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The Age of Pleasure and Enlightenment European art of the ...

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Everyday LifeArt, both decorative <strong>and</strong> functional, has always been made for <strong>the</strong> domestic environment.Everyday life, both high <strong>and</strong> low, has also provided subject matter for <strong>art</strong>ists. Works <strong>of</strong> <strong>art</strong> can<strong>of</strong>fer a window into everyday life by recording private moments, social customs, domesticinteriors, <strong>and</strong> changing fashion, across time <strong>and</strong> geography.Gaspare TraversiItalian, Neapolitan, c. 1722–1770A Quarrel over a Board Game, c. 1752Oil on canvas<strong>The</strong> Ella Gallup Sumner <strong>and</strong> Mary Catlin Sumner Collection Fund, 1948.118Tavern scenes such as this one, showing games <strong>and</strong> gambling, were <strong>of</strong>ten intended to conveymoralizing messages denouncing human weakness. This work focuses on a range <strong>of</strong> emotions—concern, fear, <strong>and</strong> anger—made emphatic by <strong>the</strong> placement <strong>of</strong> <strong>the</strong> three-qu<strong>art</strong>er-length figures ina narrow foreground space. Traversi also delighted in painting rich colors <strong>and</strong> fabrics, seen mostespecially in <strong>the</strong> embroidery on <strong>the</strong> waistcoat <strong>of</strong> <strong>the</strong> man on <strong>the</strong> left. <strong>The</strong> overall impression isone <strong>of</strong> <strong>the</strong>atricality <strong>and</strong> stylish staging, suggesting that <strong>the</strong> <strong>art</strong>ist may have been inspired bycontemporary <strong>the</strong>ater or opera.Traversi began his career in Naples but in 1752 moved to Rome where he remained until hisdeath. His most significant contributions to eighteenth-century Italian painting are his eloquent<strong>and</strong> <strong>of</strong>ten mocking reflections on <strong>the</strong> morals <strong>of</strong> his time.Pietro LonghiItalian, 1702–1785<strong>The</strong> Temptation, c. 1745Oil on canvas<strong>The</strong> Ella Gallup Sumner <strong>and</strong> Mary Catlin Sumner Collection Fund, 1931.188Longhi was one <strong>of</strong> <strong>the</strong> most gifted <strong>of</strong> eighteenth-century genre painters in Venice, an excellentdraughtsman who effortlessly captured <strong>the</strong> features <strong>and</strong> gestures <strong>of</strong> his subjects. He depicteddelightful scenes, <strong>of</strong>ten satirical, <strong>of</strong> life among <strong>the</strong> city's upper classes. In this work a youngmonk visits a group <strong>of</strong> ladies engaged in sewing <strong>and</strong> holds a glass to his eye to get a betterlook—though not necessarily at <strong>the</strong>ir work. <strong>The</strong> presence <strong>of</strong> <strong>the</strong> caged bird is undoubtedly areference to <strong>the</strong> preservation <strong>of</strong> virtue, as a bird in a cage symbolizes intact virginity.

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