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Volume 8 Issue 9 - June 2003

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DISC VERIES<br />

THE WHOLENOTE'S CD FORUM<br />

D/SCoveries is a CD review section<br />

designed to complement and enhance<br />

our pre-eminent coverage of<br />

Toronto's live classical, jazz and new<br />

music concert scene, featuring reviews<br />

by WholeNote columnists and<br />

independent contributors. CDs are<br />

considered for review iri the following<br />

categories:<br />

1. "Concert prep" - CDs, new or<br />

otherwise, which tie in with events<br />

being featured in the current issue of<br />

tl1e magazine. Many discs in the other<br />

categories also relate to upcoming<br />

events as noted;<br />

2. "New and Recent Releases" -<br />

newly released CDs relevant to our<br />

magazine's coverage of the music<br />

CONCERT PREP:<br />

Marjan Mozetich -<br />

Affairs of the Heart<br />

Juliette Kang; Nora Bumanis<br />

& Julia Shaw; CBC Vancouver<br />

Orchestra; Mal'.io Bernardi<br />

CBC Records SMCD 5200<br />

scene;<br />

The liner notes to this album suggest<br />

3. "Worth repeating" - CDs new- that among Marjan Mozetich's ccil.­<br />

ly re-issued, or previously released leagues; composing music which<br />

but $till generally available, deemed aspires to touch people on a purely<br />

particularly noteworthy by a mem- emotional level is considered as<br />

ber of our edit°: rial panel; anachronistic as sporting a top hat and<br />

4• "lndie list"_ Small label and in- spats. A musical palette restricted to<br />

d · d 1 CD ft " tu consonant intervals, incantatiorial<br />

epen ent re ease s, o en 1ea r- h hm d h 'bl h<br />

· incf "dual · th r yt s an compre ens1 e ar-<br />

:ng 1<br />

!VI • s or groups active on e . monic progressions have lead others<br />

oca music scene.<br />

to place Marjan Mozetich among the<br />

5. "Disc(s) of the month" - Discs monotonous minimalists. In fact, he<br />

of special interest, often with a par- is closest in spirit to the fervent erotticular<br />

connection to the month's con- icism ofTcha.ikovsky.<br />

cert activities or editorial focus. Gentle and constantly undulating,<br />

his music creeps in and out on little<br />

We think DISCoveries is a logical<br />

cat's feet. Indeed, the first two works<br />

and exciting extension to The<br />

of this album flow so effortlessly into<br />

WholeNote's coverage of the Toronto<br />

music scene. We welcome your<br />

each other that they may as well be<br />

one piece. Affairs of the Heart is a<br />

feedback and invite submissions.<br />

passionate concerto for violin and<br />

Catalogues, review copies of CDs<br />

string orchestra sensitively performed<br />

by the young Juliette Kang.<br />

and comments should be sent to: The<br />

WholeNote, 60 Bellevue Avenue,<br />

Toronto ON MST 2N4. We also we!-<br />

The evocative Postcards from the Sky<br />

for string . orchestra follows quite<br />

come your input via our website,<br />

www .thewholenote.com. nicely as an appendix.<br />

David Olds<br />

Editor, DISCoveries<br />

RECORDS<br />

LIMITED<br />

The Passion of Angels is a remarkable<br />

double concerto featuring harpists<br />

Nora Bumanis and Julia Shaw.<br />

This paean to "longing, desire and<br />

ecstasy" makes the comparison with<br />

Tchaikovsky explicit with a quotation<br />

from his "Pathetique" symphony.<br />

There are exceptional splashes of<br />

colour in Mozetlch's writing for full<br />

orchestra that are reminiscent of the<br />

American exuberance of John Adams'<br />

works. Mario Bernardi provides<br />

a highly sympathetic interpreta.tion<br />

ofp-iese works, and the recorded<br />

sound is first rate.<br />

Daniel Foley<br />

Concert note: Michael Sweeney will<br />

give the premiere performance of<br />

Mozetich 's Concerto for Bassoon &<br />

Strings with Mayumi Seiler and the<br />

Seiler Strings Chamber Orchestra in<br />

the Via Salzburg series at Glenn<br />

Gould Studio on <strong>June</strong> 6.<br />

Seven Last Words of Christ<br />

Ottawa Chamber Music Society<br />

Andrew Dawes, Julian Armour et al<br />

CMS Classics CMS-560201<br />

As a string quartet? Apparently so,<br />

and this is just one of four different<br />

settings that also include orchestral,<br />

choral, and solo piano. Haydn produced<br />

ihis version right after his original<br />

orchestral score, commissioned<br />

for a Lenten service in the Cathedral<br />

of Cadiz.<br />

Benefiting from the fine acoustics<br />

of Ottawa's Christ Church Cathedral<br />

this recording is well balanced and<br />

remarkably clean. Artistically, it<br />

offers a rare glimpse of how Haydn,<br />

"father" of the string quartet form,<br />

used the ensemble in service of a<br />

sacred program.<br />

The players assembled for this<br />

project by the Ottawa Chamber<br />

Music Society faced two major hurdles:<br />

sustaining a 64-minute work in<br />

which all the movements except the<br />

last one .are slow, and projecting an<br />

interpretation that reaches beyond the<br />

sombre boundaries of the Seven Last<br />

Words.<br />

The quartet: Andrew Dawes,<br />

Manuela Milani, Guylaine Lemaire<br />

and Julian Armour offer a performance<br />

of satisfying depth and agility.<br />

They allow Haydn's masterful quartet<br />

writing to guide them through chame<br />

leon-1 i ke harmonic shadings,<br />

rhythmic pulses and pizzicato passages<br />

that frequently tempt one to forget<br />

the Lenten theme. Perhaps<br />

McLuhan had a point about the "me-,<br />

dium" being the "message"?<br />

CMS Classics is a new Canadian<br />

label with just two recordings to date.<br />

Their first CD, Schubert's C Major<br />

Quintet, was a critical success. This<br />

disc offers the promise of a superb<br />

catalogue. Chamber music lovers<br />

will want more - and soon.<br />

Alex Baran<br />

Concert Note: The 10th Ottawa ·<br />

Chamber Music Festival runs from<br />

July 26 to August 9, check<br />

www.chamberfest.com for fall details.<br />

NEW RELEASES<br />

Vivaldi - La Stravaganza<br />

Rachel Podger; Arte Dei Suonatori<br />

Channel Classics CCS SA 19503<br />

It had to happen eventually! Ever<br />

since the 1960's, pioneers such as<br />

Nikolaus Harnoncourt and a host of<br />

English specialists, have brought<br />

performances on "period instrum.ents<br />

'.'into the mainstream. Canada's<br />

own Tafelmusik and groups like<br />

the Philharmonia Baroque Orchestra<br />

in San Francisco have flown the<br />

flag in North America. In recent<br />

yearS·il new generation of perform-<br />

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•composition • orc~estration<br />

Pro Tools I Logic .A.udio Digital Suite<br />

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Competitive Rates visit: www.classXdiscs.com<br />

(416) 923-9215 timothy@clossXdiscs.com<br />

52 www.thewholenote.com <strong>June</strong> 1 - July 7 <strong>2003</strong>

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