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The Precession of Simulacra.pdf - kareneliot.de

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Jean Baudrillard - Simulations (English Translation)16.08.11 20:28"Down with all hypotheses that have allowed the belief in a true world," said Nietzsche.<strong>The</strong> Tactile and the DigitalThis regulation on the mo<strong>de</strong>l <strong>of</strong> the genetic co<strong>de</strong> is not at all limited to laboratory effects or to the exaltedvisions <strong>of</strong> theoreticians. Banal, everyday life is invested by these mo<strong>de</strong>ls. Digitality is with us. It is thatwhich haunts all the messages, all the signs <strong>of</strong> our societies. <strong>The</strong> most concrete form you see it in is that<strong>of</strong> the test, <strong>of</strong> the question/answer, <strong>of</strong> the stimulus/response. All content is neutralized by a continualprocedure <strong>of</strong> directed interrogation, <strong>of</strong> verdicts and ultimatums to <strong>de</strong>co<strong>de</strong>, which no longer arise this timefrom the <strong>de</strong>pths <strong>of</strong> the genetic co<strong>de</strong> but that have the same tactical in<strong>de</strong>terminacy - the cycle <strong>of</strong> sensebeing infinitely shortened into that <strong>of</strong> question/answer, <strong>of</strong> bit or minute quantity <strong>of</strong> energy/informationcoming back to its beginning, the cycle only <strong>de</strong>scribing the perpetual reactualization <strong>of</strong> the same mo<strong>de</strong>ls.<strong>The</strong> equivalent <strong>of</strong> the total neutralization <strong>of</strong> the signified by the co<strong>de</strong> is the instantaneousness <strong>of</strong> theverdict <strong>of</strong> fashion, or <strong>of</strong> any advertising or media message. Any place where the <strong>of</strong>fer swallows up the<strong>de</strong>mand, where the question assimilates the answer, or absorbs and regurgitates it in a <strong>de</strong>codable form, orinvents and anticipates it in a predictible form. Everywhere the same "scenario," the scenario <strong>of</strong> "trialand error" (guinea pigs in laboratory experiments), the scenario <strong>of</strong> the breadth <strong>of</strong> choice <strong>of</strong>fere<strong>de</strong>verywhere ("the personality test") - everywhere the test functions as a fundamental form <strong>of</strong> control, bymeans <strong>of</strong> the infinite divisibility <strong>of</strong> practices and responses.We live by the mo<strong>de</strong> <strong>of</strong> referendum precisely because there is no longer any referential. Every sign,every message (objects <strong>of</strong> "functional" use as well as any item <strong>of</strong> fashion or televised news, poll orelectoral consultation) is presented to us as question/answer. <strong>The</strong> entire system <strong>of</strong> communication haspassed from that <strong>of</strong> a syntactically complex language structure to a binary sign system <strong>of</strong> question/answer- <strong>of</strong> perpetual test. Now tests and referenda are, we know, perfect forms <strong>of</strong> simulation: the answer iscalled forth by the question, it is <strong>de</strong>signated in advance. <strong>The</strong> referendum is always an ultimatum: theunilateral nature <strong>of</strong> the question, that is no longer exactly an interrogation, but the immediate imposition<strong>of</strong> a sense whereby the cycle is sud<strong>de</strong>nly completed. Every message is a verdict, just like the one thatcomes from polling statistics. <strong>The</strong> simulacrum <strong>of</strong> distance (or even <strong>of</strong> contradiction between the twopoles) is only - like the effect <strong>of</strong> the real the sign seems to emit - a tactical hallucination.Benjamin analyzes concretely, on the level <strong>of</strong> the technical instrument, this operation <strong>of</strong> the test:<strong>The</strong> performance <strong>of</strong> the movie actor is transmitted to the public by means <strong>of</strong> an array <strong>of</strong> technicalinstruments, with a tw<strong>of</strong>old consequence. <strong>The</strong> camera that presents the performance <strong>of</strong> the film actor tothe public need not respect the performance as an integral whole. Gui<strong>de</strong>d by the cameraman, the cameracontinually changes its position with respect to the performance. <strong>The</strong> sequence <strong>of</strong> positional views whichthe editor composes from the material supplied him constitutes the completed film . . . Hence, theperformance <strong>of</strong> the actor is subjected to a series <strong>of</strong> optical tests. This is the first consequence <strong>of</strong> the factthat the actor's performance is presented by means <strong>of</strong> the camera. Also, the film actor lacks theopportunity <strong>of</strong> the stage actor to adjust to the audience during the performance, since he does notpresent his performance to the audience in person. This permits the audience to take the position <strong>of</strong> thecritic, without experiencing any personal contact with the actor. <strong>The</strong> audience's i<strong>de</strong>ntification with theactor is really an i<strong>de</strong>ntification with the camera. Consequently the audience takes the position <strong>of</strong> thecamera; its approach is that <strong>of</strong> testing.Note: <strong>The</strong> expansion <strong>of</strong> the field <strong>of</strong> the testable which mechanical equipment brings about for the actorcorresponds to the extraordinary expansion <strong>of</strong> the field <strong>of</strong> the testable brought about for the individualthrough economic conditions. Thus, vocational aptitu<strong>de</strong> tests become constantly more important. Whathttp://www.ee.sun.ac.za/~hgibson/docs/html/<strong>Simulacra</strong>-and-Simulation.html#c2Seite 33 von 45

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