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8 DAYS OF DEAL MAKING, Conferences & Networking in Hollywood AMERICAN FILM MARKET & CONFERENCES OCTOBER 31 – NOVEMBER 7 / SANTA MONICA The Unmatched Destination for Industry Professionals... The Film Capital of the World In Cannes: Riviera C8 • www.AmericanFilmMarket.com ® Photo by Fitz Carlile American Film Market_D6_052112.indd 1 5/14/12 4:01 PM
MAY 21, 2012 BREAKING N EWS Stewart Debuts K-11 By Stuart Kemp FILMMAKER JULES Stewart is in Cannes to support the market debut of her directorial debut K-11. So far so normal except that Stewart’s godfather Micky Moore was Cecil B Demille’s �rst AD, she has spent more than 30 years in Hollywood as a script supervisor and editor with a resume boasting movies including Little Giants, The Phantom and The Flintstones: Viva Las Vegas, and her debut “introduces” her son Cameron as an actor. That and her daughter also happens to be Twilight star Kristen Stewart, who is due in Cannes later this week to support Walter Salles’ On The CONTINUED ON PAGE 10 McAlpine Returns To Producing By Stuart Kemp SEASONED VETERAN Hamish McAlpine, one of the movie industry’s most �amboyant characters, is back four years a�er he personally lost £5 million ($8 million) when his vertically-integrated company Metro Tartan went into administration. A familiar face on the international scene for more than 20 years, McAlpine CONTINUED ON PAGE 10 S C R I P T T O S C REEN South Africa, Ireland Sign Co-Production Treaty Kidman Drama to Be Co-Produced by Foreign Firms ALMOST AS IF FESTIVAL director Thierry Fremaux had coyly scheduled some of the weaker Competition entries at the beginning so the festival could been seen to gradually improve as the days wore on, the 65th Cannes Film Festival began getting serious over the weekend with weighty entries by the venerable likes of Haneke and Mungiu, with Kiarostami and Resnais hot on their heels. For some, the festival really got started with Cristian Mungiu’s aetheistic acid bath administered to the devoutly religious, Beyond the Hills. For me, however, things �nally kicked into gear with Michael yet supremely elegant examination of the �nal stages of life, unerringly acted by French greats Jean-Louis Trintignant and Emmanuelle Riva. Actually, the festival began quite reasonably, if not with home runs, at least with doubles in the form of Wes Anderson’s light yet aesthetically rigorous Moonrise Kingdom, which opens shortly in the United States. Even more of the moment was Jacques Audiard’s surprisingly conventional but resourcefully made and very well acted Rust and Bone, which opened in France day-and-date with the festival showing. But then came two bummers, 1 Video Diary With Jean Paul Gaultier SEE THR.COM/CANNES FOR FULL STORIES CANNES №6 ABOUT TOWN Isabelle Huppert braves the heavy rain as she scales the Palais steps for the Competition screening of Michael Haneke’s Amour. Cannes Slowly Improves During Week After a tepid start, Competition lineup is showing signs of life By Todd McCarthy Battle, a didactic, undigested and even unappealingly acted examinantion of aspects of last year’s Egyptian political uprising, and Matteo Garrone’s misguided and ho-hum Reality, a serio-comedy about a reality TV show wannabe that severely disappointed in its conventionality a�er the Italian director’s sizzling prior feature, Gomorrah. Ulrich Seidl’s rigorously conceived and visually impeccable Paradise: Love is an undeniably provocative look at large-format Austrian ladies of a certain age partaking in young black �esh at beach resorts in Kenya. But what it means to say about mutual exploitation is Haneke’s Love, an un�inching Yousry Nasrallah’s A�er the CONTINUED ON PAGE 8 day6_news1,2,8,10.indd 1 5/20/12 9:34 PM VALERY HACHE/AFP/GETTYIMAGES
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