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Values for Australian Schooling<br />

Building Values<br />

Across the Whole School:<br />

A Resource Package<br />

Teaching and Learning Units – Secondary<br />

Later adolescence<br />

<strong>Changing</strong> <strong>values</strong>,<br />

<strong>changing</strong> <strong>nation</strong>


Values for Australian Schooling – Building Values Across the Whole School: A Resource Package was funded under the Australian<br />

Government’s Values Education programme administered by the Department of Education, Science and Training.<br />

ISBN: 978-1-74200-037-4<br />

SCIS order number: 1336239<br />

Published by Curriculum Corporation<br />

PO Box 177<br />

Carlton South 3053<br />

Australia<br />

Tel: 03 9207 9600<br />

Fax: 03 9639 1616<br />

Email: sales@curriculum.edu.au<br />

Website: www.curriculum.edu.au<br />

© Commonwealth of Australia 2007<br />

This work is Commonwealth copyright. It may be reproduced in whole or in part for study or training purposes subject to the<br />

inclusion of an acknowledgement of the source and this copyright notice. No commercial use, including offering the work for sale,<br />

may be made for this work and the work must not be altered in any way.<br />

Reproduction for the purposes other than those indicated above requires the written permission of the Commonwealth.<br />

Requests and inquiries concerning reproduction and rights should be addressed to the Commonwealth Copyright Administration,<br />

Attorney General’s Department, Robert Garran Offices, National Circuit, Barton ACT 2600 or posted at http://www.ag.gov.au/cca<br />

The views expressed herein do not necessarily represent the views of the Australian Government Department of Education, Science<br />

and Training.<br />

Editors: Katharine Sturak and Jenny Craig, Curriculum Corporation; Carolyn Glascodine<br />

Design: Chris Collins, Curriculum Corporation<br />

Illustrators: Ophelia Leviny, Curriculum Corporation; Jon Rowdon, ZOOmorphic<br />

Photographer: Mark Coulson Photography<br />

Acknowledgements<br />

Project Director: David Brown<br />

Project Managers: Leanne Compton and Stacey Hattensen<br />

Contributing writers: Cherry Andrews, Gary Bass, Helen Brown, Dorothy Carey, Cynthia Dodd, Toni Glasson, Terry Hastings,<br />

Patricia Hincks, Joanne Jayne, Deana Leahy, Dr David Leigh-Lancaster, James Lloyd, Dr Margaret Lloyd, Felicity Mandile,<br />

Dr Jenny Masters, Julie Mitchell, Shaun Nykvist, Dr Janet Reynolds, Sherryl Saunders, Kathy Symonds, Dr Barbara Tadich,<br />

Adam Usher and Melissa Wolfe<br />

The publishers wish to thank the following people and organisations for their time and valued advice during consultation on the<br />

development of the resource:<br />

• Members of the Values Education Resources Project Advisory Committee which includes nominees of the State and Territory<br />

education systems, Catholic and Independent schools sectors, primary and secondary principals associations, parent<br />

organisations and other stakeholders<br />

• Members of the Values Education Expert Reference Group<br />

• State and Territory Values Education Contact Officers<br />

• Academic advisers: Professor Judith Chapman and Professor Terry Lovat<br />

• Asia Education Foundation<br />

• Teacher reviewers nominated through the Australian Joint Council of Professional Teacher Associations<br />

• Focus group teachers and students


<strong>Changing</strong> <strong>values</strong>, <strong>changing</strong> <strong>nation</strong><br />

Unit description<br />

This unit examines Australia’s history during the 1960s<br />

and 1970s. It encourages students to apply their<br />

historical skills in an exploration of the changes and<br />

the dominant <strong>values</strong> experienced by Australian society<br />

during those decades. It also provides a model that can<br />

be adapted to examine <strong>values</strong> and historical change in<br />

other places and at other periods of time.<br />

The unit aims to develop student historical knowledge<br />

and understanding through a <strong>values</strong> focus by:<br />

• considering the <strong>values</strong> that guide historical research<br />

and writing by looking at historians’ views about the<br />

nature of their own discipline<br />

• exploring Australian history during the 1960s and<br />

1970s, identifying significant change and associated<br />

shifts in <strong>values</strong><br />

• describing and assessing the ways lives of individual<br />

influential Australians shaped (and were shaped by)<br />

these changes in the period under study.<br />

Age 16–18 years<br />

Duration 8 x 50-minute lessons<br />

Learning area<br />

• Australian History<br />

Values<br />

Fair Go<br />

•<br />

Honesty and Trustworthiness<br />

• Integrity<br />

• Respect<br />

Understanding, Tolerance and Inclusion<br />

Key understandings<br />

Students will develop an understanding of:<br />

• some of the core <strong>values</strong> that guide the work and<br />

professional activity of historians<br />

• some of the important events and changes in<br />

Australia’s modern history during the 1960s and<br />

1970s<br />

• some of the dominant <strong>values</strong> that influenced those<br />

developments in Australia during the 1960s and 1970s<br />

• some of the ways that <strong>values</strong> are reflected in<br />

individuals’ actions, community attitudes and<br />

government policies<br />

• the contribution notable individuals made to the<br />

development of Australia in the 1960s and 1970s<br />

• the impact individuals and their <strong>values</strong> can have on<br />

shaping their society.<br />

Getting started<br />

Activity 1: Values in history<br />

Notes for teachers<br />

This activity asks students to analyse a range of<br />

quotations from various historians and to consider<br />

the role that <strong>values</strong> play in the process of historical<br />

investigation. It is designed as a general exploration<br />

of historiographical issues relevant to all areas of<br />

history.<br />

Introduce the concept of <strong>values</strong> and develop a working<br />

definition with students. To begin, ask students to use<br />

the word ‘<strong>values</strong>’ in the context of a sentence to clarify<br />

its meaning. Record three or four of the sentences on the<br />

board. Point out that there are different types of <strong>values</strong><br />

(for example, moral <strong>values</strong>, aesthetic <strong>values</strong>) with different<br />

meanings. Note associated concepts and their relationship to<br />

<strong>values</strong> (for example, principles, standards and ethics).<br />

Explain that most skilled activities and professions have<br />

established <strong>values</strong> which guide their work and are the basis<br />

of the standards by which that work is often recognised<br />

and judged. Provide a few examples of professions (for<br />

example, doctors, lawyers and journalists) and ask students<br />

to suggest some of the guiding <strong>values</strong> and professional<br />

standards that apply to them. These professions have a<br />

Code of Ethics or a Charter (see Useful references for<br />

website addresses) and sometimes individuals can be<br />

‘struck off’ for ‘unprofessional behaviour’. Define these<br />

terms carefully and ask students to suggest what types of<br />

unprofessional conduct could lead to (say) a doctor or a<br />

lawyer being forbidden to practise.<br />

Later adolescence – <strong>Changing</strong> <strong>values</strong>, <strong>changing</strong> <strong>nation</strong><br />

155


Explain that the work of the historian is also often<br />

described as a craft or profession. Ask students: What core<br />

<strong>values</strong> might apply to the work of professional historians?<br />

Is it possible for a historian to indulge in unprofessional<br />

conduct? What might that involve? Record class answers on<br />

the board for later reference.<br />

Distribute Resource sheet 1 and allow students<br />

approximately 15 minutes to study all the extracts.<br />

Suggest that students highlight or underline<br />

statements that they find difficult or for which they would<br />

like more expla<strong>nation</strong>.<br />

Review the extracts and discuss any questions. The ensuing<br />

discussion should develop the idea that the work of<br />

creating history is guided by core <strong>values</strong> and standards.<br />

What <strong>values</strong> do the historians suggest are important to<br />

use when considering or writing about the past? Where<br />

do they agree and disagree about the core <strong>values</strong> of their<br />

discipline?<br />

Ask students to use ideas from the extracts and previous<br />

discussion to draft a ‘Charter for Historians’ which includes<br />

the profession’s core <strong>values</strong>. It might consist of 5–8<br />

points and be modelled on one of the professional codes<br />

mentioned earlier.<br />

Select several students to read their Charters to the rest<br />

of the class. What similarities and differences do they<br />

note? How can they account for the variety of opinions<br />

among different historians?<br />

Explain how students ought to keep their Charter in mind<br />

as they undertake their work as historians researching<br />

Australia’s history in the 1960s and 1970s.<br />

Activity 2: Australia in the 60s and 70s<br />

Notes for teachers<br />

This activity uses images of the period to acquaint<br />

students with major issues, people and events, and<br />

asks how historical developments are affected by<br />

personal beliefs and societal <strong>values</strong>. Teachers could<br />

use this model to construct galleries of images or<br />

artefacts as evidence of historical developments and<br />

the impact of <strong>values</strong> in other times or places.<br />

Begin by engaging students in a discussion about what<br />

they know of Australia’s history of the 1960s and 1970s.<br />

What names and events do they associate with the period?<br />

What words might best describe the period?<br />

Have students read Resource sheet 2. Ask them to<br />

highlight the particular events, people and<br />

movements the author selects as significant. Ask<br />

them to assess if the author presents a particular point of<br />

view of the period.<br />

Students will need access to the Internet and library<br />

resources for the next part of the activity. The aims are:<br />

• to research and select images of Australian people,<br />

events and developments during the 1960s and 1970s<br />

to create captions for these images<br />

• to use images from the album as a basis for developing<br />

a narrative overview of the history of the time, and for<br />

reflection about Australian <strong>values</strong> at that time.<br />

Begin by browsing the appropriate sections of the time line<br />

at http://www.abc.net.au/archives/timeline/history.htm,<br />

allowing about 15 minutes for this task. Instruct students<br />

to identify four events or developments that they think<br />

brought significant change to Australian life during the<br />

1960s and 1970s. Ask students to justify their choices by<br />

writing a short statement about each one and presenting<br />

the information in a table:<br />

Date Event Significance<br />

Distribute Resource sheet 3 and ask students to<br />

select a ‘gallery’ that they will research. Make sure<br />

that all galleries are covered by an approximately<br />

equal number of students. Have them write a 20–30 word<br />

caption for each photo in the gallery. Then have them use a<br />

think-pair-share strategy to analyse the questions that<br />

accompany the gallery.<br />

Allow 30–40 minutes for students to undertake the initial<br />

research and captioning tasks. Students might undertake<br />

additional out-of-class research online and through library<br />

references. Then have students share results with a partner<br />

who chose a different gallery and with the whole class in<br />

preparation for the next lesson.<br />

156 Values for Australian Schooling – Teaching and Learning Units


Link class discussion to the study of history and the<br />

historical background in Resource sheet 2. Refer to the<br />

activities the students undertook earlier.<br />

• To what extent were the time line and image captioning<br />

activities based on students’ limited and selective use of<br />

evidence? How has the selection and captioning been<br />

guided by students’ own particular interests and <strong>values</strong>?<br />

• What approaches to evidence do historians use to arrive<br />

at more accurate conclusions?<br />

• How might personal and social/political/religious <strong>values</strong><br />

influence historians’ treatment of evidence and the<br />

interpretive views about the past?<br />

If students wish to go further with this activity, they could<br />

locate images and construct other narrative galleries on<br />

particular themes and issues of the 1960s and 1970s.<br />

Some suggestions are: Dealing with dissent: the anticonscription<br />

debate; Off the sheep’s back: building a new<br />

economy; New heroes for a <strong>nation</strong>: sports stars; The Age<br />

of Aquarius: pop music in revolution; Constitution in crisis:<br />

the Dismissal; and Australia at war: Vietnam.<br />

Activity 3: Views of the 60s and 70s<br />

Have students work in groups of four to use their albums<br />

and their gallery research to develop and create their own<br />

400-word overview history of the period.<br />

Groups could exchange narratives and compare their<br />

inclusions and exclusions and discuss the reasons for<br />

their selections.<br />

Discovering<br />

Following the development of a general overview of<br />

Australia’s history in the 1960s and 1970s, this section<br />

takes students to a deeper inquiry into one of its themes<br />

of change that is evident from the time: <strong>Changing</strong><br />

Indigenous Rights.<br />

Notes for teachers<br />

The following inquiry is based on a four-stage<br />

process of historical investigation (defining the<br />

issues; reviewing and researching information;<br />

evaluating and synthesising evidence; drawing<br />

conclusions and reporting findings). This scaffold<br />

may be adopted for other areas of history to explore<br />

<strong>values</strong> in the context of historical change.<br />

The resources in this section include a key image<br />

to stimulate discussion; focus questions; a scaffold<br />

of historical inquiry; and selected primary and<br />

secondary resources.<br />

<strong>Changing</strong> Indigenous Rights has been selected as a<br />

significant ‘theme in close-up’ but teachers may wish<br />

to develop additional or alternative themes based on<br />

the same model. Some suggestions are: <strong>Changing</strong><br />

white Australia; <strong>Changing</strong> rights for women;<br />

Australia’s <strong>changing</strong> relationships in the global<br />

community; <strong>Changing</strong> the way we saw ourselves<br />

– the rebirth of Australian film; <strong>Changing</strong> the natural<br />

and built environment; <strong>Changing</strong> the Australian<br />

economy.<br />

Teachers are advised to provide each student with a<br />

copy of all material in <strong>Changing</strong> Indigenous Rights.<br />

This will enable them to examine all sources and<br />

conduct independent research.<br />

Later adolescence – <strong>Changing</strong> <strong>values</strong>, <strong>changing</strong> <strong>nation</strong><br />

157


Activity: <strong>Changing</strong> Indigenous rights<br />

Distribute copies of Resource sheet 4<br />

– a photograph of the Aboriginal Tent Embassy.<br />

Have students discuss the questions in small<br />

groups or as a whole class.<br />

Reviewing and researching information<br />

Ask students to use library and Internet resources to<br />

develop an annotated time line outlining the main issues<br />

and events affecting Indigenous Australians in the period<br />

1960–1980.<br />

(For an example of an annotated time line, see<br />

http://www.aec.gov.au>When>Australian Electoral<br />

History> Electoral Milestones for Indigenous Australians)<br />

Evaluating and synthesising evidence<br />

Distribute copies of Resource sheet 5.<br />

Have students carry out the following tasks.<br />

Read Source 1: The impact of the 1965 Freedom Ride.<br />

The Freedom Ride has been criticised for not achieving<br />

anything more than short-term publicity.<br />

Does Ann Curthoys agree with this view?<br />

•<br />

What do you think are ‘the long-term consequences’ to<br />

which she refers?<br />

Study Source 2: The origins of the Aboriginal flag, 1971.<br />

Look back at the photograph of the Aboriginal Tent<br />

Embassy, 1974 at the start of this section.<br />

• What evidence is there that Indigenous Australians<br />

quickly adopted and used the flag?<br />

• Do you think the flag has been successful as a symbol of<br />

Aboriginal identity? Why, or why not?<br />

Read Source 3: The 1967 referendum.<br />

• What <strong>values</strong> are reflected in the poem published by the<br />

Sydney Morning Herald on 19 May 1967?<br />

• Why do many historians believe that there was a strong<br />

link between the results of the 1967 referendum and<br />

the 1965 Freedom Ride described in Source 1?<br />

Examine Source 4: Land handed to the Gurindji people,<br />

1975.<br />

• What acknowledgement of Indigenous <strong>values</strong> did Prime<br />

Minister Whitlam make when he poured sand into<br />

Vincent Lingiari’s hand?<br />

• Does this image support or contradict the viewpoint<br />

presented in Source 3?<br />

Drawing conclusions and reporting findings<br />

Tell students to look at Source 5. Ask: Is this cartoon by<br />

John Frith in 1968 a reasonable summary of the attitudes<br />

towards Indigenous Australians during the 1960s and<br />

1970s? Do you agree that the Indigenous Rights won<br />

during the 1960s and 1970s were just ‘crumbs from<br />

the rich man’s table’ or were there significant advances?<br />

Have students use ideas from class discussion and from<br />

their own research to provide detailed reasons for their<br />

answers to these questions.<br />

Students report their findings to the class in the form of an<br />

essay, multimedia presentation or five-minute talk followed<br />

by a question and answer session.<br />

158 Values for Australian Schooling – Teaching and Learning Units


Bringing it together<br />

This research task identifies eminent people as both<br />

exemplars and agents of social and civic change in<br />

Australian society during the 1960s and 1970s. It provides<br />

opportunities for students to investigate the actions of<br />

individuals as agents of history and to explore the role of<br />

<strong>values</strong> in their actions.<br />

Notes for teachers<br />

In this activity, students are asked to:<br />

• identify the <strong>values</strong> that were important to<br />

Australians during the 1960s and 1970s<br />

• assess the impact individuals can have on<br />

shaping their society<br />

• explore the ways that <strong>values</strong> are reflected in<br />

individual actions, community attitudes and<br />

government policies<br />

• develop a narrative understanding of the<br />

contribution notable individuals made to the<br />

development of Australia in the 1960s and 1970s.<br />

The model is designed to promote critical thinking<br />

skills, going beyond a biographical approach<br />

to develop higher order historical analysis and<br />

appreciation of Australian history, and the role that<br />

<strong>values</strong> can play in shaping social and political change.<br />

Have students select an eminent Australian from the<br />

following list.<br />

Bob Santamaria, political activist<br />

Charles Perkins, public servant, Aboriginal rights activist<br />

• Dame Roma Mitchell, barrister, judge and later Governor<br />

of South Australia<br />

• Donald Horne, writer and academic, author of<br />

The Lucky Country (1964)<br />

Faith Bandler OAM, Indigenous activist<br />

• Jack Mundey, activist and initiator of conservation<br />

‘green bans’<br />

• Lowitja, O’Donohue, Indigenous leader and<br />

senior public servant<br />

Malcolm Fraser, Prime Minister 1976–1983<br />

Nancy Bird-Walton, pioneer aviator<br />

Neville Bonner, first Indigenous Member of Parliament<br />

• Nugget Coombs, economist and advocate of<br />

Indigenous rights<br />

Phillip Law, scientist and Antarctic explorer<br />

Ray Whitrod, policeman<br />

Tom Keneally, author<br />

Victor Smorgon, industrialist<br />

•<br />

Zelda D’Aprano, political activist and feminist<br />

Activity 1: Online resources<br />

The video clips and transcripts at http://www.<br />

australianbiography.gov.au are the main reference source<br />

for this activity. Have students browse the site. However,<br />

students should be encouraged to supplement them with<br />

a range of print sources and other reliable websites. Among<br />

the websites, have students browse Australianscreen.<br />

com.au/education where they can access many relevant<br />

film and television clips relating to the era and to many of<br />

the eminent Australians of the period. Have them explore<br />

the ‘education <strong>values</strong>’ notes. Another useful website is<br />

Australian Government Culture and Recreation Portal<br />

http://www.cultureandrecreation.gov.au/<br />

While students should give a broad overview of the life of<br />

their chosen eminent Australian, they should concentrate<br />

on the period 1960–1980. Discuss with students the<br />

purpose and framework of the research and build a board<br />

summary from their suggestions. Add to the framework<br />

until it makes a coherent set of task instructions.<br />

Activity 2: Developing a biography<br />

Ask students to carry out the following tasks.<br />

• Develop a short biography (500–700 words) of an<br />

eminent Australian in the 1960s or 1970s: key dates,<br />

events, activities, struggles, conflicts, achievements,<br />

personal qualities, significant quotes of their own words.<br />

• Explain how others have judged them: at the time and<br />

with the passage of time.<br />

• Identify the <strong>values</strong> and beliefs that motivated their life<br />

and work.<br />

• Evaluate their contributions to society at the time.<br />

Activity 3: Values in making history<br />

Invite students to convene a class forum on the topic<br />

‘The role of <strong>values</strong> in making history’. Students use their<br />

learning and their reflections in this unit to discuss the role<br />

of <strong>values</strong> in the work of historians and in the work of the<br />

agents of history.<br />

Later adolescence – <strong>Changing</strong> <strong>values</strong>, <strong>changing</strong> <strong>nation</strong><br />

159


Assessment<br />

The unit offers many opportunities for summative and formative assessment. The unit suggests students complete six<br />

submission tasks in addition to the general discussion, reading and research. The following rubric offers a simple tool for<br />

evaluating student development in key understandings and skills.<br />

Criteria Very high High Medium Low<br />

Timely and complete submission of tasks:<br />

1. Charter for Historians<br />

2. Picture Album of Australia – 1960s &1970s<br />

3. Gallery research<br />

4. Short historical narrative ‘Australia – 1960s &1970s’<br />

5. Report on ‘<strong>Changing</strong> Indigenous rights’<br />

6. Short biography of an eminent Australian<br />

Use of a range of resources<br />

Accurate gathering and recording of information and<br />

evidence from resources<br />

Analysis of information and different perspectives in<br />

response to focus questions<br />

Effective use of resources to develop and support<br />

points of view<br />

Development of knowledge and understanding of<br />

Australia’s history in the 1960s and 1970s<br />

Clarity and quality of written and oral expression of<br />

history and historical argument<br />

Effective use of ICT to research information and<br />

construct tasks<br />

Active participation in group discussion<br />

Collaborative teamwork<br />

Evidence of reflection on <strong>values</strong> and their role in<br />

historical method and in shaping historical periods<br />

160 Values for Australian Schooling – Teaching and Learning Units


Useful references<br />

Recommended books<br />

General<br />

Davison, Graeme, Hirst, John & Macintyre, Stuart (eds)<br />

2001, The Oxford Companion to Australian History<br />

(Revised Edition), Oxford University Press, Melbourne.<br />

Hirst, John 2002, Australia’s Democracy: A Short History,<br />

Allen & Unwin, Crows Nest, NSW.<br />

Horne, Donald 1980, chapters 2 and 3 in Time of Hope:<br />

Australia 1966–72, Angus & Robertson, Sydney.<br />

Vietnam War<br />

Edwards, Peter 1997, A Nation at War: Australian Politics,<br />

Society and Diplomacy during the Vietnam War 1965–<br />

1975, Allen & Unwin, Crows Nest, NSW.<br />

Rintoul, Stuart (ed) 1987, Ashes of Vietnam: Australian<br />

Voices, Melbourne.<br />

Women’s movement<br />

Lake, Marilyn 1999, Getting Equal: The History of<br />

Australian Feminism, Allen & Unwin, Crows Nest, NSW.<br />

Recommended websites<br />

The Declaration of Geneva from the World Medical<br />

Association<br />

http://www.wma.net>Inter<strong>nation</strong>al Code of Medical Ethics<br />

Australian Sports Commission<br />

http://www.ausport.gov.au>Coach, Official,<br />

Clubs>Coaching>How to become a coach>Code of Ethics<br />

Teaching Australia<br />

http://www.teachingaustralia.edu.au/ta/go/home/projects/<br />

standards/pid/481ics<br />

Journalists’ Code of Ethics<br />

http://www.alliance.org.au (type ‘Code of Ethics’ into<br />

search)<br />

National Library of Australia: The sixties through the eyes of<br />

John Mulligan<br />

http://www.nla.gov.au/pict/explore/mulligan.html<br />

Picture Australia<br />

http://www.pictureaustralia.org<br />

National Archives of Australia<br />

http://www.naa.gov.au<br />

Summers, Anne 1995, Damned Whores and God’s Police,<br />

2nd ed, Penguin Books, Ringwood.<br />

Aboriginal activism<br />

Flood, Josephine 2006, The Original Australians, Allen &<br />

Unwin, Crows Nest, NSW.<br />

Miller, James 1985, chapters 10 and 11 in Koori: A Will to<br />

Win, Angus & Robertson, Sydney.<br />

Later adolescence – <strong>Changing</strong> <strong>values</strong>, <strong>changing</strong> <strong>nation</strong><br />

161


Resource sheet 1<br />

The voice of <strong>values</strong> in history<br />

Voice 1: Facts and interpretation<br />

Life is lived in the present without the benefit of the grand<br />

narrator. It is the historian who enjoys the advantage of<br />

hindsight to select particular events and arrange them into a<br />

coherent pattern. Facts do not exist prior to the interpretation<br />

that establishes their significance. Rather, historical<br />

research involves a continuous dialogue between the two.<br />

Macintyre, Stuart & Clark, Anna 2003, The History Wars, Melbourne<br />

University Press, pp 29–30<br />

Voice 2: Keeping watch<br />

The historian is not God, but a fallible human being,<br />

taught by his training to be on the watch for his, and other<br />

people’s fallibility in giving an account of the past. What<br />

he writes is what he has to say after reflection on both the<br />

sources and on the state of the argument among historians.<br />

Its value will depend not only on the thoroughness of his<br />

study, not only – though largely – on the agility of his mind.<br />

It will also depend on the quality of his imagi<strong>nation</strong>.<br />

Crawford, RM 1985, in RM Crawford et al. Making History, McPhee<br />

Gribble/Penguin Books, Melbourne, p 51<br />

Voice 3: The historian’s duties<br />

If it is a fundamental duty of the historian to tell the truth,<br />

then that scarcely exhausts the obligations that arise<br />

when we work with the past. The choice of subject, the<br />

engagement with the sources, respect for the evidence,<br />

fair dealing with the work of others, attention to context,<br />

humility in the exercise of judgement and recognition<br />

of what cannot be known – these are just some of the<br />

responsibilities a researcher incurs. The mediation between<br />

past and present is a profoundly moral activity.<br />

Macintyre, Stuart (ed) 2004, The Historian’s Conscience – Australian<br />

Historians on the Ethics of History, Melbourne University Press, pp 4–5<br />

Voice 4: Understanding ourselves and others<br />

The ethics involved in writing history requires capturing and<br />

understanding this moving feast through analysis without<br />

losing empathy for the motives, intentions, experiences and<br />

the subjectivity of historical actors. This includes an analysis<br />

of emotions in history and how these have been played out<br />

in acts of memory … Without this analysis we are left with<br />

little or no sense of ethics or history and no understanding<br />

of the treacherous acts of war, of our world or of ourselves.<br />

Damousi, Joy 2004, in The Historian’s Conscience – Australian Historians<br />

on the Ethics of History, Stuart Macintyre (ed), Melbourne University Press,<br />

pp 37–38<br />

Voice 5: Teaching things that matter<br />

The historian is like an actor on a revolving stage. He has<br />

a brief time in which to recite his words. He’s got to hold<br />

the audience. He must also hope that he has used the<br />

time on stage to teach and write about things that really<br />

matter. He mustn’t trivialise the human scene, he mustn’t<br />

sneer, he mustn’t mock. He must also hope that what he<br />

has seen and what he talks about will stir up a response in<br />

his audience, that they will say – and this is the only test<br />

– ‘Yes, that’s us’.<br />

Clark, Manning 1985, in Making History, RM Crawford et al., McPhee<br />

Gribble/Penguin Books, Melbourne, pp 66–67<br />

Voice 6: Avoiding the idea of absolute <strong>values</strong><br />

The emergence of a particular value or ideal at a given time<br />

or place is explained by historical conditions of place and<br />

time … The serious historian is the one who recognises<br />

the historically conditioned character of all <strong>values</strong>, not the<br />

one who claims for his <strong>values</strong> an objectivity beyond history.<br />

The beliefs that we hold and the standards of judgement<br />

which we set up are part of history and are as much subject<br />

to historical investigation as any other aspect of human<br />

behaviour.<br />

Carr, EH, RW Davies (ed), What is History?, 1990. Reproduced with<br />

permission of Palgrave Macmillan.<br />

Voice 7: Values and truth<br />

The argument (by critics of objectivity) is: selection [of<br />

evidence] is determined by importance and importance is<br />

determined by <strong>values</strong>; hence selection must be determined<br />

by <strong>values</strong> … While in many cases, this may happen to be<br />

true, it is not necessarily so ... one of the most common<br />

experiences of historians is that the evidence they find<br />

forces them, often reluctantly, to change the position they<br />

originally intended to take … The obligation historians have<br />

is to try to shake off their own <strong>values</strong> and pursue the truth.<br />

Windschuttle, Keith 1994, The Killing of History, Macleay Press,<br />

Sydney, p 231<br />

162<br />

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Later adolescence – <strong>Changing</strong> <strong>values</strong>, <strong>changing</strong> <strong>nation</strong>


Resource sheet 2<br />

A view of Australia<br />

in the 1960s and 1970s<br />

Historical background<br />

The 1960s and 1970s brought a period of significant<br />

political and social change to Australia. On the domestic<br />

front, Prime Minister Sir Robert Menzies retired after<br />

leading the <strong>nation</strong> for 16 years (1949–1966) and the<br />

1970s witnessed the tumultuous rise and fall of the<br />

first Labour government since the end of World War II.<br />

Inter<strong>nation</strong>ally, decolonisation and the decline of the British<br />

Empire saw Australia forging a closer partnership with the<br />

United States of America. Although the 1951 ANZUS Treaty<br />

had formalised defence ties between the two countries,<br />

the bonds grew stronger in the Cold War era with common<br />

concern about the continuing spread of Communism,<br />

especially in Asia. This eventually took Australia into the<br />

quagmire of the Vietnam War and the bitter domestic<br />

debate over conscription.<br />

During the same period, Australians re-examined social<br />

issues in the light of inter<strong>nation</strong>al developments such as<br />

the civil rights movement and a new wave of feminism<br />

in the USA. Changed perceptions and an altered sense of<br />

<strong>nation</strong>al priorities focused attention on important issues<br />

such as non-European immigration, the role of women and<br />

the status of Australia’s Indigenous people. It was a time of<br />

uncertainty but also of new directions and fresh challenges.<br />

Some <strong>values</strong> and norms that had been accepted since<br />

Federation now seemed peculiar anachronisms. Many<br />

Australians were no longer convinced that motherhood and<br />

domestic duties were the only proper roles for women;<br />

that Indigenous people could be denied full citizenship<br />

rights; and that non-Europeans were a threat to social<br />

cohesion and <strong>nation</strong>al security. They argued that if Australia<br />

valued a ‘fair go’, then the principle should apply to<br />

everyone regardless of gender or race.<br />

While the 1960s and 1970s saw re-assessment of some<br />

<strong>values</strong>, many changes that occurred were gradual rather<br />

than revolutionary. A steadfast belief in democracy<br />

remained the norm. The ideological battles of the<br />

Cold War, particularly Australia’s strong opposition<br />

to Communism, brought the rights and privileges of<br />

Australian citizenship into sharper focus and affirmed<br />

important civic <strong>values</strong> such as fairness, inclusiveness and<br />

the rule of law.<br />

While these decades are sometimes characterised as<br />

an ‘age of dissent’, they were also a period in which<br />

the general understanding of freedom and fairness was<br />

broadened and redefined. While Australians may have<br />

questioned the direction of their <strong>nation</strong>, they did not<br />

discard the fundamental civic <strong>values</strong> that lay at its heart.<br />

by Terry Hastings for Curriculum Corporation, 2007<br />

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Resource sheet 3<br />

A picture album of Australia during the 1960s and 1970s<br />

Select one of the Galleries. Research more information about the images of people or events it contains. Write a 20–30<br />

word caption for each photo explaining why this person or event was important during the 1960s and 1970s.<br />

Use a think–pair–share strategy to analyse the questions. Write a response to them in about 100 words. Find a partner who<br />

has selected a different gallery to yours and discuss your responses. Share ideas with the whole class.<br />

Gallery 1: Equality for women<br />

• How did the actions of these women help to change<br />

Australian society during the 1960s and 1970s?<br />

• What <strong>values</strong> motivated their actions?<br />

Anti-conscription<br />

Gallery 2: The Vietnam War<br />

• Why did Australian involvement in the Vietnam War divide<br />

public opinion so much during the 1960s and 1970s?<br />

• What <strong>values</strong> did supporters and opponents of the War<br />

hold?<br />

AAP Image / AP Newspix / News Ltd© Fairfaxphotos<br />

Germaine Greer, 1972<br />

Roma Mitchell, 1965<br />

Zelda D’Aprano, 1970<br />

Australian soldiers on patrol in Vietnam, 1965<br />

Moratorium March, Canberra, 1970<br />

poster, 1970<br />

Vietnam Moratorium campaign, ‘Collection of Australian<br />

anti-conscription posters in the Vietnam War’, from the<br />

collection of the National Library of Australia, image<br />

number: nla.pic-an7753445<br />

Australian War Memorial<br />

negative number DNE/65/0422/VN<br />

National Archives of Australia: A9626, 112<br />

164<br />

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Resource sheet 3<br />

A picture album of Australia during the 1960s and 1970s<br />

Gallery 3: <strong>Changing</strong> immigration<br />

• What changes to Australia’s immigration policies can be<br />

Gallery<br />

seen in these images?<br />

• What shifts in <strong>values</strong> are evident?<br />

4: Facing disasters<br />

• Did particular <strong>values</strong> emerge in Australia when it<br />

experienced these catastrophes?<br />

• What was the community response to these events?<br />

Photographer: Michael Jensen National Library of<br />

Australia, image number: nla.pic-vn3209945<br />

Reproduced with the permission of The Keeper of Public<br />

Records, Public Record Office Victoria, Australia<br />

Vietnamese boat people disembarking from the boats with<br />

their luggage, Darwin, November 1977<br />

Collapse of the Westgate Bridge, Melbourne 1970<br />

David Moore / Wildlight Photographer: Curly Fraser, from the Australian Photographic<br />

Agency Collection, State Library of New South Wales<br />

Migrants arriving in Sydney, 1966<br />

The devastation of Cyclone Tracy in Darwin, 1974<br />

Newspix / News Ltd©<br />

Australian War Memorial, negative number 15880<br />

Students protest the deportation of Nancy Prasad, 1965<br />

Damage to HMAS Melbourne after its collision with<br />

HMAS Voyager, 1964<br />

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165


Resource sheet 4<br />

Aboriginal Tent Embassy<br />

<strong>Changing</strong> Indigenous rights: key image<br />

National Archives of Australia A6180, 14/3/74/338<br />

Aboriginal Tent Embassy, 1974<br />

The Aboriginal Tent Embassy was set up on Australia<br />

Day 1972 on the lawns outside Old Parliament House,<br />

Canberra. At first, it was simply a beach umbrella and a<br />

few chairs. However, over time the Embassy grew into a<br />

more substantial and more permanent structure. It is still<br />

there today and continues to arouse controversy – and<br />

consciences.<br />

Defining the issues<br />

• What do the signs around the tent reveal about the<br />

issues that Indigenous Australians thought important<br />

during the early 1970s?<br />

• What protests were Indigenous Australians making<br />

about their current and past treatment?<br />

166<br />

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Resource sheet 5<br />

<strong>Changing</strong> Indigenous rights<br />

Source 1: The impact of the 1965 Freedom Ride<br />

In 1965, some students from Sydney University formed a<br />

group called Student Action for Aborigines (SAFA). Inspired<br />

by the civil rights movement in the United States of<br />

America, particularly the ideas of Reverend Martin Luther<br />

King, they hired an old bus and organised a ‘Freedom<br />

Ride’ around NSW country towns. Their aim was to draw<br />

attention to discrimi<strong>nation</strong> against Aboriginal people. Here<br />

Ann Curthoys, one of the original Freedom Riders, assesses<br />

the effects of the Ride.<br />

In retrospect, it seems that the Freedom Ride, limited<br />

though the students’ understanding of the issues and ideas<br />

about the future may have been, placed the issue of ‘rights’<br />

more firmly on the public agenda than it had been before.<br />

It created a social tension on Aboriginal issues which had<br />

mixed short-term consequences, but which did indeed<br />

make possible the emergence of something new. It insisted<br />

that Aboriginal conditions and demands raise moral and<br />

economic questions which white Australians had, at last,<br />

to face. And it stimulated a new kind of Aboriginal politics,<br />

with far reaching consequences.<br />

Curthoys, Ann 2002, Freedom Ride: A Freedom Rider Remembers, Allen &<br />

Unwin, Crows Nest, NSW, p 239<br />

Source 2: The origins of the Aboriginal flag, 1971<br />

It was a sequence of events which led to me being the<br />

designer of the Aboriginal flag. When I look carefully at<br />

what the Aboriginal flag looks like, it comes from the<br />

simplicity and power of Aboriginal art itself. Simple colour,<br />

choice of colour, and a simple design. It’s powerful, and<br />

the colours are important. And it took some time to think<br />

about it – red ochre, the red soil – the country of Australia<br />

is all red.<br />

Source 3: The 1967 referendum<br />

Most Australian referendums have not been carried<br />

(see http://www.aec.gov.au>When>Referendums><br />

Referendum Dates and Results 1906 – Present). However<br />

in 1967, 90.77 per cent of Australians registered a ‘Yes’<br />

vote to change sections of the Australian Constitution that<br />

discriminated against Indigenous people. All major political<br />

parties supported the proposed changes and both Houses<br />

of Parliament passed the proposed Act unanimously;<br />

consequently a ‘No’ case was not even submitted.<br />

The campaign for a ‘Yes’ vote in the 1967 referendum<br />

suggested that the Aboriginal cause had gained a high<br />

degree of support, for although the changes were quite<br />

mechanical, being simply the granting of a concurrent<br />

power to the Commonwealth to make laws for Indigenous<br />

people, as well as being able to include Indigenous<br />

Australians in <strong>nation</strong>al censuses, most campaigners chose<br />

to talk in terms of morality:<br />

Vote ‘Yes’ for Aborigines, they want to be Australians<br />

too<br />

Vote ‘Yes’ to give them rights and freedoms just like me<br />

and you<br />

Vote ‘Yes’ for Aborigines, all parties say they think you<br />

should<br />

Vote ‘Yes’ and show the world the true Australian<br />

brotherhood.<br />

Sydney Morning Herald, 19 May 1967<br />

Bennett, Scott 1999, White Politics and Black Australians, Allen & Unwin,<br />

Crows Nest, NSW, p 22<br />

Why did I choose the sun? Because it’s another colour<br />

that is used commonly in Aboriginal art – yellow ochre.<br />

But the sun is a great symbol for all people. When we look<br />

carefully at the colour black, which is an interesting one,<br />

it’s more of a political inclusion, rather than a spiritual,<br />

Aboriginal concept. The black represents the pride of<br />

being black in Australia. Because, at the time, black pride<br />

came into Australian culture – during the ’60s and ’70s<br />

– influenced by Black American pride of their culture. If<br />

this is going to be an Aboriginal flag, it has to have black,<br />

because it represents the black people of the continent.<br />

Extract from Dimensions in Time, Ep 7, ‘Harold Thomas - Creator of<br />

the Aboriginal flag’, first broadcast 25 March 2002, is reproduced by<br />

permission of the Australian Broadcasting Corporation, ABC Online<br />

© 2002 ABC. All rights reserved. A full copy of the article can be found at:<br />

http://www.abc.net.au/dimensions/dimensions_in_time/Transcripts/s513731.<br />

htm<br />

Values for Australian Schooling – Teaching and Learning Units ©Commonwealth of Australia<br />

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167


Resource sheet 5<br />

Fairfax photos Courtesy State Library of Victoria, Pictures Collection.<br />

Reproduced with the permission of copyright owner Mr J Frith<br />

Source 4: Land handed to the Gurindji people, 1975<br />

In May 1975, the Gurindji people were successful in having an area of their own land excised from the Vestey pastoral<br />

lease at Wattie Creek in the Northern Territory. Here Prime Minister Gough Whitlam and Gurindji leader Vincent<br />

Lingiari celebrate the handover of the land at Daguragu. In 1986 a claim for recognition of traditional rights made<br />

under the 1976 Land Rights Act was successful and 3000 sq km of their land was transferred to Gurindji people.<br />

Source 5: A cartoon by John Frith, 3 July 1968<br />

John Frith (1906–2000) worked as a cartoonist with<br />

The Bulletin magazine and later became the first daily<br />

cartoonist for the Sydney Morning Herald. He retired<br />

in 1969 after working for the Melbourne Herald.<br />

In From the rich man’s table, Frith reflects upon<br />

the start of the modern land rights movement,<br />

which saw Gurindji Aboriginal people ‘walk off’<br />

Wave Hill Station in protest over conditions and<br />

their rights to traditional lands. This famous walkoff<br />

was a watershed for the Aboriginal land rights<br />

movement and led to a wholesale and radical<br />

reappraisal of Indigenous rights.<br />

168<br />

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Later adolescence – <strong>Changing</strong> <strong>values</strong>, <strong>changing</strong> <strong>nation</strong>

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