Intersections Exhibition Catalog (PDF) - Minneapolis College of Art ...
Intersections Exhibition Catalog (PDF) - Minneapolis College of Art ...
Intersections Exhibition Catalog (PDF) - Minneapolis College of Art ...
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ESSAY<br />
CROSSINGS | <strong>Intersections</strong> presents aesthetic experiments in collaboration<br />
that suggest we revisit our basic assumptions about art making.<br />
Collaborative art practices are significant because they challenge the<br />
way that we define the artist as an individual in the modernist sense,<br />
a singular, self-contained, free agent. Philosophers call this framework for<br />
understanding identity the “autonomous subject.”<br />
Within critical debates inside and outside the<br />
art world, alternative models <strong>of</strong> subjectivity<br />
consider identity to be fragmentary, fluid,<br />
and collaborative have largely displaced the<br />
“autonomous subject.” In the world <strong>of</strong> the visual<br />
arts we still conceptualize the “artist” as<br />
essentially singular and autonomous: <strong>Art</strong>ists are<br />
loners, outsiders, expressionists, individualists.<br />
The truth is that although many <strong>of</strong> us intellectually<br />
accept the critical consensus that there is no<br />
such thing as an “autonomous subject,” we have<br />
not developed robust alternative collaborative<br />
models <strong>of</strong> art production to use in our studios<br />
and classrooms. <strong>Intersections</strong> mobilized fourteen<br />
teams <strong>of</strong> artists to experiment over the course<br />
<strong>of</strong> a year with collaborative practices. Their<br />
presentations and writing provide us with<br />
practical examples for developing art-making<br />
strategies that push beyond our usual default,<br />
the solitary individualist.<br />
INTERSECTIONS