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The Alpina project – a cause célèbre - GstaadLife print edition

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GSTAADLIFE<br />

No. 7 18 Feb 2005<br />

After heavy snowfall, Gstaad is once again firmly in winter’s grip.<br />

<strong>The</strong> <strong>Alpina</strong> <strong>project</strong> – a <strong>cause</strong> célèbre<br />

For ten years a fierce legal battle has been raging about the<br />

SFr150 million <strong>Alpina</strong> <strong>project</strong> in Oberbort. <strong>The</strong> plan to build a<br />

five-star hotel with three apartment chalets has been fought<br />

twice in Canton Bern’s administrative court and once in the<br />

Federal Supreme Court. Following the re-scaling of the <strong>project</strong><br />

and the second permission<br />

to build, a further round<br />

is currently in full swing.<br />

Access road to the<br />

<strong>Alpina</strong>: the narrow<br />

<strong>Alpina</strong>strasse.<br />

How did it all start?<br />

Ten years ago Marcel Bach and<br />

Jean-Claude Mimran bought<br />

the property with the old <strong>Alpina</strong><br />

hotel still standing, which was<br />

later blown up and demolished.<br />

In a widely noticed ruling of the<br />

administrative court in 1996,<br />

this action was declared unlawful. However, the new building <strong>project</strong>,<br />

for a huge, 90-metre-long, 30-metre-high, five-star hotel and<br />

chalets, started to take shape. <strong>The</strong> municipal council and the<br />

Gemeinde assembly were in favour of the <strong>Alpina</strong> plans, as were the<br />

relevant communal and cantonal authorities. <strong>The</strong>se plans, though,<br />

were strongly opposed by several groups. Following decisions of<br />

the administrative court, in January 2002, and the federal court a<br />

year later, the <strong>Alpina</strong> <strong>project</strong> was scaled down and the distance to<br />

the neighbours and nearby forests was increased. In June 2004<br />

building permission was granted for the second time, which was<br />

again opposed by neighbouring chalet owners.<br />

Having downsized the hotel to a length of 77 metres, which reduces<br />

the number of rooms, and by scrapping the nightclub and some of<br />

the apartments, the <strong>project</strong> has now shrunk from 158 beds to 120,<br />

which is the smallest possible still commercially viable size,<br />

according to Marcel Bach. To him it is regrettable that the opposition<br />

is apparently trying to delay the <strong>project</strong> with ever more<br />

appeals, putting their own interests before anybody else’s. He feels<br />

that the wishes of the local people and the<br />

Gemeinde, which at two assemblies with record<br />

attendance approved of the <strong>project</strong> with a large<br />

majority, are not being respected, and stresses<br />

the economic importance of the <strong>project</strong>, which<br />

would provide 100 jobs when finished. What he<br />

cannot understand is that the opposing chalet<br />

owners apparently bought their properties in full<br />

knowledge of the <strong>Alpina</strong> <strong>project</strong> and are now<br />

fighting it all the way.<br />

<strong>The</strong> opposing chalet owners’ fears<br />

Among the chalet owners, the feeling prevails<br />

that they have been branded as a nucleus of<br />

obstruction. <strong>The</strong> chalet owners insist that, except<br />

in one case, they knew nothing of the <strong>Alpina</strong> <strong>project</strong><br />

when they bought their properties, which in<br />

many cases was 20 or 30 years ago. <strong>The</strong>ir concerns<br />

are not only with regard to the size of the<br />

<strong>project</strong>, but also its long-term effect. <strong>The</strong>y fear<br />

untamed building activity in Gstaad will ultimately<br />

ruin the resort, and are worried about environmental,<br />

pollution and noise issues. In a letter to<br />

the Gemeinde, in November 2003, they<br />

addressed these fears, but feel they were not<br />

taken seriously.<br />

A particularly sore point is the approach route for<br />

motor vehicles. <strong>The</strong> promoters themselves originally<br />

claimed that they would need two access<br />

roads, one coming from the north and another<br />

from the south. However, the northern access<br />

road has been denied by the administrative court.<br />

<strong>The</strong> promoters and the Gemeinde were called to<br />

review the whole <strong>project</strong> in light of the fact that<br />

only one single approach way, from the south via<br />

the Palacestrasse and the <strong>Alpina</strong>strasse, would<br />

be available.<br />

<strong>The</strong> chalet owners allege that the amended <strong>project</strong><br />

on the whole maintains the original capacity<br />

of the hotel and the three massive apartment<br />

chalets. By comparison, whereas the Palace Hotel<br />

has a total of 82 parking spaces, 32 of which are<br />

underground, the <strong>Alpina</strong> <strong>project</strong> proposes an<br />

underground car park for more than 180 cars.<br />

Without access from the north, which the promoters<br />

had declared themselves to be indispensable,<br />

the entire traffic to and from the hotel and its<br />

three chalets would have to flow through the<br />

Palacestrasse and the <strong>Alpina</strong>strasse. <strong>The</strong> car, bus<br />

and lorry traffic of hotel and chalet guests, of<br />

restaurant and other visitors, of staff and suppliers,<br />

would <strong>cause</strong> very significant noise, pollution<br />

and CO 2-emissions along this access road. And,<br />

especially in the winter, when the narrow and in<br />

parts very steep <strong>Alpina</strong>strasse is covered with<br />

snow and ice, there would be a safety problem<br />

that should not be neglected.<br />

<strong>The</strong> chalet owners are very concerned about<br />

these aspects and requested an independent<br />

expert opinion on the noise and security problems.<br />

<strong>The</strong>y appealed to the justice department,<br />

which ordered the expert opinion last October.<br />

<strong>The</strong> future will show whether and to what extent<br />

the promoters’ <strong>project</strong> will hold up, and whether<br />

the opposing Oberbort chalet owners’ main fears<br />

can be dissipated. Due to this ongoing dispute,<br />

building is not expected for the time being.<br />

Photo by Anne Pfeiffer-Brechbühl<br />

by Anne Pfeiffer-Brechbühl<br />

1


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Tel. +41 ( 0) 33 748 04 00 Fax +41 ( 0) 33 748 04 02<br />

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Rölli


Obituary<br />

Major George Fielding DSO<br />

<strong>The</strong> fascinating life of a perfect English gentleman<br />

George Fielding was born on 3 July 1915 two<br />

days after his father, a Company Commander with<br />

the Sherwood Foresters, had sailed for Gallipoli<br />

on the Dardenelles where he was killed three<br />

weeks later. His mother brought George to the<br />

Pays-d’Enhaut aged six years old and they joined<br />

the English community<br />

already established in<br />

Château-d’Oex. George<br />

loved the valley as much<br />

as he disliked being sent<br />

back to school in England<br />

where he longed to return<br />

to the mountains.<br />

On leaving school, George<br />

studied German at Freiburg<br />

University and spent a year in<br />

Canada working on trap lines<br />

on the edge of the Arctic Circle.<br />

George was determined to<br />

avoid city life and sailed for<br />

the Argentine where he worked<br />

as assistant to the farm manager<br />

on an estancia. He was<br />

responsible for supervising the<br />

gauchos, whose penchant for<br />

resorting to their skinning knives<br />

to settle a grievance was wellknown.<br />

It was necessary for him<br />

to carry a revolver and to let it be seen that he<br />

could shoot accurately with it. This was a daunting<br />

task for one aged twenty-two.<br />

Later, whilst working in Rosario as a cattle buyer<br />

for Swifts of Chicago, George saw that war with<br />

Germany was inevitable and where his duty lay.<br />

He sailed to England and joined the Army. He was<br />

commissioned into <strong>The</strong> 3rd <strong>The</strong> King’s Own Hussars<br />

and met Georgie Pope. <strong>The</strong>y were married<br />

shortly after but a few weeks later his squadron<br />

sailed for Crete. <strong>The</strong>y were not to see each other<br />

for four years.<br />

George was wounded in the Battle of Crete. After<br />

the fall of the island, he succeeded in marching<br />

those of his fellow wounded who were able to<br />

walk to a rendezvous with the Royal Navy who<br />

evacuated them to fight another day.<br />

After service in the Western Desert, George volunteered<br />

for the Secret Operations Executive. In<br />

August 1944, he was dropped by parachute into<br />

the Tramontei area of Italy, where he was tasked<br />

with carrying out subversive operations and penetrating<br />

Southern Austria. In spite of a shortage of<br />

food, clothing and ammunition, George’s group of<br />

Italian partisans continued to operate and George twice entered<br />

Austria dressed in civilian clothes to assess the possibility of establishing<br />

a resistance movement in the area. Determined to destroy<br />

George’s partisans, the Germans brought 6,000 men into the area<br />

and offered a reward of 800,000 lire for information leading to his<br />

capture. Having been<br />

slightly wounded in a<br />

battle with German<br />

troops, George was<br />

ordered to walk out of<br />

the area into Slovenia,<br />

a distance of 300<br />

miles (500 kilometres),<br />

from where he<br />

was airlifted. This<br />

march through the<br />

mountains was carried<br />

out in December<br />

with deep snow on<br />

the ground and it<br />

involved wading<br />

rivers at night.<br />

George’s band had<br />

no food except for<br />

what crops they<br />

could dig out of<br />

the fields and the<br />

gruelling marches<br />

lasted anything<br />

up to 23 hours. Typically George never spoke of his<br />

achievements, but he was immediately awarded the Distinguished<br />

Service Order for, in the words of Field Marshal Lord Alexander, “his<br />

outstanding leadership and courage”.<br />

When the war ended George bought a mixed farm in the West of<br />

Ireland which he ran successfully for eight years.<br />

George returned to the Pays-d’Enhaut in 1956 with Georgie and<br />

their two children, Martin and Sarah. He loved the valley as much<br />

for the scenery, its people and the wildlife, as for the skiing. An<br />

excellent skier, he sought challenges especially in the deep snow<br />

and the couloirs.<br />

George and Georgie entertained regularly until Georgie developed<br />

the debilitating condition from which she ultimately died. Typically,<br />

George taught himself to cook and became quite inventive. He was<br />

determined to repay hospitality to the best of his abilities and held<br />

small lunch parties in his flat in Rougemont.<br />

Always the perfect English gentleman, George was a popular member<br />

of the international community in the Pays-d’Enhaut where his<br />

modest charm won him many friends. His natural friendliness to all<br />

he met meant that he was as warmly received in the local shops<br />

and post office as he was at the dinner table.<br />

George was always interested in people. An avid reader of history<br />

and follower of current affairs, he was ready to discuss with know-<br />

ledge any topic that arose in conversation. This<br />

combined with his charm made him a popular<br />

dinner guest.<br />

When Georgie died, George took up painting and<br />

quickly became totally absorbed by it. It brought<br />

him a new circle of friends and he was never<br />

bored when unable to leave his flat during bad<br />

weather. Encouraged by friends, his work developed<br />

to such a standard that he sold a few paintings.<br />

Passers-by even used to inquire where he<br />

exhibited. <strong>The</strong> majority of his work however he<br />

gave to anyone who admired it refusing any payment.<br />

George died peacefully in Château-d’Oex hospital<br />

on 23 January aged 89.<br />

Featured Hotels in Gstaad<br />

Masthead<br />

by Martin Fielding<br />

***** Palace Hotel Gstaad: La Grande Terrasse, Snack &<br />

Barbecue, Le Grill, <strong>The</strong> Lobby, Beauty&Spa, 4 tennis courts,<br />

Olympic outdoor pool, and squash.<br />

Tel: 033 748 50 00, www.palace.ch<br />

***** Grand Hotel Bellevue, Gstaad: GaultMillau Hotel of<br />

Year 2003, 70 beds, 2,500 m 2 SPA, “Restaurant Prado”,<br />

“Restaurant “Coelho” with sun-terrace, “Bellevue-Bar”,<br />

“Porsche 911 Club”, “Carnotzet”.<br />

Tel: 033 748 00 00, www.bellevue-gstaad.ch<br />

***** Grand Hotel Park, Gstaad: 99 rooms, Spa/Fitness<br />

Centre, Restaurants: “Le Greenhouse”, “Die Panoramaterrasse”,<br />

“Le Grand Restaurant”, “Le Grill”, “Le Chalet<br />

Waldhuus”. Tel: 033 748 98 00, www.grandhotelpark.ch<br />

Editorial:<br />

Anne Pfeiffer-Brechbühl anne.pfeiffer©gstaadlife.ch<br />

Antoinette de Scheel antoinette.descheel@gstaadlife.ch<br />

Diana Kiker-Oehrli diana.kiker©gstaadlife.ch<br />

Xavier Ferguson xavier.ferguson@gstaadlife.ch<br />

Frank Müller-Brand frank.mueller@gstaadlife.ch<br />

Marc Rome (Arts column) mr.rome@ukonline.co.uk<br />

Peter Kuntze-Schneider (Advertising)<br />

peter.kuntze@gstaadlife.ch<br />

Publishing, Conception, Printing:<br />

Müller Marketing & Druck AG, Gstaad<br />

Subscriptions: Tel. 033 748 88 74, Elsbeth Wyss<br />

3


au rythme des<br />

Sommets Musicaux<br />

de Gstaad<br />

ollectionneurs et grands mécènes autant que<br />

négociants et financiers, les Rothschild ont toujours<br />

cultivé le goût de l’excellence. Ils ont su, au fi l des<br />

générations, préserver l’équilibre délicat entre la<br />

tradition, gage de qualité et l’innovation, ouverture<br />

nécessaire au monde d’aujourd’hui et de demain.<br />

C’est dans cet esprit que la Banque Privée Edmond de<br />

Rothschild apporte son soutien depuis la première heure<br />

aux Sommets Musicaux de Gstaad, point d’orgue culturel<br />

de la saison d’hiver de cette prestigieuse station.<br />

L’ambition de ce festival, de réunir en son sein des<br />

artistes confi rmés et de jeunes talents prometteurs, est<br />

en parfait accord avec la philosophie du Groupe<br />

Rothschild.<br />

GENÈVE 18, rue de Hesse CH-1204 Genève Tél +41 22 818 91 11 www.lcf-rothschild.ch<br />

FRIBOURG LAUSANNE LUGANO LUXEMBOURG LONDRES MONACO PARIS NASSAU<br />

MONTEVIDEO SAOPAULO PAULO HONG KONG TAIPEH TEL AVIV<br />

BPER_Ann<strong>GstaadLife</strong>2-05.indd 1 1.2.2005 14:48:45


On 8 February GSTAADLIFE<br />

was invited to the opening<br />

of an exhibition at the<br />

Palace Hotel, called “Rainbow<br />

for Beslan”.<br />

Prince Cyrus and Zoran Marchetich<br />

guided us through an<br />

amazing collection of pictures.<br />

It is difficult to forget the horrific<br />

events of 2004 at the school<br />

in Beslan, Russia, where terrorists<br />

held children, teachers and<br />

parents captive only to execute<br />

them ultimately in a totally<br />

inhuman fashion. Only a few<br />

escaped with their lives.<br />

Cyrus Pahlavi, great-nephew of<br />

the last Shah of Persia, witnessed<br />

the revolution in his own<br />

country, now Iran, as a child. He<br />

grew up in exile on a small<br />

island in the Indian Ocean, and<br />

made painting his raison d’être.<br />

Deeply<br />

shocked by<br />

the events of<br />

Beslan he and<br />

a Bohemian friend, Zoran Marchetich, decided to<br />

help rebuild the life of the surviving children and<br />

set off for Beslan. After being arrested twice on<br />

their way, they reached their destination. <strong>The</strong> idea<br />

was to motivate the highly traumatized children to<br />

put down the memories of their ordeal on paper.<br />

Out of those pictures, Cyrus created a collage<br />

measuring 6.5 by 2.1 metres and called it the<br />

“Rainbow for Beslan”. <strong>The</strong> exhibition was open<br />

until 14 February 2005. by Antoinette de Scheel<br />

FYI / Letter<br />

“Rainbow for Beslan” Reader’s letter re snowboarding<br />

culture<br />

Kirche Saanen<br />

Zither concert with<br />

Werner Frey<br />

033 748 76 76<br />

18 February 20:00H<br />

Christiania, Gstaad<br />

‘Modified style lives’<br />

Last chance to see the<br />

paintings of Polina Fridman.<br />

Everyday objects in life, a<br />

glass, a bottle, an apple -<br />

then distorted to make you<br />

look again.<br />

+49 (221) 619 921<br />

Until 19 February<br />

S.B. Interiors -<br />

Gstaad<br />

<strong>The</strong>se paintings of figures<br />

skiing by Rio de Janeiro<br />

born Erica Bannwart are<br />

fantastic and very<br />

desirable.<br />

01 912 17 16<br />

Until 10 March<br />

Stockholm Art<br />

‘Munch by Himself’<br />

A comprehensive<br />

exhibition of the<br />

Norwegian Artist’s<br />

self-portraits<br />

+46 8 5195 5289<br />

www.modernamuseet.se<br />

Until 15 May 2005<br />

Cyrus Pahlavi and<br />

Zoran Marchetich.<br />

One of the pictures painted by a<br />

surviving child, who lost his mother<br />

in the massacre of Beslan. <strong>The</strong><br />

father killed himself afterwards.<br />

Andrew Grima<br />

Pope Paul III who commissioned the first<br />

ever piece by Michaelangelo, an uncle who<br />

was an artist in Rome. Entertaining yet<br />

somehow not surprising, are the family<br />

links and rich history of Andrew Grima. As<br />

early as 1935, he had sent a drawing of the<br />

‘Bluebird’ to the then holder of the world<br />

land speed record, Malcolm Campbell. Ten<br />

years later he was employing art as a<br />

means to rehabilitate soldiers returning to<br />

civilian life from war. A series of fortuitous<br />

connections then saw him marry into a<br />

family jewellery business, acquire his first<br />

cache of exotic semi-precious stones and<br />

later when the business became his own,<br />

tour Europe in an Aston Martin, to the plaudits<br />

of all who saw his designs. It is<br />

however Grima’s organic forms that make<br />

him unique. A pioneer in the use of natural<br />

elements to directly influence a form, a leaf<br />

or lichen will be burned away to reveal its<br />

essence, then cast in gold and set with one<br />

of an astounding array of stones. Still<br />

working every day, he can be found creating<br />

new designs in the studio, at dinner or<br />

even whilst on the telephone.<br />

Andrew Grima +41 (0) 33 744 90 50<br />

Events...contact: Marc Rome mr.rome@ukonline.co.uk<br />

Photos by Antoinette de Scheel<br />

I have read two articles in the<br />

paper concerning snowboarding<br />

(GSTAADLIFE 21 January and<br />

4 February). One lady felt that<br />

we should have different mountains,<br />

one for skiing and one for<br />

snowboarding. This may or may<br />

not be a good thing.<br />

I was a victim of a snowboard<br />

accident. I was hit by a snowboarder,<br />

who knocked me over<br />

the side of the mountain. I was<br />

badly injured and had to have<br />

Church services<br />

Château-d’Oex:<br />

St. Peter’s English speaking<br />

Anglican Church<br />

Sunday 20 February<br />

17:30H<br />

Revd. Clive Atkinson<br />

Holy Communion<br />

Saturday 19 February until<br />

Friday 25 February, 2005<br />

an operation in a hospital in Bern. I was lucky not<br />

to have been killed. I was really cross at the time<br />

be<strong>cause</strong> had I been killed, it would have been put<br />

down as misadventure, when in fact it would have<br />

been manslaughter. <strong>The</strong>refore I think we should<br />

do as the French and the Americans do, which is<br />

to have surveillance on the mountains. People not<br />

observing the general rules, and who are going<br />

too fast or not taking care of others, could,<br />

depending on the degree of the offence lose their<br />

passes or receive a severe warning. I think this is<br />

a good idea and cannot see why it cannot be<br />

applied here. I feel strongly about people’s safety.<br />

Carol Beech, 1162 St-Prex<br />

Meeting every Friday evening at<br />

SAANEN HOSPITAL<br />

in the café on the lower ground<br />

floor, at 18:00H, in English.<br />

Important Numbers<br />

Medical emergency number 033 744 86 86<br />

Saanen Hospital 033 748 02 00<br />

Hospital in Château-d’Œx 026 924 75 93<br />

Fire-brigade 118 · Police 117<br />

Car accident service<br />

7 days, 24 hours, Tel. 033 744 88 80<br />

For additional useful numbers please<br />

visit www.gstaadlife.ch/usefulnumbers<br />

Saturday, 19 February<br />

17:45H, Ice rink, Gstaad INFO: 033 748 81 81<br />

Ice skating show, Ice Skating Club Thun<br />

18:00H, Gondelbahn Rinderberg-Zweisimmen<br />

Night skiing INFO: 033 748 83 37<br />

19:30H, Restaurant Alpenland, Lauenen INFO: 033 765 34 34<br />

Folklore evening<br />

19:30H, Huble, Eggli, Saanen INFO: 033 748 47 48<br />

Skiing with floodlights<br />

20:15H, Grande Salle, Rougemont INFO: 026 925 11 66<br />

Evening with Military Music Rougemont<br />

20:30H, Restaurant Hüsy, Blankenburg INFO: 033 722 10 56<br />

Zweisimmen Jazz presents: Vino Tonto<br />

Wednesday, 23 February<br />

17:00H, Rinderberg, Zweisimmen: INFO: 033 722 11 33<br />

Fondue evening followed by torchlight skiing<br />

20:00H, Gasthof Bären, Zweisimmen<br />

Folklore evening with accordeon trio INFO: 033 722 18 16<br />

Thursday, 24 February<br />

18:45H, Wispile, Gstaad INFO: 033 748 96 32<br />

Full moon tobogganing<br />

19:00H, Eggli, Saanen INFO: 033 748 96 12<br />

Full moon skiing<br />

19:30H-22:00H, Skilift, Lauenen INFO: 033 765 91 81<br />

Moonlight skiing<br />

20:30H, Wispile, Gstaad INFO: 033 748 96 32<br />

Snow-golf full moon tournament<br />

Friday, 25 February<br />

10:00H–17:00H, Kapälliplatz, Gstaad:<br />

«Gstaad Märete» market INFO: 033 744 57 49<br />

20:30H, Hotel Wildhorn, Lauenen: INFO: 033 765 30 12<br />

Folklore evening with Heinz Annen Trio<br />

events<br />

5


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PRAISE FOR THE SERPENT AND THE MOON<br />

“Princess Michael of Kent has written an absorbing account, centered<br />

on the glamorous Diane de Poitiers, of a dramatic time in French history.<br />

Vivid evocations of court life under Henri II accompany shrewd<br />

analyses of the politics of royalty.” ARTHUR M. SCHLESINGER, JR.<br />

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life by a scholarly and masterful writer.” DANNY DANZIGER<br />

coauthor of 1215 and <strong>The</strong> Year 1000<br />

“I always knew that Diane de Poitiers was the mistress of a French king,<br />

but I never knew her fascinating, three-in-a-marriage romantic history until<br />

reading <strong>The</strong> Serpent and the Moon by Princess Michael of Kent.<br />

<strong>The</strong> author, who knows a thing or two about palace intrigue herself, writes<br />

with style and panache and serves up marvelous details of pageantry,<br />

court fashion, furniture, and gossip worthy of the master of the genre,<br />

the duc de Sanit-Simon.” DOMINICK DUNNE<br />

Her Royal Princess Michael of Kent<br />

THE SERPENT AND THE MOON<br />

Intrigue, Love, and Rivalry<br />

at the Court of Renaissance France<br />

<strong>The</strong> true story of an extraordinary love triangle<br />

that endured for 28 years and changed the face of<br />

France—the three-sided marriage between<br />

Henri II, his wife Catherine de Medici, and his<br />

mistress Diane de Poitiers who was eighteen<br />

years his senior.<br />

<strong>The</strong> Serpent and the Moon is a saga of love, war,<br />

intrigue, betrayal, and persecution, set during history’s<br />

most important cultural and spiritual revolutions,<br />

the Renaissance and the Reformation.<br />

Her Royal Highness Princess<br />

Michael of Kent has for the past<br />

twelve years pursued a successful lecture<br />

career. She lives with her<br />

husband, Prince Michael of Kent, in<br />

their apartment in Kensington Palace<br />

and their house in Gloucestershire,<br />

England.<br />

CHF 48.–, $ 29.95 hardcover,<br />

available at Cadonau’s Bookshop, Gstaad<br />

352 pages, 16 pages of full-color photographs, 50<br />

black-and-white photographs throughout<br />

EAN: 978074325104452995<br />

0-7432-5104-0


FYI<br />

Girard-Perregaux boutique – the first 50 days<br />

<strong>The</strong> new and exquisite Girard-Perregaux<br />

watch boutique on Gstaad’s Promenade has<br />

been open since mid-December. Admired by<br />

many, it is a success. During the first fifty<br />

days business has been good, says Doris<br />

Schoch, manager.<br />

A unique boutique<br />

Contrary to usual watch boutiques displaying<br />

many different makes and designs in often<br />

cramped space, the unique Girard-Perregaux<br />

store is a showcase for just one make, the exclusive<br />

Girard-Perregaux brand, which for more than<br />

200 years has been, and still is, produced in the<br />

company’s own manufactory in La-Chaux-de-<br />

Fonds. <strong>The</strong> courage of the owner, Luigi Macaluso<br />

to open his own one-brand-shop has paid off. A<br />

remarkable number of customers and watch connoisseurs<br />

have already visited the boutique,<br />

according to Doris Schoch, manager. Lured by the<br />

extravagant yet functional interior, many archi-<br />

tects and aficionados of all things beautiful and<br />

elegant have also been inside to look around and<br />

view the highly sophisticated handcrafted watches,<br />

and have been supplied with the company’s<br />

catalogue. <strong>The</strong> main aim of the shop, of showcasing<br />

and making the brand more widely known, is<br />

being fulfilled.<br />

Highly sophisticated watches<br />

<strong>The</strong> brand’s particular forte is highly technical<br />

men’s watches, but it has also been noted for its<br />

award-winning ladies’ timepieces. <strong>The</strong> boutique<br />

stocks a wonderful range of Girard-Perregaux<br />

watches, some of which are unique pieces that<br />

have been produced just for Gstaad. For example<br />

there is the pink lady’s “Cat’s Eye” watch, a oneoff<br />

with a pink mother-of-pearl face and a pink<br />

wristband, which is only available in Gstaad.<br />

Thomas Gottschalk, a watch connoisseur himself,<br />

was recently in Gstaad, and pursued by a gaggle<br />

of school children photographing him with their<br />

Donations thanks to a surfeit of<br />

parked cars on Wasserngrat<br />

For the last two years a<br />

unique parking agreement<br />

has generated donations for<br />

charity and will continue to<br />

do so for years to come.<br />

Donations for charity are generated<br />

by the unique parking<br />

agreement between the five<br />

Child’s drawing accompanying the<br />

Bissen School’s thank-you letter.<br />

Bissen chalet owners of Chalet Rico and Chalet<br />

Benno, represented by Giampiero Dotti, and the<br />

Wasserngrat 2000 ski lift company. 150 cars are<br />

by law allowed to park at the same time in the<br />

Wasserngrat car park, halfway up the mountain.<br />

Every vehicle over the 150-car limit has to be<br />

counted by the ski lift company, which pays SFr15<br />

per extra car towards charity. <strong>The</strong> 2003/2004<br />

winter season saw 317 vehicles more than the<br />

limit parked on Wasserngrat.<br />

<strong>The</strong> resulting SFr4,755 were<br />

divided between the Bissen<br />

School and the Chinderhuus<br />

Drawing made available<br />

Ebnit. Both institutions were<br />

extremely happy to receive the<br />

donations and sent thank-you<br />

letters to Mr. Dotti. <strong>The</strong> agreement<br />

and the donations for<br />

charity are to be kept up in the<br />

years to come. It is not easy to<br />

keep track of all the excess<br />

cars. Giampiero Dotti intends to<br />

suggest that an automatic camera<br />

be installed that would take<br />

a photograph of the car park<br />

everyday at the same time, for<br />

example at 13:30H, which<br />

would simplify the process and<br />

ensure the accurate counting of<br />

the cars. by Anne Pfeiffer-Brechbühl<br />

mobile phones, he fled into the Girard-Perregaux boutique and was<br />

fascinated by the watches on display. It is possible to buy watches<br />

off the shelf, but if a personalised version is desired, delivery can<br />

take up to three to four years. by Anne Pfeiffer-Brechbühl<br />

<strong>The</strong> interior of the new Girard-Perregaux<br />

boutique. Of particular note is the “floating”<br />

titanium table – it is attached by its<br />

narrow end to the wall.<br />

Sales exhibition of stools, side tables<br />

by Fritz Baumann 9.2.–5.3.2005<br />

Opening hours first floor gallery<br />

Wednesday, Thursday, Friday 11.00–12.30/15.00–18.00<br />

Saturday 11.00–12.30/15.00–17.00<br />

or by appointment<br />

URS VON UNGER<br />

HOME<br />

Kleines Landhaus (opposite Hotel «Grosses Landhaus»)<br />

Hauptstrasse·Saanen/Gstaad·Telefon 033/744 44 11<br />

7<br />

Photo made available


Swiss luxury is more<br />

than a quality wristwatch.<br />

With Credit Suisse, you have a partner who will take you that decisive step further in all matters relating to your<br />

investments, mortages and payment transactions. Visit us on the Promenade in Gstaad. Tel. 033 748 97 97 or<br />

www.credit-suisse.com/privatebanking<br />

Credit Suisse Private Banking


“Sommets Musicaux” masterminded by Thierry Scherz<br />

<strong>The</strong> 5 th annual “Sommets Musicaux de Gstaad” will be held<br />

from 25 February until 5 March 2005. <strong>The</strong> afternoon concerts<br />

in Gstaad chapel are dedicated to up-and-coming harpists.<br />

As always stars of the international music scene have been<br />

engaged for the evening concerts in Saanen Church and<br />

there will also be a few late night offerings. GSTAADLIFE met<br />

Thierry Scherz at the Palace Hotel to find out more.<br />

GSTAADLIFE: Mr. Scherz, what exactly are the “Sommets<br />

Musicaux”?<br />

Thierry Scherz: <strong>The</strong> “Sommets Musicaux” are really three things.<br />

We have the church concerts in Saanen in the evenings, for which<br />

we engage star artists. Following these concerts are reasonably<br />

priced gala dinners at the Palace Hotel, which are very popular.<br />

<strong>The</strong>n there are the afternoon concerts in the chapel in Gstaad,<br />

where up-and-coming artists are given a chance to perform. Lastly<br />

there are a few late night concerts, where basically anything we<br />

fancy is possible from classical music to jazz and world music.<br />

GL: What is particular about the “Sommets Musicaux”?<br />

Mr. S: <strong>The</strong> concerts are deliberately short, 60 to 75 minutes with no<br />

break, to allow skiers to get back, go to a concert and then still<br />

have ample time for dinner. Many guests and chalet owners do not<br />

have the opportunity to go to concerts when they are at home, so<br />

when they come to Gstaad they can do some catching up. But we<br />

GSTAAD – ROUGEMONT<br />

CHÂTEAU-D’OEX – GRUYERE<br />

CHALETS & APARTMENTS<br />

FOR SALE<br />

Compagnie Foncière SA<br />

1659 Rougemont<br />

Tél. +41 (0)26 925 10 00<br />

Fax. +41 (0)26 925 10 05<br />

www.gstaadrealestate.com<br />

Interview<br />

also aim to please the local residents. Ticket<br />

prices are kept affordable.<br />

GL: Where did the idea for a winter music<br />

festival come from?<br />

Mr. S: It all started when I was in my last year at<br />

university in Freiburg, where I was reading law.<br />

Sitting together with friends we were musing<br />

about all the things Gstaad has to offer in winter<br />

and came to the conclusion that everything<br />

except classical music was available. So we<br />

decided to do something about that by creating a<br />

winter counterpart to the Menuhin Festival. We<br />

are not in competition with this summer festival,<br />

but complement it and enjoy a very good rapport<br />

with its organizers.<br />

GL: How did the “Sommets Musicaux” actually<br />

get started?<br />

Mr. S: In 2000 the “Sommets Musicaux” were<br />

founded as an association, of which I am the<br />

president. <strong>The</strong> first thing was to secure the<br />

finances, then I and my colleague and co-manager,<br />

Mrs. Ombretta Ravessoud, proceeded to put<br />

together the first programme, which took a year.<br />

2001 saw the very first “Sommets<br />

Musicaux”, which were<br />

dedicated to the piano. Every<br />

year the focus is on another<br />

instrument. In 2002 it was the<br />

violin, followed in 2003 by the<br />

human voice and in 2004 by<br />

the cello. 2005 is the year of<br />

the harp.<br />

GL: Who supports the “Sommets<br />

Musicaux” financially?<br />

Mr. S: Very early on we gained<br />

the unwavering support of our<br />

main sponsor, the Banque<br />

Privée Edmond de Rothschild<br />

S.A., who five years down the<br />

road continues to sustain us.<br />

Incidentally, this involvement<br />

led to me working for the same<br />

bank as an investment advisor.<br />

<strong>The</strong>re are other partners as well<br />

of course. We generate only<br />

22% of our budget through<br />

ticket sales, the rest is financed<br />

through sponsorship and our<br />

“Association des Amis”, our<br />

patrons. So far we have managed<br />

quite well, incurring no<br />

major losses, which is good.<br />

GL: How did your interest in<br />

music begin? What are your<br />

personal favourites?<br />

Mr. S: When I was fourteen,<br />

Thierry Scherz has made his boy’s<br />

dream come true by being involved<br />

professionally with music through<br />

the “Sommets Musicaux”.<br />

I decided I wanted to learn to play the piano.<br />

Every day I would practice for five to six hours.<br />

From that time on, music has meant a great deal<br />

to me. I have made my boy’s dream come true by<br />

being involved professionally with music through<br />

the “Sommets Musicaux”. My personal favourites<br />

depend very much on my mood. I have a wideranging<br />

taste, but the one composer I keep<br />

returning to is Johann Sebastian Bach, who this<br />

year for the first time features in the “Sommets<br />

Musicaux”. I find his divine music very inspiring<br />

and uplifting. As a pianist I love Brahms, Chopin,<br />

Rachmaninov, and the piano concertos by Mozart,<br />

to mention just a few.<br />

GL: Who puts together the programme for<br />

the “Sommets Musicaux”? What is the concept?<br />

Mr. S: I put it together myself. On the one hand we<br />

want to further the careers of young artists. <strong>The</strong><br />

afternoon concerts are reserved for them. Each<br />

year one of these up-and-coming musicians is<br />

chosen by an informal jury, and is given the<br />

chance of a sponsored recording produced by the<br />

Swiss Claves company. On the other hand are the<br />

evening concerts, for which there is no concept<br />

but to give pleasure and listen to beautiful music.<br />

At the late-night concerts anything enjoyable, and<br />

not necessarily classical, is possible.<br />

GL: Mr. Scherz, thank you very much for<br />

talking to us. We wish you, your staff and<br />

the artists all the best and look forward to<br />

some great concerts. by Anne Pfeiffer-Brechbühl<br />

9<br />

Photo made available


hot food till 2 a.m.<br />

LATE HOURS<br />

DINING<br />

&<br />

PHONE 033 748 49 50<br />

DANCING<br />

orient-antiquariat ag<br />

Manuscript<br />

Al-Jazûlî, Abu Abd Allah Muhammad Ibn Sulaymân: Dalâ'il al-Khayrât.<br />

A magnificent, richly illuminated Ottoman Rococo handwriting in many colours<br />

and genuine gold. Written before 1840. Measures: 202 x 132 x 13 mm.<br />

In style and execution our copy can be compared with the number 61 from the<br />

Khalili collection (see: J.M. Rogers; L'empire des Sultans, 1995).<br />

Ref. to author and work: GAL II, 253; J.B. Pearson, Guide to Happiness,<br />

A Manual of Prayer, translated by J.B. Pearson, with a life of al-Jazûlî,<br />

and directions for using the book from the Arabic by A.G. Ellis; Oxford 1907.<br />

CHF 70 000.–<br />

orient-antiquariat ag marc-edouard enay<br />

chalet auerhahn · CH-3778 schönried/gstaad<br />

phone +41 (0)33 744 01 01 · fax +41 (0)33 744 01 02<br />

mail@orient-antiquariat.com · www.orient-antiquariat.com<br />

Müller · Gstaad<br />

Come and see our new collection<br />

of fine jewellery!<br />

Opening hours first floor gallery<br />

Saturday 19th and 26th of February, Saturday 5th of March 2005<br />

15.00–18.00<br />

or by appointment<br />

Bruno Inauen<br />

Zürich<br />

at Urs von Unger<br />

Kleines Landhaus (opposite Hotel «Grosses Landhaus»)<br />

Hauptstrasse • Saanen/Gstaad • Telefon 033/744 44 11


Gstaad and “<strong>The</strong> Serpent and the Moon”<br />

HRH Princess Michael of Kent, author of<br />

“<strong>The</strong> Serpent and the Moon”, is currently<br />

visiting Gstaad. In her new book she tells<br />

the fascinating story of the love triangle<br />

between 16 th century French King Henri II,<br />

his wife Catherine de’ Medici and his mistress,<br />

Diane de Poitiers.<br />

HRH Princess Michael with her new book.<br />

HRH Princess Michael is herself a descendant of<br />

both Catherine de’ Medici and Diane de Poitiers.<br />

Her interest in Diane was awakened early on.<br />

When HRH Princess Michael was twenty-one,<br />

having moved from Vienna to London to study<br />

there, she styled her complete life in black and<br />

white, beginning with her apartment and continuing<br />

with her Mini car, clothes and pet cat. Apart<br />

from thinking this monochrome lifestyle to be chic<br />

and different, she had no reason for it. <strong>The</strong>n she<br />

learnt from her late mother that her ancestor<br />

Diane de Poitiers had famously styled her own life<br />

– and her country – in black and white.<br />

This prompted HRH Princess Michael to carry the<br />

monochrome theme further, creating a black and<br />

white garden in honour of her ancestor, using irises,<br />

tulips and violas for the black flowers. From<br />

this time on HRH Princess Michael read everything<br />

she could find about her heroine. After<br />

opening her own design company, writing two<br />

books and conducting years of research, she<br />

wrote the engrossing story of the beautiful, cultured<br />

and fascinating Diane de Poitiers, and of<br />

the ménage à trois she lived in and her time, the<br />

Renaissance. <strong>The</strong> choice of title for the book,<br />

“<strong>The</strong> Serpent and the Moon”, stems, according to<br />

Charity Gala at the Gstaad Yacht Club<br />

in aid of the Lionel Perrier Foundation<br />

Founded in October 2000, the<br />

Lionel Perrier Foundation<br />

encourages medical and scientific<br />

research into brain<br />

tumours. It also provides support<br />

and help to patients and<br />

their families. <strong>The</strong> organisation<br />

finances research posts in several<br />

international laboratories.<br />

Five doctors, specialists in the<br />

brain cancer domaine, will be<br />

present at the event, and a<br />

press conference will be held at<br />

19:15H.<br />

This prestigious Gala will take<br />

place at the Gstaad Yacht<br />

Club / Grand Hotel Bellevue on<br />

Saturday, February 26, 2005<br />

20:00H Cocktail<br />

21:00H Dinner<br />

During the evening, GYC member<br />

Taki <strong>The</strong>odoracopulos will,<br />

for the benefit of the foundation,<br />

auction off rare objects<br />

Book / Charity Gala / Letter<br />

Photo made available<br />

with his inimitable flair. <strong>The</strong> list of fifteen items is<br />

quite impressive: shirt signed by Roger Federer,<br />

embroidered chale by Valentino Garavani, one<br />

week’s sailing on the “Diotima” Yacht for four<br />

persons, and to top it all, the possibility to participate<br />

in the “Mille Miglia” 2005 race, in the<br />

navigator seat of a Mercedes Benz Compressor<br />

1927, with hotel, food, drinks provided and<br />

the opportunity to meet many interesting people!<br />

This is just to mention a few things... It is hoped<br />

that this evening and auction will bring considerable<br />

benefit to the Lionel Perrier Foundation.<br />

Thank you for joining us to<br />

fight this disease and to give<br />

hope again!<br />

by Susy Wolf, Comité d’Organisation<br />

Gala FLP/Gstaad.<br />

For information and reservations,<br />

call Paul-Robert Martin,<br />

on 026 925 89 00 or the<br />

Reception of the Grand Hotel<br />

Bellevue on 033 748 00 00.<br />

Participation in the “Mille Miglia” 2005 race:<br />

one of the items in the auction.<br />

HRH Princess Michael, from the<br />

fact that the French Renaissance<br />

was an era of symbols,<br />

devices, coats of arms and family<br />

colours, since only the educated<br />

few could read. Grandees<br />

adopted symbols or personal<br />

devices to represent themselves.<br />

Diane primarily chose<br />

the crescent moon, as it is the<br />

primary symbol of her alter ego,<br />

Diana goddess of the Moon and<br />

the Chase. Catherine had a<br />

number of symbols, primarily the rainbow, while<br />

her husband lived, but she had one device, where<br />

a serpent, the sign of sagacity, and also, to modern<br />

thinking, of duplicity and danger, made a circle<br />

biting its own tail. Both symbols seemed an<br />

apt way of describing the two women: Catherine<br />

– still, veiled and dangerous, Diane – brilliant,<br />

shining silver and risen high.<br />

HRH Princess Michael partly worked on the layout<br />

of the book on a previous visit to Gstaad. Truly,<br />

this is a story not to be missed. In Gstaad the<br />

book is available from the Cadonau Bookshop.<br />

Photo made available<br />

HRH Princess Michael<br />

skiing with friends<br />

on the slopes of<br />

Saanenland.<br />

by Anne Pfeiffer-Brechbühl<br />

Reader’s Letter<br />

re ice in Promenade<br />

Reading the plea by Ninetta Fix for greater diligence<br />

in removing ice from the streets of Gstaad<br />

(cf. GSTAADLIFE 4 February, page 5), perhaps<br />

closer observations of the general population of<br />

Gstaad would show there are more individuals<br />

closer to eighty than eighteen years old. Healthy<br />

eighty-year-olds are denied daily walks be<strong>cause</strong><br />

of ice underfoot. Is there any hope for ice removal<br />

before spring? Miss Christoph, 3778 Schönried<br />

Avalanche danger high<br />

After heavy snowfall earlier this<br />

week, the avalanche alarm has been<br />

raised to “high” by experts.<br />

In the whole area from Zweisimmen to Gstaad<br />

and also in Lenk, and indeed the whole Bernese<br />

Oberland, the avalanche danger level has been<br />

raised to “high”. It is advisable to stay on marked<br />

pistes and not to venture beyond. At time of<br />

going to press this information is accurate. For<br />

more up-to-date information please visit<br />

www.slf.ch or call 187.<br />

11<br />

Photo by Antoinette de Scheel


Keith Haring (1958–1990) «Untitled (Curling Dog)» 1987, bemaltes Aluminium<br />

Künstler der Galerie • les Artistes de la Galerie • the Artists of the Gallery<br />

Balthus • Philipp Bauknecht • Sam Francis • Alberto Giacometti • Julio González • Alexandra Exter • Keith Haring • Le Corbusier •<br />

Ernst Ludwig Kirchner • Fernand Léger • Niki de Saint Phalle • Andy Warhol • Tom Wesselmann • Hans Erni • Carl Walter Liner •<br />

Robert B. Käppeli • Francis Bacon • André Lanskoy • Emil Nolde • Pablo Picasso • Nicola de Maria<br />

GALERIE LOVERS OF FINE ART GSTAAD • Hauptstrasse • Dubikreisel • 3780 Gstaad • Tel. 033 744 00 44 • galerie@loversoffineart.ch

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