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Editors Appreciation<br />
*'"Tomorrow and tomorrow and tomorrow<br />
creeps on this petty pace from<br />
day to day to the last syllable<br />
<strong>of</strong> recorded time."-Wm. Shakespeare, Macbeth<br />
And what <strong>of</strong> tomorrow and tomorrow? We do not know.<br />
We live from day to day, basing our expectations <strong>of</strong> tomorrow<br />
on the experiences <strong>of</strong> the past. It is the purpose<br />
<strong>of</strong> an annual to record the happenings <strong>of</strong> each year so that<br />
in the years ahead we may look through these books and<br />
recall the life we lived here at the <strong>University</strong>. That has<br />
been the task <strong>of</strong> the Gem staff this year and it is my hope<br />
that when you have looked at this book it will have fulfilled<br />
its purpose for you. There are no unique changes in the<br />
Gem <strong>of</strong> 1957. The staff has simply strived to give back to<br />
you through pictures and stories the events <strong>of</strong> this year.<br />
I hope that each person who reads it finds some one thing<br />
that captures a particular memory or pulls at a certain<br />
heart string.<br />
Many people have helped in preparing this book for<br />
publication. If it meets with your approval it is because <strong>of</strong><br />
their efforts. Many thanks to the following:<br />
To Myrt Williamson- my girl Friday who has worked<br />
diligently doing well anything that needed to be<br />
done. She takes on the job <strong>of</strong> the 1958 Editor-in-chief.<br />
To Larene Newberry-the other associate ediror who<br />
worked steadily and efficiently on indexing and other<br />
jobs.<br />
To Jim Gipson, Gordon Gipson, and the rest <strong>of</strong> the crew<br />
at Caxton Printers in Caldwell for the fine job <strong>of</strong><br />
photo-mounting and printing. And thanks to diem<br />
also for all the concessions made to us during the year.<br />
To Paul Evans, Jim's artist, for doing the fine work on<br />
the page layout, art work, and cover design.<br />
To AI Salisbury and crew at Artcraft Engravers in<br />
Seattle for the time spent on making the engravings<br />
for our book.<br />
To Bruce Wendle--who with his photography staff<br />
worked long and hard through missed photo-orders<br />
and camera failures to supply the needed photos.<br />
To Larry Courtney-who as darkroom man is responsible<br />
for the quality <strong>of</strong> the pictures.<br />
To Roger Groth-who supplied most <strong>of</strong> the fine pictures<br />
for the opening section.<br />
To Roy Bell, Don Walker, and Rafe Gibb for their<br />
assistance in supplying needed photographs.<br />
To Hutchinson's, Rudy's, and Sterner's, for their portrait<br />
work.<br />
To Rudy for the portraits in the Queen Section and also<br />
for the extra photos with which he supplied us.<br />
To staff heads, Betty Bovey, Sandy Yost, Kay Conrad,<br />
Max Burke, Marge Bradbury, Carolyn Edwards, Bob<br />
Hansen, Jim Glenny, Nancy Norton, Jerry Gneckow,<br />
Dixie H<strong>of</strong>lland for the fine work they did on their<br />
sections.<br />
To Gale Mix who always had time to listen to a problem<br />
and a word <strong>of</strong> encouragement when it was needed.<br />
And to his secretary, Gail Gillespie, who was always<br />
ready to help.<br />
To John B. Hughes, this year's Jason, who co-operated<br />
with us so well in using the darkroom and who always<br />
helped us out when he could.<br />
I have two more personal thank-you's. Maybe these<br />
people didn't turn a hand to help publish the book, but<br />
they were responsible for the morale <strong>of</strong> the editor. First<br />
to all the guys and gals at 727 Elm and 1038 Blake thanks<br />
for all the moral support, for helping me in a pinch, or<br />
for just drowning my troubles with a cup <strong>of</strong> c<strong>of</strong>fee. And<br />
last, but by no means least, to Husband Dave who withstood<br />
the constant ringing <strong>of</strong> the telephone, bad moods<br />
when deadlines were missed, late meals and sometimes no<br />
meals, and many other hardships so that Gem work could<br />
go on, I want to say, thanks, pal. Your wonderful cooperation<br />
did not go unnoticed.<br />
May your tomorrow and tomorrow and tomorrow bring<br />
you the fulfillment <strong>of</strong> your dreams. And may this 1957<br />
Gem <strong>of</strong> the Mountains help you to relive your yesterdays.<br />
LouiSE T A TKO CuMMINS<br />
Editor-in-Chief<br />
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