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304865_E-3_Catalogue_EN.qxd:E3 RZ - Wex Photographic

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Speed, durability, perfection<br />

Turn extreme scenes<br />

into extremely good<br />

photographs.<br />

Image: E-3 with optional accessories.


New horizons for<br />

creative photography.<br />

Perfection for discerning tastes – the new Olympus E-3 rises to every<br />

challenge, even under the toughest photographic conditions. Crafted to meet<br />

every need, the E-3 satisfies the highest demands of professional D-SLR<br />

photographers. Raising the bar in the areas of speed, image quality, Live View<br />

and reliability, the E-3 reveals worlds you’ve never seen before. Welcome to a<br />

land of exciting new creative possibilities for uncompromising and ambitious<br />

photography. Discover your world.<br />

• Speed: world’s fastest* autofocus –<br />

never miss an opportunity.<br />

• Image quality: powerful built-in image<br />

stabilisation system – compensates<br />

against the effects of camera shake<br />

up to 5 EV steps.<br />

*<br />

In the D-SLR category, with the Olympus ZUIKO DIGITAL ED 12-60mm 1:2.8-4.0 SWD at 60mm –<br />

as of October 2007.<br />

• Live View: HyperCrystal LCD can<br />

be adjusted in three directions for<br />

superior control of compositions –<br />

the benchmark for D-SLR cameras.<br />

• Reliability: magnesium alloy body<br />

offers exceptional strength and<br />

protection from dust, rain and snow<br />

– plus the most effective dust<br />

reduction system.


Capture action<br />

in the blink of<br />

an eye.


Preserve the moment<br />

before it passes.<br />

Ultra-fast autofocus system<br />

with 11 twin cross-type sensors.<br />

The E-3 boasts the world’s<br />

fastest* autofocus system.<br />

Based on a fully-biaxial<br />

high-speed 11-point AF<br />

system with both horizontal<br />

and vertical sensor lines,<br />

it accurately calculates<br />

optimal sharpness from a total of 44 different data points.<br />

In addition, pixel multiplication technologies ensure that<br />

performance is boosted in low light (–2EV at ISO 100).<br />

Meanwhile, fast shutter speeds of up to 1/8000 th sec.<br />

provide the ability to freeze action dead in its tracks.<br />

When every second counts, users can also stop the clock<br />

with shooting speeds of up to 5fps in full Megapixel mode<br />

(with 17 image RAW buffer in burst mode).<br />

* As of October 2007<br />

Hound’s tooth sensor layout<br />

Actual focal point<br />

Focal point A<br />

Frequency<br />

Output A<br />

Line A<br />

Subject image<br />

Actual focal point<br />

Focal point A+B<br />

Focal point B<br />

Output A+B<br />

Output B<br />

Line B<br />

Line A+B<br />

Subject image<br />

The layout of the 11-point AF sensor system was determined by a<br />

statistical analysis of the position of primary subjects in thousands<br />

of photographs. Interviews with countless professional photographers<br />

were also conducted.<br />

A half pitch-shifted dual sensing array enables more precise focusing<br />

than traditional systems are capable of.<br />

Viewfinder image in Single AF mode.<br />

A range of AF modes are available to suit the requirements of any situation. In Single AF mode, only one of the 11 focal points is selected.<br />

Group Area mode selects the three or four adjacent points. In All Points mode, sharpness is calculated on the basis of an evaluation<br />

of all 11 points.<br />

SWD technology delivers the<br />

world’s fastest* autofocus.<br />

To facilitate fast<br />

autofocus speeds, the latest<br />

ZUIKO DIGITAL lenses come with new ultrasonic motors<br />

(Supersonic Wave Drive). In combination with an ultracompact<br />

encoder that monitors rotation to within 5μm,<br />

these lenses are smooth and extremely fast.<br />

Start, acceleration, calibration and stopping take place in<br />

fractions of a second to ensure that the E-3 delivers the<br />

world’s fastest* autofocus system.<br />

SWD (Supersonic Wave Drive).<br />

* In the D-SLR category, with the Olympus ZUIKO DIGITAL ED 12-60mm 1:2.8-4.0 SWD at 60mm –<br />

as of October 2007.<br />

6


1/8000 th sec. high-speed shutter.<br />

1/8000 th sec. high shutter speed enables instant shooting,<br />

while X = 1/250 th sec. is ideal for synchro photography. This<br />

high-speed shutter enables shooting at maximum aperture<br />

so that the superior optical quality of ZUIKO DIGITAL lenses<br />

can always be enjoyed to the fullest, even in bright sunlight.<br />

The design of the mirror box was also improved to reduce<br />

the time required for raising the mirror. This mechanism is<br />

now faster and shutter delay has been greatly reduced.<br />

What’s more, the high-speed,<br />

high-precision mechanical shutter<br />

withstood a 150,000 continuous<br />

shot durability test.<br />

Mirror box with<br />

integrated shutter.<br />

Sequential shooting at five images per second.<br />

In combination with the improved TruePic III processor and<br />

a redesigned mirror mechanism, the high-speed Live MOS<br />

sensor enables sequential shooting at up to five frames per<br />

second in full 10 Megapixel mode.<br />

Complementary processors enhance<br />

performance.<br />

Special complementary processors are located inside the<br />

body where large volumes of data need to be processed.<br />

Three processors ensure fast data rates: the AF processor<br />

reads data from the AF sensor, the TruePic III processor<br />

takes care of image data, and the IS processor manages<br />

image stabilisation by counteracting camera<br />

movements.<br />

High-speed data transfer for<br />

stress-free photography: the E-3<br />

is also compatible with fast<br />

UDMA CompactFlash Cards.<br />

Loss-less compression.<br />

Localisation<br />

Coding<br />

17MByte(@10MP)<br />

Adaptability prediction,<br />

prediction error reduction, etc.<br />

Dynamic range prediction,<br />

Golomb-Rice coding, etc.<br />

Compressed data<br />

11MB<br />

Technology enabling the loss-less compression of RAW data by 1/3<br />

reduces data transfer times without effecting image quality. This in turn<br />

improves the camera’s performance.<br />

7


Beauty is<br />

in the eye of the<br />

photographer.


380 400 420 440 460 480 500 520 540 560 580 600 620 640 660 680 700 720<br />

Uncompromising image quality.<br />

Built-in image stabilisation –<br />

effective with all lenses.<br />

The image stabilisation system<br />

in the Olympus E-3 body.<br />

SWD<br />

Frame<br />

(fixed)<br />

Y-axis moving<br />

frame (image<br />

sensor unit)<br />

SWD<br />

SSWF<br />

X-axis moving frame<br />

The E-3 features a powerful built-in image stabilisation<br />

system to eliminate blur caused by camera movement. The<br />

system is capable of compensating against the effects of<br />

camera shake up to the equivalent of 5 EV steps. A gyro<br />

Precise image stabilisation technology compensates for camera shake to ensure sharper images.<br />

sensor that was developed as a component for the aerospace<br />

industry sends information about the tiniest vibrations<br />

to supersonic motors that compensate for the vibrations by<br />

counteracting their effects. This makes a tripod less important.<br />

Positioning the image stabiliser in the camera body<br />

rather than in the lens has a number of advantages: the<br />

image quality that can be achieved at this location avoids<br />

compromises caused by optical factors, lens design can be<br />

more compact, and the image stabilisation effect works for<br />

all Four Thirds lenses. This even applies to fisheye and extreme<br />

wide-angle lenses, and holds for all manufacturers<br />

participating in the standard.<br />

10.1 Megapixel Live MOS Sensor.<br />

The E-3 features a new high-speed 10.1 Megapixel Live<br />

MOS sensor. In combination with the superior optical<br />

performance of Four Thirds lenses, this sensor delivers<br />

high resolution images with rich tones and natural, vibrant<br />

colours.<br />

Relative sensitivity<br />

1500<br />

Live MOS sensor spectrum character<br />

1250<br />

1000<br />

750<br />

500<br />

250<br />

0<br />

-250<br />

Wave length (nm)<br />

10


Improved image quality with the new<br />

TruePic III processor.<br />

This new generation image processor delivers noticeably<br />

better image quality. Colour reproduction, saturation and<br />

brightness have been enhanced, while picture sharpness is<br />

improved by advanced noise reduction and edge-to-edge<br />

optimisation. Processing speeds are also significantly faster.<br />

Advanced Noise Filter III<br />

Technology<br />

High-Speed Data<br />

Processing<br />

Improved noise reduction enables accurate edge-to-edge reproduction.<br />

Advanced Detail Reproduction<br />

Technology<br />

Advanced Proper Gamma III<br />

Technology<br />

Improved detail reproduction and colour correction of lines and edges.<br />

Improved control of colour display and saturation even for pale colours.<br />

Designed for digital:<br />

Near telecentric ZUIKO DIGITAL lenses.<br />

Truly superior image quality requires a high-performance<br />

lens with outstanding fine-grain reproduction capabilities.<br />

To achieve the most advanced standards in imaging,<br />

ZUIKO DIGITAL lenses are developed exclusively for use in<br />

digital SLR photography. They are also optimised for future<br />

generations of high-performance imaging sensors.<br />

Outstanding imaging ability, versatility and compatibility<br />

with the Four Thirds System make ZUIKO DIGITAL lenses<br />

the new benchmark for digital photography – both now<br />

and in the future.<br />

The Top Pro lens series comprises an impressive selection<br />

of interchangeable lenses that are among the best in the<br />

world for professional applications. For example, it includes<br />

a zoom lens with an exceptional 1:2.0 aperture across the<br />

entire zooming range.<br />

In contrast to lenses designed for 35mm photography (upper<br />

image), the near telecentric construction of lenses developed for<br />

the Four Thirds Standard (lower image) ensures that light always<br />

reaches the sensor at near perpendicular angles.<br />

11


Seize the moment<br />

for spontaneous<br />

compositions.


Total flexibility – an adjustable LCD<br />

for shots from any angle.<br />

Large, bright, adjustable and informative:<br />

the HyperCrystal LCD.<br />

Adjustable both horizontally and vertically, the generous<br />

6.4cm Live View LCD expands creative possibilities in all<br />

directions. With an impressive 230,000 pixels of resolution<br />

and a viewing angle of 176 degrees, this brilliant display<br />

is even visible in direct sunlight. Compositional flexibility is<br />

also second to none – by swivelling in all directions, the<br />

LCD facilitates shooting from any angle. This allows you<br />

to photograph subjects outside of your own field of vision<br />

which are not visible to the eye and were previously beyond<br />

reach. You can maintain control of the shot under any<br />

circumstances while maintaining eye contact. You can<br />

even shoot from overhead or very low to the ground.<br />

The Live View LCD has a horizontal, vertical and diagonal viewing angle of 176 degrees. Even<br />

shots from side angles can easily be obtained without relinquishing full control of the image.<br />

The brightness of the display automatically adjusts to available light levels. The LCD provides<br />

100% professional coverage and also plays a pivotal role in AF mode.<br />

Get up close without any<br />

contortions: Live View enables<br />

extremely low-angle photographs<br />

without the need to use the<br />

viewfinder.<br />

You don’t need a ladder to get<br />

the full picture: Live View makes it<br />

possible to shoot overhead while<br />

retaining full control over the shot.<br />

The large Live View LCD on the back of the camera can be rotated and swivelled in any direction:<br />

up, down or to the side. When not in use, the LCD folds away for safe storage.<br />

14


All settings can be monitored on the display<br />

in real-time.<br />

All changes to exposure and white balance settings are displayed<br />

in real-time and stunning quality on the HyperCrystal<br />

LCD. The effects of Shadow Adjustment Technology can<br />

also be monitored as it works to lighten dark areas<br />

in the foreground against bright backgrounds.<br />

White balance:<br />

Adjusting exposure:<br />

Adjusting the colour temperature from 5300K to 3000K.<br />

Adjusting the exposure one stop from ± 0.0 to +1.0.<br />

Live View image display:<br />

Golden Section. Grid. Scale. Histogram.<br />

A selection of grid patterns can be superimposed over the image to check guidelines, horizontals,<br />

proportions and more.<br />

Checking sharpness:<br />

It is easy to check the focus in Macro mode – select an area of the<br />

image and magnify it 5x, 7x or 10x on the LCD.<br />

Shadow Adjustment Technology:<br />

The E-3 offers a selection of gradation settings. For example, with<br />

“Auto” selected, the image is divided into detailed regions and<br />

brightness is adjusted separately for each region. The effects<br />

that settings have on the image can be monitored in<br />

real-time on the LCD.<br />

A sensor in the upper corner of the adjustable LCD measures<br />

available light and automatically modifies the brightness of the<br />

image on the LCD accordingly.<br />

15


Made for extreme<br />

conditions.


Functionality and durability<br />

you can rely on.<br />

Large viewfinder with 100% viewing coverage.<br />

The optical pentaprism unit delivers professional coverage<br />

of 100% and a 1.15x magnification factor for precise<br />

viewing of shots. Its incredible resolution captures even the<br />

finest of details. The surface structure of the finder screen<br />

is comprised of octagonal microprisms that are arranged<br />

20μm apart. This results in a brighter display, making<br />

manual focusing easier and<br />

ensuring moiré-free images.<br />

Flash: Xenon tube Built-in flash units AE units<br />

<br />

Pentaprism<br />

Eye piece units<br />

The large viewfinder facilitates the ability to work more comfortably.<br />

Comparison: the 0.96x magnification<br />

of the E-1’s viewfinder.<br />

The E-3 with 100% coverage and magnification<br />

of 1.15x.<br />

Ergonomic design<br />

for intuitive handling.<br />

The E-3 fits your hand like a glove. All settings can be<br />

adjusted intuitively so you can apply your full concentration<br />

to your subject. Each and every function button can be<br />

reached in an instant. The E-3’s innovative operating philosophy<br />

provides an overview of functions on the LCD screen,<br />

and makes sure that you always know<br />

exactly what you are doing with<br />

an additional display on the<br />

top of the body.<br />

Main dial.<br />

Sub dial.<br />

The main dial is located precisely where<br />

it is easiest to reach while taking photographs.<br />

This enables shutter speed, aperture<br />

and exposure settings to be adjusted<br />

with a quick turn of the dial without requiring<br />

an additional visual check. The<br />

sub dial is positioned so that it is within<br />

easy reach of the index finger. Together,<br />

these two dials provide maximum ease<br />

of use and support fast reflexes while<br />

taking photographs.<br />

18


The most effective dust protection system<br />

available safeguards against imperfections<br />

in images.<br />

Shutter<br />

units<br />

Optical<br />

Low-Pass<br />

Filter<br />

It is almost impossible to prevent dust from getting inside<br />

a camera body while lenses are being changed.<br />

Yet just one particle of dust on a sensitive sensor<br />

surface can lead to serious adverse effects for image<br />

quality. Olympus’ Supersonic Wave Filter (SSWF) was<br />

the world’s first dust protection system. Thanks to continual<br />

improvements, it is still the most effective. Positioned<br />

in front of the sensor, the Supersonic Wave Filter removes<br />

dust at lightning speeds with the help of supersonic vibrations<br />

at more than 30,000Hz. This powerful technology<br />

functions at a molecular level where shaking motions and<br />

static charges are no longer effective.<br />

Quick<br />

return<br />

mirror<br />

SSWF<br />

Live MOS<br />

sensor<br />

Optimised body construction<br />

enables the integration of<br />

Olympus’ steadfast dust<br />

protection system.<br />

A drop of water fails to penetrate<br />

the dust protection system<br />

(laboratory test).<br />

To ensure not a single image is damaged by dust particles,<br />

the system automatically activates every time the camera or<br />

its Live View function is switched on.<br />

Solid magnesium body with all-round protection<br />

against dust and moisture.<br />

In order to be ready for any challenge at any time and<br />

under any conditions, the E-3’s body is constructed to be<br />

extremely robust as well as dust and water resistant. All<br />

important components including the built-in flash and LCD<br />

screen are sealed against the effects of sand, dust, rain and<br />

water drops. Made of a “thixomold” magnesium alloy, the<br />

body is exceptionally durable, solid and lightweight.<br />

A wide selection of ZUIKO DIGITAL Pro and Top Pro lenses<br />

also includes models that are protected against water and<br />

dust. As with the E-3 itself, these lenses are sealed to protect<br />

the camera at all times.<br />

Camera body and lens seals.<br />

The camera body is made of a very strong<br />

magnesium alloy.<br />

The position of various components inside<br />

19


A comprehensive suite of settings and functi<br />

control and assurance for every shot.<br />

Two sensors for precise white balance.<br />

White balance is automatically calculated from data provided by a white<br />

balance sensor and the image sensor – the camera then automatically<br />

detects white in images and adjusts the colour balance accordingly. For<br />

optimal shooting in most common situations, eight different values ranging<br />

from 3000K to 7500K are available as white balance presets. In addition, a<br />

one-touch white balance function allows photographers to save up to four<br />

optimal white balance settings to suit conditions. Both settings can be<br />

adjusted to ±7 steps (1 step = 2 mired steps). The bracketing function is<br />

also especially helpful in difficult lighting conditions. It automatically shoots<br />

a series of three versions of an image with different colour temperatures at<br />

intervals of 2, 4 or 6 steps.<br />

–6 steps (R). Auto. +6 steps (R).<br />

Colour spaces.<br />

ISO Settings.<br />

y<br />

0.8<br />

0.6<br />

0.4<br />

0.2<br />

AdobeRGB<br />

sRGB<br />

0 0.2 0.4 0.6 0.8 x<br />

Even before shooting begins, the Olympus<br />

E-3 can determine the way that colours are<br />

managed in an image. The Colour Space<br />

function allows you to define the colour space<br />

of an image (Adobe RGB or sRGB) in advance,<br />

so that image files are optimised for<br />

use with devices such as printers, monitors<br />

and image editing software at a later date.<br />

It is also possible to preset RGB saturation (for<br />

all three channels), as well as saturation levels<br />

for single channels and skin tones.<br />

In both automatic and manual modes, light sensitivity settings range from<br />

ISO 100 to ISO 3200 in 1/3 EV. Image artefacts at high ISO values are<br />

dramatically reduced by the new TruePic III processing engine.<br />

The parameters for automatic ISO settings can be individually set, while the<br />

bracketing function of the E-3 automatically shoots three frames at different<br />

ISO settings.<br />

Noise reduction.<br />

This function reduces noise in the form of coloured pixels that can appear<br />

during long exposures. Noise reduction automatically reduces noise to produce<br />

clearer images. Two images are captured: one “normal” picture and<br />

one with the same exposure settings but a closed aperture. Noise is identified<br />

in the “dark” picture and then processed out of the entire image file.<br />

Without Noise reduction.<br />

With Noise reduction.<br />

Preselect from five image modes.<br />

Preselected and adjusted image tone<br />

parameters are available as five separate<br />

picture effect modes: Vivid, Natural,<br />

Muted, Portrait and Monotone. Values<br />

and settings for contrast, sharpness and<br />

saturation are able to be adjusted in five<br />

steps and can be saved as customised<br />

picture modes. The Monotone mode<br />

also offers a selection of filters and tone<br />

effects.<br />

Filters:<br />

Yellow. Red. Orange. Green.<br />

Picture tone filters:<br />

Neutral.<br />

Sepia. Blue. Purple.<br />

Green.<br />

20


ons provide maximum<br />

Metering.<br />

There are three options for light metering: ESP (Electro Selective Pattern),<br />

centre-weighted averaging metering, and spot metering. With digital ESP<br />

metering the camera measures light levels to calculate differences in<br />

49 separate areas of the image. This takes various scene elements such<br />

as backlighting into consideration. Centre-weighted averaging metering<br />

performs average metering between the subject and background lighting,<br />

placing more emphasis on the subject at the centre. With spot metering,<br />

the camera measures a very small area around the centre of the subject.<br />

This area is defined by the spot metering area mark in the viewfinder, and<br />

comprises around 2% of the total<br />

image area. An additional highlight<br />

control function automatically corrects<br />

the exposure of light areas in<br />

the centre of the image against<br />

bright backgrounds, while shadow<br />

control performs the reverse function<br />

by improving dark objects in the<br />

centre of an image with dark background<br />

tones.<br />

Bracketing.<br />

The camera automatically shoots between three and five pictures at<br />

different exposure values for each frame. You can decide which picture<br />

you prefer later. The images can be adjusted in steps of 1/3, 1/2 or 1 EV,<br />

and bracketing settings can be changed at the touch of a button or via<br />

the menu. This feature is available in all exposure modes (P, A, S or M).<br />

Bracketing example:<br />

–1/3 EV ±0 +1/3 EV<br />

Data storage.<br />

Images can be saved in the following formats: RAW, RAW and JPEG<br />

formats simultaneously, as well as a range of JPEG compression rates.<br />

The new RAW format enables higher and loss-less compression rates.<br />

Two card slots are available for CompactFlash cards (Types I and II),<br />

Microdrives and xD-Picture Cards. The camera also boasts high-speed<br />

USB 2.0.<br />

Professional AEL/AFL control.<br />

Under normal conditions the exposure (AE) and focus (AF) settings<br />

are retained from the moment the shutter button is depressed half<br />

way until the shutter is actually released. These settings can also<br />

be saved using the AEL/AFL button (AE Lock and AF Lock).<br />

Super Control Panel.<br />

The large swivel LCD on the back of the camera functions both as a<br />

viewfinder and a Live View display. As a Super Control Panel, it enables the<br />

simultaneous display and adjustment of image settings. It can be used to<br />

preview single images with or without superimposed image information<br />

such as a histogram. This function is activated with the INFO button.<br />

Display of images and changes to settings are performed via the menu.<br />

The brightness of the display automatically adjusts to suit available light<br />

conditions.<br />

• Shutter Speed<br />

• Aperture Value<br />

• Exposure Mode<br />

• Exposure Correction<br />

• Flash intensity control<br />

• AE Lock<br />

• Noise Reduction<br />

• Auto Bracket<br />

• AF Illuminator On/Off<br />

• Colour Space<br />

• Flash Mode<br />

• ISO Speed<br />

• Drive Mode<br />

• White Balance Mode<br />

• Picture Mode<br />

• Metering Mode<br />

• Focus Mode<br />

• Image adjustment<br />

• Date and time<br />

• File Name<br />

• Number of storable<br />

still pictures<br />

• Record Mode<br />

• Card Indicator<br />

• Battery Check<br />

250 F5.6 +2.0<br />

IS<br />

HP RC FP BKT AEL 1<br />

WB<br />

AUTO<br />

ISO<br />

AUTO<br />

L N<br />

38<br />

View of the menu display on the LCD.


The Tatsuno Philosophy.<br />

The quality of an image is determined by the quality of the<br />

lens used to produce it. The development of lenses which<br />

meet the stringent optical requirements of digital SLR photography<br />

is a particular conceptual challenge. Not only must<br />

communication with the camera body and processor be<br />

mastered, but technologies key to the subsequent processing<br />

of images must also be considered – all the way to the<br />

printer. Due to the strict standards that Olympus set for its<br />

ZUIKO DIGITAL lenses, there was never any doubt that the<br />

development and manufacture of these vital components<br />

would take place in-house. Since the days of Olympus’ OM<br />

series of analogue SLR cameras, the Tatsuno facility in the<br />

mountainous, high-tech Kami-ina region of Japan’s Nagano<br />

prefecture has assumed this responsibility. This is where<br />

Olympus’ esteemed specialists practice their fine technical<br />

and craft skills while sharing their experience, knowledge<br />

and passion for the field of imaging. In an atmosphere of<br />

utmost concentration, the latest automated production<br />

facilities exist alongside traditional work stations where<br />

individual pieces are hand-crafted, inspected and polished.<br />

This principle forms the foundation of Olympus’ renowned<br />

reputation in the field of optics and guides all future developments.<br />

Tatsuno Factory. Cleanroom. Lens surface coating.<br />

22<br />

Lens polishing. Lens polishing. Lens corner coating.


A future-proof system<br />

you can depend on.<br />

The Olympus E-3 is based on the Four Thirds System –<br />

an open standard that ensures inter-compatibility between<br />

manufacturers. This allows the bodies and lenses of various<br />

brands to be mixed and matched in any number of combinations.<br />

The Four Thirds System was specifically developed<br />

for the unique requirements of digital photography.<br />

This entails achieving the highest image quality possible by<br />

ensuring a direct optical path to the image sensor, intelligent<br />

communication between the camera body and lens, lightness<br />

and compactness, and cost-effective, future-proof<br />

design. In addition, the type, size and mount of the lens has<br />

been standardised, and distances between the lens mount,<br />

image plane and last lens element were precisely defined.<br />

The standard also prescribes the exact size of the image<br />

circle, with the lens mount being approximately twice the<br />

size of the diagonal of the sensor. This allows for the<br />

construction of bright, near telecentric lenses that achieve<br />

outstanding image quality.<br />

The new ZUIKO DIGITAL SWD lenses join an already-extensive range.<br />

Top Pro Lenses<br />

ZUIKO DIGITAL<br />

ED 7-14mm 1:4.0<br />

ZUIKO DIGITAL<br />

ED 14-35mm 1:2.0 SWD<br />

ZUIKO DIGITAL<br />

ED 35-100mm 1:2.0<br />

ZUIKO DIGITAL<br />

ED 90-250mm 1:2.8<br />

ZUIKO DIGITAL<br />

ED 150mm 1:2.0<br />

ZUIKO DIGITAL<br />

ED 300mm 1:2.8<br />

(14-28mm)*<br />

(28-70mm)*<br />

(70-200mm)*<br />

(180-500mm)*<br />

(300mm)*<br />

(600mm)*<br />

Pro Lenses<br />

ZUIKO DIGITAL<br />

11-22mm 1:2.8-3.5<br />

ZUIKO DIGITAL<br />

ED 12-60mm 1:2.8-4.0 SWD<br />

ZUIKO DIGITAL<br />

14-54mm 1:2.8-3.5<br />

ZUIKO DIGITAL<br />

ED 50-200mm 1:2.8-3.5 SWD<br />

ZUIKO DIGITAL<br />

ED 8mm Fisheye 1:3.5<br />

ZUIKO DIGITAL<br />

ED 50mm Macro 1:2.0<br />

(22-44mm)*<br />

(24-120mm)*<br />

(28-108mm)*<br />

(100-400mm)*<br />

(16mm)*<br />

(100mm)*<br />

Standard Lenses<br />

ZUIKO DIGITAL<br />

ED 14-42mm 1:3.5-5.6<br />

ZUIKO DIGITAL<br />

17.5-45mm 1:3.5-5.6 **<br />

ZUIKO DIGITAL<br />

ED 18-180mm 1:3.5-6.3<br />

ZUIKO DIGITAL<br />

ED 40-150mm 1:4.0-5.6<br />

ZUIKO DIGITAL<br />

ED 70-300mm 1:4.0-5.6<br />

ZUIKO DIGITAL<br />

35mm Macro 1:3.5<br />

(28-84mm)*<br />

(35-90mm)*<br />

(36-360mm)*<br />

(80-300mm)*<br />

(140-600mm)*<br />

(70mm)*<br />

* Equivalent to a 35mm camera. ** Only available in special kit.<br />

23


Flash technology for the ultimate<br />

in flexibility and convenience.<br />

Olympus’ new RC Data Transfer System<br />

enables wireless communication between<br />

the camera and special external flash units<br />

such as the new FL-50R and FL-36R.<br />

No separate commander unit is required<br />

because all functions are triggered and<br />

controlled directly from the E-3’s integrat -<br />

ed flash. Depending on what lighting setup<br />

you require, up to three separate flash<br />

groups can be controlled directly from the<br />

camera at one time. Settings and adjustments<br />

can be controlled from the Super<br />

Control Panel on the LCD. Now it’s simple<br />

and convenient to experiment with various<br />

lighting options without having to worry<br />

about cable clutter.<br />

10m<br />

60°<br />

5m<br />

120°<br />

Lighting Group A<br />

Lighting Group B<br />

10m<br />

120°<br />

Built-in flash<br />

Lighting Group C<br />

Three flash groups can be individually programmed.<br />

Wireless TTL FL-50R flash unit.<br />

The FL-50R electronic flash unit was specially developed<br />

for use in digital photography and utilises RC Data Transfer<br />

Technology. Boasting multiple adjustment modes, highspeed<br />

synchronisation and a large selection of accessories,<br />

this flash unit is the ideal complement to the Olympus E-3.<br />

It has a very powerful GN50 at a focal length of 42mm<br />

(equivalent to 85mm on a 35mm camera; ISO 100), and<br />

GN28 at a focal length of 12mm (equivalent to 24mm on<br />

a 35mm camera; ISO 100).<br />

• The reflector can be tilted and<br />

swivelled.<br />

• The Olympus E-3 enables flash<br />

synchronisation at all shutter<br />

speeds – 1/8000 th sec. in FP mode.<br />

• Flash coverage is automatically<br />

adjusted in several steps to corre-<br />

spond to the focal length of the<br />

lens when zooming.<br />

• In addition to manual settings,<br />

fast recycle intervals of as little<br />

as 1.3 seconds are possible (in<br />

combination with an external<br />

power source).<br />

• The FLBA-1 bounce adapter can<br />

be mounted on the flash head to<br />

diffuse shadows, while the FLRA-1<br />

reflector adapter softens the effects<br />

of bounce lighting. The FL-50R comes<br />

with both items, as well as the FLST-1<br />

flash stand.<br />

FLBA-1 bounce adapter.<br />

FLRA-1 reflector adapter.<br />

FLST-1 flash stand.<br />

24


Wireless TTL FL-36R flash unit.<br />

A compact electronic flash unit with RC Data Transfer<br />

System for use in digital photography. With GN36 at a focal<br />

length of 42mm and GN28 at a focal length of 12mm, its<br />

technical specifications and capabilities are otherwise<br />

equivalent to the FL-50R. Comes with<br />

the FLST-1 flash stand. FLRA-1 reflector<br />

adapter is available as an optional accessory.<br />

Perfect lighting for professional assignments.<br />

The professional macro flash system affords E-3 photographers<br />

greater flexibility and creative control. It includes a<br />

ring flash unit, a twin flash set, an adapter ring and a flash<br />

control unit. The macro system is specially designed for<br />

Olympus’ Four Thirds-based digital SLR system. Each unit<br />

is available separately and includes a macro flash controller<br />

unit that is mounted<br />

on the E-3’s hot shoe.<br />

STF-22<br />

SRF-11<br />

Enhanced lighting effects: the same macro image with<br />

frontal flash (left), and backlit with an additional flash from<br />

behind (right).<br />

Software for the entire<br />

workflow.<br />

In addition to lenses and flash components, the Olympus<br />

E-System also includes a wide range of accessories:<br />

batteries, chargers, camera bags, remote controls and<br />

more.<br />

The E-3 comes<br />

with Olympus<br />

Master software<br />

to manage important<br />

functions<br />

and tasks<br />

such as downloading,<br />

viewing,<br />

evaluating, archiving and printing. Available as an optional<br />

extra, the new Olympus Studio 2.1 is perfectly suited to the<br />

requirements of professional photographers.<br />

Operating the camera from a computer.<br />

If the camera is connected to a computer (PC or Mac), it<br />

is able to be operated via the computer’s keyboard. This<br />

allows photos to be saved directly onto the hard drive and<br />

viewed on the computer’s monitor.<br />

example, a single edit can be quickly and easily applied to<br />

all of the photographs from a particular shoot. It is also<br />

possible to correct distortions while simultaneously eliminating<br />

artefacts.<br />

Virtual light box.<br />

The virtual lightbox functions the same way as a normal light<br />

box used for checking film. This allows multiple images to<br />

be viewed simultaneously on a computer. Images can then<br />

be selected, grouped and edited.<br />

RAW data format.<br />

Numerous settings and direct control via the monitor enable<br />

the best results to be obtained from a group of shots so that<br />

they can be saved in TIFF or JPEG format. Once defined,<br />

a setting can be saved and applied to all images in a series<br />

via batch editing mode.<br />

Image editing.<br />

An image editing mode includes countless key features<br />

such as levels and gamma correction. In batch mode, for<br />

25


Handy, compact and<br />

ergonomically designed.<br />

White balance sensor<br />

Lens lock pin<br />

Sub dial<br />

Lens attachment<br />

mark<br />

Mount<br />

Preview button<br />

Shutter button<br />

Self-timer /<br />

Remote control lamp /<br />

Remote control receiver<br />

Lens release button<br />

Mirror<br />

Portrait format<br />

shutter button<br />

Portrait format sub dial<br />

The HLD-4 power grip extends battery life so there’s no<br />

need to worry about going into overtime. It also features<br />

a second shutter release to facilitate ease of use while<br />

working in portrait format.<br />

External flash connector<br />

Eyecup<br />

Viewfinder<br />

Remote cable connector<br />

AEL / AFL button<br />

Protect button<br />

Dioptre adjustment dial<br />

Eyepiece<br />

shutter lever<br />

LCD monitor<br />

(Super Control Panel)<br />

Erase button<br />

INFO button<br />

(Information display)<br />

Main dial<br />

Playback button<br />

Arrow pad<br />

OK button<br />

Card cover lock<br />

Card access lamp<br />

IS button (Image Stabilisation)<br />

Portrait format AF and FN button<br />

Portrait format main dial<br />

USB connector<br />

Video OUT jack<br />

DC IN jack<br />

Connector cover<br />

M<strong>EN</strong>U button<br />

Live View button<br />

Power switch<br />

Hot shoe<br />

Built-in flash<br />

Flash mode /<br />

Flash intensity control<br />

WB button<br />

(White balance)<br />

Exposure<br />

compensation button<br />

Strap eyelet<br />

Sequential shooting /<br />

Self-timer / Remote<br />

control button<br />

ISO button<br />

Card cover<br />

Card slot<br />

AF mode<br />

Control panel<br />

Eject button<br />

LIGHT button<br />

26


Specifications<br />

Model Olympus E-3<br />

Type<br />

Body material<br />

Magnesium alloy body.<br />

Lens mount<br />

Four Thirds type.<br />

Image Sensor<br />

Type<br />

4/3-type High-Speed Live MOS sensor.<br />

Effective pixels<br />

10.1 Megapixels.<br />

Filter array<br />

Primary colour filter (RGB).<br />

Aspect ratio & area 4:3 / 17.3 x 13.0mm.<br />

Full resolution<br />

11.8 Megapixels.<br />

Engine<br />

Type<br />

TruePic III.<br />

Filter<br />

Dust reduction filter Supersonic Wave Filter.<br />

IR cut filter<br />

Hybrid type.<br />

LPF filter<br />

Fixed type.<br />

LCD<br />

LCD type<br />

Multi-angle HyperCrystal LCD (semi-transmissive TFT colour LCD).<br />

Monitor size 6.4cm / 2.5’’.<br />

Pixel number<br />

230,000 pixels.<br />

Brightness adjustment 15 steps.<br />

Viewfinder<br />

Viewfinder type<br />

Eye-level single lens reflex.<br />

Field of view Approx. 100%.<br />

Magnification<br />

Approx. 1.15x with a 50mm lens set to infinity at –1 dioptres.<br />

Depth of field preview Yes, Preview button.<br />

Eye point<br />

20mm.<br />

Dioptre adjustment Yes, –3.0 – +1.0 dioptre / built-in type.<br />

Focusing screen Interchangeable type.<br />

Mirror<br />

Quick return mirror.<br />

Eye piece shutter Built-in type.<br />

Live View<br />

Information<br />

100% field of view, Exposure adjustment preview, White balance<br />

adjustment preview, Gradation auto preview, Gridline displayable,<br />

5x/7x/10x magnification possible, MF/S-AF, AF frame display,<br />

AF point display, Shooting information, Histogram.<br />

Image Stabiliser<br />

Type<br />

Sensor shift.<br />

Modes<br />

Two-dimensional or one-dimensional activation.<br />

Effective Compensation<br />

Range<br />

Up to 5 EV steps.<br />

Focusing System<br />

Method<br />

TTL phase difference detection system.<br />

Focus areas<br />

11points / fully biaxial, automatic and manual selection.<br />

AF illuminator<br />

Yes, Built-in flash (external flash available).<br />

AF lock<br />

Yes, Locked by first position of shutter release button in single AF<br />

mode, AE/AF lock button (customised).<br />

Focus tracking<br />

Yes, Available in continuous AF mode.<br />

Manual focus<br />

Yes, Available by rotating focus ring, available for setting manual focus<br />

operation in AF mode (customised).<br />

Focus modes<br />

Single AF, Single AF + MF, Continuous AF, Continuous AF + MF.<br />

Detection range –2 – 19EV (ISO 100).<br />

Light Metering<br />

Method<br />

TTL open aperture light metering.<br />

Zones<br />

49, Multi-pattern Sensing System.<br />

Detection range 1 – 20 (50mm, 1:2, ISO 100).<br />

Exposure modes<br />

Auto, Programme automatic, Aperture priority, Shutter priority, Manual.<br />

Exposure System<br />

Exposure compensation +/– 5EV / 1, 1/2, 1/3 steps.<br />

Exposure bracketing 3 / 5 frames / +/– 1/3, 2/3, 1EV steps.<br />

ISO bracketing<br />

3 frames / 1/3, 1/2, 1EV steps.<br />

Sensitivity<br />

Auto<br />

In 1/3 and 1 EV ISO steps.<br />

Manual<br />

ISO 100 – 3200 in 1/3 and 1 EV ISO steps.<br />

Shutter<br />

Shutter type<br />

Computerised focal-plane shutter.<br />

Shutter release<br />

Soft Touch Electromagnetic.<br />

Self timer 12s / 2s.<br />

Anti Shock Yes, Release delay: 1 – 30s.<br />

Shutter Speeds<br />

Shutter speed range 1/8000 – 60s (in 1/3, 1/2, 1 EV steps).<br />

Bulb mode<br />

Up to 30 minutes (selectable longest time in the menu,<br />

default: 8 minutes).<br />

White Balance<br />

AUTO WB system<br />

Hybrid detection system with High-Speed Live MOS sensor and<br />

dedicated external sensor.<br />

Manual White balance<br />

(One-Touch)<br />

Yes.<br />

Selectable steps in Kelvin 7 steps (3000 – 7500K).<br />

White balance adjustment Yes +/– 7 in each R-B / G-M axis (in Auto WB and preset WB mode).<br />

Custom WB<br />

1 setting can be registered at Kelvin temperature (2000 K – 14000 K).<br />

One-touch white balance 4 custom settings can be registered.<br />

White balance bracketing 3 frames / +/– 2, 4, 6 mired steps.<br />

Internal Flash<br />

Guide number 13.<br />

Flash compensation +/– 3 EV / 1/3 EV steps.<br />

Modes<br />

AUTO, Red-eye reduction, Slow synchronisation, Slow<br />

synchronisation 2nd curtain, Fill-in, Slow synchronisation with red-eye<br />

reduction, Off, Bracketing.<br />

External Flash Control<br />

X-sync speed 1/250s / 1/8000 s.<br />

Type<br />

TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL.<br />

Intensity<br />

+/– 2EV / 1, 1/2, 1/3 steps.<br />

Wireless flash control from the camera body<br />

Compatible external flash FL-50R, FL-36R.<br />

Control method<br />

Triggered and controlled by built-in flash light.<br />

Modes<br />

TTL Auto (TTL pre-flash mode), Auto, Manual, FP TTL Auto,<br />

FP Manual.<br />

Number of channels 4 channels.<br />

Group setting<br />

3 groups.<br />

Sequence Shooting<br />

Sequential shooting mode<br />

(high speed)<br />

5fps / 17 frames RAW buffer.<br />

Image Processing<br />

Colour space<br />

sRGB / AdobeRGB.<br />

TruePic III<br />

Yes.<br />

Sharpness + Contrast 5 levels.<br />

Saturation<br />

5 levels.<br />

Contrast<br />

5 levels.<br />

Black & White filter Yellow, Orange, Red, Green.<br />

Black & White toning Yellow, Orange, Red, Green in Black & White and Sepia mode.<br />

Gradation 4.<br />

Recording Formats<br />

RAW<br />

12 bit.<br />

RAW & JPEG<br />

Yes.<br />

JPEG<br />

Yes.<br />

JPEG compression 1/2.7, 1/4, 1/8, 1/12 SHQ, 1/2.7, 1/4, 1/8, 1/12 HQ, 1/2.7, 1/4, 1/8,<br />

1/12 SQ.<br />

Image Size<br />

RAW<br />

3648 x 2736 compressed / 11MB / frame.<br />

JPEG-Large<br />

3648 x 2736 Super Fine (compression: 1/2.7) / 6.8MB / frame.<br />

3648 x 2736 Fine (compression: 1/4) / 4.7MB / frame.<br />

3648 x 2736 Normal (compression: 1/8) / 2.2MB / frame.<br />

3648 x 2736 Basic (compression: 1/12) / 1.5MB / frame.<br />

JPEG-Middle<br />

3200 x 2400 Super Fine (compression: 1/2.7) / 5.3MB / frame.<br />

3200 x 2400 Fine (compression: 1/4) / 3.7MB / frame.<br />

3200 x 2400 Normal (compression: 1/8) / 1.7MB / frame.<br />

3200 x 2400 Basic (compression: 1/12) / 1.1MB / frame.<br />

2560 x 1920 Super Fine (compression: 1/2.7) / 3.6MB / frame.<br />

2560 x 1920 Fine (compression: 1/4) / 2.2MB / frame.<br />

2560 x 1920 Normal (compression: 1/8) / 1.1MB / frame.<br />

2560 x 1920 Basic (compression: 1/12) / 0.7MB / frame.<br />

JPEG-Small<br />

1600 x 1200 Super Fine (compression: 1/2.7) / 1.3MB / frame.<br />

1600 x 1200 Fine (compression: 1/4) / 0.8MB / frame.<br />

1600 x 1200 Normal (compression: 1/8) / 0.5MB / frame.<br />

1600 x 1200 Basic (compression: 1/12) / 0.3MB / frame.<br />

1280 x 960 Super Fine (compression: 1/2.7) / 0.8MB / frame.<br />

1280 x 960 Fine (compression: 1/4) / 0.5MB / frame.<br />

1280 x 960 Normal (compression: 1/8) / 0.3MB / frame.<br />

1280 x 960 Basic (compression: 1/12) / 0.2MB / frame.<br />

1024 x 768 Super Fine (compression: 1/2.7) / 0.5MB / frame.<br />

1024 x 768 Fine (compression: 1/4) / 0.4MB / frame.<br />

1024 x 768 Normal (compression: 1/8) / 0.2MB / frame.<br />

1024 x 768 Basic (compression: 1/12) / 0.1MB / frame.<br />

640 x 480 Super Fine (compression: 1/2.7) / 0.2MB / frame.<br />

640 x 480 Fine (compression: 1/4) / 0.2MB / frame.<br />

640 x 480 Normal (compression: 1/8) / 0.1MB / frame.<br />

640 x 480 Basic (compression: 1/12) / 0.1MB / frame.<br />

Customisation Options<br />

Fn Button<br />

Off, One-touch WB, Test picture, Preview, Live View, AF home setting,<br />

MF, Record format, Exposure mode, My Mode, Underwater modes.<br />

Custom preset options 2.<br />

My Mode<br />

2 settings storable.<br />

Power Supply<br />

Battery<br />

BLM-1 Li-Ion battery (included).<br />

Battery life<br />

Approx. 610 shots with BLM-1 under CIPA testing standard<br />

(optical viewfinder).<br />

Sleep mode<br />

Available (1, 3, 5, 10 min., off).<br />

Interface<br />

Media<br />

Dual slot for CompactFlash card (Type I and II), Microdrive and<br />

xD-picture card.<br />

USB 2.0 (Hi-Speed), Video out, Infrared, DC input, Synchro socket.<br />

Environment<br />

Temperature<br />

0 – 40°C operating temperature, –20 – 60°C storage temperature.<br />

Humidity<br />

30 – 90% operation humidity, 10 – 90% storage humidity.<br />

Size<br />

Dimensions (W x H x D) 142.5 x 116.5 x 74.5mm (without protrusions).<br />

Weight<br />

810g (body only).<br />

Box contents<br />

BLM-1 (Lithium-Ion battery for E-1 / E-300 / E-330 / E-500 / E-510),<br />

BCM-2 (Battery Charger for BLM-1), USB Cable, Video Cable, Shoulder Strap,<br />

Operating Instructions, Guarantee, BC-1 Body Cap,<br />

Olympus Master 2.0 (Software CD-ROM Olympus Master).<br />

Specifications and design are subject to change without notice.<br />

Battery life varies greatly according to type of batteries used and the conditions of use.<br />

Above information is based on Olympus standard testing procedure.<br />

27


D igital SLR Camera<br />

Standard Lens<br />

Pro Lens<br />

Top Pro Lens<br />

Adapte r<br />

ZUIKO DIGITAL<br />

ED 14–35 mm 1:2.0 SWD<br />

Standard Zoom<br />

ZUIKO DIGITAL<br />

ED 7–14 mm 1:4.0<br />

Wide Zoom<br />

ZUIKO DIGITAL<br />

17.5–45 mm 1:3.5–5.6<br />

Standard Zoom<br />

(only available in special kit)<br />

ZUIKO DIGITAL<br />

ED 14-42 mm 1:3.5-5.6<br />

Standard Zoom<br />

ZUIKO DIGITAL<br />

1.4x Tele Converter EC-14<br />

ZUIKO DIGITAL<br />

ED 12–60 mm 1:2.8–3.5 SWD<br />

Standard Zoom<br />

Compatible with<br />

ZUIKO DIGITAL<br />

11–22 mm 1:2.8–3.5<br />

Wide Zoom<br />

Compatible with<br />

EC-14/EC-20<br />

Tele Converter<br />

Compatible with<br />

EC-14/EC-20*<br />

Tele Converter<br />

Compatible with<br />

Compatible with<br />

Compatible with<br />

EC-14/EC-20*<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

only at 60mm<br />

TF-22<br />

Twin Flash<br />

EC-14/EC-20**<br />

Tele Converter<br />

EC-14*/EC-20*<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

EC-14*/EC-20*<br />

Tele Converter<br />

only at 28–45mm<br />

EX-25*<br />

Extension Tube<br />

only at 25–42mm<br />

TF-22<br />

Twin Flash<br />

with adapter ring 52mm bis 67mm/72mm<br />

ZUIKO DIGITAL<br />

2.0x Tele Converter EC-20<br />

ZUIKO DIGITAL<br />

ED 90–250 mm 1:2.8<br />

Telephoto Zoom<br />

ZUIKO DIGITAL<br />

ED 35–100 mm 1:2.0<br />

Telephoto Zoom<br />

ZUIKO DIGITAL<br />

ED 50–200mm 1:2.8–3.5 SWD<br />

Telephoto Zoom<br />

ZUIKO DIGITAL<br />

14–54 mm 1:2.8 – 3.5<br />

Standard Zoom<br />

ZUIKO DIGITAL<br />

ED 40–150 mm 1:4.0–5.6<br />

Telephoto Zoom<br />

ZUIKO DIGITAL<br />

ED 18–180 mm 1:3.5–6.3<br />

Super Zoom (10x)<br />

Compatible with<br />

Compatible with<br />

Compatible with<br />

Compatible with<br />

Compatible with<br />

Compatible with<br />

EC-14/EC-20<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

EC-14/EC-20<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

only at 60–100mm<br />

EC-14/EC-20**<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

EC-14/EC-20**<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

EC-14*/EC-20*<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

EC-14*/EC-20*<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

only at 54mm<br />

only at 50–180mm<br />

TF-22<br />

Twin Flash<br />

RF-11<br />

Ring Flash<br />

TF-22<br />

Twin Flash<br />

RF-11<br />

Ring Flash<br />

TF-22<br />

Twin Flash<br />

Flash<br />

with adapter ring 62mm to 67mm/72mm<br />

FL-CB05<br />

Flash Cable<br />

EX-25<br />

Extension Tube<br />

ZUIKO DIGITAL<br />

ED 300 mm 1:2.8<br />

Fix Focal Lens<br />

ZUIKO DIGITAL<br />

ED 150 mm 1:2.0<br />

Fix Focal Lens<br />

ZUIKO DIGITAL<br />

ED 50 mm 1:2.0<br />

Macro Lens<br />

ZUIKO DIGITAL<br />

ED 8 mm 1:3.5<br />

Fisheye Lens<br />

ZUIKO DIGITAL<br />

35 mm 1:3.5<br />

Macro Lens<br />

ZUIKO DIGITAL<br />

ED 70–300 mm 1:4.0–5.6<br />

Super Telephoto Zoom<br />

Compatible with<br />

Compatible with<br />

Compatible with<br />

EC-14/EC-20<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

EC-14/EC-20<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

Compatible with<br />

EC-14/EC-20*<br />

Tele Converter<br />

Compatible with<br />

Compatible with<br />

Drop-in Filter Set included<br />

MF-1<br />

OM Adapter<br />

EC-14/EC-20<br />

Tele Converter<br />

TF-22<br />

Twin Flash<br />

with FR-1<br />

EX-25<br />

Extension Tube<br />

RF-11<br />

Ring Flash<br />

with FR-1<br />

EC-14**/EC-20*<br />

Tele Converter<br />

∞ –25mm<br />

TF-22<br />

Twin Flash<br />

with FR-1<br />

EX-25*<br />

Extension Tube<br />

EC-14*/EC-20*<br />

Tele Converter<br />

EX-25*<br />

Extension Tube<br />

RF-11<br />

Ring Flash<br />

with FR-1<br />

FL-20<br />

Flash<br />

FL-36R<br />

Wireless Flash<br />

FL-50R<br />

Wireless Flash<br />

E-System Bags<br />

Power Supply<br />

E-System<br />

Bag<br />

Compact<br />

E-System<br />

Pro<br />

Backpack<br />

E-System<br />

Bag<br />

SRF-11<br />

Ring Flash Set<br />

(incl. FC-1/RF-11)<br />

Eyecups<br />

LBH-1<br />

Li-Ion Battery<br />

Holder<br />

(for 3x CR123A,<br />

with HLD-4 only)<br />

HLD-4<br />

Power Battery<br />

Holder<br />

(for 2x BLM-1)<br />

BLM-1<br />

Li-Ion Battery Pack<br />

E-510<br />

RF-11<br />

Ring Flash<br />

FLST-1<br />

Flash Stand<br />

(incl. with FL-50R<br />

and FL-36R)<br />

FLRA-1<br />

Flash Reflector<br />

Adapter<br />

(incl. with FL-50R)<br />

FLBA-1<br />

Flash Bounce<br />

Adapter<br />

(incl. with FL-50R)<br />

EP-6<br />

Eyecup<br />

FR-1<br />

Flash Adapter Ring<br />

for 35/50mm Macro<br />

FC-1<br />

Macro Flash<br />

Controller<br />

EP-7<br />

Eyecup<br />

(incl. with E-3)<br />

EP-5<br />

Eyecup<br />

(incl. with<br />

E-410/E-510)<br />

VA-1<br />

Angle Finder<br />

AC-1<br />

Power Supply<br />

AABH-1<br />

Battery<br />

Holder (incl.<br />

with HLD-4)<br />

BCM-2<br />

Li-Ion Battery<br />

Charger<br />

BCM-1<br />

Quick Li-Ion<br />

Battery<br />

FL-CB02<br />

Flash Cable<br />

Charger<br />

TF-22<br />

Twin Flash<br />

Remote control<br />

FP-1<br />

Flash Power Grip<br />

(incl. FL-CB02)<br />

for FL-50R/<br />

RF-11/TF-22<br />

FS-3***<br />

Focusing<br />

Screen<br />

DE-N3<br />

Eyecup<br />

Diopter –3<br />

DE-P3<br />

Eyecup<br />

Diopter +3<br />

ME-1<br />

Magnifyer<br />

Eyecup<br />

STF-22<br />

Twin Flash Set<br />

(incl. FC-1/ TF-22)<br />

SHV-1<br />

Flash High Voltage Set<br />

(incl. HV-1/BN-1/AC-2)<br />

AC-2<br />

AC Adapter<br />

RM-CB1<br />

Remote<br />

Cable<br />

RM-1<br />

Remote<br />

Control<br />

BN-1<br />

Ni-MH<br />

Battery Pack<br />

HV-1<br />

High Voltage<br />

Pack<br />

OLYMPUS IMAGING EUROPA GMBH<br />

www.olympus-europa.com<br />

Camera is shown with optional accessories. *Only with MF ** AF possible when using center frame *** Exchange only via Olympus Service Station Specifications and appearances are subject to change without any notice or obligation on the part of the manufacturer.<br />

Printed in Germany - OIME - Id.No. E0465057 - Hab - 11/2007 - <strong>EN</strong>

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