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Bureau Savamala Belgrade

978-3-86859-359-4

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21<br />

Introduction to <strong>Savamala</strong><br />

Philipp Klaus’ text, “The Role of Art and Culture in Gentrification and Upgrade of<br />

the <strong>Savamala</strong> Neighborhood” conveys the main outcomes of <strong>Bureau</strong> <strong>Savamala</strong>’s explorations.<br />

The many interview series and appeal profiles, as well as data on real estate<br />

purchase prices and rental prices, form a detailed picture of the transformation that<br />

has taken place. These analyses are supplemented by two maps that illustrate changes<br />

in businesses, bars, restaurants, and workshops since fall 2012.<br />

Urban Incubator Projects<br />

The book’s third chapter depicts five selected Urban Incubator projects that are representative<br />

of many <strong>Savamala</strong> activities from 2013. They approach a shared goal with<br />

heterogeneous methods.<br />

<strong>Belgrade</strong> architect, Ivan Kucina, introduces his project, C5. With students of <strong>Belgrade</strong>’s<br />

architectural school, he began a participatory project with the goal of collaborating<br />

with the inhabitants of No. 5 Crnogorska to repurpose the rental property’s inner<br />

courtyard and transform it into a communal space. Kucina describes the project<br />

span, including the inhabitants’ resistance and the project’s ultimate failure, and he<br />

lists possible reasons for this failure.<br />

Selman Trtovac, a co-founder of <strong>Belgrade</strong> artist group Treći Beograd/Third <strong>Belgrade</strong>,<br />

details the project We Also Love the Art of Others and its background. According to his<br />

concept of a micro-utopia, <strong>Savamala</strong> was declared a utopian space; through exhibitions,<br />

workshops, talks, and other events, this action aimed to change its residents’<br />

consciousness and enable them to take their fate into their own hands. In particular,<br />

one of these exhibition projects, Old Kafanas in <strong>Savamala</strong>, is described in detail at the<br />

conclusion of this chapter.<br />

Old Kafanas in <strong>Savamala</strong> is a project by <strong>Belgrade</strong> artists, Nina Todorović and Predrag<br />

Terzić. It is a research and exhibition project on the kafana, a typical <strong>Belgrade</strong> phenomenon.<br />

The two artists identified these traditional coffeehouses in over 90 locations<br />

in <strong>Savamala</strong> and documented them using dated photos. They juxtaposed this<br />

image of old <strong>Belgrade</strong>, which could be easily romanticized, with today’s reality. Their<br />

contribution portrays selected kafanas then and now.<br />

Architects, Maja Popović and Boba Stanić, present their project Model for <strong>Savamala</strong>.<br />

With careful and painstaking attention to detail, they gathered a large quantity<br />

of data, assisted by students and other helpers, and generated a 3D model that<br />

portrays the historical, sociological, economic, and political reality of <strong>Savamala</strong>. In<br />

subsequent workshops, different groups—from residents to business owners—were<br />

introduced to the model and became familiar with it so that they could use it for<br />

various tasks and projects; it aims to be a 3D model for <strong>Savamala</strong>, not just of it.

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