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Question Posed 7It should be clear that this appeal to the work of Freud concernsprecisely the putting in play of a critical paradigm—and absolutely notthe putting in play of a clinical paradigm. In particular, the fate allottedthe word symptom in this book has nothing to do with any kind ofclinical ‘‘application’’ or resolution. To expect from Freudism a clinicfor art or a method of solving enigmas is tantamount to reading Freudwith the eyes and expectations of a Charcot. What can be expectedhere of ‘‘Freudian reason’’ is rather that it resituate us in relation tothe object of history, for example, about whose extraordinarily complexwork psychoanalytic experience teaches us much, along the biasof such concepts as Nachträglichkeit,* repetition, distortion, and working-through.More generally, Freudian critical tools will make it possibleto reconsider here, within the framework of the history of art, thevery status of this object of knowledge with regard to which we willhenceforth be required to think what we gain in the exercise of ourdiscipline in the face of what we thereby lose: in the face of a moreobscure and no less sovereign constraint to not-knowledge.Such are the stakes: to know, but also to think not-knowledge whenit unravels the <strong>net</strong>s of knowledge. To proceed dialectically. Beyondknowledge itself, to commit ourselves to the paradoxical ordeal notto know (which amounts precisely to denying it), but to think theelement of not-knowledge that dazzles us whenever we pose our gazeto an art image. Not to think a perimeter, a closure—as in Kant—butto experience a constitutive and central rift: there where self-evidence,breaking apart, empties and goes dark.So here we are back at our initial paradox, which we placed underthe aegis of an examination of the ‘‘presentation’’ or presentability ofthe images to which our gazes are posed even before our curiosity—orour will to knowledge—exerts itself. ‘‘Considerations of presentability’’(Rücksicht auf Darstellbarkeit):† such is the language used*Inconsistently translated in the Standard Edition, but often rendered as ‘‘deferredaction’’ or ‘‘retrospective revision’’; here (and below, pages 48, 100), the retrospectivereinvention, sometimes radical, of an earlier experience. Cf. J. Laplanche and J.-B. Pontalis,The Language of Psychoanalysis, trans. D. Nicholson-Smith (New York & London: W. W.Norton, 1973), 111–14.†Not the translation used in the Standard Edition. Cf. below, Chapter 4, note 35.

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