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DISC VERIES<br />
THE WHOLENOTE'S CD FORUM<br />
D/SCoveries is a CD review section<br />
designed to complement and enhance<br />
our pre-eminent coverage of<br />
Toronto's live classical, jazz and new<br />
music concert scene, featuring reviews<br />
by WholeNote columnists and<br />
independent contributors. CDs are<br />
considered for review iri the following<br />
categories:<br />
1. "Concert prep" - CDs, new or<br />
otherwise, which tie in with events<br />
being featured in the current issue of<br />
tl1e magazine. Many discs in the other<br />
categories also relate to upcoming<br />
events as noted;<br />
2. "New and Recent Releases" -<br />
newly released CDs relevant to our<br />
magazine's coverage of the music<br />
CONCERT PREP:<br />
Marjan Mozetich -<br />
Affairs of the Heart<br />
Juliette Kang; Nora Bumanis<br />
& Julia Shaw; CBC Vancouver<br />
Orchestra; Mal'.io Bernardi<br />
CBC Records SMCD 5200<br />
scene;<br />
The liner notes to this album suggest<br />
3. "Worth repeating" - CDs new- that among Marjan Mozetich's ccil.<br />
ly re-issued, or previously released leagues; composing music which<br />
but $till generally available, deemed aspires to touch people on a purely<br />
particularly noteworthy by a mem- emotional level is considered as<br />
ber of our edit°: rial panel; anachronistic as sporting a top hat and<br />
4• "lndie list"_ Small label and in- spats. A musical palette restricted to<br />
d · d 1 CD ft " tu consonant intervals, incantatiorial<br />
epen ent re ease s, o en 1ea r- h hm d h 'bl h<br />
· incf "dual · th r yt s an compre ens1 e ar-<br />
:ng 1<br />
!VI • s or groups active on e . monic progressions have lead others<br />
oca music scene.<br />
to place Marjan Mozetich among the<br />
5. "Disc(s) of the month" - Discs monotonous minimalists. In fact, he<br />
of special interest, often with a par- is closest in spirit to the fervent erotticular<br />
connection to the month's con- icism ofTcha.ikovsky.<br />
cert activities or editorial focus. Gentle and constantly undulating,<br />
his music creeps in and out on little<br />
We think DISCoveries is a logical<br />
cat's feet. Indeed, the first two works<br />
and exciting extension to The<br />
of this album flow so effortlessly into<br />
WholeNote's coverage of the Toronto<br />
music scene. We welcome your<br />
each other that they may as well be<br />
one piece. Affairs of the Heart is a<br />
feedback and invite submissions.<br />
passionate concerto for violin and<br />
Catalogues, review copies of CDs<br />
string orchestra sensitively performed<br />
by the young Juliette Kang.<br />
and comments should be sent to: The<br />
WholeNote, 60 Bellevue Avenue,<br />
Toronto ON MST 2N4. We also we!-<br />
The evocative Postcards from the Sky<br />
for string . orchestra follows quite<br />
come your input via our website,<br />
www .thewholenote.com. nicely as an appendix.<br />
David Olds<br />
Editor, DISCoveries<br />
RECORDS<br />
LIMITED<br />
The Passion of Angels is a remarkable<br />
double concerto featuring harpists<br />
Nora Bumanis and Julia Shaw.<br />
This paean to "longing, desire and<br />
ecstasy" makes the comparison with<br />
Tchaikovsky explicit with a quotation<br />
from his "Pathetique" symphony.<br />
There are exceptional splashes of<br />
colour in Mozetlch's writing for full<br />
orchestra that are reminiscent of the<br />
American exuberance of John Adams'<br />
works. Mario Bernardi provides<br />
a highly sympathetic interpreta.tion<br />
ofp-iese works, and the recorded<br />
sound is first rate.<br />
Daniel Foley<br />
Concert note: Michael Sweeney will<br />
give the premiere performance of<br />
Mozetich 's Concerto for Bassoon &<br />
Strings with Mayumi Seiler and the<br />
Seiler Strings Chamber Orchestra in<br />
the Via Salzburg series at Glenn<br />
Gould Studio on <strong>June</strong> 6.<br />
Seven Last Words of Christ<br />
Ottawa Chamber Music Society<br />
Andrew Dawes, Julian Armour et al<br />
CMS Classics CMS-560201<br />
As a string quartet? Apparently so,<br />
and this is just one of four different<br />
settings that also include orchestral,<br />
choral, and solo piano. Haydn produced<br />
ihis version right after his original<br />
orchestral score, commissioned<br />
for a Lenten service in the Cathedral<br />
of Cadiz.<br />
Benefiting from the fine acoustics<br />
of Ottawa's Christ Church Cathedral<br />
this recording is well balanced and<br />
remarkably clean. Artistically, it<br />
offers a rare glimpse of how Haydn,<br />
"father" of the string quartet form,<br />
used the ensemble in service of a<br />
sacred program.<br />
The players assembled for this<br />
project by the Ottawa Chamber<br />
Music Society faced two major hurdles:<br />
sustaining a 64-minute work in<br />
which all the movements except the<br />
last one .are slow, and projecting an<br />
interpretation that reaches beyond the<br />
sombre boundaries of the Seven Last<br />
Words.<br />
The quartet: Andrew Dawes,<br />
Manuela Milani, Guylaine Lemaire<br />
and Julian Armour offer a performance<br />
of satisfying depth and agility.<br />
They allow Haydn's masterful quartet<br />
writing to guide them through chame<br />
leon-1 i ke harmonic shadings,<br />
rhythmic pulses and pizzicato passages<br />
that frequently tempt one to forget<br />
the Lenten theme. Perhaps<br />
McLuhan had a point about the "me-,<br />
dium" being the "message"?<br />
CMS Classics is a new Canadian<br />
label with just two recordings to date.<br />
Their first CD, Schubert's C Major<br />
Quintet, was a critical success. This<br />
disc offers the promise of a superb<br />
catalogue. Chamber music lovers<br />
will want more - and soon.<br />
Alex Baran<br />
Concert Note: The 10th Ottawa ·<br />
Chamber Music Festival runs from<br />
July 26 to August 9, check<br />
www.chamberfest.com for fall details.<br />
NEW RELEASES<br />
Vivaldi - La Stravaganza<br />
Rachel Podger; Arte Dei Suonatori<br />
Channel Classics CCS SA 19503<br />
It had to happen eventually! Ever<br />
since the 1960's, pioneers such as<br />
Nikolaus Harnoncourt and a host of<br />
English specialists, have brought<br />
performances on "period instrum.ents<br />
'.'into the mainstream. Canada's<br />
own Tafelmusik and groups like<br />
the Philharmonia Baroque Orchestra<br />
in San Francisco have flown the<br />
flag in North America. In recent<br />
yearS·il new generation of perform-<br />
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52 www.thewholenote.com <strong>June</strong> 1 - July 7 <strong>2003</strong>