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The Collection of Mort and Millie Goldsholl - Treadway Gallery

The Collection of Mort and Millie Goldsholl - Treadway Gallery

The Collection of Mort and Millie Goldsholl - Treadway Gallery

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1950s/ModernSession Threeimmediately following session two<strong>The</strong> <strong>Collection</strong> <strong>of</strong> <strong>Mort</strong> <strong>and</strong> <strong>Millie</strong> <strong>Goldsholl</strong>One <strong>of</strong> America's most successful design teams, <strong>Mort</strong>on <strong>and</strong> <strong>Millie</strong> <strong>Goldsholl</strong> founded <strong>Mort</strong>on <strong>Goldsholl</strong> & Associates – one<strong>of</strong> the leading graphic design studios in the 1950s. Both studied at the Chicago School <strong>of</strong> Design (now IIT) with Moholy-Nagy,<strong>and</strong> credit him for their inspiration <strong>and</strong> graphic design education. In a 1992 interview, <strong>Mort</strong> <strong>Goldsholl</strong> said “He changed mylife.”<strong>The</strong>ir Northfield, IL firm was recognized for developing corporate br<strong>and</strong>ing through packaging, print, <strong>and</strong> TV commercials,as well as for industrial <strong>and</strong> experimental films. Perhaps best known for developing trademarks <strong>and</strong> symbols, the<strong>Goldsholl</strong>s designed the Motorola trademark, as well as logos for 7-UP, Peace Corps, Schlitz, Helene Curtis, StoneContainer, Vienna Beef Frankfurters, Kimberly-Clark <strong>and</strong> many others. <strong>Mort</strong> <strong>Goldsholl</strong> designed the logo used by the GoodDesign Award, which was created by Charles <strong>and</strong> Ray Eames, Eero Saarinen <strong>and</strong> former MoMA curator Edgar Kaufman, Jr.,<strong>and</strong> is awarded yearly for products that exhibit extraordinary design excellence.<strong>Mort</strong> <strong>Goldsholl</strong> (1911-1985) described his purpose as a designer to "eliminate ugliness <strong>and</strong> uselessness, <strong>and</strong> to make thingsmore useful <strong>and</strong> purposeful." <strong>The</strong> recipient <strong>of</strong> more than 400 awards, he said:Faced with the chaos, the polyglot <strong>of</strong> thing <strong>and</strong> words, it takes a super effort to weed out the meaningful things from thetrash. <strong>The</strong> problem is to get the final design to match the fleeting idea. <strong>The</strong> big dream about the great work <strong>of</strong> art can tooeasily be dissipated in the practicalities <strong>of</strong> solutions, clients, markets, statistics, sales, function <strong>and</strong> committee decision.Determination to remain free requires a discipline; but it does not inhibit freedom, it enlarges it.<strong>Millie</strong> <strong>Goldsholl</strong> (1920-2012) studied architecture at the Chicago School <strong>of</strong> Design, <strong>and</strong> went on to design a modern home<strong>and</strong> studio in Highl<strong>and</strong> Park, IL. <strong>The</strong> family furnished their home with modern design, <strong>and</strong> used Eames ESUs in almost everyroom. <strong>Millie</strong> later shifted her focus on making films. She <strong>and</strong> <strong>Mort</strong> created commercials for 7-UP, Alberto V0-5, <strong>The</strong> NationalEndowment for the Arts, Kellogg <strong>and</strong> many others. Three <strong>of</strong> their short films are available for viewing at Chicag<strong>of</strong>ilmarchives.com. “Up is Down”, an animated film, introduces an unconventional young boy who is temporarily persuaded to acceptothers’ viewpoints as his own. <strong>The</strong> film is dedicated to Martin Luther King. <strong>Millie</strong> said:It is better to be Utopic than myopic – even if you're not a designer – <strong>and</strong> especially if you are. It's not so much a matter <strong>of</strong>thinking big as thinking deep.We’d rather make films that have guts than gimmicks – <strong>and</strong> we don’t equate gimmicks with honest experimentation <strong>and</strong>unorthodox techniques. Serendipity is something we are committed to.<strong>The</strong> <strong>Collection</strong> <strong>of</strong> <strong>Mort</strong> <strong>and</strong> <strong>Millie</strong> <strong>Goldsholl</strong>745. Charles <strong>and</strong> Ray Eames ESU 420-C, second series, by Herman Miller, birch, zincframe <strong>and</strong> struts, red, yellow <strong>and</strong> blue panels, two sets <strong>of</strong> dimpled wood doors, onebank <strong>of</strong> three drawers, no panels to back behind drawers, original finish, originalknobs, all feet intact, 47”w x 17”d x 58”h, very good original condition 18,000-22,000154 www.treadwaygallery.com

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