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3 INTRODUCTION<br />

The History and Antiquities of <strong>Haddon</strong> <strong>Hall</strong> is the first book devoted completely to the<br />

subject of <strong>Haddon</strong> <strong>Hall</strong>. It contains thirty-two drawings of the interior and exterior features<br />

of <strong>Haddon</strong>. One of the drawings, Dorothy Vernon’s Doorway, is shown on the title page.<br />

This download Rayner<strong>Haddon</strong><strong>Hall</strong> contains the written words of Rayner’s book.<br />

Parts I and III of Rayner<strong>Haddon</strong><strong>Hall</strong> are a detailed history of how <strong>Haddon</strong> <strong>Hall</strong> was<br />

acquired by William the Conqueror in 1066; and how it passed through various noble<br />

families until its final acquisition by the Manners family in 1565.<br />

To this end Rayner provides important historical background on George Vernon and<br />

his family. “Sir Henry Vernon (died 1515) married the Lady Ann Talbot, daughter of<br />

John, Earl of Shrewsbury. His eldest son, Sir Richard Vernon (died 1517) succeeded him<br />

at <strong>Haddon</strong>. Sir George Vernon (1508-1565) was but nine years old at the time of his<br />

father’s decease. Sir George Vernon left two daughters, his co-heiresses, Margaret and<br />

Dorothy. These ladies were both married at the time of his decease: Margaret, the elder,<br />

aged twenty-six, being then the wife of Sir Thomas Stanley, second son of Edward, Earl<br />

of Derby; and Dorothy, aged twenty-one, the wife of Sir John Manners, second son of<br />

Thomas, Earl of Rutland (died 1543).”<br />

Part II of Rayner<strong>Haddon</strong><strong>Hall</strong> is a detailed description of the <strong>Haddon</strong> <strong>Hall</strong> and its<br />

grounds circa 1836, when visited by Rayner. The History and Antiquities of <strong>Haddon</strong> <strong>Hall</strong><br />

contains drawings of many of the features of the <strong>Hall</strong> at the time of this visit, many of<br />

areas which are now inaccessible to the twenty-first century visitor. A second download:<br />

www.haddon-hall.com/<strong>Haddon</strong><strong>Hall</strong>Books/Rayner<strong>Haddon</strong>Picture.pdf<br />

contains the thirty-two drawings to which Rayner refers in Part II. It is intended that the<br />

reader refers to the appropriate page of Rayner<strong>Haddon</strong>Picture as Part II of<br />

Rayner<strong>Haddon</strong><strong>Hall</strong> is being read. The page numbers of Rayner<strong>Haddon</strong>Picture are the<br />

same as the Plate numbers in Rayner’s book.<br />

Rayner brings the legend of Dorothy Vernon into the historical mainstream. “It may<br />

be proper to notice a romantic tradition, still current in the vicinity of <strong>Haddon</strong>, relative to<br />

the courtship and marriage of Mr. Manners with the younger co-heiress of Vernon.”<br />

It is clear from the section on William Hage that he and Rayner were in close contact,<br />

and that Hage would have noted there was a ‘romantic tradition.’ Rayner does not credit<br />

Hage with telling the details of the elopement, but Hage must have told of an escape<br />

through what is called “Dorothy Vernon’s Doorway,” as illustrated by Rayner. Rayner<br />

reprises the particulars from William Bennet’s novel. “The lover dwelt for some time in<br />

the woods of <strong>Haddon</strong> in the dress of a game-keeper for the purpose of concealment, and<br />

in order to facilitate secret interviews with his mistress; and he at length succeeded in<br />

persuading the young lady to elope with him, during the festivities of a masked ball. The<br />

author of a Romance in three volumes entitled The King of the Peak, published in 1823,<br />

has adopted this tradition as the basis of his tale.”

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