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THURSDAY, July 16 THURSDAY, July 16<br />
Session 56: Thursday, July 16, 2015<br />
Slot Code: MPA-W3a<br />
Time: 16:00 - 17:30<br />
Room: DS-M240<br />
Title: Media Production<br />
Chair: Willemien Sanders (Utrecht University, Netherlands)<br />
Presentations:<br />
Jaka Primorac (Institute for Development and International<br />
Relations, Croatia): Run Away, Turn Away.<br />
Runaway Productions and Local Audiovisual Production<br />
César Bárcenas Curtis (Universidad Nacional Autónoma<br />
de México, Mexico): Producción y distribución<br />
cinematográfica en México. El caso de Mantarraya<br />
Producciones<br />
Li Cornfeld (McGill University, Canada): Production<br />
Studies and Media Labor Research: Toward a Shared<br />
Methodological Practice<br />
Dolors Palau-Sampio (Universitat de València, Spain)<br />
& María Bella Palomo Torres (Universidad de Málaga,<br />
Spain): Updating Media: How Consultants and Innovation<br />
Managers face the Future of the Industry<br />
Popular Culture - POC<br />
Session 57: Thursday, July 16, 2015<br />
Slot Code: POC-TH1a<br />
Time: 09:00-10:30<br />
Room: DS-M220<br />
Title: Mobs, Leaders and The Undead<br />
Chair: Lothar Mikos<br />
Presentations:<br />
Allison Levin (Independent scholar and Consultant):<br />
The Leadership Game: A Critical Analysis of the Popularity<br />
of Billy Beane<br />
William Charles Trapani & Laura Winn (Florida Atlantic<br />
University, USA): Zombie U.: Humans vs. Zombies,<br />
Free Speech Restrictions and the Rise of the Uncanny<br />
University<br />
Aaron Shapiro (Annenberg School for Communication,<br />
University of Pennsylvania): The Medium is the Mob<br />
Erica Ka-yan Poon (Hong Kong Baptist University) &<br />
Joseph Peter Ferrerosa (Santa Monica College, USA):<br />
Turning the Lens: Hegemonic Forces at work in The<br />
Hunger Games<br />
Session 58: Thursday, July 16, 2015<br />
Slot Code: POC-TH1b<br />
Time: 09:00-10:30<br />
Room: DS-M260<br />
Chair: Barry King<br />
Presentations:<br />
Ajit S. Gagare (Savitribai Phule Pune University, India):<br />
‘Stylistic Similarities’: Genre Analysis of Contest Reality<br />
Shows on Indian Television<br />
Rotimi Williams Olatunji (Lagos State University, Nigeria):<br />
The Changing Role of Entertainment Media in<br />
Periods of General Elections: The Case of Nigeria’s<br />
Emerging Democracy<br />
Susana Jeanine Mondragon (Independent scholar and<br />
Journalist): Press Red Note: characterization of popular<br />
culture in Mexico<br />
Hans-Peter Degn, Pia Azzolinin (Aarhus University) &<br />
Stinne Gunder Strøm Krogager (Aalborg University,<br />
Denmark): Danish Drama Series: An Export Success<br />
Cradled on the Domestic Market<br />
Session 59: Thursday, July 16, 2015<br />
Slot Code: POC-TH2a<br />
Time: 14:00-15:30<br />
Room: DS-M220<br />
Title: Projecting enthusiasms<br />
Chair: Tonny Krijnen<br />
Presentations:<br />
Tamsin van Tonder (Department of Communication<br />
and Media Studies, University of Johannesburg,<br />
South Africa): ‘Problematic Faves’: K-pop fangirls and<br />
micro-activism<br />
Jin Lee (Southern Illinois University): Why Are They<br />
Fanatical About K-Pop’ : A case study on K-pop fans<br />
in the U.S.<br />
Zhiqiu Zhou (Northwestern University, USA): Unqualified<br />
Communist Citizens: Representations of Intellectuals<br />
and ‘Modernity’ in China’s Cultural Revolution,<br />
1966-1976<br />
Christopher Francis White (Sam Houston State University,<br />
Texas): When Monologues Were Monologues:<br />
Johnny Carson’s American Forum 1984-1992<br />
CLOSING CONFERENCE | CONFÉRENCE DE CLÔTURE |<br />
CONFERENCIA DE CLAUSURA<br />
Time: 16:00-17:30<br />
Place: Auditorium Marie-Gérin-Lajoie<br />
JAMAL EDDINE NAJI<br />
Communication and democracy: local contexts and<br />
cultural identity discourses<br />
The contemporary world map, tragically cracked by<br />
unprecedented terrorism and genocides, seems to be<br />
drawn again before our eyes from many paradoxes and<br />
ambiguities, also unprecedented. Leading these discussions<br />
is a communication-related series whose theories<br />
and usages never predicted, nor anticipated, such a<br />
central and decisive role in the deflagration of the societal,<br />
cultural, identical (non-human), and their role in<br />
the human violence that accompanies or ensues from<br />
them, as we are seeing today. This is particularly relevant<br />
in the far, middle and near east, and in Africa, in<br />
local contexts that have known colonialist violence and,<br />
more or less, a systematic ‘hold-up’ of their memory,<br />
culture and identity, as exemplified by South Africa and<br />
Morocco. The promise brandished by the 21st Century<br />
right before its birth of a ‘civilized jump’ to a humanity<br />
reign—economically globalized, morally and culturally<br />
universalist, in peaceful and inter-cultural and inter-civilized<br />
exchange, thanks to the Copernican revolution of<br />
communication and its tools and usages—is vanishing.<br />
This promise, however, is dangerously fading with the<br />
increasing number of physical, moral, and cultural violence<br />
that invades our daily lives. We have reached a<br />
point where it is tempting to declare ‘the end of communication,’<br />
or at least this is what has been exposed<br />
or sung by the founders of its theories in the past century,<br />
the century of the Universal Declaration of Human<br />
Rights and of ‘never again!’<br />
Communication et démocratie: Contextes locaux et<br />
discours culturo-identitaires.<br />
La mapmonde contemporaine, tragiquement lézardée<br />
par un terrorisme et des génocides sans précédents,<br />
semble se redessiner devant nos yeux à partir de moult<br />
paradoxes et ambigüités, également sans précédents.<br />
A leur tête une série relative à la communication dont<br />
les théories et les usages n’ont jamais prévu, ni même<br />
anticipé, un rôle moteur aussi central et décisif dans les<br />
déflagrations -inhumaines- sociétales, culturelles, identitaires,<br />
et les violences humaines qui les accompagnent<br />
ou en découlent, comme il en est de nos jours. Tout<br />
particulièrement en extrême, moyen et proche orient, en<br />
Afrique. C'est-à-dire dans des contextes locaux ayant<br />
connu la violence du colonialisme et un plus ou moins<br />
systématique hol-up de leur mémoire, de leur culture, de<br />
leur identité, comme dans les exemples de l’Afrique du<br />
Sud ou du Maroc, entre autres… La promesse brandie<br />
par le 21ème siècle dès la veille de sa naissance d’un<br />
« saut civilisationnel » vers le règne d’une humanité, économiquement<br />
globalisée, moralement et, culturellement<br />
universaliste, dans la paix et l’échange inter-culturel et<br />
inter-civilisationnel, grâce à la révolution copernicienne<br />
de la communication et de ses attirails et usages, s’évapore<br />
et s’éloigne dangereusement au fil des chroniques<br />
de violences physiques, morales, culturelles et identitaires<br />
qui assaillent notre événementiel quotidien. Au<br />
point qu’il serait tentant de décréter « la fin de la communication<br />
», au moins telle qu’elle nous a été exposéevoire<br />
chantée- par les pères fondateurs de ses théories<br />
au siècle dernier, siècle de la Déclaration Universelle de<br />
Droits de l’Homme et du « plus jamais ça ! ».<br />
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