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21 PART II DESCRIPTION OF HADDON HALL BY S. RAYNER<br />

STATE BED CHAMBER. Adjoining the Ante-room on the north side, is the State Bed<br />

Chamber [see Plate 33: B], which seems to have been fitted up about the same time with<br />

the Long Gallery. It has a frieze and cornice like the preceding, formed of rough plaster,<br />

ornamented with coats of arms, and the crests of the families of Vernon and Manners,<br />

(Boars’ heads and Peacocks), in alternate succession [see Plate 24]; and over the chimney<br />

“is an enormous bas-relief, of the same clumsy composition, representing Orpheus<br />

charming the beasts.” King’s Observations on Ancient Castles. This room is hung with<br />

tapestry, exhibiting designs from Æsop’s Fables, and woven at the famous manufactory<br />

of the Gobelins at Paris. Here is the State Bed, which at one time was removed to<br />

Belvoir, where George IV [reigned 1820-1830], then Prince Regent, is said to been the<br />

last person who slept in it. A view of this bed, with its rich furniture of green velvet,<br />

lined with white satin; and of the room in which it stands, is given in Plate 24.<br />

THE EARL’S BED CHAMBER. There is a suite of three tapestried rooms between the<br />

Drawing Room and the Chapel. on the south side of the Lower Court Yard, used as a<br />

Bed-chamber, Dressing-room, and Valet’s room, when the Earl of Rutland resided at<br />

<strong>Haddon</strong>. An entrance from the Drawing Room, leads through the Dressing-room to the<br />

Earl’s Bed-chamber, which is hung with tapestry adorned with groups representing<br />

hunting parties and the sports of the field; in which the figures are curious and interesting,<br />

as affording patterns of costume in the seventeenth century.<br />

The room beyond this is noticed by Mr. King as “very remarkable, having an odd<br />

cornice, with a quadruple frieze, three of four feet in depth, formed of plaster, and<br />

adorned with a running foliage of leaves and flowers, in four compartments, like bands,<br />

one above another. The room is hung with arras, as the others are; but from a quaint sort<br />

of neatness appearing in the whole of it, more than in them, I am much inclined to call it<br />

my Lady’s Chamber. There is behind the tapestry, a door leading to the steep flight of<br />

narrow steps which descent into the great [lower] court [see Plate 4], not far from the<br />

arch belonging to the Chapel, and which gave her an opportunity of going thither, rather a<br />

nearer way than the rest of the family, and without crossing so much of the great court.”<br />

King’s Observations on Ancient Castles.

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