Intersections Exhibition Catalog (PDF) - Minneapolis College of Art ...
Intersections Exhibition Catalog (PDF) - Minneapolis College of Art ...
Intersections Exhibition Catalog (PDF) - Minneapolis College of Art ...
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S.CATRIN<br />
MAGNUSSON<br />
STEVIE<br />
REXROTH<br />
ARTISTS’ STATEMENT<br />
S. Catrin Magnusson<br />
My work explores in-between areas <strong>of</strong> physical<br />
and psychological landscapes that move<br />
back and forth between inclusion and<br />
exclusion, connection and disconnection,<br />
the material and immaterial.<br />
I am interested in the concepts <strong>of</strong> displacement<br />
and impermanence and how they are represented<br />
in geology, namely the boundaries <strong>of</strong> tectonic<br />
plates where subduction, divergence, or grinding<br />
occurs. The work focuses on the Mid-Atlantic<br />
Ridge, a deep rift whose force pushes North<br />
and South America apart from Europe and<br />
Africa by an inch every year. The rift functions<br />
as a metaphor for the increasing distance<br />
and tension between countries and cultures,<br />
and speaks as well to a personal narrative <strong>of</strong><br />
coexisting between two cultures, two ideologies,<br />
and two landscapes.<br />
Stevie Rexroth<br />
This work continues an investigation <strong>of</strong><br />
the nature <strong>of</strong> subjecthood in photography<br />
through the use <strong>of</strong> simple materials<br />
and means.<br />
I create small sculptural forms from white<br />
drawing paper and photograph them against<br />
a white background. The sculptural forms<br />
have no direct referent in the world. They are<br />
created purely from a sense <strong>of</strong> play—cutting,<br />
moving, gluing shapes around. It is organic<br />
and meditative. The outcome <strong>of</strong> this process<br />
is a quiet, almost nonpresent image, white on<br />
white, sitting somewhere between a two-and<br />
three-dimensional experience. A photographic<br />
image becomes a work on paper, a drawing, and<br />
perhaps returns in a cycle to the early definition<br />
<strong>of</strong> photography as drawing with light.<br />
INTERSECTIONS