Concert and Awards Program - Cary Academy
Concert and Awards Program - Cary Academy
Concert and Awards Program - Cary Academy
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9 th Annual Pops on the Quad<br />
Thursday, May 6, 2010<br />
6:30 PM<br />
<strong>Cary</strong> <strong>Academy</strong> Quad<br />
<strong>Concert</strong> <strong>Program</strong><br />
Guantanamera (traditional)<br />
Beginning B<strong>and</strong><br />
Cuban Folksong, arr. Lopez<br />
Carnaval (2004)<br />
Combined Beginning <strong>and</strong> MS B<strong>and</strong><br />
arr. Michael Sweeney<br />
Low Rider (1975)<br />
Amparito Roca (1935)<br />
MS B<strong>and</strong><br />
US B<strong>and</strong><br />
War, arr. Michael Brown<br />
Jaime Texidor, arr. Winter<br />
Hot, Hot, Hot (1983)<br />
Alphonsus Cassell,<br />
arr. Lavender<br />
Combined MS <strong>and</strong> US B<strong>and</strong> with US Drumline<br />
Ketchup is Not a Spice (2008)<br />
MS Jazz B<strong>and</strong><br />
Dean Sorenson<br />
Manteca (1948)<br />
Combined MS <strong>and</strong> US Jazz B<strong>and</strong><br />
Dizzy Gillespie,<br />
arr. Sweeney<br />
My Little Suede Shoes (1956)<br />
A Night in Tunisia (1944)<br />
La Negra Tiene Tumbao (2001)<br />
US Jazz Combo<br />
US Jazz B<strong>and</strong><br />
US Jazz B<strong>and</strong><br />
Charlie Parker<br />
Dizzy Gillespie, arr. Ford<br />
Osorio & George, arr. Lopez<br />
1
09-10 Beginning B<strong>and</strong> Members<br />
Flute Trumpet Trombone/Euphonium<br />
Katie Barbrey * Michael Hopkins Ian Brundige<br />
Avery Campbell Emilio Ochoa Shaan Buttar #<br />
Kevin Kenna Griffin Matsuo *<br />
Alto Saxophone<br />
Clarinet Jeonghun Lee * Tuba<br />
Arnav Goswami *<br />
Jack Pullen<br />
Owen Guard<br />
Oboe<br />
Aiden LeFebvre Jahren Hubal # Percussion<br />
Ian O'Rourke<br />
Michael Dudash<br />
Kevin Wu # Officer Tyler Gregory<br />
* Section Leader Dre Ransdell *<br />
2
09-10 Middle School B<strong>and</strong> Members<br />
Flute Trumpet Baritone Saxophone<br />
Emma Astrike-Davis Jonathan Avery Austin Mangelsdorf *<br />
Lydia Field *<br />
Matthew Hutzenbuhler<br />
Varun Kasula<br />
Guitar<br />
Clarinet Josh Milligan * Pujith Adusumilli<br />
Andy Cooper # * D<br />
Katie Shy<br />
Nyal Patel Devon Witek * Electric Bass<br />
Kat Stafford<br />
Nick Trombetta<br />
Trombone<br />
Alto Saxophone Kendall Bell Percussion<br />
Mensheng Romano * Andrew Hamrick R S Pujith Adusumilli<br />
Richard Van Vliet Daniel Sheitman R S Jake Buchanan *<br />
Martin Kendrick<br />
Horn<br />
Brian Nelson<br />
Matthew Aupperle #<br />
# Officer * Section Leader<br />
D All-District B<strong>and</strong> R All-Region Jazz B<strong>and</strong> S All-State Jazz B<strong>and</strong><br />
3
09-10 Upper School B<strong>and</strong> Members<br />
Flute/Piccolo Alto Saxophone French Horn<br />
Nicole Ackman Michael Averell Allen Yang, guest<br />
Ruchi Desai<br />
Alex Touzov<br />
Melissa Geiss # * 10<br />
Percussion<br />
Tyler Powell Baritone Saxophone Alex Ade DL<br />
Wynton Wong DL Mike McCord * 10 Gerry Cuomo DL<br />
Christine Yazdani # Matt Hamm DL # 10<br />
Bassoon<br />
Caelan Harshaw DL<br />
Oboe Jen Kenyon Gaurav Judge DL<br />
Ryan Cinoman<br />
Kunal Kamerkar DL<br />
Bass Clarinet<br />
Yates Parrish DL<br />
Clarinet<br />
Chris Martin<br />
Jack Hannon 10<br />
# Officer<br />
Michael Papich Trumpet * Section Leader<br />
Andrew Tie # * Austin Crockett * 10 DL Drumline<br />
Nick Schumann<br />
10 Senior<br />
4
09-10 Middle School Jazz B<strong>and</strong> Members<br />
Clarinet Violin Piano<br />
Nyal Patel Zoe Sheitman Kaavya Ashok<br />
Alto Saxophone Trumpet Guitar<br />
Andy Cooper Matthew Hutzenbuhler Pujith Adusumilli<br />
Mensheng Romano Josh Milligan Max Gowan<br />
Richard Van Vliet<br />
Devon Witek<br />
Bass<br />
Tenor Saxophone Trombone Michael Todd<br />
Micaela Rosen<br />
Andrew Hamrick<br />
Daniel Sheitman #<br />
Drums<br />
Baritone Saxophone Braden Saba Jake Buchanan<br />
Austin Mangelsdorf<br />
Tyler Gregory<br />
# Officer Dre Ransdell<br />
5
09-10 Upper School Honors Jazz B<strong>and</strong> Members<br />
Alto Saxophone Trumpet Piano<br />
Joe Calder Zach Graves Joseph Cornett C<br />
Alex Coeytaux * C Daniel Orol *<br />
Rachna Kuchibhatla Nick Schumann Guitar<br />
Austin Cooper # 10 C<br />
Tenor Saxophone Drums Jeremy Kleiman<br />
Andrew Tie C Alex Cooper C Matt Rushin<br />
Gerry Cuomo<br />
Harrison Wicker<br />
Baritone Saxophone<br />
Gaurav Judge<br />
Mike McCord 10 Br<strong>and</strong>on Wilson # * 10 Bass<br />
Alex Rosenthal 10 C<br />
Clarinet Vibes Thomas Worm<br />
Michael Papich<br />
Abe Hawari<br />
C Combo<br />
# Officer * Section Leader 10 Senior<br />
6
<strong>Awards</strong> <strong>Program</strong><br />
Certificate Symbols of Participation<br />
Audition<br />
This represents the<br />
effort made by any<br />
student who<br />
auditioned to<br />
participate in an<br />
honor ensemble.<br />
Performance<br />
This represents the<br />
effort made by any<br />
student who<br />
performed in an<br />
honor ensemble.<br />
Other Ensemble<br />
This represents a<br />
student’s<br />
participation in a<br />
second instrumental<br />
music class at <strong>Cary</strong><br />
<strong>Academy</strong>.<br />
Jazz B<strong>and</strong><br />
This represents<br />
membership in<br />
either the US or<br />
MS Jazz B<strong>and</strong>.<br />
Pep B<strong>and</strong> or<br />
Drumline<br />
This represents a<br />
student’s<br />
participation in Pep<br />
B<strong>and</strong> or US<br />
Drumline Club.<br />
Officer or Section<br />
Leader<br />
This represents a<br />
student’s<br />
leadership role in<br />
class.<br />
Competition or Festival<br />
This represents a student’s<br />
performance at the UNCW<br />
Jazz Festival on March 26<br />
or the B<strong>and</strong> Competition on<br />
April 10, 2010<br />
7
Award Descriptions<br />
Director's Award for Leadership<br />
Students exhibit leadership in many ways. Some motivate those around them to work together to<br />
stretch personal limits. Others lead by example, teaching those around them by being prepared <strong>and</strong><br />
playing their music as it is meant to be played. Still, others lead by demonstrating consistent effort<br />
<strong>and</strong> excellence in their overall approach to playing music on their instruments. Students receiving<br />
recognition for outst<strong>and</strong>ing leadership have served as role models throughout the year by<br />
demonstrating exceptional musicianship <strong>and</strong> effort.<br />
Director’s Award for Improvement<br />
Playing a musical instrument seems to come easier to some people than others. However,<br />
determination <strong>and</strong> hard work often make the difference in a student’s musical growth. In addition,<br />
seeking help from a teacher or friends <strong>and</strong> incorporating their advice into practice habits yields<br />
further growth. Musical ability is less inherited than it is earned. Students receiving recognition for<br />
outst<strong>and</strong>ing improvement have shown an intense desire to better their playing, exemplary effort,<br />
<strong>and</strong> have demonstrated a dramatic increase in their musical skills.<br />
Director’s Award for Spirit<br />
Students also display spirit in many ways: Energy… Interest… Positive Attitude... Some see what<br />
needs to be done, often without being asked, <strong>and</strong> do it. Others are curious <strong>and</strong> always interested in<br />
doing or learning something new or different about music. Still others have a demeanor <strong>and</strong><br />
enthusiasm about playing music <strong>and</strong> about life that is simply contagious. Students receiving<br />
recognition for outst<strong>and</strong>ing spirit have inspired <strong>and</strong> challenged us all to strive for excellence<br />
throughout the year through their enthusiasm, service, <strong>and</strong> attitude.<br />
John Philip Sousa B<strong>and</strong> Award<br />
This national award is given to an Upper School student in recognition of outst<strong>and</strong>ing achievement<br />
<strong>and</strong> interest in b<strong>and</strong>, for singular merit in loyalty <strong>and</strong> cooperation, <strong>and</strong> for displaying the high<br />
qualities of conduct that school music requires.<br />
Louis Armstrong Jazz Award<br />
This national award is given to an Upper School student in recognition of outst<strong>and</strong>ing achievement<br />
<strong>and</strong> interest in jazz music. Exceptional ability in solo <strong>and</strong> ensemble playing are consistently<br />
demonstrated by the recipient of this award.<br />
B<strong>and</strong> Letter (first awarded in the 2004-2005 school year)<br />
Upper school b<strong>and</strong> students earn a b<strong>and</strong> letter by being enrolled in a b<strong>and</strong> class beyond the one unit<br />
of credit required for graduation. Therefore, students enrolled in one b<strong>and</strong> class per year earn b<strong>and</strong><br />
letters during their third year. Students enrolled in both b<strong>and</strong> <strong>and</strong> jazz b<strong>and</strong> classes in their first<br />
year earn b<strong>and</strong> letters for enrolling in at least one b<strong>and</strong> class during their 2 nd year.<br />
8
A Brief History of the CA B<strong>and</strong> <strong>Program</strong><br />
In the fall of 1997, Mr. Grush began developing the instrumental music program, assisted by strings<br />
teachers Dr. Charles Campbell <strong>and</strong> Ms. Gina Calabria. There were 10 students in the Upper School<br />
Orchestra, 32 students in the Middle School (7th <strong>and</strong> 8th grade) classes <strong>and</strong> 25 students in the<br />
Beginning (6 th grade) classes. All instrumental music classes were held in room 108 in the middle<br />
school, now a science lab.<br />
In the spring of 1998, twenty students in grades 6-9 formed an after school Jazz B<strong>and</strong> Club.<br />
Beginning in ’98-‘99 rehearsals moved to twice a week before school at 7:00AM. Fall of 2000<br />
marked the formation of MS Jazz B<strong>and</strong> - a club that met once per week for 45 minutes <strong>and</strong> was<br />
open to all 6th - 8th grade students, regardless of their enrollment in B<strong>and</strong> class. US Jazz B<strong>and</strong><br />
became a class in fall of 2000, but still met before school twice per week until 2002. In 2001, Mr.<br />
Qiao arrived to teach the orchestra classes <strong>and</strong> Mr. Grush focused on the B<strong>and</strong> <strong>and</strong> Jazz B<strong>and</strong>.<br />
For the 09-10 school year, there are 19 Beginning B<strong>and</strong> students, 23 MS B<strong>and</strong> students, 24 US<br />
B<strong>and</strong> students, 21 US Jazz B<strong>and</strong> students, 4 Jazz/Rock Improvisation Students, 13 Music Theory<br />
Students, <strong>and</strong> many members of the MS Pep B<strong>and</strong> Club, US Drumline Club, <strong>and</strong> MS Jazz B<strong>and</strong>.<br />
Over the past 13 years, US <strong>and</strong> MS B<strong>and</strong> students have performed in the following locations <strong>and</strong><br />
have earned numerous honors <strong>and</strong> awards.<br />
Performance Locations<br />
On Campus<br />
Dining Hall<br />
Quad<br />
Gym<br />
Auditorium<br />
Admin Building<br />
Off Campus<br />
SAS building V<br />
UNC<br />
NCSU<br />
NC School of the Arts<br />
Ravenscroft<br />
Campbell University<br />
Meym<strong>and</strong>i <strong>Concert</strong> Hall<br />
<strong>Cary</strong> Senior Center<br />
Carmen’s Cuban Cafe<br />
District Festivals<br />
Jacksonville, NC<br />
Shelby, NC<br />
Monroe, NC<br />
Tarboro, NC<br />
Asheboro, NC<br />
Hillsborough, NC<br />
Morrisville, NC<br />
Other Festivals <strong>and</strong><br />
Performances<br />
Myrtle Beach, SC<br />
Orl<strong>and</strong>o, FL<br />
Atlanta, GA<br />
Williamsburg, VA<br />
Charlotte, NC<br />
Richmond, VA<br />
Winston-Salem, NC<br />
Honors <strong>and</strong> <strong>Awards</strong><br />
Performed at the NC Music Educators Association Convention – November 10, 2008<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
2 Gr<strong>and</strong> Champion/Highest Score <strong>Awards</strong><br />
9 First Place <strong>Awards</strong><br />
4 Superior Ratings at District Festivals<br />
71 Students in All-District B<strong>and</strong><br />
10 Students in All-Region Jazz B<strong>and</strong><br />
18 Students in All-State Honors B<strong>and</strong><br />
2 Students in All-State Jazz B<strong>and</strong><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
2 students in NC Governor's School<br />
16 students in NCAIS Honor B<strong>and</strong><br />
15 students in CA B<strong>and</strong> for all 7 years<br />
2 Performances at Meym<strong>and</strong>i <strong>Concert</strong> Hall<br />
3 Videos with CA soundtracks from Disney<br />
Over 225 pieces of music played in 13 years<br />
More than 70 performances in 13 years<br />
9
Melissa Geiss<br />
03-04<br />
B<strong>and</strong> Class of 2010 when they started<br />
Br<strong>and</strong>on Wilson<br />
03-04<br />
Alex Rosenthal<br />
03-04<br />
Austin Crockett<br />
04-05<br />
Matt Hamm<br />
05-06<br />
Jack Hannon<br />
06-07<br />
Mike McCord<br />
07-08<br />
Austin Cooper<br />
09-10<br />
2010 B<strong>and</strong> Seniors<br />
10
To the b<strong>and</strong> class of 2010 from Mr. Grush . . .<br />
Participating in the instrumental music program <strong>and</strong> putting up with me for this long does indeed deserve<br />
special recognition <strong>and</strong> some reminiscing! I look back to 2003, when Melissa started playing flute <strong>and</strong><br />
Br<strong>and</strong>on played percussion in Beginning B<strong>and</strong> <strong>and</strong> Alex played guitar in MS Jazz B<strong>and</strong>. Austin Crockett<br />
joined the MS b<strong>and</strong> in 2004 <strong>and</strong> Matt came in 2005. Jack started playing clarinet as a 9 th grader in 2006, <strong>and</strong><br />
Mike jumped on board in 2007. It took me 3 years to convince him, but Austin Cooper started playing in<br />
jazz b<strong>and</strong> this year. The eight seniors have played for a total of 42 years in the <strong>Cary</strong> <strong>Academy</strong> B<strong>and</strong><br />
<strong>Program</strong>! Wow!!! I am proud of your musical growth, but most proud of the exceptional young people you<br />
have become. Without your amazing talent, dedication, <strong>and</strong> leadership, the <strong>Cary</strong> <strong>Academy</strong> B<strong>and</strong> <strong>Program</strong><br />
would not have approached the level of success we have attained. I admire each of you, am deeply grateful<br />
to you, <strong>and</strong> will dearly miss you.<br />
Do you remember . . .<br />
03-04 the Beginning B<strong>and</strong> in-class demonstration when you wrote your own music to perform.<br />
04-05 the Busch Gardens competition? MS B<strong>and</strong> earned Superior! US Jazz B<strong>and</strong> won Gr<strong>and</strong> Champion!<br />
05-06 the performance at Campbell University.<br />
06-07 the Disney Trip - our own video soundtrack <strong>and</strong> performance in the Magic Kingdom.<br />
07-08 the Dixie Classic – US Jazz B<strong>and</strong> <strong>and</strong> Jazz Combo earned Superiors!<br />
08-09 the NCMEA Convention – US <strong>and</strong> MS Jazz B<strong>and</strong>s performed for the state’s jazz teachers.<br />
08-09 Kansas City Jazz – Cecil, Ramon, the CA Swing Dance Club Assembly, <strong>and</strong> the 30’s style outfits.<br />
B<strong>and</strong> Class of 2010 Future Plans<br />
Austin Cooper UNC-Chapel Hill English, French, Physics, or History<br />
Austin Crockett Texas A&M Engineering<br />
Melissa Geiss Quinnipiac University Physical Therapy<br />
Matt Hamm Lenoir-Rhyne University Play baseball - Government, Business, Biology, or Pre-med<br />
Jack Hannon UNC-Chapel Hill Psychology/Sociology<br />
Mike McCord High Point University Political Science<br />
Alex Rosenthal McGill University Psychology<br />
Br<strong>and</strong>on Wilson Campbell University Play baseball - double major in Kinesiology <strong>and</strong> Spanish<br />
Senior B<strong>and</strong> Memories: Class of 2010<br />
Austin Cooper<br />
Memories are sometimes difficult to pinpoint; the fluid <strong>and</strong> indistinguishable quality<br />
of reminiscence truly does define the experience. However, if I were to choose a<br />
specific moment as my "favorite memory," it would be that time when everything<br />
clicked for the Combo. We were in the deafeningly loud practice room, sans<br />
directeur, <strong>and</strong> the music just clicked -- everything sounded right. This experience is<br />
a lovely paradigm for what being in b<strong>and</strong> has meant to me: I've taken it upon myself<br />
to assist disparate elements in the process of coalescence. Underclassmen, just listen<br />
- to yourself, to the recordings, to your b<strong>and</strong> mates (<strong>and</strong> maybe Mr. Grush?).<br />
11
Austin Crockett<br />
My favorite b<strong>and</strong> memory is when we went to Disney in my freshman year.<br />
I had a lot of fun playing with a professional conductor <strong>and</strong> in a sound studio.<br />
Also the music we were playing was a lot of fun. Then the time we spent in<br />
the park was extremely enjoyable.<br />
Melissa Geiss<br />
My favorite b<strong>and</strong> memories would be going to Disney my freshman year <strong>and</strong><br />
making All-District B<strong>and</strong> in 8th grade. In All-District it was really cool to play<br />
with a large group of talented musicians <strong>and</strong> being able to prepare a full concert<br />
in only a couple days. For Disney, It was fun attending those workshops with a<br />
professional conductor, allowing us to get a different perspective on our pieces.<br />
Of course the time in the parks was awesome as well :) I’ve learned a lot over the<br />
7 years I’ve been in b<strong>and</strong>, both in becoming a better musician <strong>and</strong> a better leader.<br />
I had never played the flute before coming into CA, <strong>and</strong> I’ve come such a long<br />
way since then. It’s pretty cool to see how much everyone has progressed over<br />
the years. Thank you Mr. Grush for everything you’ve done for us.<br />
Matt Hamm<br />
Being in b<strong>and</strong> has meant a lot to me these past few years. It has given me the<br />
opportunity to pursue my goals of playing music. Mr. Grush has also helped me<br />
improve my skill in music, <strong>and</strong> become a better musician. Without him, I do not<br />
believe my skills would be at the level they are today. Mr. Grush is also a fun<br />
guy, but sometimes thinks he’s funnier than he really is. Thanks Mr. Grush.<br />
Jack Hannon<br />
My favorite memory was going to Williamsburg for the b<strong>and</strong> competition <strong>and</strong><br />
going to Busch Gardens afterwards. B<strong>and</strong> has been a wonderful experience for<br />
me, one that means a lot more considering I picked up the clarinet in 9th grade.<br />
It has been a great way to be part of a performing group <strong>and</strong> make friends.<br />
12
Mike McCord<br />
My favorite b<strong>and</strong> memory was playing with the NCAIS Honor B<strong>and</strong> down at<br />
Campbell University. It was great to work incredibly hard all day with talented<br />
musicians <strong>and</strong> then put on a wonderful performance almost immediately<br />
afterwards.<br />
Alex Rosenthal<br />
My favorite memory in Jazz B<strong>and</strong> brings me back to the time the combo<br />
played Charlie Parker's My Little Suede Shoes. Having never played together<br />
as a group, the combo somehow tackled one of the most difficult pieces in the<br />
Real Book's repertoire <strong>and</strong> came out alive. We really took Charlie Parker's<br />
piece <strong>and</strong> made it our own. I first played Tenor Sax in Jazz b<strong>and</strong>. When I got<br />
a taste of the bass guitar, I was hooked. I did not leave the jazz b<strong>and</strong> despite<br />
this instrumental change, however, <strong>and</strong> instead decided to try my h<strong>and</strong> at the<br />
rhythm section. I have felt quite comfortable here <strong>and</strong> I hope to further the<br />
musical journey on which the <strong>Cary</strong> <strong>Academy</strong> Jazz B<strong>and</strong> has started for me in<br />
college.<br />
Br<strong>and</strong>on Wilson<br />
My first favorite b<strong>and</strong> memory doesn't actually involve Jazz B<strong>and</strong>; it is<br />
making all district b<strong>and</strong> on timpani in 8th grade. That was my first experience<br />
playing with a large group made up of so many talented musicians <strong>and</strong> it was<br />
really exciting that the group sounded so good. For a Jazz B<strong>and</strong> memory, I<br />
would choose this whole year as well as our competition in Virginia. I've<br />
really enjoyed listening to Latin music since traveling to Ecuador in my<br />
sophomore year <strong>and</strong> this year gave me a chance to gain a little underst<strong>and</strong>ing<br />
of Latin style. Thanks for the last 7 years Mr. Grush.<br />
13
Mr. Grush’s memories of seniors <strong>and</strong> future predictions<br />
Austin Cooper<br />
Austin, well it took 3 years, but I finally talked you into joining jazz b<strong>and</strong> … <strong>and</strong> everyone in jazz b<strong>and</strong> has<br />
benefited immensely. You are easily one of the most creative <strong>and</strong> talented musicians we have had in the 13<br />
years of <strong>Cary</strong> <strong>Academy</strong>. When we first met, you thought you knew more than me about music, <strong>and</strong> you<br />
were partially right. At that point, to you, music meant blues guitar <strong>and</strong> your b<strong>and</strong>, Citizen. Since then, you<br />
have spent a week at Berkley studying music theory <strong>and</strong> now have started jazz guitar lessons. Now I smugly<br />
say, I knew that you had more in you <strong>and</strong> a world of music in jazz that you had not explored. I thank you for<br />
all that you have taught me. Future Prediction – At UNC, Austin spends most of his time on Franklin<br />
Street, playing, listening, <strong>and</strong> talking with musicians. Over his 10 years there, he amasses enough hours for<br />
4 undergrad degrees plus 2 masters’ degrees without earning any, because he could not make up his mind to<br />
declare a major!<br />
Austin Crockett<br />
Austin, I was thrilled to find out we had a new 7 th grade trumpet player joining b<strong>and</strong>. But little did I know<br />
what an invaluable addition you would be! You instantly became a musical leader in the class because of<br />
your work ethic <strong>and</strong> dedication to take weekly private trumpet lessons. Each year I saw improvement <strong>and</strong><br />
then a huge leap your junior year, as effort <strong>and</strong> experience helped you put it all together. You never made<br />
All-District B<strong>and</strong>, but you auditioned almost every year to improve yourself. We can all learn from your<br />
persistence <strong>and</strong> desire. You have also been a steadfast member of the swim <strong>and</strong> lacrosse teams. However,<br />
your biggest b<strong>and</strong> claim to fame in my book is that you <strong>and</strong> Melissa hold the record for the longest CA B<strong>and</strong><br />
relationship in history . . . <strong>and</strong> it all started on the B<strong>and</strong> trip to Disney in 2007! Future Prediction –<br />
Although he loves to swim <strong>and</strong> play lacrosse, Austin is forced to choose one sport at Texas A&M. Unable to<br />
pick just one, Austin combines the two by playing club Water Polo. Through incredible hard work he makes<br />
it to the varsity team <strong>and</strong> eventually the USA Olympic Team.<br />
Melissa Geiss<br />
Melissa, early in your 6 th grade year I remember a day when we had a playing quiz in class. You played well<br />
<strong>and</strong> I gave you some suggestions on what to improve, but you were upset. I have come to know over the<br />
past 7 years that you are a sensitive <strong>and</strong> extremely caring person, not being satisfied with anything but your<br />
best. I admire that in you. You are a superb musician <strong>and</strong> have been a musical leader in each of your b<strong>and</strong><br />
classes, auditioning for All-District B<strong>and</strong> almost every year. In addition, you are an excellent student <strong>and</strong><br />
athlete, being a leader on the tennis, swimming, <strong>and</strong> softball teams. My most vivid memory of you was<br />
seeing you together with Austin on the Disney trip in 2007. You two hold the record for the longest CA<br />
B<strong>and</strong> relationship in history! Future Prediction – After Quinnipiac, Melissa opens her own physical<br />
therapy office. For those who need patient, sustained focus, she plays tranquil music on flute. For those<br />
who need motivation to push themselves, she pulls out her piccolo <strong>and</strong> they work harder to get away from the<br />
noise!<br />
Matt Hamm<br />
Matt, as the last remaining original member of the drumline, you have done more to encourage <strong>and</strong> promote<br />
the drumline than anyone in its history. You have been an excellent drumline captain, dealing with members<br />
with varied levels of talent, experience, <strong>and</strong> commitment. You have played drumset in jazz b<strong>and</strong>. As a<br />
junior, you indentified your strengths <strong>and</strong> interests <strong>and</strong> focused solely on drumline <strong>and</strong> concert b<strong>and</strong>. Also,<br />
you have been the foundation of the baseball team for the past 5 years. You had to learn how to catch<br />
Br<strong>and</strong>on’s fastball, which you did, <strong>and</strong> you helped make him a better player as well. The Lenoir Rhyne<br />
baseball team will be lucky to have you! Future Prediction – After Lenoir-Rhyne <strong>and</strong> medical school, Matt<br />
becomes one of the team physicians in the Atlanta Braves organization. To help an injured pitcher rehab his<br />
wrist, Matt prescribes some unorthodox physical therapy – playing marching percussion instruments.<br />
Before long, the entire bullpen is playing cadences before games as part of their warm-up routine!<br />
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Jack Hannon<br />
Jack, I remember our first meeting the summer before you entered CA. You had played piano, but now<br />
chose clarinet. I have never seen someone pick up a b<strong>and</strong> instrument in 9 th grade <strong>and</strong> turn into such a<br />
marvelous player. Everyone else in our class had at least 3 years of experience - some up to 7 years. You<br />
were extremely patient <strong>and</strong> worked incredibly hard to develop your skill to the same level as your<br />
classmates. By this past summer, you were even ready to tackle picking up a 2 nd instrument – Tenor Sax.<br />
Jack, your success is testimony to your perseverance <strong>and</strong> dedication. In addition to b<strong>and</strong>, you have been an<br />
important member of the swimming <strong>and</strong> track teams. Future Prediction – At UNC, Jack joins the marching<br />
<strong>and</strong> pep b<strong>and</strong>s. After graduating with a degree in psychology, Jack begins work on a PHD in Sociology <strong>and</strong><br />
proposes as his thesis, “the multi-layered social structure of an athletic b<strong>and</strong>”. What does he hope to learn?<br />
Nothing – he just wants to go to the bowl games, the ACC Tournament, <strong>and</strong> the NCAA Tournament (or<br />
maybe the NIT)!<br />
Mike McCord<br />
Mike, as our Bari Sax player, you have literally been the foundation of US B<strong>and</strong> <strong>and</strong> Jazz B<strong>and</strong> for the last 3<br />
years. You have been willing to cover parts for so many instruments we did not have in the b<strong>and</strong>. Usually<br />
that has meant cutting <strong>and</strong> pasting from 2 or more parts to come up with the music you would play. There is<br />
no way we would have been as successful without your talent <strong>and</strong> effort. On a personal note, I truly<br />
appreciated your h<strong>and</strong>-written thank you card during “CA one week”. I have not known you to talk much<br />
about yourself or how you feel about things, but the times you have opened up, you have spoken from the<br />
heart. Alright, enough of the sentimental stuff - let’s talk business. You gave me money to buy reeds for<br />
you in August, but not enough to cover the entire cost. Where is the $15 you owe me?!<br />
Future Prediction – As a summer job, Mike begins working for the family business of two former students<br />
who played saxophone in jazz b<strong>and</strong>. It is a modeling job, but they don’t want Mike for his body or his<br />
ruggedly h<strong>and</strong>some facial features . . . the family business is Mitchell’s Hair Styling.<br />
Alex Rosenthal<br />
Alex, as one of three 7 year seniors, you have come full circle – starting in the rhythm section as a 6th grader<br />
in MS Jazz B<strong>and</strong> (guitar), then to Tenor Sax in MS B<strong>and</strong>, US B<strong>and</strong>, <strong>and</strong> US Jazz B<strong>and</strong>. You’re a good sax<br />
player, but little did we know the immensity of your musical talent until your inner bass player was<br />
unleashed! I think you could play any instrument, if you tried. Your drive to excel is evidenced by your<br />
exceptional success in wrestling <strong>and</strong> by your performance tonight on string bass, an instrument you have<br />
taught yourself during free periods <strong>and</strong> lunch periods over the last few months. I am amazed by how quickly<br />
you can hear something <strong>and</strong> play it. You have one of the best ears for music of any student I have ever<br />
taught. Your enthusiasm is contagious as you have been the MC for countless school events. Future<br />
Prediction – After missing yet another important email message from a professor, Alex becomes<br />
disillusioned with educational institutions’ dependence on email <strong>and</strong> computers. He joins a commune in the<br />
southwest where all electronic technology is banned, the members wear knit hats (even in hot weather,) <strong>and</strong><br />
they spend all day playing music together.<br />
Br<strong>and</strong>on Wilson<br />
Br<strong>and</strong>on, you are one of two 7 year seniors this year. You have played concert percussion <strong>and</strong> drumset, but<br />
this year also became our steel drummer. I forgot to check, did you play steel drum with your mouth open<br />
like you sometimes do with drum set? Seriously, you are one of, if not THE, hardest working students I<br />
have ever seen at CA. I have never heard you complain or make excuses. You keep going <strong>and</strong> going (like<br />
the energizer bunny) until you complete what you set out to do – in academics, arts, <strong>and</strong> athletics. The<br />
baseball team would have loved to have you pitch every inning of every game, if you could have. One piece<br />
of advice: learn how to spell Kinesiology before next fall (you spelled it wrong when you wrote it for me!)<br />
Future Prediction – After his days playing baseball at Campbell are over, Br<strong>and</strong>on is drafted <strong>and</strong><br />
eventually makes his way to the big leagues. When asked what inspired him to start playing baseball when<br />
he was young he answers, “my Mom <strong>and</strong> Dad”. Why is that? “They encouraged <strong>and</strong> supported me, but I<br />
never would have spent so much time outside if there wasn’t all that incessant music practicing in my<br />
house!”<br />
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2009-2010 B<strong>and</strong> Event Descriptions<br />
Music Camps (Summer 2010)<br />
Ryan Cinoman (’12)<br />
Music Camps can be many things, including just a way to get in some practice before coming back to school.<br />
At a music camp, you can get specialized tutoring <strong>and</strong> lessons, as well as group ensemble practice, <strong>and</strong><br />
hopefully you’ll get to try something you’ve never done before. There are many opportunities you can get at<br />
summer camps that you can’t get here at <strong>Cary</strong> <strong>Academy</strong>, such as teaching from College Professors or other<br />
experienced teachers. Depending on what camp you sign up for, you could get music theory classes or<br />
private lessons with professional teachers. But, of course the best part is meeting fellow musicians of your<br />
same level, <strong>and</strong> playing in groups with them in the concert on the final day.<br />
US Drumline Club (Year-long)<br />
Matt Hamm (’10)<br />
The drum line this year played a variety of different songs <strong>and</strong><br />
instruments. First, Yates <strong>and</strong> I went to a retirement home to play for<br />
their annual Olympic games. That was a blast because everyone was<br />
getting into it <strong>and</strong> dancing to the beat. We also got to get out of class,<br />
which was an added plus. Next the drum line learned a few different<br />
songs that we made up on our own <strong>and</strong> played at Homecoming.<br />
Finally, at the Variety show, we decided that we wanted to switch it up<br />
a little bit <strong>and</strong> play trash cans. The song we played was called Stinkin’<br />
Garbage. This song consisted of us playing on each other’s drums<br />
(trash cans) <strong>and</strong> reaching over each other’s h<strong>and</strong>s. I’ve had a lot of fun<br />
with the drum line this year, <strong>and</strong> I’m sad to be leaving it behind.<br />
Isl<strong>and</strong> Music Theme for the year (Year-long)<br />
Michael Papich (’11)<br />
At the end of last year, Mr. Grush told us he had an interest in us playing<br />
isl<strong>and</strong> music the next year. Many of us were skeptical, but by the end of<br />
this year, we can see why he wanted to play it so much. From the highly<br />
stylized Salsa music, mainly of Cuban origins, to classic Reggae, a<br />
“movement of ja people”. I honestly had fun playing these high-paced,<br />
exciting pieces <strong>and</strong> I’m sure most other people did as well.<br />
Beginning B<strong>and</strong> In-Class Demonstration (September 2010)<br />
Kevin Wu (’16)<br />
The in-class demonstration was a good opportunity to show our parents how hard it actually is to start<br />
playing a wind instrument. This demonstration was the Beginning B<strong>and</strong> who had just started playing their<br />
instruments, with the exception of a few people who had already played their instrument. We didn’t sound<br />
too good at that time, but we could still blow decent notes. Then at the end the parents got to try playing our<br />
instrument. They couldn’t even make a sound! This was a good experience <strong>and</strong> it showed our parents how<br />
hard we have worked. How about an encore?!<br />
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Jazz on the Quad <strong>and</strong> Panyelo (October 2009)<br />
Micaela Rosen (’16)<br />
Even though “Jazz on the Quad” turned out to be “Reggae in the Auditorium”, everybody still had fun<br />
listening to reggae music performed by <strong>Cary</strong> <strong>Academy</strong>’s Jazz B<strong>and</strong>s <strong>and</strong> Panyelo. Both the US <strong>and</strong> MS Jazz<br />
B<strong>and</strong>s had a great time working with Panyelo, a steel drum b<strong>and</strong>. We learned a lot from the members of the<br />
Panyelo b<strong>and</strong>, <strong>and</strong> our pieces were very much improved after having worked with them. We even got to<br />
hear the story of how the steel drums came to be! I would definitely recommend having Panyelo come<br />
again; it was an awesome experience!<br />
Gr<strong>and</strong>parents Day Performance (November 2009)<br />
Rachna Kuchibhatla (’13)<br />
NCAIS Honor B<strong>and</strong> (NC Association of Independent Schools)<br />
(November 2009) Christine Yazdani (’11)<br />
This year was the first of the NCAIS Honor B<strong>and</strong>. <strong>Cary</strong> <strong>Academy</strong><br />
participated amongst many independent high schools in North<br />
Carolina. The members of this b<strong>and</strong> were selected by their b<strong>and</strong><br />
directors to play along with the Campbell University music<br />
students directed by Dr. Dwayne Wilson (CA parent). We played<br />
a variety of music that was challenging <strong>and</strong> fun. As the b<strong>and</strong><br />
practiced together the day before the concert, we got to experience<br />
playing with a university b<strong>and</strong>. We performed the concert on<br />
Saturday. I think that it was a great opportunity <strong>and</strong> experience as<br />
we got to play at a higher level which pushed us to work harder.<br />
Gr<strong>and</strong>parents Day was a day when all of the Gr<strong>and</strong>parents of students gained the opportunity to come <strong>and</strong><br />
visit their gr<strong>and</strong>kids at school. It was also the day that they had the chance to listen to the Upper School Jazz<br />
B<strong>and</strong>. During the first trimester, we focused on playing Reggae <strong>and</strong> Calypso pieces. We performed Limbo<br />
Jazz by Duke Ellington, El Carribe by Lalo Cavila, <strong>and</strong> Exodus by Bob Marley. I personally enjoyed<br />
performing in this concert as it was one of the first concerts of the year, as well as one of my first times<br />
playing jazz music. I hope there will be another Gr<strong>and</strong>parents Day performance next year as well!!!!<br />
Winter B<strong>and</strong> <strong>Concert</strong> with Mickey Mills (December 2009)<br />
Owen Guard (’16)<br />
The Winter B<strong>and</strong> <strong>Concert</strong> with Mickey Mills was the Beginning B<strong>and</strong>’s first concert. Some of the people<br />
involved in the concert were the Beginning B<strong>and</strong>, the MS B<strong>and</strong>, the US B<strong>and</strong>, <strong>and</strong> guest steel drummer<br />
Mickey Mills. I really enjoyed learning <strong>and</strong> playing with a professional musician (Mickey Mills). It was also<br />
fun playing for my friends in the Middle School. I would recommend that we do the winter concert again,<br />
<strong>and</strong> I would encourage more people to come to it next year, because it will be even more fun!<br />
Homecoming Pep Rally <strong>and</strong> MS Pep B<strong>and</strong> Games (December 2009 <strong>and</strong> February 2010)<br />
Emma Astrike-Davis (’14)<br />
What do you get when you combine peppy music with intense basketball playing? An awesome b<strong>and</strong><br />
playing opportunity! Pep B<strong>and</strong> was a lot of fun, because it allowed anyone from a middle school b<strong>and</strong> to<br />
play familiar songs together in front of a relaxed crowd. At the same time it gave us a way to help cheer on<br />
our basketball playing friends at several of their games. I felt that we played well together <strong>and</strong> sounded good,<br />
but the most important thing was that we had a great time, <strong>and</strong> everyone at the game was able to enjoy our<br />
music.<br />
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All-District B<strong>and</strong> Auditions (January 2010)<br />
Andy Cooper (’14)<br />
The All-District <strong>Concert</strong> B<strong>and</strong> Auditions was an event that involved hundreds of 6 th -12 th grade musicians in<br />
the state. Anyone who played a concert b<strong>and</strong> instrument, had a b<strong>and</strong> director who is a member of the NC<br />
Music Educators Association, <strong>and</strong> lived in the central area of NC was eligible. It was very fun because it was<br />
a huge audition with talented musicians trying out for a large b<strong>and</strong>. It was a great opportunity to experience a<br />
professional audition: playing scales, a challenging solo piece, <strong>and</strong> sight-reading. It involved a lot of<br />
practicing! I definitely encourage people to try this next year because it’s a fun <strong>and</strong> challenging event that<br />
will help you progress as a musician.<br />
All-Region Jazz B<strong>and</strong> Auditions <strong>and</strong> Weekend (January/February 2010)<br />
Daniel Sheitman (’14)<br />
The NC Middle School All-Region Jazz B<strong>and</strong> is similar to the older, larger All-District <strong>Concert</strong> B<strong>and</strong>. The<br />
audition process is also similar; about a couple hundred students play scales, a solo, improvise for a few bars,<br />
<strong>and</strong> sight read a piece. Those who make the b<strong>and</strong> travel to a school where they will rehearse for a day <strong>and</strong> a<br />
half with pieces of music members only have a short amount of time to learn, before performing a concert.<br />
Unfortunately, we had to leave a day early because of heavy snow. However, I enjoyed it <strong>and</strong> I will likely<br />
try out for the high school version next year.<br />
US Salsa Assembly with Orquesta Gardel (February 2010)<br />
Wynton Wong (’11)<br />
After weeks of work with the talented musicians of Orquesta Gardel, the US B<strong>and</strong> <strong>and</strong> US Jazz B<strong>and</strong>s were<br />
proud to debut our salsa music to the entire Upper School. The entire b<strong>and</strong> had fun experimenting with such<br />
an energetic genre of music because of the musical arrangements made especially for us by Orquesta Gardel<br />
director, Andy Kleindienst. Orquesta Gardel members accompanied us on vocals <strong>and</strong> instruments, elevating<br />
the performance to a whole other level. The quick, upbeat tempo of the music alongside some jamming<br />
percussion got people in the audience tapping their feet <strong>and</strong> dancing. Soon enough the Salsa Club feel was<br />
completed as the stage was full of dancers <strong>and</strong> everyone was enjoying the music. The assembly was fun <strong>and</strong><br />
light-hearted, something that got everyone grooving.<br />
MS Salsa Assembly with Orquesta Gardel (February 2010)<br />
Jake Buchanan (’14)<br />
The b<strong>and</strong> assembly for the Middle School was a “Salsa Club”. Rather than just<br />
listening to the music, the audience got to be involved by dancing to the live music<br />
of the MS b<strong>and</strong> classes with guests. These guests were from a group called the<br />
“Orquesta Gardel,” with some of them from areas such as Puerto Rico <strong>and</strong> the<br />
Dominican Republic, where Salsa music is one of the most popular genres. I liked<br />
the whole idea as well as the new genre of music we played. I also enjoyed having<br />
these special guests help us incorporate their indigenous style into the music.<br />
Salsa Club Evening at Carmen’s Cuban Cafe (February 2010)<br />
Kendall Bell (’15)<br />
The Salsa Club at Carmen’s Cuban Café (try saying that 5 times fast) was awesome. You can’t really go<br />
wrong with good food, good music, <strong>and</strong> great musicians. The Salsa Club was a time for the MS <strong>and</strong> US<br />
b<strong>and</strong>s to play in front of a small crowd, listen to the professional musicians play, dance, <strong>and</strong> enjoy the club<br />
environment. We played st<strong>and</strong>ing up with some professional accompaniment <strong>and</strong>, believe it or not, we<br />
sounded pretty good. This is something we have to do again. Overall the crazy Salsa Club at Carmen’s<br />
Cuban Café was muy bueno.<br />
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UNCW Jazz Festival (March 2010)<br />
Joseph Cornett (’13)<br />
The UNCW (UNC-Wilmington) Jazz Festival was a wonderful opportunity for the Jazz Combos (both MS<br />
<strong>and</strong> US) to hear performances by jazz ensembles from regional schools. It was a one-day event (on a Friday,<br />
even!), <strong>and</strong> while there were no awards given, nor a competitive aspect of any sort, the praise <strong>and</strong> feedback<br />
given to the ensembles after their respective performances was in greater volume <strong>and</strong>, most importantly,<br />
more specific to playing the jazz genre. The remarks received from the judges <strong>and</strong> UNCW faculty also<br />
helped prepare the ensembles for the Williamsburg competition, <strong>and</strong> the lack of a competitive aspect to the<br />
event created less pressure on the ensembles; any of the participants can say with conviction that it was an<br />
event definitely worth attending.<br />
All-State Jazz B<strong>and</strong> Auditions <strong>and</strong> Weekend (March/April 2010)<br />
Andrew Hamrick (’14)<br />
On April 3-4, Daniel Sheitman <strong>and</strong> I participated in the All-State Jazz B<strong>and</strong>. We drove down Friday<br />
morning <strong>and</strong> practiced from 10:30 in the morning to 9:00 at night. The all-state jazz b<strong>and</strong> consisted of one<br />
drummer, one bass, one piano, two alto saxophones, two tenor saxophones, one bari saxophone, five<br />
trumpets, <strong>and</strong> five trombones. We learned five pieces in only a day <strong>and</strong> half <strong>and</strong> sounded great on our<br />
concert. The high school jazz b<strong>and</strong> was unbelievably good. After the concert Daniel, Mr. Grush, our<br />
families, <strong>and</strong> I went to Ben & Jerry’s ice cream. It was a long weekend but it was worth it.<br />
Williamsburg Competition (April 2010)<br />
Alex Coeytaux (’12)<br />
After nearly two trimesters of preparing the same pieces, the<br />
CA b<strong>and</strong> community got the opportunity to show off their<br />
skills in Williamsburg. For the new additions to b<strong>and</strong>, this<br />
was their first experience playing in front of judges in a<br />
competitive setting. Despite the pressure, though, <strong>Cary</strong><br />
<strong>Academy</strong> exceeded expectations <strong>and</strong> took home a total of<br />
nine awards, including overall high school <strong>and</strong> middle school<br />
jazz champions. To end what was already an exciting day, the<br />
group spent the afternoon having a great time in Busch<br />
Gardens. The overall experience was educational <strong>and</strong><br />
entertaining, <strong>and</strong> everyone enjoyed participating.<br />
2009-2010 Honor B<strong>and</strong> Participants<br />
NCAIS Honor B<strong>and</strong> NCAIS Honor B<strong>and</strong> MS All-District B<strong>and</strong><br />
Ryan Cinoman Caelan Harshaw Andy Cooper<br />
Andy Cooper<br />
Jen Kenyon<br />
Austin Crockett Mike McCord MS All-Region Jazz B<strong>and</strong><br />
Gerry Cuomo Daniel Orol Max Gowan<br />
Ruchi Desai Michael Papich Andrew Hamrick<br />
Melissa Geiss Daniel Sheitman Daniel Sheitman<br />
Andrew Hamrick<br />
Andrew Tie<br />
Jack Hannon Christine Yazdani MS All-State Jazz B<strong>and</strong><br />
Andrew Hamrick<br />
Daniel Sheitman<br />
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B<strong>and</strong> Pins 09-10<br />
Since we have started a tradition of awarding b<strong>and</strong> letters to Upper School students who have participated in<br />
more than two b<strong>and</strong> classes, we want to give all students the opportunity to begin earning pins to wear as<br />
well. Budget constraints prohibit awarding so many pins, but students who have earned special pins may<br />
purchase their own to wear on their concert outfit if they wish, until they have earned a b<strong>and</strong> letter. This is<br />
strictly optional.<br />
Pins cost $6 each. Special pins for which students may be eligible include:<br />
Students may also want a pin of the instrument they play. Instrument pins also cost $6 each.<br />
Options include:<br />
You may order pins tonight if you wish. See the B<strong>and</strong> Pin Eligibility List to see who is eligible. We will<br />
place a group order from the pin vendor next week. Our goal is to receive the pins before the end of year <strong>and</strong><br />
distribute them in class.<br />
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