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1 Lost Paradise - Armin Kerber

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Juri Steiner<br />

“Tu n’as rien vu à<br />

Hiroshima”<br />

<strong>Lost</strong> <strong>Paradise</strong> – “Tu n’as rien vu à Hiroshima”<br />

Paul Klee’s father Hans was a German from the small Franconian town<br />

of Tann. His mother Ida was from Berne, Switzerland. Together they had<br />

lived in Switzerland since Hans began work as a music teacher at the<br />

Bernese State Teacher Training College at Hofwil. This is why Paul Klee<br />

was born in Münchenbuchsee in 1879 and went to school and college in<br />

the heart of Switzerland’s picturesque capital city. Contacts with his German<br />

“fatherland” only intensified in the years from 1898 until 1901, when<br />

Klee studied in Munich, becoming permanent when he moved to the German<br />

art metropolis in 1906. It was only in 1921 that he moved on to the<br />

Bauhaus at Weimar. In the meantime, being a German national, he was<br />

drafted into war service in 1916. However, the royal house of Bavaria<br />

having ordered to give consideration to the artists, soldier Klee was not<br />

sent to the frontline.<br />

In the wake of the Russian October revolution, of Germany’s impending<br />

defeat in the Great War, and of dire shortages, the so-called November<br />

revolution occurred all across the Reich in 1918. On November 7, 1918,<br />

Kurt Eisner proclaimed the People’s Free State of Bavaria and was elected<br />

first Minister-President of the Bavarian Republic by the Council of Workers,<br />

Farmers and Soldiers. (Arbeiter-, Bauern- und Soldatenrat). Following<br />

Eisner’s murder in February 1919, a “Central Council” took power, proclaiming<br />

the Bavarian (or Munich) Soviet Republic on April 7, 1919.<br />

Among other bodies, the “Action Committee of Revolutionary Artists”<br />

was formed, among whose members was the renowned pioneer of Dadaist<br />

film, Hans Richter. The committee’s functions and objectives were “the<br />

promotion of new art; the organisation of the May demonstration; the<br />

socialisation of theater and cinema; taking possession of the royal residence,<br />

the Nymphenburg porcelain manufacture, the Galerie Schack, the<br />

Stuck villa, the Maximilianeum, etc.; social welfare; resolving the lack of<br />

studios; and the refashioning of the art academy and the school for arts<br />

and crafts.” The commission directly approached Paul Klee; we have his<br />

49

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