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THURSDAY, July 16 THURSDAY, July 16<br />

Session 56: Thursday, July 16, 2015<br />

Slot Code: MPA-W3a<br />

Time: 16:00 - 17:30<br />

Room: DS-M240<br />

Title: Media Production<br />

Chair: Willemien Sanders (Utrecht University, Netherlands)<br />

Presentations:<br />

Jaka Primorac (Institute for Development and International<br />

Relations, Croatia): Run Away, Turn Away.<br />

Runaway Productions and Local Audiovisual Production<br />

César Bárcenas Curtis (Universidad Nacional Autónoma<br />

de México, Mexico): Producción y distribución<br />

cinematográfica en México. El caso de Mantarraya<br />

Producciones<br />

Li Cornfeld (McGill University, Canada): Production<br />

Studies and Media Labor Research: Toward a Shared<br />

Methodological Practice<br />

Dolors Palau-Sampio (Universitat de València, Spain)<br />

& María Bella Palomo Torres (Universidad de Málaga,<br />

Spain): Updating Media: How Consultants and Innovation<br />

Managers face the Future of the Industry<br />

Popular Culture - POC<br />

Session 57: Thursday, July 16, 2015<br />

Slot Code: POC-TH1a<br />

Time: 09:00-10:30<br />

Room: DS-M220<br />

Title: Mobs, Leaders and The Undead<br />

Chair: Lothar Mikos<br />

Presentations:<br />

Allison Levin (Independent scholar and Consultant):<br />

The Leadership Game: A Critical Analysis of the Popularity<br />

of Billy Beane<br />

William Charles Trapani & Laura Winn (Florida Atlantic<br />

University, USA): Zombie U.: Humans vs. Zombies,<br />

Free Speech Restrictions and the Rise of the Uncanny<br />

University<br />

Aaron Shapiro (Annenberg School for Communication,<br />

University of Pennsylvania): The Medium is the Mob<br />

Erica Ka-yan Poon (Hong Kong Baptist University) &<br />

Joseph Peter Ferrerosa (Santa Monica College, USA):<br />

Turning the Lens: Hegemonic Forces at work in The<br />

Hunger Games<br />

Session 58: Thursday, July 16, 2015<br />

Slot Code: POC-TH1b<br />

Time: 09:00-10:30<br />

Room: DS-M260<br />

Chair: Barry King<br />

Presentations:<br />

Ajit S. Gagare (Savitribai Phule Pune University, India):<br />

‘Stylistic Similarities’: Genre Analysis of Contest Reality<br />

Shows on Indian Television<br />

Rotimi Williams Olatunji (Lagos State University, Nigeria):<br />

The Changing Role of Entertainment Media in<br />

Periods of General Elections: The Case of Nigeria’s<br />

Emerging Democracy<br />

Susana Jeanine Mondragon (Independent scholar and<br />

Journalist): Press Red Note: characterization of popular<br />

culture in Mexico<br />

Hans-Peter Degn, Pia Azzolinin (Aarhus University) &<br />

Stinne Gunder Strøm Krogager (Aalborg University,<br />

Denmark): Danish Drama Series: An Export Success<br />

Cradled on the Domestic Market<br />

Session 59: Thursday, July 16, 2015<br />

Slot Code: POC-TH2a<br />

Time: 14:00-15:30<br />

Room: DS-M220<br />

Title: Projecting enthusiasms<br />

Chair: Tonny Krijnen<br />

Presentations:<br />

Tamsin van Tonder (Department of Communication<br />

and Media Studies, University of Johannesburg,<br />

South Africa): ‘Problematic Faves’: K-pop fangirls and<br />

micro-activism<br />

Jin Lee (Southern Illinois University): Why Are They<br />

Fanatical About K-Pop’ : A case study on K-pop fans<br />

in the U.S.<br />

Zhiqiu Zhou (Northwestern University, USA): Unqualified<br />

Communist Citizens: Representations of Intellectuals<br />

and ‘Modernity’ in China’s Cultural Revolution,<br />

1966-1976<br />

Christopher Francis White (Sam Houston State University,<br />

Texas): When Monologues Were Monologues:<br />

Johnny Carson’s American Forum 1984-1992<br />

CLOSING CONFERENCE | CONFÉRENCE DE CLÔTURE |<br />

CONFERENCIA DE CLAUSURA<br />

Time: 16:00-17:30<br />

Place: Auditorium Marie-Gérin-Lajoie<br />

JAMAL EDDINE NAJI<br />

Communication and democracy: local contexts and<br />

cultural identity discourses<br />

The contemporary world map, tragically cracked by<br />

unprecedented terrorism and genocides, seems to be<br />

drawn again before our eyes from many paradoxes and<br />

ambiguities, also unprecedented. Leading these discussions<br />

is a communication-related series whose theories<br />

and usages never predicted, nor anticipated, such a<br />

central and decisive role in the deflagration of the societal,<br />

cultural, identical (non-human), and their role in<br />

the human violence that accompanies or ensues from<br />

them, as we are seeing today. This is particularly relevant<br />

in the far, middle and near east, and in Africa, in<br />

local contexts that have known colonialist violence and,<br />

more or less, a systematic ‘hold-up’ of their memory,<br />

culture and identity, as exemplified by South Africa and<br />

Morocco. The promise brandished by the 21st Century<br />

right before its birth of a ‘civilized jump’ to a humanity<br />

reign—economically globalized, morally and culturally<br />

universalist, in peaceful and inter-cultural and inter-civilized<br />

exchange, thanks to the Copernican revolution of<br />

communication and its tools and usages—is vanishing.<br />

This promise, however, is dangerously fading with the<br />

increasing number of physical, moral, and cultural violence<br />

that invades our daily lives. We have reached a<br />

point where it is tempting to declare ‘the end of communication,’<br />

or at least this is what has been exposed<br />

or sung by the founders of its theories in the past century,<br />

the century of the Universal Declaration of Human<br />

Rights and of ‘never again!’<br />

Communication et démocratie: Contextes locaux et<br />

discours culturo-identitaires.<br />

La mapmonde contemporaine, tragiquement lézardée<br />

par un terrorisme et des génocides sans précédents,<br />

semble se redessiner devant nos yeux à partir de moult<br />

paradoxes et ambigüités, également sans précédents.<br />

A leur tête une série relative à la communication dont<br />

les théories et les usages n’ont jamais prévu, ni même<br />

anticipé, un rôle moteur aussi central et décisif dans les<br />

déflagrations -inhumaines- sociétales, culturelles, identitaires,<br />

et les violences humaines qui les accompagnent<br />

ou en découlent, comme il en est de nos jours. Tout<br />

particulièrement en extrême, moyen et proche orient, en<br />

Afrique. C'est-à-dire dans des contextes locaux ayant<br />

connu la violence du colonialisme et un plus ou moins<br />

systématique hol-up de leur mémoire, de leur culture, de<br />

leur identité, comme dans les exemples de l’Afrique du<br />

Sud ou du Maroc, entre autres… La promesse brandie<br />

par le 21ème siècle dès la veille de sa naissance d’un<br />

« saut civilisationnel » vers le règne d’une humanité, économiquement<br />

globalisée, moralement et, culturellement<br />

universaliste, dans la paix et l’échange inter-culturel et<br />

inter-civilisationnel, grâce à la révolution copernicienne<br />

de la communication et de ses attirails et usages, s’évapore<br />

et s’éloigne dangereusement au fil des chroniques<br />

de violences physiques, morales, culturelles et identitaires<br />

qui assaillent notre événementiel quotidien. Au<br />

point qu’il serait tentant de décréter « la fin de la communication<br />

», au moins telle qu’elle nous a été exposéevoire<br />

chantée- par les pères fondateurs de ses théories<br />

au siècle dernier, siècle de la Déclaration Universelle de<br />

Droits de l’Homme et du « plus jamais ça ! ».<br />

150<br />

151

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