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Stephan Komandarev<br />

Bulgaria<br />

Argo Film Ltd<br />

Sofia<br />

phone +359 87 830 8238<br />

email komandarev@abv.bg<br />

www.argofilm.eu<br />

Hélène Cases<br />

France<br />

Lionceau Films<br />

Paris<br />

cell +33 6 6681 4798<br />

email hcases@lionceaufilms.com<br />

Hélène Cases set up <strong>the</strong> production<br />

company Lionceau Films in 2009<br />

after 17 years at Why Not Productions,<br />

producing Alix Delaporte‘s debut<br />

Angèle and Tony which won two Césars<br />

this year as well as <strong>the</strong> Film Français<br />

Trophy 2012 Best Duo Producer and<br />

Direc<strong>to</strong>r. She is currently developing<br />

new projects by Delaporte and Hélène<br />

Angel’s next feature as well as feature<br />

debuts by Frédéric Proust and Keren<br />

Marciano.<br />

Selected Films<br />

Primary by Hélène Angel<br />

(in development)<br />

Memoirs Of A Disobedient Daughter<br />

by Keren Marciano, co-written<br />

by Eric Guirado (in development)<br />

<strong>The</strong> Last Hammer Blow<br />

by Alix Delaporte, co-written<br />

by Alain Le Henry (in development,<br />

shooting in 2013)<br />

Angèle and Tony, 2011<br />

by Alix Delaporte<br />

Comment On Freine Dans Une Descente,<br />

2006, by Alix Delaporte<br />

(short, through Why Not Productions)<br />

Peau d‘Homme Coeur De Bete, 1999<br />

by Hélène Angel<br />

Stephan Komandarev founded his production<br />

company Argo Film in 1999, premiered his feature<br />

debut Dog‘s Home in Berlin in 2001, and saw his<br />

second feature <strong>The</strong> World Is Big And Salvation<br />

Lurks Around <strong>The</strong> Corner being shortlisted for <strong>the</strong><br />

Selected Films<br />

as direc<strong>to</strong>r and producer<br />

<strong>The</strong> Judgement, 2013 (in preproduction)<br />

<strong>The</strong> Town of Badante Women, 2009, (documentary)<br />

Alphabet of Hope, 2003 (documentary)<br />

Morgan Bushe<br />

Ireland<br />

Fastnet Films<br />

Dublin<br />

phone +353 1 4789 566<br />

email morgan@fastnetfilms.com<br />

www.fastnetfilms.com<br />

Morgan Bushe is one of <strong>the</strong> owners of Dublin-based Fastnet<br />

Films whose credits include Nothing Personal, which received six<br />

awards at <strong>the</strong> Locarno Film Festival and was nominated for two<br />

European Film Awards, and Silent Sonata (Cirkus Fantastikus)<br />

which received nine Slovenian Vesna Awards. Morgan is currently<br />

financing <strong>the</strong> documentaries Icarus3D with Joel Conroy and Born<br />

John Burke (Died Muhammad Omar) with Ross McDonnell.<br />

Selected Films<br />

Icarus3D, by Joel Conroy<br />

(feature documentary,<br />

in development)<br />

Love Eternal, 2012<br />

by Brendan Muldowney<br />

(in postproduction)<br />

<strong>The</strong> O<strong>the</strong>r Side Of Sleep, 2011<br />

by Rebecca Daly<br />

Liisa Penttilä<br />

Finland<br />

Edith Film<br />

Helsinki<br />

phone +358 9 6124 9660<br />

cell +358 40 505 0015<br />

email liisa@edithfilm.fi<br />

www.edithfilm.fi<br />

Silent Sonata<br />

(Cirkus Fantastikus) 2010<br />

by Janez Burger<br />

Colony, 2009<br />

by Ross McDonnell & Carter<br />

Gunn (feature documentary)<br />

Nothing Personal, 2009<br />

by Urszula An<strong>to</strong>niak<br />

(co-produced)<br />

Liisa Penttilä has worked as a producer since 2001 on such<br />

films as Lars Von Trier’s Dogville and Manderlay, Hendrik<br />

Handloegten’s Summer Window, and Aku Louhimies‘ new<br />

feature Naked Harbour last year. She is now in postproduction<br />

on Simo Halinen‘s drama Pizza Desperata and raising finance<br />

and looking for co-producers for Juha Leh<strong>to</strong>la‘s tragicomedy<br />

Boy Upside Down and Louhimies‘ action drama Ultimate Fight.<br />

Selected Films<br />

Ultimate Fight, 2013<br />

by Aku Louhimies<br />

(in preproduction)<br />

Boy Upside Down, 2013, by Juha<br />

Leh<strong>to</strong>la (in preproduction)<br />

Pizza Desperata, 2012, by Simo<br />

Halinen (in postproduction)<br />

Naked Harbour, 2012<br />

by Aku Louhimies<br />

Summer Window, 2011<br />

by Hendrik Handloegten<br />

(co-produced)<br />

Twisted Roots, 2009<br />

by Saara Saarela<br />

Best Foreign Language Film Oscar in 2009. He has<br />

also directed-produced several documentaries and<br />

is currently working on <strong>the</strong> preproduction of a new<br />

feature project <strong>The</strong> Judgement.<br />

as direc<strong>to</strong>r<br />

<strong>The</strong> World Is Big And Salvation<br />

Lurks Around <strong>The</strong> Corner, 2008<br />

Bread Over <strong>The</strong> Fence, 2002, (documentary)<br />

Dog’s Home, 2000<br />

David Epiney<br />

Switzerland<br />

Alina Film<br />

Geneva<br />

cell +41 76 372 2196<br />

email david@alinafilm.com, www.alinafilm.com<br />

David Epiney and Eugenia Mumenthaler<br />

founded Alina Film in 2008, making <strong>the</strong>ir<br />

debut with Milagros Mumenthaler‘s<br />

feature debut Back To Stay which won<br />

<strong>the</strong> Golden Leopard, Silver Leopard<br />

for Best Actress and FIPRESCI Prize<br />

in Locarno. Alina Film is currently in<br />

postproduction on <strong>the</strong> documentary<br />

Le Clé de la Chambre à Lessive by<br />

Fred Florey and Floriane Devigne and<br />

is preparing Olga Baillif‘s debut Around<br />

Luisa.<br />

Selected Films<br />

Around Luisa<br />

by Olga Baillif (in preparation)<br />

La Clé de la Chambre à Lessive, 2012<br />

by Floriane Devigne, Fred Florey<br />

(documentary)<br />

Back To Stay, 2011<br />

by Milagros Mumenthaler<br />

Springtime in Sant Ponç, 2007<br />

by Eugenia Mumenthaler,<br />

David Epiney<br />

(TV, animated documentary)<br />

Amancay, 2005<br />

by Milagros Mumenthaler (short)<br />

El Patio, 2003<br />

by Milagros Mumenthaler (short)<br />

EFP cell in Cannes<br />

+49 160 440 9595<br />

Associated EFP members: Austrian Film Commission, Baltic Films, British Council, Bulgarian National Film Center, Croatian Audiovisual Centre,<br />

Czech Film Center, Danish Film Institute, EYE Film Institute Ne<strong>the</strong>rlands, Finnish Film Foundation, Georgian National Film Centre, German Films,<br />

Greek Film Centre, ICAA / Spain, Icelandic Film Centre, Irish Film Board, Luce Cinecittà/Italy, Macedonian Film Fund, Magyar Filmunió/Hungarian<br />

National Film Fund, Norwegian Film Institute, Polish Film Institute, Romanian Film Promotion, Slovenian Film Centre, Swedish Film Institute, Swiss<br />

Films, Unifrance Films<br />

European Film Promotions D6_052112.indd 2 5/15/12 3:26 PM

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