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Volume 8 Issue 9 - June 2003

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own Desen Nigunim is based on<br />

melodies which came to him "while<br />

doing a movement improvisation<br />

alone one evening in the Judean<br />

desert in Israel" - a slow duet for<br />

piano and bass clarinet, the emotional<br />

intensity of this beautiful ballad lends<br />

itself well to the extended techniques<br />

used by the performers. In contrast,<br />

van de_Yen's Whassat, with its threepart<br />

writing, is a message of<br />

hope. Throughout the release, van de<br />

Ven, Katz and Lansdorp incorporate<br />

subtlety and nuance to their obvious<br />

music-making joy.<br />

The Flying Bulgar Klezmer Band's<br />

new release Sweet Return is a fun,<br />

toe-tapping and uplifting journey.<br />

The group has evolved enormously<br />

since its beginnings more than a<br />

decade ago; the klezmer tunes and<br />

rhythms on the traditional tracks act<br />

as a springboard for the shining<br />

original compositions which each<br />

band member has contributed. Like<br />

Collected Stories, each composer's<br />

personal musical sensibility aids to<br />

push the klezmer boundaries to new<br />

heights. Bassist Andrew Downing's<br />

Was a Little Lad isa march-like ditty<br />

with a cabaret flavour for the "roving<br />

wind band''. Marilyn Lerner's<br />

(piano/accordion) Einstein 's Hora<br />

superimposes her jazz, classical and<br />

free improvisation know-how to the<br />

klezmer tradition in a haunting<br />

manner. Clarinetist Bob Stevenson's<br />

Shabbes Goyim/Ghosts is a catchy<br />

and humorous medley based on Bob's<br />

"childhood as a non-Jew in a Jewish<br />

neighbourhood." Vocalist Dave Wall<br />

goes the traditional route with his<br />

Peacock And Turkey but it is his<br />

moving setting of the poem When<br />

Eternity Weeps by Avram Sutskever<br />

that keeps getting better and better<br />

with each listening. The roving melody<br />

and shifting rhythms of Daniel<br />

Barnes' Voyage of the Grandfathers<br />

allows the band to really groove and<br />

sets the stage for superb improvisations.<br />

Leader/trumpeter David Buchbinder's<br />

offerings find him delving<br />

into numerous styles, but it is the final<br />

track with its full horn section,<br />

Shekhina: Cut from the Same Cloth<br />

(with lyrics by Dave Wall, Kyo<br />

Maclear and Roula Said), that really<br />

makes one want to get up and keep<br />

dancin'. As to be expected, all the<br />

playing is top-notch with superstar<br />

special guest Jane Bunnett and other<br />

guest musicians filling in the roster.<br />

Two different takes on traditional<br />

Jewish music, two different sweet<br />

success stories . Collected Stories<br />

and Sweet Return each mark departures.<br />

What the future holds is really<br />

exciting. Listen and enjoy!<br />

TiinaKiik<br />

58<br />

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<strong>June</strong> 1 - July 7 <strong>2003</strong>

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