strong> Faculty


"How to Create Showmanship and Choreography<br />

to Support the Musical Plan"<br />

1. Always stay in style of the character and era.<br />

2. Emphasize character or emotional changes by using vocal textures, characterizations, and<br />

highlighting words that "feeL" A word that feels is a word where both the audience and performer<br />

are clear on the feeling or emotion that word creates. Such as...love, never, or pop!<br />

3. Emphasize soft dynamics by creating movement that is smaller, lower, and closer to the<br />

center of the chorus or quartet.<br />

4. Emphasize loud dynamics by creating movement that is bigger, taller, and wider. Angles to the<br />

Big X or Down the Tiles also create a larger look and sound.<br />

5. Emphasize progressive dynamics by using peel-offs across the chorus or up by rows.<br />

6. Emphasize dramatically different dynamics by using dramatically different movement.<br />

7. Support and lift the ends of phrases by using continual lifted movement.<br />

8. Rhythm patterns are emphasized by...<br />

• Strong beat-movement starting on and emphasizing the strong beat.<br />

• Back beat-movement starting on and emphasizing the back beat.<br />

• Accelerando-gradual progressive movement.<br />

• Patter-showmanship only or each rhythm having their own relative movement.<br />

• Ad-lib style-unplanned moves based on the character, drama, and lyrical line.<br />

• Quick tempo-snaps.<br />

• Swing tempo-sways.<br />

• Staccato-crisp percussive movement.<br />

9. Emphasize smooth musical lines by creating sweeps.<br />

10. Use the breath space, rests, and dramatic pauses not only to forward the motion, but to<br />

forward the "el/motion. Define and perform the emotion of the next thought on the breath<br />

before it begins.<br />

11. Use the pitch to set the tone for the song, and use the acknowledgements to complete it.<br />

12. Create energy and passion into all aspects of the choreography/showmanship plan.<br />

Handout: Creating a Visual Plan / Script: Lynne Smith, <strong>International</strong> Faculty


TECHNIQUES TO<br />

CREATE ENERGYAND ENHANCE YOUR SHOWMANSHIP<br />

1. Go for it...take the longest route and use all your parts!<br />

2. Soft dynamics...your body language should feel smaller, lower, and closer.<br />

3. Loud dynamics...your body language should feel bigger, taller, and wider.<br />

4. Pick-ups, ooo's, bumbum's, etc...stay physically and emotionally involved whether you are<br />

singing the lyrics or not.<br />

5. Live the music. We don't want a series ofmeaningless hand motions. !fyou find it difficult to<br />

relate, call upon your acting skills.<br />

6. Use all your space, and a little bit ofyour neighbor's! Use the space next to you, above, below,<br />

and behind you.<br />

7. Stay focused and in the moment. This way you won't be tempted to advertise mistakes.<br />

8. Be sure you have clarity in the emotion, character, and style. At the very least, know who you<br />

are, where you are, and what you are doing.<br />

9. Sustained notes and restatements...use them to drive and build the music with continual<br />

movement.<br />

10. Character or emotional changes...take advantage ofevery one including vocal textures, questions,<br />

and words thatftel such as love, never, or thrill!<br />

11. Where's the passion and drama? Steal and keep the spotlight.<br />

12. Taking the pitch...use it to set the tone for the performance, build excitement, and add energy.<br />

13. Know the plan. Only then will youhave the confidence to transcend the music.<br />

14. It's not over 'til it's over! Become the character and live her until the curtain falls.<br />

15. Where is your window? Get over it! You might not always have one.<br />

16. Breath spaces...use them to forward the motion and to forward the "e" motion.<br />

17. Build your stamina. Get in shape and you'll be better prepared to perform and have more fun!<br />

18. Improve your posture. Make it more confident, stand tall and you'll look and sing better.<br />

19. Rip your shower curtain open! You mustbe willing to take a risk and share "all ofyou" with an<br />

audience.<br />

20. ENERGYl ENERGYl ENERGYl Are you contributing to the ensemble's energy, or are you<br />

taking it away? Start to develop your energy level to enhance both your physical expression and<br />

vocal skills by simply adding confidence to your posture, and finally by applying all nineteen<br />

techniques <strong>list</strong>ed above. Oh...the magical performances you'll create!<br />

Handout: Showmanship lOl/Showmanship Coaching/Teaching Skills for Choreographers Script: Lynne Smith, <strong>International</strong> Faculty

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