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The Collection of Mort and Millie Goldsholl - Treadway Gallery

The Collection of Mort and Millie Goldsholl - Treadway Gallery

The Collection of Mort and Millie Goldsholl - Treadway Gallery

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<strong>The</strong> following 64 lots are part <strong>of</strong> an important glass collection accumulated by a Chicago couple from 1950 to 1970. She was a graduate <strong>of</strong> the ArtInstitute <strong>of</strong> Chicago with a well-trained eye <strong>and</strong> he was a medical physician with a passion for art <strong>and</strong> a desire to learn <strong>and</strong> underst<strong>and</strong> the technique,skill <strong>and</strong> craftsmanship necessary to create beautiful glass. <strong>The</strong>y were introduced to the art <strong>of</strong> glass by close friends <strong>and</strong> quickly learned to distinguishthe best from the rest. <strong>The</strong>ir children remember how their mother had a “strong skill for making quick decisions that led the way to creating a beautiful,sophisticated art collection.”Following World War II, these children <strong>of</strong> immigrants had newly found financial success <strong>and</strong> began frequenting auctions <strong>and</strong> galleries with friendswith whom they shared a passion for collecting. <strong>The</strong>y had taste <strong>and</strong> underst<strong>and</strong>ing <strong>of</strong> the objects but also were fortunate to be buying at a time whenimportant decorative arts came to market in their city. Turn-<strong>of</strong>-the century decorative arts were not valued by existing collectors or their heirs at thattime. Auction houses in 1950’s Chicago were selling estates from the original wealthy Chicago families that helped rebuild the City after the GreatChicago Fire. Post-fire Chicago had become one <strong>of</strong> the most prosperous cities in the world at a time when Europe <strong>and</strong> America were experiencing arevolution in decorative arts. Much <strong>of</strong> that great art was sold to clients in this progressive city that Louis Sullivan, George Washington Maher, FrankLloyd Wright <strong>and</strong> other modernists were bringing to the national forefront.<strong>The</strong>re are great stories about auctions in those times from other local collectors. Wilbert <strong>and</strong> Marylyn Hasbrouck <strong>of</strong> Prairie Avenue Bookstore famerecount how they bought a Frank Lloyd Wright copper urn from the 1901 Waller House at auction by outbidding a scrap dealer. That urn recently soldfor $772,000. <strong>The</strong> Hasbroucks told us “We still think about those halcyon days when one could find a great Tiffany lamp on an Arts & Crafts table in asmall antique shop with a price tag <strong>of</strong> $145 <strong>and</strong> an exquisite Daum Nancy lamp next to it for half that. <strong>The</strong> price <strong>of</strong> the table was negotiable”. Thosedays may be gone, but some <strong>of</strong> the special treasures from that time are available in this amazing collection that has remained with the family untilcoming to auction today.458. Monumental Daum vase, large <strong>and</strong>attractive tulip shape in mottledfrosted, pink <strong>and</strong> orange glasswith beautifully detailed enameledflowering vines, cameo signature,7.5”w x 25”h, a large <strong>and</strong> impressiveexample with fine detail 4000-5000Reference: A similar vase ispictured in Daum dans les Muséesde Nancy, by Pétry, p. 64459. Exceptional Daum vase, large <strong>and</strong> very unusual three corner shape with a cameo design <strong>of</strong> a seascape with sailboats in purple hues silhouetted againsta mottled pink, purple <strong>and</strong> yellow background, cameo signature, 8”w x 12”h, this shape is very rare <strong>and</strong> adds a lot to the rarity <strong>of</strong> the vase 2500-350081 www.treadwaygallery.com

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