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2nd November (Issue 1197) - The Courier

2nd November (Issue 1197) - The Courier

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26 Monday 2 <strong>November</strong> 2009 THE COURIERCULTUREArtsArtsArts Editor: Stephanie Ferrao - courier.culture-arts@ncl.ac.ukInsane in the BrainCiara LittlerInsane in the Brain is a dance-theatrespectacular that adds a trulymodern twist to Ken Kesey’s classicnovel One Flew Over the Cuckoo’sNest.Swedish dance company Bouncedelivers an hour and a half of excitingand dynamic entertainment hereon campus at the Northern Stage.A heavy dose of contemporaryhip-hop is injected into the productionwhich creates a powerful andenergetic display of storytelling.<strong>The</strong> background story is true tothe novel; based on struggling psychiatricpatients trying to cope withlife in a hospital. But in this show,the break-dancing becomes a way ofexpressing desire for freedom, highlightingthe rebellion against the dictatorialrule of Nurse Ratched whojust so happens to be a ballet fan!and multimedia sequences, creatinga fast-paced, funny and moving performance.With a soundtrack that includesMissy Elliot, Dizzee Rascal, GotanProject, David Holmes and CypressHill the contemporary feel of theshow is sure to excite all membersof the audience.Known for overlooking conventionalboundaries of dance-theatre,the company have been enjoyingrave reviews and success all overthe country, and this is a great timeto catch their show before they continueon their UK wide tour.Bounce have been a hit onYouTube performing a tribute toMichael Jackson and, whether youlike it or not, the success of dancetroupes on Britain’s Got Talent lastyear indicate that this is one shownot to be missed.Unlike other re-workings of novels,Insane in the Brain shows how agreat classic story can be reinventedin such a fresh and inspiring way.It makes for an interesting take onthe serious ideas approached in OneFlew Over the Cuckoo’s Nest withbreak dancing being the way out -both physically and emotionally - ofa torturous and controlling regime.<strong>The</strong> dancers pop, lock, crump andbreak their way through scenarios story, though reworked, retains asad yet liberating representation ofstruggling with mental-illness.It is an important and serious topicthat is approached in a fantasticallytechnical and motivating way.<strong>The</strong> show is interactive and fun,yet doesn’t take away from the explorationof the story. Insane in theBrain may initially be more appealingto those interested in dance, butit promises to be a wonderful showfor anyone who enjoys a bit of performance.If you fancy something to sparksome energy back into those long,On the bounce: the Bounce Dance Company perform in Insane in the Braindark nights, Insane in the Brain isa truly riveting way to add somelight to the fast approaching wintermonths. thing new; Bounce’s success so farhelps to promote dance as anotherfantastic art-form to be enjoyed inNewcastle. Insane in the Brain isonly showing for two nights at the worth grabbing some tickets now, toavoid unnecessary disappointment.Insane in the Brain is at NorthernStage on 13th-14th <strong>November</strong> 2009alt.galleryJoe BartonAn exhibition that explores the interactionbetween music and sculp-home at Newcastle’s alt.gallery this<strong>November</strong>.Hayley Williams’s exhibition,plasticine versions of objects referencedin Fluxus musical scores. <strong>The</strong>Fluxus movement was an internationalnetwork of painters, composersand sculptors, all committed tochallenging preconceptions aboutwhat could constitute as ‘art’.Music played a central role amongstFluxus artists and two of their mostOno - both produced musical scoresthat encouraged their audiences tomake their own music out of everydayobjects.After deciding that it would be impossibleto render life size versionsof the thousands of objects listed inthe Fluxus musical scores, HayleyNewman opted to make smaller,plasticine versions.On display at the alt.gallery willbe miniature versions of the moreconventional musical instrumentssome less conventional ones, like elephantsand wolves!holes and ceilings are hard to imaginemade out of plasticine, so the exhibitionpromises dozens of raisedeyebrows (as well as tiny plasticineeyebrows, as it happens).By providing the lists of instrumentsalongside the sculptures,Newman hopes that the plasticine of visitors as they read the humorousand radical Fluxus scores, encouragingthem to make their ownnew compositions out of what islaid out in front of them.Hayley Newman has performedand exhibited widely during her careerand has had solo shows at venuessuch as Matt’s Gallery, London,and the Centre d’Art Contemporain,Geneva, as well as a group exhibitionat the Tate Modern, London. the South London gallery, but thisbeing toured elsewhere in the country.Alt.gallery is one of Newcastle’shidden artistic gems, having previouslyplayed host to exhibitionsby Daniel Johnston and Vicki Bennett,promoting work that intersectsvisual art, music and sound, pridingitself on being one of the only galleriesin the country that focuses onthis unique area of the arts.Beneath the gallery is its betterknown sister store, alt.vinyl recordshop, meaning that inspired visitorscan build on their avant-garde musiccollections if they wish to do so.<strong>The</strong> gallery is located on ThorntonCentral Station, so art fans have noexcuse for not experiencing this funnyand imaginative exhibition.January, and the gallery is open Mondayto Saturday, 11.00am to 6.00pm.Hit the Ground runningPolly RandallEvery year, the press make a dashup North to cover the annual runthat truly puts Newcastle on themap - the Great North Run.In celebration of this, the BupaGreat North Run Cultural Programhas returned in its 5th year with anexhibition at the on-campus HattonGallery called Hit the Ground.Using numerous and diverseforms of media, the exhibition demonstrateshow art and sport can becombined to celebrate the spirit andatmosphere of the Great North Run,as well as exploring ideas aboutwhat being an athlete entails andthe runners’ relationship with Newcastleas a city.Works currently on display includethe successful piece by VickiBennett entitled Parade which incorporatesvintage footage from thelast 28 years of the run in order tocreate montage-esque images of thevast crowds which line the length ofthe route.Anyone who took part in the runparticularly interested in Dry Run -a new piece created by NAME andAtau Tanaka based upon the experiencesof 10 runners completing the<strong>The</strong> high-tech interactive pieceshows both the physical and emotionalstrain that the event has onits competitors; giving the onlookerthe opportunity to consider thehuge challenge that running a raceincurs.<strong>The</strong> Streets Do Flow by Amy Fe- provides an individual perspectiveon the race through their series ofadvertisement-style pictures whichuse graphic prints and an installationto show how people relate totheir training routes and routines.Faster, Higher is a wider reachingpiece using footage from the Olympicsdisplayed on 5 different screensto develop ideas not only of the commitmentof athletes at internationalsporting events but also the strainwhich surrounds such events.<strong>The</strong> range of forms used helps tocreate an interesting and varied exhibitionwhich should be of interestto anyone who ran in or was a supporterof the race. It shows running‘as a physical and mental experience,as a struggle and as an inspiration,as fun and as a regime.’As sport rarely featured in depthin a multimedia art exhibition, it’sshow closes in a few weeks, so getyour running shoes on and race ondown!Hit the Ground is on at the HattonGallery until Sunday 15th <strong>November</strong>Inside today >>>Reviews of FantasticMr. Fox and Saw VICulture, page 29Interviews with LittleBoots, Frankmusikand <strong>The</strong> SaturdaysCulture, page 30-31

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