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Intersections Exhibition Catalog (PDF) - Minneapolis College of Art ...

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ESSAY<br />

CROSSINGS | <strong>Intersections</strong> presents aesthetic experiments in collaboration<br />

that suggest we revisit our basic assumptions about art making.<br />

Collaborative art practices are significant because they challenge the<br />

way that we define the artist as an individual in the modernist sense,<br />

a singular, self-contained, free agent. Philosophers call this framework for<br />

understanding identity the “autonomous subject.”<br />

Within critical debates inside and outside the<br />

art world, alternative models <strong>of</strong> subjectivity<br />

consider identity to be fragmentary, fluid,<br />

and collaborative have largely displaced the<br />

“autonomous subject.” In the world <strong>of</strong> the visual<br />

arts we still conceptualize the “artist” as<br />

essentially singular and autonomous: <strong>Art</strong>ists are<br />

loners, outsiders, expressionists, individualists.<br />

The truth is that although many <strong>of</strong> us intellectually<br />

accept the critical consensus that there is no<br />

such thing as an “autonomous subject,” we have<br />

not developed robust alternative collaborative<br />

models <strong>of</strong> art production to use in our studios<br />

and classrooms. <strong>Intersections</strong> mobilized fourteen<br />

teams <strong>of</strong> artists to experiment over the course<br />

<strong>of</strong> a year with collaborative practices. Their<br />

presentations and writing provide us with<br />

practical examples for developing art-making<br />

strategies that push beyond our usual default,<br />

the solitary individualist.<br />

INTERSECTIONS

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