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Intersections Exhibition Catalog (PDF) - Minneapolis College of Art ...

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S.CATRIN<br />

MAGNUSSON<br />

STEVIE<br />

REXROTH<br />

ARTISTS’ STATEMENT<br />

S. Catrin Magnusson<br />

My work explores in-between areas <strong>of</strong> physical<br />

and psychological landscapes that move<br />

back and forth between inclusion and<br />

exclusion, connection and disconnection,<br />

the material and immaterial.<br />

I am interested in the concepts <strong>of</strong> displacement<br />

and impermanence and how they are represented<br />

in geology, namely the boundaries <strong>of</strong> tectonic<br />

plates where subduction, divergence, or grinding<br />

occurs. The work focuses on the Mid-Atlantic<br />

Ridge, a deep rift whose force pushes North<br />

and South America apart from Europe and<br />

Africa by an inch every year. The rift functions<br />

as a metaphor for the increasing distance<br />

and tension between countries and cultures,<br />

and speaks as well to a personal narrative <strong>of</strong><br />

coexisting between two cultures, two ideologies,<br />

and two landscapes.<br />

Stevie Rexroth<br />

This work continues an investigation <strong>of</strong><br />

the nature <strong>of</strong> subjecthood in photography<br />

through the use <strong>of</strong> simple materials<br />

and means.<br />

I create small sculptural forms from white<br />

drawing paper and photograph them against<br />

a white background. The sculptural forms<br />

have no direct referent in the world. They are<br />

created purely from a sense <strong>of</strong> play—cutting,<br />

moving, gluing shapes around. It is organic<br />

and meditative. The outcome <strong>of</strong> this process<br />

is a quiet, almost nonpresent image, white on<br />

white, sitting somewhere between a two-and<br />

three-dimensional experience. A photographic<br />

image becomes a work on paper, a drawing, and<br />

perhaps returns in a cycle to the early definition<br />

<strong>of</strong> photography as drawing with light.<br />

INTERSECTIONS

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