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Rosner - 3^7, op. 114

Arnold Rosner (1945–2013) / 3^7 (2000) for harp

Arnold Rosner (1945–2013) /
3^7
(2000)
for harp

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Arnold <strong>Rosner</strong><br />

3 7<br />

for harp<br />

<strong>op</strong>. <strong>114</strong> (2000)


Arnold <strong>Rosner</strong><br />

3 7<br />

The title of this “short suite for solo harp” means “three to the seventh power”<br />

in mathematical notation, and refers to all the possibilities for the pedaling on a<br />

modern pedal harp (seven pedals, one for each note, and three possible positions<br />

for each: flat-natural-sharp). Despite this title, the work contains almost no pedal<br />

changes. <strong>Rosner</strong> manages to employ his very characteristic sounds and language<br />

(depending as it does on a free motion between modes and triads) within the pedaling<br />

limitations. The title also refers to the fact that there are three movements, and<br />

each movement uses a time signature with 7 beats to the bar (<br />

8 7 in the outer two<br />

movements and<br />

4 7 in the middle).<br />

The <strong>op</strong>ening movement, Fantasy, is an introduction and allegro. The second movement,<br />

Homage to A. H., refers to composer Alan Hovhaness (about whom <strong>Rosner</strong><br />

wrote his doctoral dissertation). The movement <strong>op</strong>ens with one of Hovhaness’s<br />

most frequently employed rhythmic patterns (within the<br />

4 7 meter): three quarter<br />

notes followed by two half notes. In his dissertation, <strong>Rosner</strong> speculated that this<br />

rhythm represented the speech rhythm of Hovhaness’s name: “Al-an Hov-HA-ness.”<br />

The third movement, Pastorale, is flowing, with a running 16th note figuration that<br />

continues to return. The suite is dedicated to harpist Alison Attar.<br />

— Carson Cooman<br />

Arnold <strong>Rosner</strong> (1945–2013)<br />

3 7<br />

C<strong>op</strong>yright © 2015 The Estate of Arnold <strong>Rosner</strong>. www.arnoldrosnermusic.com<br />

Music engraved by Jeffrey Grossman in SCORE 4.01<br />

ver. 23 April 2015


2<br />

Moderato con rubato ( = c. 21)<br />

to Alison Attar<br />

3 7<br />

for harp<br />

Opus <strong>114</strong> (2000)<br />

1. Fantasy<br />

Arnold <strong>Rosner</strong><br />

l.v.<br />

(l.v.)<br />

4<br />

8<br />

D C B<br />

E F G A<br />

7<br />

9<br />

13 Allegro, tempo giusto ( = c. 36)<br />

C<strong>op</strong>yright © 2015 The Estate of Arnold <strong>Rosner</strong>. www.arnoldrosnermusic.com


3<br />

16<br />

19<br />

23<br />

27<br />

31<br />

36<br />

F<br />

ROSNER: 3 7


4<br />

40<br />

l.v.<br />

44<br />

F<br />

F<br />

47<br />

50<br />

53<br />

56<br />

ROSNER: 3 7


5<br />

59<br />

62<br />

66<br />

70<br />

73<br />

sub.<br />

76<br />

ROSNER: 3 7


6<br />

80<br />

84<br />

87<br />

poco meno mosso<br />

poco<br />

sub.<br />

90 poch. rit.<br />

93 (rit.)<br />

ROSNER: 3 7<br />

Duration: c. 3 min.


Andante ( = c. 84)<br />

2. Homage to A. H.<br />

7<br />

D C B<br />

E F G A<br />

4<br />

7<br />

10<br />

13<br />

sub.<br />

D<br />

ROSNER: 3 7


8<br />

16<br />

19<br />

22<br />

sub.<br />

25<br />

dolce<br />

ROSNER: 3 7


9<br />

28<br />

31<br />

33<br />

D<br />

35<br />

38<br />

l.v.<br />

ROSNER: 3 7<br />

Duration: c. 3½ min.


10<br />

3. Pastorale<br />

Allegretto ( = c. 24, = c. 168)<br />

D C B<br />

E F G A<br />

4<br />

7<br />

11<br />

F<br />

15<br />

ROSNER: 3 7


11<br />

19<br />

23<br />

27<br />

F<br />

30<br />

33<br />

F<br />

ROSNER: 3 7


12<br />

37<br />

pesante<br />

40<br />

43<br />

46<br />

8 loco<br />

49<br />

F<br />

ROSNER: 3 7


13<br />

52<br />

55<br />

F<br />

sost.<br />

B<br />

F<br />

59<br />

F C F<br />

63<br />

B F C<br />

67<br />

ROSNER: 3 7<br />

B


14<br />

71<br />

74<br />

F<br />

77<br />

F<br />

81 poco rit.<br />

ROSNER: 3 7<br />

Duration: c. 3½ min.<br />

Complete duration: c. 10 min.

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