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Presse mappeDRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN IST DIE FÜHRENDE EUROPÄISCHE FACHMESSE FÜR ZEITGENÖSSISCHE KUNST, DEREN GEGENSTAND AUSSCHLIEßLICH DIE ZEICHNUNG IST. DIE 7. AUSGABE FINDET VOM DONNERSTAG, DEM 11. APRIL, BIS ZUM SONNTAG, DEM 14. APRIL 2013, IM CARROUSEL DU LOUVRE STATT. DIE VERNISSAGE FINDET AM MITTWOCH, DEM 10. APRIL 2013, STATT.EIN UNABHÄNGIGES KOMITEE BESTEHEND AUS PERSÖNLICHKEITEN DER KUNSTSZENE HAT 84 GALERIEN AUSGEWÄHLT STRÄFLING. IM RAHMEN VON DRAWING NOW I REFERENCE STELLEN 70 FEST ETABLIERTE INTERNATIONALE GALERIEN AUS. DRAWING NOW I EMERGENCE ERMÖGLICHTES AUCH IN DIESEM JAHR WIEDER 14 VOR WENIGER JAHREN IM RAHMEN EINES FOCUS ZU PRÄSENTIEREN.ALS 4 JAHREN GEGRÜNDETEN GALERIEN, DAS WERK EINES KÜNSTLERS UNTER 40 UNTER DER SCHIRMHERRSCHAFT DER SCHWEIZER BOTSCHAFT IN PARIS STELLT DRAWING NOW PARIS IM JAHR 2013 SEIN UHREN NACH DER SCHWEIZ. AUF DER MESSE STELLEN 7 SCHWEIZER KUNSTGALERIEN AUS UND ES FINDEN MEHRERE EVENTS IM ZUSAMMENHANG MIT DER ZEITGENÖSSISCHEN ZEICHNUNG IN DER SCWEIZ STATT. VORTRÄGE, GESPRÄCHE, AUSSTELLUNGEN -­‐ IN DEN NÄCHSTEN WOCHEN GIBT ES VIEL AKTUELLES ZU ENTDECKEN.DIESE MESSE BIETET SAMMLERN, KONSERVATOREN UND KUNSTLIEBHABERN DIE GELEGENHEIT, DIE ZEITGENÖSSISCHE KUNSTSZENE ANHAND VON ZEICHNUNGEN BEKANNTER ODER AUFSTREBENDER KÜNSTLER ZU ENTDECKEN ODER SICH ÜBER DIESEN MARKT AUF DEM LAUFENDEN ZU HALTEN.Veranstalter : CPCT Arts&Events I 48 rue Raymond Losserand, 75014 Paris I 01 45 38 51 15 I www.drawingnowparis.comPressekontakt : Agence Observatoire I 68 rue Pernety, 75014 Paris I 01 43 54 87 71 I www.observatoire.fr Aurélie Cadot : aureliecadot@observatoire.fr

INHALTSeite 3 EditorialSeite 4 Das Messeteam, der AuswahlausschussSeite 5 Liste der GalerienSeite 6 DRAWING NOW PARIS seine Uhr nach der Schweizer KunstszeneSeite 7 Das Imaginäre Museum von … Jean de Loisy, für den Palais de TokyoSeite 8 HighlightsSeite 9/92 Liste der präsenderten KünstlerSeite 93/98 DRAWING NOW I PARCOURSSeite 99/101 Die PartnerSeite 102 Prakdsche InformadonenPresse mappe I Seite 2

EDITORIAL7 Jahre für die zeitgenössische Zeichnung: Vernung und Unvernung.In wenigen Jahren ist DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN zu einem unumgänglichen Termin auf dem Messekalender der zeitgenössischen Kunst geworden.Man sagt, Kinder hähen mit 7 Jahren das Vernungalter erreicht. Das Gleiche gilt für unsere Messe, die in diesem Jahr einen gewisse Reifegrad erreicht hat. Es ist uns gelungen, zu wachsen und gleichzeidg unserer ursprünglichen Idee treu zu bleiben. Wir bewahren uns also einen Hauch von Unvernung, denn wir wollen unsere Besucher im Carrousel du Louvre und außerhalb davon auch weiterhin überraschen.Die zeitgenössische Zeichnung modviert jeden Tag junge Talente und bringt neue Ausdrucksformen hervor, die wir zeigen wollen. Wir konfronderen diese jungen Talente aber auch mit Werten, die sich bewährt haben und bereits in die Kunstgeschichte eingegangen sind.Diese bewusst organisierte Konfrontadon wird durch die räumliche Anordnung auf der Messe deutlich gemacht.Seit zwei Jahren unterstützen wir die junge Kreadon über die Plakorm EMERGENCE, die es jungen Galerien ermöglicht, das Werk von Künstlern unter 40 Jahren zu zeigen. Diese Plakorm ist in diesem Jahr mit mehr als 50 % ausländischen Galerien sehr internadonal.Auf der Plakorm REFERENCE stellen mehr als 70 französische und ausländische Galerien aus. Sie nehmen den Besucher mit auf eine Reise durch die letzten 50 Jahre der zeitgenössischen Zeichnung und präsenderen damit ein breites Panorama dieser Kunsmorm.Im Jahr 2013 stellt DRAWING NOW PARIS ihre Uhren nach der Schweiz: Sie präsendert die grafische Kreadon in der Schweiz, die Dynamik ihrer zahlreichen Kunstgalerien, öffentlichen Einrichtungen und Museen und die Vision ihrer Sammler. Diese Inidadve manifesdert sich in Form von zahlreichen Events innerhalb und außerhalb der Messe.Es mag auch unvernüngig sein, HORS LES MURS auf mehrere Standorte in Paris auszuweiten und im Carrousel jeden Tag ein DRAWING IN PROGRESS zu präsenderen. Vergessen wir auch nicht unsere DRAWING TALKS und unsere Gespräche mit Künstlern, die neue Aspekte der Kreadon entschlüsseln sollen.Wir würden uns freuen, Sie vom 11. bis zum 14. April 2013 zur 7. Ausgabe von DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN willkommen zu heißen.Chrisdne Phal, Vorsitzende und Gründerin von DRAWING NOW PARISPresse mappe I Seite 3

Das MesseteamDRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN wird von CPCT Arts&Events organisiert, dessen Direktorinnen Chrisdne Phal, Gründerin der Fachmesse, und Carine Tissot, die ehemalige Messedirektorin bei Reed exposidons, sind. Philippe Piguet ist im vierten aufeinanderfolgenden Jahr der Art Director der Messe.Der Kunstkridker und Ausstellungskommissar Philippe Piguet ist insbesondere der Art Director von DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN und der Chapelle de la Visitadon in Thonon-­‐les-­‐Bains. Er trägt seit 1985 regelmäßig zum Magazin L’œil et seit 2002 zu (art absolument) bei. Er ist Autor zahlreicher Werke und Katalogtexte sowie von mehreren Filmen über die Welt der Kunst.Chrisdne Phal Vorsitzende und GründerinCarine TissotDirektorinnenPhilippe PiguetArt DirectorEin unabhängiges Auswahlkomitee bestehend aus Persönlichkeiten der Kunstszene:Das von Art Director Philippe Piguet zusammengestellte unabhängige Auswahlkomitee bestehend aus Persönlichkeiten der Kunstszene setzt sich in diesem Jahr aus folgenden Mitgliedern zusammen: Alexandra Fau, Ausstellungskommissarin, Kunstkridkerin und Dozendn, Chrisdan Bernard, Direktor des MAMCO, Marc Donnadieu, Konservator für die Kollekdonen zeitgenössischer Kunst im LaM in Villeneuve d'Ascq, Olivier Kaeppelin, Direktor der Fondadon Maeght, und Bernard Point, Gründer und Direktor der Ecole Municipale des Beaux-­‐Arts in Gennevilliers sowie der Galerie Edouard Manet (von 1968 bis 2002).Alexandra Fau Chrisdan Bernard Marc Donnadieu Olivier Kaeppelin Bernard PointPresse mappe I Seite 4

Liste der GalerienDRAWING NOW I REFERENCEA B C D E F G H I J K L M N O P R S T V W Z A.L.F.A., PARIS I AGNÈS B. / GALERIE DU JOUR, PARIS I GALERIE ANALIX FOREVER, GENÈVEGALERIE ANNE BARRAULT, PARIS I BENDANA PINEL ART CONTEMPORAIN, PARIS I GALERIE CHRISTIAN BERST, PARIS I GALERIE BERTRAND BARAUDOU, PARIS, NICE I GALERIE FRANÇOISE BESSON, LYON I GALERIE CHANTIERS BOÎTE NOIRE, MONTPELLIER I GALERIE JEAN BROLLY, PARIS GALERIE C, NEUCHÂTEL I GALERIE CONRADS, DÜSSELDORF I CREATIVE GROWTH, OAKLAND, PARISPATRICIA DORFMANN, PARIS I GALERIE DX, BORDEAUXGALERIE ÉRIC DUPONT, PARISGALERIA FERNANDO PRADILLA, MADRID I GALERIE LA FERRONNERIE/BRIGITTE NÉGRIER, PARIS I GALERIE JEAN FOURNIER, PARIS I FRUEHSORGE CONTEMPORARY DRAWINGS, BERLINGALERIE 9E ART, PARIS I GALERIE HOUG, LYON I GALERIE RÉJANE LOUIN, LOCQUIREC I GALERIE ISABELLE GOUNOD, PARISPATRICK HEIDE CONTEMPORARY, LONDRES I GALERIE EVA HOBER, PARISGALERIE IN SITU FABIENNE LECLERC, PARIS, AALST I GALERIE CATHERINE ISSERT, SAINT PAUL DE VENCEBERNARD JORDAN, PARIS, BERLIN, ZURICHGALERIE KAHN, PARIS, ARS EN RÉ I KATZ CONTEMPORARY, ZÜRICH I BERNHARD KNAUS FINE ART, FRANCFORT I MARTIN KUDLEK, COLOGNE I KUSSENEERS GALLERY, ANVERSLA GALERIE PARTICULIÈRE, PARIS I GALERIE FRÉDÉRIC LACROIX, PARIS I GALERIE LANGE+PULT, ZURICH I GALERIE LELONG, PARIS, NEW-­‐YORK, ZÜRICH I GALERIE CHRISTIAN LETHERT, COLOGNE I ERIC LINARD GALERIE, LAGARDE ADHEMAR I GALERIE LUCIE WEILL & SELIGMANN, PARIS I GALERIE MARIA LUND, PARISGALERIE MARTINE THIBAULT DE LA CHÂTRE, PARIS I MAZEL GALERIE, BRUXELLES I GALERIE METROPOLIS, PARIS I GALERIE EVA MEYER, PARIS, FRANCFORT I GALERIE ÉRIC MIRCHER, PARIS I HADRIEN DE MONTFERRAND GALLERY, BEIJINGNOSBAUM & REDING, LUXEMBOURGGALERIE ONIRIS, RENNESGALERIE CLAUDINE PAPILLON, PARIS I GALERIE PASCAL POLAR, BRUXELLES I GALERIE PETITS PAPIERS, PARIS, BRUXELLES I GALERIE GILLES PEYROULET & CIE, PARIS I GALERIE PLACIDO, PARIS I POLAD HARDOUIN, PARIS I GALERIE CATHERINE PUTMAN, PARISGALERIE RABOUAN MOUSSION, PARIS I PETRA RINCK, DÜSSELDORF I J.P. RITSCH-­‐FISCH, STRASBOURG I GALERIE RÖMERAPOTHEKE, ZÜRICH I GALERIE DE ROUSSAN, PARISSEMIOSE GALERIE, PARISGALERIE SUZANNE TARASIÈVE, PARIS I GALERIE THESSA HEROLD, PARIS I TINT GALLERY, THESSALONIQUE I TRINITY CONTEMPORARY, LONDRESGALERIE VIDAL SAINT PHALLE, PARISGALERIE & EDITION STEPHAN WITSCHI, ZÜRICHGALERIE ZÜRCHER, PARIS, NEW YORKDRAWING NOW I EMERGENCEALB ANOUKLEBOURDIEC, PARIS I BLACKSTON, NEW YORK I GALERIE MARIE CINI, PARIS I GOURVENNEC OGOR, MARSEILLE I GOWEN CONTEMPORARY, GENÈVE I EMMANUEL HERVÉ, PARIS I GALERIE LAURENT MUELLER, PARIS I GALERIE SATOR, PARIS I SHOW ROOM, NEW YORK I SOD GALLERY, COPENHAGUE I THE RUNNING HORSE, BEYROUTH I VINCENZ SALA, PARIS, BERLIN I GALERIE WITH TSJALLING, GRONINGEN I XPO GALLERY, PARIS, LONDRESPresse mappe I Seite 5

Das Imaginäre Museum von … Jean de Loisy, für den Palais de TokyoNachdem wir zuerst Pierre Cornehe de Saint-­‐Cyr und dann Catherine Millet – einen Aukdonator und die Gründerin einer Kultzeitschrig, die zudem Schrigstellerin ist – eingeladen hahen, uns ihr „Imaginäres Museum“ vorzustellen, fanden wir, dass es an der Zeit ist, uns einer öffentlichen Einrichtung zuzuwenden. Unsere Entscheidung, Jean de Loisy anzusprechen, hat vor allem zwei Gründe. Der erste ist unsere freundschagliche und generadonelle Verbundenheit mit diesem Mann, der einer der akdvsten Akteure der französischen und internadonalen Kunstszene ist. Der zweite Grund ist die Tatsache, dass er vor kurzem zum Direktor des Palais de Tokyo ernannt wurde. Jean de Loisy zählt zu den unumgänglichen Persönlichkeiten der zeitgenössischen Kunstszene, die er seit 30 Jahren belebt und bereichert. Er hat wichdge Strukturen geleitet wie die FRAC des Pays de la Loire, die Fondadon Carder, das Musée des Beaux-­‐Arts von Nîmes und presdgereiche Ausstellungen organisiert wie Gasiorowski oder Traces du sacré im Centre Pompidou, La Beauté in Avignon oder Les Maîtres du désordre im Musée du Quai Branly, um nur einige zu nennen. Seine leidenschagliche Kunstliebe und sein Engagement für die Künstler sind bekannt und anerkannt. Aus dem Grund haben wir ihn gebeten, zu unserer Messe beizutragen.Jean de Loisy hat unsere Einladung angenommen und uns gleichzeidg vorgeschlagen, ein wenig anders vorzugehen als bei den ersten beiden Ausgaben des „Imaginären Museums“: Er möchte dieses „Imaginäre Museum“ für den Palais de Tokyo zusammenstellen, um diesen Ort, seine Dynamik und sein Team hervorzuheben. Welche Form wird dies haben? Die einer Ausstellung selbstverständlich. Sie wird allerdings von den gewohnten Pfaden abweichen, um frischen Wind in die Welt der Zeichnung zu bringen, die nicht nur in Ausstellungsräumen aufgehängt werden, sondern auch den Raum erobern soll.Philippe Piguet, Art DirectorDie sonderbaren Konjunkturen des Zufalls ... Das Ansehen der Zeichnung, die als der unmihelbarste Ausdruck des Geistes gilt, scheint teilweise mit der Nähe zum Gedanken verbunden zu sein, denn sie gilt als seine Verlängerung im Sichtbaren. Mit dem Finger in weichen Ton gedrückte Spuren, eine kohlschwarze Form auf einem Felsen, in Holz oder Knochen geritzt, durch Fadenspiele der Inuits geschaffene Figuren, ein von der Tochter von Butades auf die Wand gebannter Schahenumriss, Kritzeleien eines gelangweilten Konferenzteilnehmers, ein Graffid-­‐Pseudonym auf einer U-­‐Bahn – die Zeichnung bedient sich aller Mihel, um uns zum Ausdruck zu bringen.Die Welt zeichnet aber auch ohne uns. Verschlungene Äste, Falten in einem Gesicht, der Weg der Würmer im Holz alter Möbel – alles wird zum Zeichen und erinnert an die Visionen Novalis’: „Mannigfache Wege gehen die Menschen. Wer sie verfolgt und vergleicht, wird wunderliche Figuren entstehen sehn; Figuren, die zu jener großen Chiffernschrig zu gehören scheinen, die man überall, auf Flügeln, Eierschalen, in Wolken, im Schnee, in Kristallen und in Steinbildungen, auf gefrierenden Wassern, im Innern und Äußern der Gebirge, der Pflanzen, der Tiere, der Menschen, in den Lichtern des Himmels, auf berührten und gestrichenen Scheiben von Pech und Glas, in den Feilspänen um den Magnet her, und sonderbaren Konjunkturen des Zufalls, erblickt.“Im Grunde erscheint unsere Umwelt damit als etwas Planvolles in den Träumereien des geistesabwesenden Betrachters. Der Palais de Tokyo möchte sein Imaginäres Museum der Zeichnung nutzen, um zu zeigen, wie die Künstler, deren für diese gewagten Konjunkturen empfänglichen Erfindungen er begleitet, über das Papier hinausgehen, um am großen Bilderspiel der Welt teilzunehmen.Jean de Loisy, Direktor des Palais de TokyoPresse mappe I Seite 7

HighlightsDRAWING TALKS. Zum zweiten Mal organisiert DRAWING NOW PARIS eine Vortragsreihe über den Begriff der zeitgenössischen Zeichnung. Sammler, Kuratoren, Konservatoren und Künstler nehmen an diesen TALKS teil, um über aktuelle Themen im Zusammenhang mit der Zeichnung zu debaƒeren.Donnerstag, den 11. April, 17 Uhr: Die Zeichnung in Kunstsammlungen von UnternehmenFreitag, den 12. April, 17 Uhr: Die zeitgenössische Zeichnung in der SchweizSamstag, den 13. April, 17 Uhr: Die Zeichnung im KunstgewerbeSonntag, den 14. April, 13.30 Uhr: Street ArtNEU!Zum Thema Zeichnung … Künstlergespräche. Philippe PiguetVortrag von BreQ LiQman, Direktor des DRAWING CENTER New YorkSamstag, den 13. April um 11.30 UhrDRAWING NOW VIDÉO stellt Ihnen eine neue Facehe der zeitgenössischen Zeichnung vor: ein gemeinsam mit dem DRAWING CENTER New York gestaltetes tägliches Videoprogramm.Der Prix DRAWING NOW zeichnet zum drihen Mal das Werk eines Künstlers und seine Galerie aus. Der Preis wird einem im Rahmen eines Focus präsenderten Künstlers von den Mitgliedern des Auswahlkomitees verliehen werden. Der Künstler oder die Künstlerin erhält eine Dotadon in Höhe von 5.000 Euro aus dem von Soferim unterstützten Fonds für zeitgenössische Zeichnung sowie ein luxuriöses Geschenk von Faber-­‐Castell: den in limiderter Auflage herausgegebenen Jubiläumskoffer „250 Jahre Faber-­‐Castell“.DRAWING NOW I HORS LES MURS präsendert Experimente auf dem Gebiet der zeitgenössischen Zeichnung in Form eines Parcours durch Paris und versteht sich dabei als ein Labor für die zeitgenössische Zeichnung.Den Messebesuchern wird ein wahrer Parcours durch die Welt der Zeichnung angeboten.Presse mappe I Seite 8

Liste der präsenderten Künstler I REFERENCEA.L.F.ADirecteur : Aude LamorelleAnnée de créadon : 2002www.galeriealfa.comcontact@galeriealfa.com+33 1 43 26 33 5612 rue de l’Echaudé75006 ParisFocus ardst : Davor Vrankic, born in 1965Others ardsts exhibited on the booth: Mathieu Dufois, Chrisdne Guinamand, Jim Shaw, Tom WesselmannPresse mappe I Seite 9

galerie du jour agnès bDirector : Sébasden RuizGallery creadon’s year: 1984www.galeriedujour.comjour@agnesb.fr+33 1 44 54 55 9044 rue Quincampoix75004 ParisAbdelkader Benchamma, Pile (Without regret), 2009. Felt pen and ink on paper, 190 x 130 cm © Abdelkader Benchamma, Courtesy galerie du jour agnès bFocus ardst : Abdelkader Benchamma, born in 1975Others ardsts exhibited on the booth: Hugues Reip, Frédéric Bruly Bouabré, Franck Rezzak, Tantra, Vyakul, JenCri, Jared Buckhiester, Julien Langendorff, Hiraku SuzukiPrices of the works: from 1 500 € to 2 000 €« I wanted to open a gallery to showcase what I like. We say « gallery » but we could say a place to show what's behind and the other side of things, to show paindngs, sculptures, photography and in the same dme, every dme, trying to invent new ways for pictures to circulate and stand within the reach of all: sketches, stencils, serigraphs, engravings, etc. » agnès b., 1984Opened in November 1984, the galerie du jour exhibits and supports the artwork of painters, visual ardsts and photographers such as: Kenneth Anger, Frédéric Bruly-­‐Bouabré, Lucien Hervé, Seydou Keïta, Thierry Lefébure, Jonas Mekas , Ryan McGinley, J. D. Okhai Ojeikere, Harmony Korine, Paul Seawright, Malick Sidibé, Massimo Vitali, Acharya Vyakul, Seydou Keita, Abdelkader Benchamma.Abdelkader Benchamma's drawings are inspired by visual stories arised by thoughts about space and its physical reality, the limits and impacts with our minds. His drawings operate from diversions and moduladons on the objects, demonstradng possible malfuncdons in our reladonship with others and things. It's all about considering objects as sculptures and spaces as potendel objects. Shig in the reality, intrusion of the invisible, small disasters, oral escapings form the basis of Abdelkader Benchamma's work.This ardst has been selected by Phaidon to be part of the eagerly awaited book Vitamin D that will take the inventory of a hundred of the main ardsts in contemporary drawing.Presse mappe I Seite 10

Galerie Analix ForeverDirector : Barbara PollaGallery creadon’s year: 1991www.analix-­‐forever.comanalix@forever-­‐beauty.com+41 22 329 17 09Rue de Hesse2 1204 Genève, SuisseJulien Serve, Nuit Glaciale et redoux annoncé, 2013Dessin : encre sur papier, 30 x 40 cm / Papier peint : impression N/B sur papier, dimensions variables © l’ardste et Analix ForeverFocus ardst : Julien Serve, born in 1976Others ardsts exhibited on the booth: Mounir Fatmi, Robert Montgomey, Emmanuel Régent, Adrian SchindlerPresse mappe I Seite 11

Bendana | Pinel Art ContemporainDirector : Juan Carlos Bendana-­‐PinelGallery creadon’s year: 2008Carlos Contente, Ego an- Ego, 2011. Graphite, felt, acrylic on paper, 42 x 30 cm © Courtesy Bendana | Pinel Art Contemporainwww.bendana-­‐pinel.comgalerie@bendana-­‐pinel.com+33 1 42 74 22 974 rue du Perche75003 ParisFocus ardst : Carlos Contente, born in 1977Others ardsts exhibited on the booth: Giulia Andreani, Steven Le Priol, Cinthia MarcellePrices of the works: 2 000 €Carlos Contente creates a dialogue between the impact of urban art and the indmacy of reading a poedc text while maintaining the authendcity of each respecdve worlds. The ardst researches the intersecdon between the word and the drawing. He muldplies his fields of invesdgadon and circulates between tradidonal media such as canvas or confronts more dramadcal surfaces such as the wall. Always present in the work of Contente, is his alter ego ; a self-­‐portrait that the ardst reproduces and defines as a metaphor of his consciousness. Rearranging the environment, he plunges into a world he did not choose, he can only adapt, or reject the change.Opened in 2008, the gallery Bendana | Pinel Art Contemporain is located in the Marais district in central Paris. Since its creadon, the gallery’s mission is to introduce emerging and mid-­‐carreer french and internadonal ardsts through a very diversified program including all different supports. The internadonal scope of the gallery is characterized by its associadon and cooperadon with foreign galleries to develop common ardsdc projects. Once a year, a « carte blanche » is proposed to a collector so as to present the works of young ardsts that have never before shown in a gallery space. With its internadonal vocadon, the gallery intends to be a bridge between cultures and in doing so initate a dialogue between the creadve expressions of the ardsts it represents.Presse mappe I Seite 13

Chrisdan BerstDirector : Chrisdan BerstGallery creadon’s year: 2005www.chrisdanberst.comcontact@chrisdanberst.com+33 1 53 33 01 703-­‐5, passage des gravilliers75003 ParisLubos Plny, un-tled, 2010. Collage, Indian ink and acrylic on paper, 33.07x23.62 inches © courtesy of galerie Chrisdan BerstFocus ardst : Lubos Plny, born in 1961Others ardsts exhibited on the booth: Dan Miller, Giovanni Bosco, Rosa Cazhur, Melvin WayPrices of the works: from 550 € to 15 000 €Art Brut defiantly resists assimiladon by the disciples of absolute primidvism and the upholders of triumphant high culture. Rather, it lies in the zones of fricdon between these two tectonic plates, where what seem on the surface to be distant condnents overlap in the depths, raising the stakes of the challenge to the usual cartography of art. The territory of Art Brut is one of destabilizadon and new foundadons. It forces us to invent new tools to think of art, seƒng aside dogmadsm and lazy intellectual reflexes. This is the guiding principle driving the work of the Galerie Chrisdan Berst, which has been a leading promoter of Art Brut for seven years.Presse mappe I Seite 14

Galerie Bertrand BaraudouDirector : Bertrand BaraudouGallery creadon’s year: 2008www.galeriebaraudou.combertrand@galeriebaraudou.com+33 9 53 47 41 6262 rue st Sabin75011 ParisThierry Lagalla, La reprise (en aBendant), 2012Acrylic and pencil on paper, 80 x 60 cm © Thierry Lagalla, Courtesy Galerie Bertrand BaraudouFocus ardst : Thierry Lagalla, born in 1966Others ardsts exhibited on the booth: Thierry Agnone, Pauline Mardnet & Zoé Texereau, Stéphane Prodc, Emmanuel régent, Karine Rougier, Stéphane SteinerPrices of the works: from 1 000 € to 6 000 €Located at the edge of the Marais, the Galerie Bertrand Baraudou follows on from two other venues, established respecdvely in 2004 and 2008: the Espace à vendre in Nice and Le Cabinet in Paris. Forward-­‐looking and drawing on the experience gained through these first two venues, it brings together up-­and-­‐coming and renowned ardsts, both French and internadonal.The gallery regularly takes part in a number of French and internadonal contemporary art fairs. It publishes and supports the publicadon of ardsts' catalogs and monographs.Presse mappe I Seite 15

Galerie Françoise BessonDirector : Françoise BessonGallery creadon’s year: 2004hhp://francoisebesson.comcontact@francoisebesson.com+33 4 78 30 54 7510 rue de Crimée 69001 LyonDavid Coste, Disjonc-on, view above the airport, 2012lead pencil on vinci paper 300Gr, 130 x 110 cm © David Coste -­‐ Courtesy galerie Françoise BessonFocus ardst : David Coste, born in 1971Others ardsts exhibited on the booth: Daniel Clarke, Awena Cozannet, Chantal Fontvieille, Frédéric Khodja, Clément Montolio, Jean Xavier Renaud, Franz Schimpl Daniel TillierPrices of the works: from 600 € to 6 000 €Presse mappe I Seite 16

Chrisdan Lhopital, When the night falls, I cry, 2012. Graphit powder and color pencils, 77,5 x 112 cm © ADAGP, Paris 2013 Chrisdan LhopitalFocus ardst : Chrisdan Lhopital, born in 1953Others ardsts exhibited on the booth: Mïrka Lugosi, Gilles BalmetPrices of the works: from 1 000 € to 6 000 €Galerie Chanders Boîte NoireDirector : Chrisdan LauneGallery creadon’s year: 2003www.leschandersboitenoire.cominfo@leschandersboitenoire.com+33 6 86 58 25 621 rue Carbonnerie34000 MontpellierCompulsive mania ? Internal decongesdon ? painful distordons of a deviant imaginadon ? a spirit of enraged regression ? No. Just a huge appedte for forms, born out of what Henri Michaux called « the adventure of being Alive ». In this sense, Chrisdan Lhopital’s drawings are endlessly astounding, stunning, fascinadng. The unstable magnedc field in which they proliferate, replicate, oscillate or vibrate like tuning forks leaves neither the eye nor the tongue unsdmulated. M. AbbouExhibidons (selecdon) : 2013 Splendor and desola-on, cabinet d’arts graphiques, Musée d’Art Moderne, Saint-­‐Edenne2011 11e Biennale de Lyon, A terrible beauty is born, Commissaire Victoria Noorthoorn, suivie de Aire de Lyon, Fundacion Proa, Buenos Aires, Argendna.2011 Cabinet de dessins, Hommage America/Europa, Drawing in the Age of Fragility, commissaire Lóránd Hegyi, Villa Versiliana, Pietrasanta (Lucca) Italie.2009 Sélest’art 2009, Biennale d’art contemporain, The weird, the strange and the incongruous, curator Philippe Piguet, Sélestat.2008 The Enigma remains, Musée d’art contemporain de Lyon. 2005 Recidivism, curator Eric Brunier, Casino Luxembourg, forum d'art contemporain, Luxembourg.2005 Castle enchanted, curator Chrisdan Bernard, Fondadon Salomon, Château d'Arenthon, Alex.2003 Bad state, wall drawing, dans le cadre de Eau et gaz à tous les étages MAMCO, Genève, Suisse.Presse mappe I Seite 17

Galerie Jean BrollyDirector : Jean BrollyGallery creadon’s year: 2001www.jeanbrolly.comgalbrolly@wanadoo.fr+33 1 42 78 88 0216 rue de Montmorency 75003 ParisDavid Scher, Scene II, The Fish, 2012. Ink on paper, 50 x 64 cm © Courtesy Galerie Jean BrollyFocus ardst : David Scher, born in 1952Others ardsts exhibited on the booth: Mathieu Cherkit, Benjamin Swaim, David TremlehPrices of the works: from 400 € to 5 000 €David Scher is a New Yorker, prolific and muld faceted ardst : musician, poet, painter and drawer, David Scher's output is profuse, and varied, striking a teetering balance between the everyday and the extraordinary, ogendmes exposing both qualides in the same obscure character or situadon. Disparate elements emerge, as fragmentary as memory. Muted colors, gestures that gently seduce, all coalesce, imbued with an irradonal humor, a dadaist absurdity. " I think that I drew before knowing how to speak ", declares David Scher. David Scher was born in 1952 in Saint Louis (Missouri).He lives in Marseille for 3 years.Presse mappe I Seite 18

Guy Oberson, Other Tomorrows (The Hero), 2012. Black chalk on paper, 60 x 90 cm © Galerie CGalerie CDirector : Chrisdan EggerGallery creadon’s year: 2011www.galeriec.chinfo@galeriec.ch0041 32 724 16 260041 79 414 00 15Esplanade Léopold Robert 1a2000 Neuchâtel, SuisseFocus ardst : Guy Oberson, born in 1960Others ardsts exhibited on the booth: Edwige Fouvry, Stéphanie Jeannet, Ayako David KawauchiPrices of the works: from 1 200 € to 4 000 €Guy Oberson lives and works in Fribourg CH and in Berlin DEThe drawings in black lead pencil by Guy Oberson strike by a destrucdve dynamism accentuated by the blackness of the stroke, the whiteness of the light, and always by the verdcal lines that sweep across the paper giving rise to a screen through which the fascinated eye has to fray its way. By intensely studying those landscapes, those figures or those portraits they dematerialize to evoke corresponding spiritual images, interior spaces, just as if our fears or our aspiradons find themselves perfectly expressed.Faced by these visions of a dramadzed nature, black lead is also exploited to realise huge drawings that hit us in an unstoppable spiral that goes from interior rupture to renouncement. Yet again, the spectator is struck by the network of lines that trouble percepdon of the figures or the landscapes to the extent that the more one approaches the work the more the surfaces and the curves drown themselves and the contours loose themselves undl, before his very eyes, the subject disembodies to become an imaginary landscape modelled by a dim light. C. Schuster CordoneEvents 2012-­‐2013:Performance in the studio of the cineaste Jennifer Alleyn, Montreal Canada (September 2012)Collecdve exhibidon “The landscape in all its facets” Musée de Charmey, Switzerland, 16.09-­‐11.11.2012Collecdve exhibidon, « VERSO » Musée suisse du Vitrail à Romont, Switzerland, autumn 2013Collecdve exhibidon, « Portraits », Galerie C, Neuchâtel, Switzerland, September 2013, with Guy Oberson, Mingjun Luo, Grégory Cumins, Li Xiaofei and Gérard AlaryPresse mappe I Seite 19

CONRADSDirectors : Walter Conrads and Helga Weckop-­‐ConradsGallery creadon’s year: 1992mail@galerieconrads.de+ 49 211 323 0720Lindenstr. 16740233 DuesseldorfBrigihe Waldach, Dark Side, 2012. Graphit, pigmentpen and Gouache on handmade paper, 195 x 141 cm © ardst and CONRADS, DuesseldorfFocus ardst : Brigihe Waldach, born in 1966Others ardsts exhibited on the booth: Judith Braun, Jana Gunstheimer, Ulrike Heydenreich, herman de vriesPrices of the works: from 1 000 € to 21 000 €Among numerous prominent private collecdons Brigihe Waldach´s art works are collected by Alberdna, Vienna, Aros Museum, Aarhus (Denmark), AxaArt, Cologne, Berlinische Gallery, Museum for Contemporary Art, Berlin, Fondadon Francés, Senlis /Paris, Elton John Collecdon.Presse mappe I Seite 20

Dan Miller, Un-tled, 2012. Acrylic and pen on paper, 145 x 107 cm © Creadve Growth Art CenterCREATIVE GROWTHDirectors : Tom Di Maria / Gaëla FernandezGallery creadon’s year: 1974www.creadvegrowth.orggaela@creadvegrowth.org+33 6 67 91 73 66355 24th Street Oakland CA 94612 USAFocus ardst : Dan Miller, born in 1961Others ardsts exhibited on the booth: Dwight Mackintosh, Donald Mitchell, William Scoh, William TylerPrices of the works: from 500 € to 8 000 €Creadve Growth is the oldest and largest art center for mentally and physically disabled adults. Founded in the 70s, when the de-­‐insdtudonalizadon revoludon was taking place in Northern California, a couple—an ardst and psychologist—did an experiment and opened up their home with art supplies to a small group of people. More than 35 years later, Creadve Growth now has over 150 ardsts that come weekly to create art. In the large open space studio, there are several workstadons—ranging from drawing, woodwork, ceramics, rug making, and video producdon—as a way to sdmulate creadvity and promote individual expression. Contrary to art therapy, the ardsts that come to Creadve Growth are not directed in their art and do not receive treatment from our staff. Several of our ardsts have ahained internadonal acclaim and are recognized as quintessendal outsider ardsts. Works by certain of our ardsts have been acquired by the MOMA in NYC, the Musée d’Art Brut in Lausanne, the Lille Modern Art Museum (LAM), the Museum of Everything in London, the ABCD Collecdon in Paris, etc.Presse mappe I Seite 21

Galerie Patricia DorfmannDirector : Patricia DorfmannGallery creadon’s year: 1990www.patriciadorfmann.comgalerie@patriciadorfmann.com+33 1 42 77 55 4161 rue de la Verrerie75004 ParisLionel Sabahé, Le flamboyant projet, 2012. Soot, acrylic and dust on paper, 65 x 50 cm © Lionel Sabahé. Courtesy Galerie Patricia Dorfmann, ParisFocus ardst : Lionel Sabahé, born in 1975Others ardsts exhibited on the booth: Rebecca Bournigault, Bapdste Debombourg, Artus de LavilléonPrices of the works: from 1 200 € to 5 000 €Lionel Sabahé works across a broad range of media, including paindng, drawing, sculpture and animadon. Ogen his ideas and realizadons are the result of spontaneous or improvised processes reminiscent of the postwar COBRA movement or early twendeth-­‐century Dadaist techniques such as assemblage. Predominant in his work is the idea of re-­‐use: whether it is an outdated modf, organic detritus such as skin and nails, or ignored materials like dust, he uses concepts and materials as a sign of the passing of dme and as a way of quesdoning ardsdc pracdces. In his provocadve and playful work, Sabahé ogen uses materials that are refreshingly unusual, be it in their ordinariness or their potendal to shock or surprise.Similarly the ardst is ahracted to dust as a material since it contains within it evidence of the passing of dme. Largely made up of hair and dead skin, dust in the home or other interior spaces is the result of a condnual process of regeneradon (human beings renew all their consdtuent cells in around a month) and as such contains a strong existendal dimension. Using dust carefully gathered from Châtelet-­‐Les Halles metro stadon, where large crowds congregate every day, Sabahé incorporates it into his work, forming it into a series of drawings and other figures. He chose this place to collect the dust as, in his own words, ’a huge number of people pass through there every day. Paris is also the most tourist-­‐orientated city in the world, so in view of both of these facts, this dust is the most amazing collecdon of pardcles leg behind by living people! It’s a poedc way of collecdng a wide social and genedc sample.Presse mappe I Seite 22

GALERIE D.XDirector : Mme Dulucqwww.galeriedx.comgaleriedx@gmail.com+33 5 56 23 35 20 10 place des Quinconces33000 BordeauxMohamed Lekled, Double-­‐I, 2012. Mixt technique on paper, 150 x 110 cm © Mohamed LekledFocus ardst : Mohamed Lekled, born in 1965Others ardsts exhibited on the booth: Bernard Ouvrard, Soly Cissé, JOFO, Richard Texier, Gérard Alary Prices of the works: from 500 € to 5 000 €The works of Mohamed Lekled are representadons of men, women, and real objects, and at first glance one is engaged by the accurate, genius, energedc, and even blistering graphics, within a themadc of that of movement. However, a closer look reveals, the subjects depicted: bodies violently coiled around each other, women heckled, unbalanced monumental forms, cycles launched in infernal races, all of which at first are perceived as being real and seem to pardcipate in a somewhat gigandc chaos. It is not insignificant that the ardst thus forces us to go beyond the immediate apparent and enter a universe of nonsense, struggle and condnuous imbalances, a true nightmare, the very image of the world that we pardcipate in. Through his virtuosity the ardst describes both the powers and the fragility of life. Situated in the heart of Bordeaux, close to the Allées de Tourny and the Grand Théâtre, the magnificent ardsdc sphere that is la Galerie D.X can be found which came about in the space of a few years to bring together the enthusiasts and lovers of contemporary art.The Gallery holds temporary exhibidons of major internadonal ardsts (Richard Texier, Antoni Clavé, Antoni Tapies, Vladimir Velickovic, ZaoWou Ki, ...etc) and young plasdc ardsts (Sarah Garzoni , Pedro Marzorad, Gwen Marseille...etc)At the same dme as these individual exhibidons, the gallery has a permanent stock of a range of original works and contemporary prints (Antoine Schneck, Sênet, Alain Ballereau, Philippe Croq, Sylvain Polony, Tony Soulié, Mozart Guerra,…etc)Presse mappe I Seite 23

Galerie Eric DupontDirector : Eric DupontGallery creadon’s year: 1997www.eric-­‐dupont.cominfo@eric-­‐dupont.com+33 1 44 54 04 14138 rue du Temple 75003 ParisDamien Cabanes, Un-tled, 2012. Gouache on paper 31 x 25 cm © Courtesy Galerie Eric Dupont, ParisFocus ardst : Damien Cabanes, born in 1959Others ardsts exhibited on the booth: Clément Bagot, Taysir Batniji, Didier Mencoboni, Yazid OulabPrices of the works: from 1 200 € to 7 000 €We will show a set of gouaches on paper of Damien Cabanes, revealing his interest in human figure. It always embodies under a vigorous and energedc line, strong, muted or vivid colours.These gouaches highlight the way he works, all at once in urgency and under long days of pose, when he is trying to consume his reladon to the model through evoludons and infinite progressions around a same character, a same aƒtude or a same presence in the space. His wish is to keep « the wonder of the first sight on the model ». Damien Cabanes realizes his gouaches with rapidity, according to the immediacy of a definidve and expressive gesture, opening and including all at the same dme. Thus, the gouaches seem to be open to liberty of the sense and the sensadons. It is less the anecdote, the appearance or the psychology of his models – always named by their first name -­‐ but their power, their presence and their uniqueness to being human that is transcribing Damien Cabanes. « Those are not the feeling of the model that I express but mine » he says.Born in 1959, Damien Cabanes is a painter, drawer and sculptor. Graduated in 1983 in the Ensb-­‐a in Paris, he is part of the nominated at the Marcel Duchamp award in 2011. A retrospecdve is devoted to him in 2011 in the Musée d’art moderne of Saint-­‐Edenne; in 2009, his recent works were showed at the Salomon Foundadon. His works are part of many public and private collecdons in France and abroad.Presse mappe I Seite 24

Fernando PradillaEl MuseoDirector : Fernando PradillaGallery creadon’s year:Fernando Pradilla, 2001El Museo, 1987Mauro Piva, Mariniere, Serie Manos pintadas, 2012Watercolor and graphite on paper, 31,8 x 21,8 cm © Galería Fernando Pradilla / Galería El Museowww.galeriafernandopradilla.comgfp@galeriafernandopradilla.es+34 91 575 4804C/ Claudio Coello, 20., 28001 Madrid, Españawww.galeriaelmuseo.cominfo@galeriaelmuseo.com+57 1 610 7301Carrera 11 # 93A-­‐43Bogotá D.C. ColombiaFocus ardst : Mauro Piva, born in 1977Others ardsts exhibited on the booth: Starsky Brines, Manuel Calderón, Sebasdán Camacho, Juan Francisco Casas, Moisés MahiquesPrices of the works: from 1 200 € to 11 000 €In his works is clearly delineated the scope of issues that the ardst is interested in discussing. Human figures alone or in couples, ogen described in whole or fragmented, as it was impossible to recognize them. Even when developing intact, these bodies do not have characterisdcs in their faces, and therefore not facial expressions that can not be disdnguished. They are immersed in environments that are described only in a small fragment of a white background reminiscent of desert landscapes.Presse mappe I Seite 25

Galerie la FerronnerieDirector : Brigihe NégrierGallery creadon’s year: 1991www.galerielaferronnerie.frbn.ferronnerie@gmail.com+33 1 78 01 13 1340, rue de la Ferronnerie 75011 Paris, FranceRichard Müller, Winterzeichnung Randen 4, 2012. Pencil on paper, mounted on cardboard, 72 x 96 cm © galerie la Ferronnerie, ParisFocus ardst : Richard Müller, born in 1967Others ardsts exhibited on the booth: Frédéric Coché, Félix Pinquier, Delphine Pouillé, Marie-­‐Amélie-­‐Porcher, Jusdn DelareuxPrices of the works: from 400 € to 3 800 €Richard Müller (Scha£ausen, Schweiz, 1967) Seit seinem Studium an der Kunstakademie Paris (1991-­‐1993) besitzt die Zeichnung einen zentralen Stellenwert in der Arbeit von Richard Müller. Ausgangspunkt seines künstlerischen Schaffens sind Eindrücke und Abbilder von konkreten Landschagen und landschagsähnlichen Orten, die er in vielfäldgen Transformadonsprozessen zu neuen Bildern werden lässt. Die Wandlungen erfolgen im Hin-­‐und Hergleiten zwischen verschiedenen Bildmedien. So wird eine Postkarte zur Zeichnung, die Zeichnung zur Installadon, ein Videosdll transformiert sich zur Wandmalerei. Im gezielten “Spiel” mit den Bildregeln und Eigenschagen der einzelnen Medien hinterfragen die Zeichnungen von Richard Müller die Problemadk der Wahrnehmung von Bildern.Richard Müller wird seit 1994 von der Galerie la Ferronnerie in Paris vertreten. Seine Arbeit wurde in regelmässigen Aushellungen in Frankreich, der Schweiz und Deutschland gezeigt. Seine Werke sind in den Sammlungen des Musée d’Art et d’Histoire in Genf, des Museum zu Allerheiligen in Scha£ausen, der Credit Suisse Zürich sowie in vielen Privatsammlungen in Frankreich, der Schweiz und Belgien vertreten.Presse mappe I Seite 26

Jean FournierDirector : Élodie RahardGallery creadon’s year: 1954www.galerie-­‐jeanfournier.cominfo@galerie-­‐jeanfournier.com+33 1 42 97 44 0022 rue du Bac 75007 ParisFrédérique Lucien, Anonyme, 2011-­‐2012. Charcoal on paper, dimensions variables © Alberto RicciFocus ardst : Frédérique Lucien, born in 1960Others ardsts exhibited on the booth: Stéphane Bordarier, Pierre Buraglio, Nathalie Elemento, Gilgian Gelzer, Claire-­‐Jeanne Jézéquel, Pierre Mabille, Jean François Maurige, Peter Soriano, Claude Tétot, Emmanuel Van der MeulenPrices of the works: from 600 € to 20 000 €Presse mappe I Seite 27

Fruehsorge Contemporary DrawingsDirector : Jan-­‐Philipp FruehsorgeGallery creadon’s year: 2003www.fruehsorge.commail@fruehsorge.com+49 30 280 95 282Heidestr. 46-­‐5210557 Berlin, DECorinne Laroche, Points de hasard -­‐ 05/08/2012, 2012. Felt dp pen on bloƒng paper, Diptych, 30 x 125 cm © Corinne LarocheFocus ardst : Corinne Laroche, born in 1957Others ardsts exhibited on the booth: Nadine Fecht, Claude Heath, Ulrich Kochinke, Astrid Köppe, Ben Kruisdijk, Valendn Emil Lubberger, Thomas MüllerPrices of the works: from 850 € to 14 000 €fruehsorge contemporary drawings was founded by art historian and art cridc Jan-­‐Philipp Fruehsorge in 2003 as the only gallery in Germany which exclusively focuses on the presentadon and promodon of this pardcular medium. In our sixth year of pardcipadon in the fair, we are very pleased to present you french ardst Corinne Laroche.Corinne Laroche lives and works in Paris and Berlin. Her work has recently been shown in various exhibidons in Paris at galerie laurent mueller : « Correspondances : Mardn Barré, James Brooks, Corinne Laroche », in Villefranche de Rouergue in Atelier Blanc : « Once upon a dme... » and also at the Centre for Recent Drawing (C4RD) in London and in Berlin at fruehsorge contemporary drawings: « Anschlüssel -­‐ Berlin/London ». Presently, she takes part in the exhibidon « System und Sinnlichkeit » ( « System and sensuality ») at the Kupfersdchkabineh Berlin (Museum of Prints and Drawings). Laroche’s work traces an experience of the gesture and of temporality with the grid as a structure of reference. The ardst hachures squares or creates points by saturadng the paper with ink. The simplicity of the chosen gestures that she describes as « poor gestures », in the sense of the « minimum », allows her to focus on the dme elapsing.Presse mappe I Seite 28

Galerie 9ème ArtDirector : Bernard MahéGallery creadon’s year: 1999www.galerie9art.comcontact@galerie9art.com+33 1 42 80 50 674 rue Cretet75009 ParisFrank Miller, Sin City, Hell & Back n° 4, Couverture, 1999. Indian ink and pencil on paper, 42,2 x 29,1 cm © 2013 FMI –All right reservedFocus ardst : Frank Miller, born in 1957Others ardsts exhibited on the booth: Rébecca DautremerPrices of the works: from 3 000 € to 15 000 €Located in the historic Montmartre district of Paris, Gallery 9 Art has exhibited and offered comic art since the 1980s. The Gallery has pardcipated in many world-­‐ wide exhibidons (Moebius-­‐Transe-­‐Forme at the Fondadon Carder, Tarzan exhibidon at the Quai Branly, the Archi BD, la ville dessinée at the Cité de l’architecture) in France and in insdtudons as far away as Japan (Charles Schulz’s exhibidon), the United States and Europe.Presse mappe I Seite 29

Galerie HougDirector : Romain HougGallery creadon’s year: 1998www.galeriehoug.comromain@galeriehoug.com+33 6 61 38 11 89Susanne Themlitz, À L'Ombre des Nuages en Fleurs (#01), 2012. Graphite, oil and watercolor on paper, 115 x 102 cm © Galerie Houg / Susanne ThemlitzFocus ardst : Susanne Themlitz, born in 1968Others ardsts exhibited on the booth: Eric Manigaud, Crisdne Guinamand, Mathias Schmied, Patrice Morder, Jemima BurrillPrices of the works: from 250 € to 8 500 €In Themlitz’s work, such moods are drawn from a memory archive that is more photographic than filmic: a sequence of sdlls, snapshots of recollected condidons. These are then re-­‐invoked through elaborate, if precarious, mises-­‐en-­‐scène: tableaux incorporadng made figures, bought objects, photographs, films and drawings, sdcks and vegetadon, pieced together into a habitat fit for the imaginary lives that populate it. These habitats are always far removed from the slick or the urban, drawing us into a world that binds rural custom to the lives of animals themselves.(…)What Themlitz gives us a natural history of drowsiness, one that highlights the transient reladonship between fixity and lightness, rootedness and flight. Here is potendality precariously captured. And if indeed, it is in our sleep that we reconnect with both our creatureliness and our humanity, The State of Drowsiness works to keep both at tantalizing arm’s length.Presse mappe I Seite 30

Dominique De Beir, Face, 2007. Perforadons, paper, wax, 40 x 60 cm © Nicolas PfeifferGalerie Réjane LouinDirector : Réjane LouinGallery creadon’s year: 2008www.galerierejanelouin.frrejane.louin@gmail.com+33 2 98 79 36 5719 rue de l' église29241 LocquirecFocus ardst : Dominique De Beir, born in 1964Others ardsts exhibited on the booth: Claude Briand-­‐Picard, Marine Joahon, Christophe RobePrices of the works: from 600 € to 6 000 €Dominique De Beir uses unusual tools to cover paper supports with perforadons. She pursues the vital energy of her creadve process and impulsive acts without constraints undl the surface itself disappears for the benefit of its own depth. By the repeddve and relentless character of her acdons, the ardst gives to her work a ritual and choreographic dimension.2012 Domaine de Kerguehennec, BignanPélagiques#4, Les Misfits, Musée des Beaux-­‐Arts de Dunkerque2011 Le papier à l'oeuvre, Musée du Louvre, installadon salle de la Chapelle2009 Le soleil se lève aussi, galerie des Urbanistes, FougèresLe noir est-­‐il un chiffre ? Musée Géo-­‐Charles, EchirollesParlez-­‐vous le braille ?, FRAC Haute-­‐Normadie, Soheville les RouenOff the wall, Lennon Weinberg Gallery, New YorkPresse mappe I Seite 31

Galerie Isabelle GounodDirector : Isabelle GounodGallery creadon’s year: 2004www.galerie-­‐gounod.comcontact@galerie-­‐gounod.fr+33 1 48 04 04 8013, rue Chapon75003 ParisClaire Tabouret, 2012 – 12 – 02, Self-­‐portrait, 2012. Indian ink on rice paper, 49 x 33 cm © Galerie Isabelle GounodFocus ardst : Claire Tabouret, born in 1981Others ardsts exhibited on the booth: Isabelle Lévénez, Thomas Lévy-­‐Lasne, Jérémy Liron, Maude Maris, Catherine Melin, Aurore Pallet, Michaële-­‐Andréa SchahPrices of the works: from 900 € to 4 000 €It was during her recent residency in Beijing that Tabouret decided to make self-­‐portraits, her ideas on the genre paralleling her interest in water, and stardng with these words by Japanese novelist Yoko Tawada : « Eighty percent of the human body is made of water, so it isn’t surprising that one sees a different face in the mirror each morning. » Every morning, Tabouret looks into herself to find this inconstant face, working in Indian ink on extremely fine rice paper. Like her paindngs, these self-­‐portraits are washes of existence : the ink is laid down, the paper drinks and the forms of an always shiging face are deposited on the surface. Idendty is a territory to be explored, the place of an incomprehension, of an essendal androgyny. Thus all her self-­portraits, which are at once repeddve and dissonant, form a great wall of images: the muldple faces are overlaid and become one. Léa Bismuth, “Intoducing Claire Tabouret” in Artpress n°392, sept. 2012Presse mappe I Seite 32

Sarah Bridgland, The Grain store, 2011Found image, balsa wood, paper, card, enamel paint, glue, 38,4 x 43,6 x 6,5 cm © Sarah BridglandPatrick Heide Contemporary ArtDirectors : Patrick Heide/ Mardna FortuniGallery creadon’s year: 2007www.patrickheide.cominfo@patrickheide.com+44 207724554811 Church StreetLondon NW8 8EEFocus ardst : Sarah Bridgland, born in 1982Others ardsts exhibited on the booth: Isabel Albrecht, David Connearn, Karoly Keserü, Pius Fox, Thomas MüllerPrices of the works: from 700 € to 5 000 €Part of the Breeder program of the gallery, Sarah Bridgland is working mainly with three-­‐dimensional collage. The graduate from the Royal College of Art in London combines cut-­‐outs from books and old magazines with drawn imagery and found objects to create indmately scaled paper sculptures or mixed media collages. Ideas of deconstrucdon from pre-­‐war art movements are coupled with the associadve energy of Dada collaging and then fused with the playfulness of contemporary mixed media installadons or even origami, to result in seemingly chaodc mindscapes of our disjointed universe.Sarah Bridgland’s imagery plays with our visual memory, recomposing its tracks and traces in a kaleidoscopic manner. The Bridsh ardst lays out a vision of a fragmented globalized world that finds its equilibrium more and more as a macrocosmic system while stressing the importance and beauty of the details overlooked. Presse mappe I Seite 33

Galerie Eva HoberDirector : Eva HoberGallery creadon’s year: 2004www.evahober.comgalerie@evahober.com+33 1 48 04 78 6835/37 rue Chapon75003 ParisJerome Zonder, Perspec-ve 1, 2012. Graphite and charcoal on paper, 59 x 59 inches. Courtesy galerie Eva HoberFocus ardst : Jérôme Zonder, born in 1974Others ardsts exhibited on the booth: Pauline Bastard, Kada Bourdarel, Damien Cadio, Lucie Chaumont, Gregory Forstner, Maike Freess, Myriam MechitaPrices of the works: from 1 000 € to 15 000 €Established since 2004 in the Marais, Galerie Eva Hober moved in 2011 into larger premises close to the Centre Pompidou, thus reinforcing its place into the Parisian landscape of the more dynamic spaces. This year at Drawing Now, the gallery will focus on Jérôme Zonder, an essendal ardst of today’s scene and whose notoriety keeps increasing. He is known for his large formats lead pencil drawings called “Jeux d’enfants”. The whole stand will be dedicated to him on the day of the opening of the show (11 April 2013) as an introducdon to the big exhibidons he is preparing for the Parvis in Tarbes, the Lieu Unique in Nantes, and the Maison Rouge in Paris. The opening of Drawing Now will also be an opportunity to launch the monographic catalogue of the ardst.The following days, whilst sdll focusing on Zonder, half of the stand will be featuring a collecdon of previously unseen drawings by the following ardsts : Pauline Bastard, Kada Bourdarel, Damien Cadio, Gregory Forstner, Maike freess and Myriam Mechita, each of them has really excidng news this year.Presse mappe I Seite 34

Marcel van Eeden, Un-tled # 20, 2012. Black and red pencil on paper, 56 x 76 cm © Marcel van EedenIn situ / Fabienne LeclercDirector : Fabienne LeclercGallery creadon’s year: 2001www.insituparis.frgalerie@insituparis.fr+33 1 53 79 06 126, rue du pont de Lodi75006 ParisFocus ardst : Marcel van Eeden, born in 1965Others ardsts exhibited on the booth: Mardn Damman, Damien Deroubaix, Mark DionPrices of the works: from 1 900 € to 30 000 €In Situ, created by Fabienne Leclerc in 2001, had joined up with the galleries’ associadon of the Louise Weiss Street in the 13th urban district of Paris, and now she leaves this district to the 06th Saint Germain, in Paris.In Situ Fabienne Leclerc Gallery has the ambidon to promote young ardsts in the French and the Internadonal art scene, as well as to support beher known ardsts on the long run. So many ardsts of the Galerie des Archives, created by Fabienne Leclerc in 1989 and closed in 1998, condnue to collaborate with In Situ Fabienne Leclerc Gallery : Gary Hill (USA), Mark Dion (USA), Patrick Corillon (Belgium), Patrick Van Caeckenbergh (Belgium), Lynne Cohen (USA), Andrea Blum (USA), Florence Paradeis (France).From 2001, new ardsts, French or not, have joined up with the gallery: Bruno Perramant (France), Damien Deroubaix (France), Laurent Tixador (France), Renaud Auguste-­‐Dormeuil (France), Joana Hadjithomas et Khalil Joreige (Lebanon), Subodh Gupta (India), Noritoshi Hirakawa (Japan), The Blue Noses (Russia), Patrick Tosani (France), Mardn Dammann (Germany) , and this year Meschac Gaba (Benin) and Marcel Van Eeden (Netherlands).Presse mappe I Seite 35

GALERIE CATHERINE ISSERTDirector : Catherine IssertGallery creadon’s year: 1976www.galerie-­‐issert.cominfo@galerie-­‐issert.com+33 4 93 32 96 922 route des Serres06570 Saint-­‐PaulFocus ardst : Jean-­‐Charles Blais, born in 1956Others ardsts exhibited on the booth: Jean-­‐Michel Albérola, Pierre Descamps, François Morellet, Anne Pesce, Xavier Theunis, Gérard Traquandi, Claude Viallat, Tadana WolskaPrices of the works: from 900 € to 12 000 €Since 1981, the gallery is fully involved in Jean-­‐Charles Blais’s paindng. The choice of this ardst for DRAWING NOW PARIS 2013 is strenghtened by his upcoming exhibidon-­retrospecdve (16 03 13 > 09 06 13) organised by the Picasso Museum in Andbes. The Museum will published a catalog.We are all familiar with Jean-­‐Charles Blais’ pudgy, faceless characters, with the bodies or landscapes which deliberately espouse the chance shapes of torn posters, with the black ink silhouehes. Such works quesdon the nodon of idendty, and our own reladon to the body: when Blais creates an object that becomes a work of art, he typically quesdons maher, and consequently our body, and mortality.Blais plays back and forth with what is tangible and what is not, what is real and what is only a representadon, what is true and what is an illusion. Though the torn posters are very concrete, they have only been borrowed, and bear another, hidden, picture, than the one the ardst has painted on it. Both happy and unsehling, Blais’ works ogen offer a front and a recto, a visible element and a hidden one, a right side and a reverse side -­‐ for example in his highly emblemadc and exquisitely sewn clothes-­‐works.Just as ogen, his works remain indefinable: neither posters nor paindngs, neither garments nor sculptures, neither gouaches nor collages. What the ardst is hiding from us, what he refuses to reveal, and because he is refraining from imposing on us his subsdtute for the truth, paradoxically enables us to approach what is essendal.Presse mappe I Seite 36

Galerie KahnDirector : Georges-­‐Michel KahnGallery creadon’s year: 1997www.galeriekahn.frgalerie.kahn@free.fr+33 1 58 60 18 58258 rue Marcadet, 75018 Paris13 route de Mouillebarbe17590 Ars en RéJoël Ducorroy, The Fardier, Series " The unknown ardsts of Joël Ducorroy, 2009. License plate and graphite on paper, 40 x 80 cm © Patrick ParchetFocus ardst : Joël Ducorroy, born in 1955Others ardsts exhibited on the booth: Joseph Beuys, Charles Dreyfus, Marcel Duchamp, Robert Filliou, Gérald Panighi, Jean-­‐Luc Parant, Michel Rabanelly, Ben VauderPrices of the works: from 500 € to 6 000 €Presse mappe I Seite 38

Clarina Bezzola, Relaxing, 2009. Gouache and pencil on paper, framed, 23 x 30.5 cm © Courtesy the ardst and KATZ CONTEMPORARY, ZurichKATZ CONTEMPORARYDirector : Frédérique HuherGallery creadon’s year: 2008www.katzcontemporary.cominfo@katzcontemporary.com+41 44 212 22 00Talstrasse 838001 Zürich, SuisseFocus ardst : Clarina Bezzola, born in 1970Others ardsts exhibited on the booth: Piotr Dluzniewski, Feipel & Bechameil, Patrick Graf, Veronika Holcová, Alain Huck, Elisabeth Llach, Frédérique Loutz, Anke Röhrscheid, Marianna Uudnen, Sandra Vasquez de la Horra, Stéphane ZaechPrices of the works: from 1 700 € to 6 800 €KATZ CONTEMPORARY was founded and inidated by Frédérique Huher in 2008 and concentrates primarily on contemporary art. The gallery shows on the one hand emerging ardsts, where their support and promodon is an essendal goal, and on the other, ardsts who already have established on the internadonal scene. Thus, one of the aspects of the program is to confront works by young ardsts with those of established names, ranging from paindng, drawing, installadon to photography. Besides this, the gallery intends to regularly invite prominent ardsts from abroad and give them the opportunity to have a solo show, most ogen for the first dme in Switzerland.Clarina Bezzola (*1970, in Zurich, lives and works in New York, USA) studied at Parsons School ofDesign, New York, undl 1995. Her works have been exhibited in numerous solo and group exhibidons, for instance at Kunsthalle Wien, Schirn Kunsthalle Frankfurt or the Nadonal Museum of Art in Trinidad. Her performances have been shown internadonally as well, most recently in Zurich, Vienna, Istanbul and New York. In 2012 Bezzola’s work was shown in the solo exhibidon „Fressen und gefressen werden“ at KATZ CONTEMPORARY. On the occasion of the exhibidon Bezzola showed two performances in Zurich, „The Lady with a thousand Faces“ and „When I Walk Alone in the Streets“.Presse mappe I Seite 39

Bernhard Knaus Fine ArtDirector : Bernhard KnausGallery creadon’s year: 2001www.bernhardknaus-­‐art.deknaus@bernhardknaus-­‐art.de+49 171 44 20892Niddastrasse 8460329, FrankfurtAllemagneFocus ardst : Harald Kröner, born in 1962Others ardsts exhibited on the booth: Albrecht Schnider, Robert Zandvliet, Jerry ZeniukPresse mappe I Seite 40

Jonathan Callan, Leader, 2012, 28 x 21 cm © Courtesy Galerie Mardn Kudlek, CologneGALERIE MARTIN KUDLEKDirector : Mardn KudlekGallery creadon’s year: 1999www.kudlek.comart@kudlek.com+49 221 729667Schaafenstrasse 2550676 Cologne, GermanyFocus ardst : Jonathan Callan, born in 1961Others ardsts exhibited on the booth: Alexander Gorlizki, Lucie Beppler, Thomas Böing, Ellen Keusen, Hella BerentPrices of the works: from 750 € to 14 000 €Presse mappe I Seite 41

Kusseneers GalleryDirector : Paul KusseneersGallery creadon’s year: 2003www.kusseneers.cominfo@kusseneers.com0032 475651109Menenstraat 101080 BrusselsEmma Talbot, Walsall Hotel, 2011. Watercolor on paper, 24 x 30 cm © Emma Talbot & Kusseneers GalleryFocus ardst : Emma Talbot, born in 1969Others ardsts exhibited on the booth: David Godbold, Rik SmitsPrices of the works: from 500 € to 5 000 €Following the death of her husband, Emma Talbot started making these simplisdc and pared back images of her life with him. These images are storytelling at its purest and most honest, however this is more akin to filmmaking. The layouts, the repeddve imagery, the close-­‐ups, long shots, cuts and edits involve you in the way that narradve cinema can. Like any great Hollywood movie, Emma Talbot has included elements not necessarily connected with the primary narradve, characters and events that set the historical context. It is this ahendon to detail that elevates her work to another level. At dmes it feels slightly intrusive as the work is so personal.Emma Talbot (1969, Worcestershire) lives and works in London and has exhibited in the UK, Belgium, France, Germany, Italy, Finland, Australia and the USA. Talbot has been shortlisted for the John Moores Paindng Prize 2012, and her work will feature in ‘The Power of Paper’ at the Saatchi Gallery. Her recent exhibidons include: Kusseneers Gallery, Antwerp / the-­‐solo-­‐project 2012, Basel / The Jerwood Drawing Prize, London / New Art Gallery, Walsall / Transidon Gallery, London / Hales Gallery, London / Kate MacGarry Gallery London. Talbot’s work is included in major public and private collecdons.Presse mappe I Seite 42

La Galerie PardculièreDirectors : Guillaume Foucher & Frédéric BiousseGallery creadon’s year: 2008Stephan Balleux, Operatoire, 2012. Watercolor on paper © Stephan Balleux. Courtesy La Galerie Pardculièrewww.lagaleriepardculiere.cominfo@lagaleriepardculiere.com+33 1 48 74 28 4016 rue du Perche 75003 ParisFocus ardst : Stephan Balleux, born in 1974Others ardsts exhibited on the booth: Ethan Murrow, Anne Lise Broyer, Laurent MilletIf I had to choose a statements, which would come closest to describing how I feel, I would choose a statement of Buddha : « The clouds do not disappear, they transform into rain », both because it seems the most generic, and because I have objecdons about the other two. What could pass for a quote from an almanac (and which is one as well) throws a light on one of my fascinadons: the passage from one state to another, then to another, then to another… Every object perceived is only that at a moment of its existence, just as the one perceiving it is too. I feel close to the fact that this summarizes nicely the arrangement of the elements in my work (each of which is the result of transformadon from one logic to another), and by extension, what I hope to get from existence: to condnuously see new things from every part of my vision.Stephan BalleuxPresse mappe I Seite 43

Galerie Frédéric LacroixDirector : Frédéric LacroixGallery creadon’s year: 2008www.galeriefredericlacroix.cominfo@galeriefredericlacroix.com+33 1 44 61 70 7113, Rue Chapon 75003 Paris, FranceJean-­‐Louis Aroldo, Car crash, 2011/2012Graphite and colored pencil, 112 x 77 cm © Jean-­‐Louis Aroldo & Galerie Frédéric LacroixFocus ardst : Jean-­‐Louis Aroldo, born in 1967Others ardsts exhibited on the booth: Guillaume Mary, Edenne Leroy, Thomas Sabourin, Thomas SaletPrices of the works: from 700 € to 4 000 €Jean-­‐Louis Aroldo ( FR ), born in 1967, draws and paints.By culling most of his iconographic stockpile from the realm of film, Jean-­‐Louis Aroldo relies on preexistent imagery. In the guise of a model, the media-­‐based image (magazines and personal photos as well) sets up a screen between the ardst and reality.Therefore his drawings interrogates space limits inside the frame and what is off-­‐screen, out-­‐of-­‐frame.Paindng monography edited by FRAC Auvergne in 2011.Solo show at the Gallery in April 2013.Presse mappe I Seite 44

Galerie Lange + PultDirector : Stefano PultGallery creadon’s year: 2007www.langepult.cominfo@langepult.com+41 44 212 2000Limmatstrasse 291CH-­‐8005 ZürichDidier Rihener, N° 364, 2012. Pencil on tracing paper, 29,7 x 21 cm © Didier RihenerFocus ardst : Didier Rihener, born in 1969Prices of the works: from 2 000 € to 10 000 €Galerie Lange + Pult, founded in 2007 by Céline Lange and Stefano Pult is situated in the Löwenbräu Areal in Zurich.Whilst being especially interested in new posidons of conceptual art and neo-­‐pop tendencies, the gallery program is focused on three-­‐dimensional and installadve art.Next to suppordng already established ardsts, such as Lilian Bourgeat, Mathieu Mercier, Gerold Miller and Olivier Mosset, the gallery also ahaches importance to build-­‐up and establishment of young ardsts from Switzerland and abroad, such as Hadrien Dussoix, John Aaron Frank, Delphine Reist and Felix Schramm.For its first pardcipadon at Drawing Now, Galerie Lange + Pult will present a powerful solo show by Swiss ardst Didier Rihener (born in 1969, lives and works in Lausanne). Since the beginning of his ardsdc pracdce, Rihener builds up a personal, poedc collecdon of drawn images and texts he takes out from art history, literature or the press. By constantly remixing formal vocabularies that percolate up from our collecdve memory, Rihener creates references and cultural quotadons that telescope into one another, elaboradng a universal and resolutely contemporary visual language.In 2011, Didier Rihener held a solo show at the Mamco, Geneva.Presse mappe I Seite 45

Galerie LelongDirectors : Jean Frémon, Daniel LelongGallery creadon’s year: 1981www.galerie-­‐lelong.cominfo@galerie-­‐lelong.com+33 1 45 63 13 1913 rue de Téhéran75008 ParisWolfgang Laib, The cobra snakes are coming out of the well at night, 2010. Pencil and oil pastel on paper , 52 x 42 cm. Courtesy Galerie Lelong, ParisFocus ardst : Wolfgang Laib, born in 1950Others ardsts exhibited on the booth: Pierre Alechinsky, Barry Flanagan, David Nash, Jaume Plensa, Kiki Smith, Barthélémy Toguo, Jan VossPrices of the works: from 2 500 € to 50 000 €Wolfgang Laib is well known for his use of wax, pollen and milk in pure, simple shapes which are ogen inspired by oriental cultures. They invite to meditadon. Ager medical school and many trips to India he creates his first Milkstones in the sevendes, and starts working with pollen.He pardcipates to Documenta Cassel in 1982 and the same year he represents Germany at the Venice Biennale. In 1984 he creates his first Houses of Rice and starts using bees wax in 1987 to make sculptures in the shape of triangles or boats. In 1993 the Bonn Kunstmuseum holds a significant retrospecdve exhibidon of his work. Ager traveling to Mesopotamia, China, Korea, he has a show at Carré d’Art in Nîmes in 1999, then starts working on the Waxroom -­‐ La Chambre des Cerdtudes, a cave in the Pyrénées mountains which he covers with bees wax. In 2005 and 2006 the MACRO in Rome and Beyeler Foundadon in Basel host important exhibidons of his work, as well as the Reina Sofia museum in Madrid in 2007. The Grenoble Museum organizes in 2008 the biggest retrospecdve to-­‐date in France. Between January and March 2013, an exhibidon at MoMA New York features a large square made with hazelnut pollen which Laib collected over the past twelve years.Wolfgang Laib’s drawings bear the same energy as the sculptures. Elementary shapes with bright colors, made of yellow or red oil pastel, refer to pollen and wax while they are opposed to thin pencil lines.Presse mappe I Seite 46

Jill Baroff, Floa-ng Line Drawings (Scissorkick), 2011Oil pastel on Japanese Gampi paper, 81 x 81 cm © Galerie Chrisdan Lethert, CologneGalerie Chrisdan LethertDirector : Chrisdan LethertGallery creadon’s year: 2006www.chrisdanlethert.cominfo@chrisdanlethert.com+49 221 3560590Antwerpener Str. 450672 CologneFocus ardst : Jill Baroff, born in 1954Others ardsts exhibited on the booth: Nelleke Beltjens, Imi Knoebel, Daniel LergonPrices of the works: from 2 000 € to 7 500 €The drawings by New York based ardst Jill Baroff (born in 1954) unite conceptual coherence with a high sensidvity towards materials. Pardcularly concise are the circular “Tide Drawings” on Japanese Gampi paper. The hypnodc form of the lines circling a common center is given a precise content and modvadon. The “Tide Drawings” are the visual transladon of the dde levels at various coastal locadons over various periods of observadon. The ardst takes hundreds and hundreds of measurements from the Internet, and using a compass, transfers them onto paper so that respecdvely individual paherns of concentradon come about. In other words: the diachronic sequence of the dde levels is put into a synchronic visual form. Like waves of water emanadng outwards, or the growth rings of trees, the opdcally vibradng “Tide Drawings” show us the passage of dme. In doing so, the circular form indicates more the cyclic nodons of dme in Asian cultures than the linear western nodon, and it is in keeping with the perpetual repeddve changes of ebb and flow connected with the lunar cycle.Presse mappe I Seite 47

ERIC LINARD GALERIEDirector : Eric LinardGallery creadon’s year: 1988www.ericlinardedidons.cominfos@ericlinardedidons.com+33 4 75 04 44 68Le Val des Nymphes26700 La Garde AdhemarBernard Quesniaux, The terrorist, 2012. Drawing with collage, 19 x 14 cm. Courtesy Eric Linard GalerieFocus ardst : Bernard Quesniaux, born in 1953Others ardsts exhibited on the booth: Marie-­‐Claude Bugeaud, Gérard Titus Carmel, Emmanuel RegentPrices of the works: from 500 € to 3 000 €In a quiet area, called « Val des Nymphes » at la Garde Adhemar, in the Drôme Provençale, Eric Linard has opened two galleries dedicated to contemporary art, in a former spinning silk factory.Ager 42 years as a print art Publisher, Eric LInard is also dedicadng himself in showing in his galleries nadonal and internadonal contemporary ardsts.In the main gallery, are organised 5 personal exhibidons per year.The second gallery is specialized in limited édidon prints exhibidons. More than 140 ardsts are presented using all the contemporary art prints technics.Presse mappe I Seite 48

GALERIE MARIA LUNDDirector : Maria LundGallery creadon’s year: 1999www.marialund.comgalerie@marialund.com+33 1 42 76 00 3348 rue de Turenne75003 ParisMaria Loizidou, Pelage, 2012. Crocheted metal thread, 130 x 60 x 50 cm © Maria Loizidou et Galerie Maria LundFocus ardst : Maria Loizidou, born in 1958Others ardsts exhibited on the booth: Min Jung-­‐Yeon et Peter NeuchsPrices of the works: from 1 000 € to 10 000 €For DRAWING NOW PARIS 2013 Maria Loizidou is exhibidng a body of drawings, volumes and a video endtled Tout est possible (Everything is possible), on the theme of memory and our percepdon of reality. Her drawings Memoscapes describe the landscape of memory. However the fragile paper is not merely used for drawing, but for also the construcdon of tridimensional works, which create an illusion of solidity. Oppositely, the volumes made out of hard and cold metal (Pelage -­‐ visual) become as flexible and delicate as the line of a drawing. The ardst describes this work as an "inside-­‐out glove retaining the shape of a hand. Its creadon allows one to travel through a lengthy thought-­‐process that follows the dme and rhythm of its making. It is a vessel, therefore, of thoughts on art and life."The GPS Memoscapes video subtly relates the core basis of art-­‐making, -­‐ the use of colour, the tracing of a line -­‐ to image and words in order to describe the reladonship between art and existence… The film ends with the opdmisdc yet ambiguous sentence "Tout est possible" (“Everything is possible”). Cypriot ardst Maria Loizidou has pardcipated in many internadonal exhibidons (Venice Biennial – 1986, Cairo Biennial – 2010, Benaki Museum in Athens – 2008, Musée d’art moderne de Saint Edenne Métropole – 2010, the Nadonal Museum of contemporary art in Thessalonica – 2010, BOZAR museum in Brussels – 2012). Promodng works on paper has been at the heart of the Gallery Maria Lund’s acdvity since 2006. Many of our ardsts are featured in public French collecdons. Presse mappe I Seite 49

LWSDirector : Victor MendèsGallery creadon’s year: 1930www.galerielws.cominfo@galerielws.com+33 1 43 54 71 956 rue Bonaparte75006 ParisVanessa Fanuele, My Bags, 2010. Mixed media on paper, 32 x 24 cm © Vanessa FanueleFocus ardst : Vanessa Fanuele, born in 1971Others ardsts exhibited on the booth: François Génot, Anne-­‐Laure Sacriste, Isabelle Taourel, Soo Young JinPrices of the works: from 300 € to 5 000 €Located at the heart of Saint-­‐Germain-­‐des-­‐Prés, close to École des Beaux-­‐Arts, the Lucie Weill & Seligmann (LWS) gallery was established in 1930 by Lucie Weill. Strengthened by its history, the gallery remains true to its philosophy: promodng contemporary ardsts.Since its origin, the gallery has mainly focused on distribudng works on paper and suppordng ardsts through publicadons of illustrated catalogues. Nowadays, the gallery regularly works with independent exhibidon curators in order to bring a cridcal eye on works of collaboradng ardsts.The program alternates with collecdve and individual exhibidons, giving exposure to works of French ardsts, but also internadonal, covering domains as diverse as photography, drawing, video or installadon.In January 2012, Victor Mendès, who was formerly in charge of PHOTO4 gallery, became director of the LWS gallery. A new showroom was inaugurated during the The same but different exhibidon, in memory of Charles Zalber. At the same moment, a new ardsdc path was launched.Following to this renewal, the LWS gallery would like to confirm this energy and this curious desire which became recently some of its characterisdcs, by highlighdng new works of ardsts collaboradng with the gallery as well as more recent findings, by discovering new talents.Presse mappe I Seite 50

Galerie Mardne & Thibault de La ChâtreDirector : Mardne de La ChâtreGallery creadon’s year: 1997www.lachatregalerie.comcontact@lachatregalerie.com+ 33 1 42 71 89 504 rue de Saintonge 75003 ParisGlen Baxter, Un-tled, 2012. Ink and Coloured pencils on paper, 57 x 77 cm © galerie mardnethibaultdelachâtreFocus ardst : Glen Baxter, born in 1944Others ardsts exhibited on the booth: Valérie Du Chéné, Benjamin Hochart, Olivier Nohellet, Achraf TouloubPrices of the works: from 500 € to 5 000 €Glen Baxter was born in Leeds in 1944. Painter and draughtsman, mainly it is his graphic work that made him known, in the United States at first, in Great Britain, in the Nordic Countries and in France where he exhibits regularly. By 1970, he creates a formula of legended drawings, became his shape of usual expression, diverdng the imaginary of 30s teenagers books. Decoradng his drawings « old fashion » by delirious comments, he obtains hilarious shig effects. Explorer with colonial hat, students with blazer, cricket players, drinkers of tea, or cowboys is the ordinary heroes of Glen Baxter. Stemming from popular narradves of the 30s and 40s, these characters are placed in absurd and extravagant situadons, in which they remain impassive. He legend this images in a " very journalisdc style, very in dish, describing absolutely fantasdc events. " (Télérama 1998) in reference to Raymond Roussel.Cowboys confronted with the Modern Art, English Pupils who " transform the meals of school canteen into authendc food ", popular culture heroes’ parodies, such are the themes of Glen Baxter's preference. All the heroes of childish mythology are presents. But Glen Baxter address to the adults, intending his images to our unconscious.Glen Baxter cites gladly his sources: Lewis Carroll, Buffalo Bill, Tom Mix, George Herriman and those he admires: Jarry, Queneau, Raymond Roussel, Beckeh, Magrihe, Chirico, Desnos, Man Ray …Presse mappe I Seite 51

Mazel GalerieDirector : Patrick MazelGallery creadon’s year: 2010www.mazelgalerie.comcontact@mazelgalerie.com0032 2 850 29 2822 Rue Capitaine Crespel1050 Bruxelles, BelgiqueVuk Vidor, Mash, 2009. Ink on paper, 150 x 100 cm © Mazel Galerie & Courtesy de l’ardsteFocus ardst : Vuk Vidor, born in 1965Others ardsts exhibited on the booth: François Bard, Claire FanjulPrices of the works: from 3 500 € to 6 000 €The series of drawings "MASH" by the Franco-­‐Serbian ardst Vuk Vidor is a condnuadon of his series "Even Super Heroes Can not Save Us Now" inidated in 2007. Fascinated by the fall of all mythologies, he has been inspired by images from the ancient Roman Empire to those of the American dream. Full of iconographic references, the "MASH" are much more than a graphic reinterpretadon of the American comics. They are allegories underlining the failures and shortcomings of our modern sociedes. Superheroes are required to sacrifice themselves in order to save mankind from himself, the ubiquity of images sending us back to religion, and transfiguring them into Chrisdc characters and more generally into martyrs. Captain America, Batman, Daredevil, Aquaman and others are confronted to apocalypdc messages: "The day the Earth explode!", "Some say the World will end in fire."The "MASH" dtle chosen for this series of works on paper is the acronym for Mobile Army Surgery Hospital and also the dtle of the film directed by Robert Altman in 1970, a sadrical comedy in the context of the Korean War. Moreover, in many of these drawings, we find helicopters, characterisdcs of this conflict, not flying over the bahlefield, but over the chaos on the ardst's sheet.Presse mappe I Seite 52

Agathe Pidé, The big conspiracy, 2012. China ink, 100 x 140 cm © ardst/galerie metropolisGALERIE METROPOLISDirector : Marie Guilhot-­‐VoyantGallery creadon’s year: 2006www.galeriemetropolis.comcontact@galeriemetropolis.com+ 33 1 42 74 64 1716 rue de Montmorency75003 ParisFocus ardst : Agathe Pidé, born in 1986Others ardsts exhibited on the booth: Pierre TilmanPrices of the works: from 500 € to 7 000 €Presse mappe I Seite 53

MARION MEYERCONTEMPORAIN-­‐EVA MEYERDirector : Eva MeyerGallery creadon’s year: 2010www.mmc.namecontact@marionmeyercontemporain.com+33 1 46 33 04 3811 rue Michel Le Comte 75003 ParisJan Kopp, The projector, 2009. B/W, sound, hd animadon video, 10’’, varying dimensions © Jan Kopp/MMC-­‐Eva MeyerFocus ardst : Jan Kopp, born in 1970Others ardsts exhibited on the booth: Stéphane Berard, Patrick NeuPrices of the works: from 1 000 € to 5 000 €Always in a posidon to create links between art, territory and society, Jan Kopp uses different forms of ardsdc expression without favouring any of them: installadons, performances, films whose common link is the drawing. He insdtutes a permanent dialogue between created images and borrowed images, calling on – using simple means – juxtaposidons of meaning and the reversal of situadons.Born in 1970 in Frankfurt am Main, Jan Kopp lives and works between Paris and Berlin.A major exhibidon was devoted to him at the Maubuisson abbey (Val d'Oise) in 2011. A monograph on his work has just been published by Filigranes with texts by Jacinto Lageira, Joris Lacoste and Olivier Grasser.Presse mappe I Seite 54

Galerie Eric MircherDirector : Eric MircherGallery creadon’s year: 2005www.mircher.comeric.mircher@wanadoo.fr+33 1 48 87 02 1326, rue Saint Claude 75003 ParisSimon Pasieka, Double, 2012. Chinese ink on paper, 99 x 123 cm © Galerie Eric MircherFocus ardst : Simon Pasieka, born in 1967Others ardsts exhibited on the booth: Xue Sun, Steve Galloway, Markus HansenPrices of the works: from 900 € to 5 000 €Pasieka recounts:“My works describe a story with neither beginning nor ending, full of promise, yet somedmes without hope.I want my figures to exist without age, neither child nor adult. They are without experience; they are nothing more than the instant itself of the image. Each image shows an ahempt to understand their body within the framework of their acdvides. It’s a serious type of play, one that leaves its marks, just how a first dme experience leaves us with its traces.For me, nature is all that is not created by humans, and of which the human is part. She is for the most part mysterious, despite the ogen-­‐devastadng effects of human nature. And there is the dilemma: we are prodigal children, thrown into an ever-­‐spinning evoludon, plunged promptly into this awareness at the same dme delighmul and terrifying, faced with a mortality barely covered by the rhythm of our day-­‐to-­‐day life.”Simon Pasieka, born in Basse-­‐Rhénanie in 1967, is a German ardst who has lived and worked in Paris for more than 10 years. Galerie Eric Mircher presented a personal exhibidon for Pasieka in September 2011.His drawings and paindngs are part of renowned collecdons in Germany as well as in France, notably those of the Museum Friedrich Burda of Baden-­‐baden, the Deutsche Bank of Frankfort, the Staatliche Museum in Berlin, the Germanisches Nadonal Museum in Nuremberg, as well as the Guerlain Foundadon in France and the Frisseras Museum in Greece (Personal Exhibidon to come in 2014). Presse mappe I Seite 55

Hadrien de Monmerrand GalleryDirector : Hadrien de MonmerrandGallery creadon’s year: 2009www.hdemonmerrand.comh@hdemonmerrand.com+86 139 1165 1353No.4 Jiuxianqiao Lu, 798 Art District, Chaoyang District, Beijing, 100015, ChinaZhao Xuebing, Pass By -­‐ Eagle, 2008. Ink on Paper, 46 x 62 cm © Hadrien de Monmerrand GalleryFocus ardst : Zhao Xuebing, born in 1967Others ardsts exhibited on the booth: Ling Jian, Xia XingPrices of the works: from 8 000 € to 12 000 €Hadrien de Monmerrand Gallery, which opened in Beijing on October 29th 2009, was founded by Hadrien de Monmerrand, former markedng director of Artcurial, and Laurent Dassault, member of the Associadon pour la Diffusion Internadonale de l'Art Français (ADIAF) and of the Friends of the Pompidou Centre Associadon. The gallery is endrely dedicated to works on paper by contemporary ardsts. The gallery features a host of established Chinese and Western creators -­‐ Liu Xiaodong, Barthélémy Toguo and Wang Du -­‐ as well as younger emerging ardsts -­‐ Sun Xun, Fabien Mérelle and Zhang Shujian. “A drawing shows the first outburst, the expression of passion” claims the gallery's founder Hadrien de Monmerrand. “It is essendal to discover the pictorial roots of Chinese contemporary Art which has taken on such importance over the past few years. Whether it is a sketch for an Art piece or a work of Art in itself, the drawing allows us to witness pure talent”. Hadrien de Monmerrand gallery has chosen to specialize in this undeveloped field of contemporary Art offering internadonal Art collectors and amateurs alike established and emerging ardsts’ works of Art in pencil, ink, gouache, felt, charcoal, watercolor, and any other medium used on paper. Presse mappe I Seite 56

Nosbaum & RedingDirector : Alex RedingGallery creadon’s year: 2001www.nosbaumreding.lureding@nosbaumreding.lu+352 261905554, rue WiltheimL-­‐2733 LuxembourgSteven C. Harvey, By Their Vehicles Shall Ye Know Them, 2011pencil on paper, 58 x 74 cm © Steven C. Harvey_Courtesy Steven C. Harvey et Nosbaum & Reding, LuxembourgFocus ardst : Steven C. Harvey, born in 1967Others ardsts exhibited on the booth: Stephan Balkenhol, Damien DeroubaixPrices of the works: from 1 500 € to 6 000 €Founded in 2001 by Véronique Nosbaum and Alex Reding, the gallery Nosbaum & Reding is located in the presdgious historic centre of Luxembourg City. The locadon comprises two disdnct spaces allowing the gallery to run a two-­‐folded internadonal programme of exhibidons. From the onset, the gallery has been focussing on young and upcoming ardsts from Luxembourg and neighbouring countries but is also showing exhibidons of internadonally known ardsts. Its programme has a strong commitment on figuradve and conceptual paindng, alternadng with photography, sculpture-­‐ and installadon-­‐based media. In confrondng its public with new talent, Nosbaum & Reding has always been keen to privilege creadon by sdmuladng the ardsts to produce new work for their exhibidons at the gallery. Nosbaum & Reding is pardcipadng in Europe's main internadonal art fairs.Presse mappe I Seite 57

ONIRIS -­‐ galerie d’art contemporainDirector : Florent PaumelleGallery creadon’s year: 1986www.galerie-­‐oniris.frcontact@galerie-­‐oniris.fr+33 2 99 36 46 0638 rue d’Antrain35700 RennesFrançois Morellet, 1 -­‐1 etc… ver-cal – 1-­‐1 etc… horizontal – 1-­‐1 etc… ver-cal – 2-­‐2 etc… (-ll 25), 1976. Rotring on paper, 49, 5 x 49, 5 cm © Courtesy Galerie Oniris -­‐ RennesFocus ardst : François Morellet, born in 1926Others ardsts exhibited on the booth: Vera Molnar, Yves Popet, Aurelie NemoursPrices of the works: from 300 € to 24 000 €Opened in 1986 in Rennes with solo show exhibidon of François Morellet, Oniris Gallery became over the years, a landmark of contemporary art in the West of France.François Morellet belongs to that strange category of ardsts, whose mixture of humor and intelligence, character and personality decisively induces his art. Class is usually François Morellet in the field of so-­‐called Concrete Art and one could also mendon the idea of his art being near to Minimal Art if one takes into consideradon the concepdonal tendency of his works. All these ahempts to localize his art, indeed reach his work, but none of them can term and seize his art representadvely. Through the end of the sevendes François Morellet created various works, with which not only single lines or raster lines are shiged by degrees, but the canvases, the backgrounds themselves seem to have come into modon.The drawing from 1976 dtled « 1 -­‐1 etc. verdcal – 1-­‐1 etc. horizontal – 1-­‐1 etc. verdcal – 2-­‐2 etc. horizontal (dll #25) », offers despite the simplicity of the principle used, a system which from its opdcal appearance phenomenologically seems to be quieted differendated.In another exhibited series of drawings from the year 1977, all in the size of 45 x 45 cm, a simple principal formulates diverse pictorial results, simply through variadons of propordon. All the works of this serial, « Cercle fragmenté », « Triangle fragmenté », « Carré fragmenté » applies the same rule: a simple split of the frame to its own limit.Presse mappe I Seite 58

Claudine Papillon GalerieDirectors : Claudine et Marion PapillonGallery creadon’s year: 1989www.claudinepapillon.comgalerie@claudinepapillon.com+33 1 40 29 07 2013, rue Chapon75003 ParisFrédérique Loutz, Overflow, 2012. Mixed media on canvas, 300 x 130 cm. Courtesy Galerie Claudine Papillon © Photo Laurent ArdhuinFocus ardst : Frédérique Loutz, born in 1974Others ardsts exhibited on the booth: Grégoire Bergeret, Cathryn Boch, Gaëlle Chotard, Erik Dietman, Loha Hannerz, Frédéric Lecomte, Jean-­‐Claude Ruggirello, Didier Trenet, Françoise VergierPrices of the works: from 1 000 € to 15 000 €Claudine Papillon opened her own gallery in 1989. In 2004 she moved into a new space of 250 m², situated in the Marais, close to the Pompidou Centre. Within her program, she sdll support ardstes who became emblemadc figures of the gallery (Dietman, Fridfinnsson, Roth) and wants to show as well the richness and the diversity of the french scene welcoming those ardsts who share her sensibilides, her sense of poetry and humor, her audacity, and occasionally even her sense of and-­‐conformity.Frédérique LOUTZ – Born in 1974, currently lives and works in Marseille. A resident of the Villa Medici in Roma in 2006-­‐2007, she was nominated for the Daniel & Florence Guerlain Prize for contemporary drawing in 2009, and pardcipated that same year in the Force de l’art Triennal. Her works are in important private and public collecdons (such as FNAC, Centre Georges Pompidou, FRAC Picardie, FRAC Auvergne). In the last years, she has also been commissioned for many works in public space, private patronage and fashion. She teaches drawing in the Marseille school of fine arts. I make use of mythology and tales, because there is no psychology, only acdons. In my work as far as I'm concerned, there is no tragedy, no humour, no drama and nothing absurd, just an inversion of worlds without hope or salvadon. I blend repertoires to specify the addresses. Playing with sense and sound are gymnasdcs that strengthen the physical move.**Frédérique Loutz, Entre-enne (conversadons), 2012Presse mappe I Seite 59

Galerie Pedts PapiersDirector : Alain HubertyGallery creadon’s year: 2007www.pedtspapiers.becontact@pedtspapiers.be+33 1 40 28 04 71 / +32 2 893 90 3091 rue Saint Honoré, 75001 ParisPlace du Grand Sablon8-­‐8a rue de Bodenbroeck1000 BruxellesFrançois Avril, Minato-­‐Ku, 2010. Coloured and graphite pencils on paper, 42 x 58 cm © DRFocus ardst : François Avril, born in 1961Others ardsts exhibited on the booth: Daniel Maja, Michel Galvin, Tanino Liberatore, François RocaPrices of the works: from 1 500 € to 8 000 €Specialized for more than 25 years in strip cartoon originals and in illustradon drawings, the Gallery Pedts Papiers stands out today as a reference in the 9th art. Directed by Marc Brayne and Alain Huberty, the gallery presents/displays a range of the Masters of drawing such as Hergé, Franquin, Tillieux, Mardn, Prah… It is the exclusive representadve of Milo Manara, Philippe Druillet, Christophe Chabouté, Edmond Baudoin or Denis Deprez. Regarding illustradon, it devotes one of these Parisian galleries to the draughtsmen Georges Wolinsky, Nicole Claveloux, Yan Nascimbene, Jean-­‐Michel Nicollet, Daniel Maja, Guy Billout… Precursor in the sale, expert evaluadon and the promodon of work on paper, the gallery is commihed alongside talented ardsts like April, Jean-­‐Claude Göƒng, Jacques de Loustal, Alex Varenne or Tanino Liberatore. FRANCOIS AVRILAs a muld-­‐talented ardst, François Avril approaches illustradon and drawing as well as paindng. This heir of the clear line has gradually freed from the real to create composidons to the limits of abstracdon. Placing the city at the heart of his research, he works out cityscapes full of lightness and poetry that transcend reality to provide a dmeless elegance. Exploring the infinite graphic possibilides that make up the modern megacides, he captures on canvas or paper the essence of volumes and colors that compose them. Whether represendng dreamed or fantasy cides, the work of François Avril is an invitadon to travel. Against the dde of noisy and agitated urban atmospheres, it reigns in his composidons a strange serenity where the movement of the human wanderings seems suspended. Presse mappe I Seite 60

Gilles Peyroulet & CieDirectors : Dominique Chenivesse / Gilles PeyrouletGallery creadon’s year: 1987www.galeriepeyroulet.comcontact@galeriepeyroulet.com+33 1 42 78 85 1180 rue Quincampoix75003 ParisIsaac Abrams, Un-tled, 1966. China ink on paper, 29 x 23 cm. Courtesy Gilles Peyroulet & Cie, ParisFocus ardst : Isaac Abrams, born in 1938Others ardsts exhibited on the booth: Guido Crepax, Philippe Druillet, Guy Peellaert, Gilbert SheltonPrices of the works: from 2 000 € to 12 000 €Presse mappe I Seite 61

Galerie PlacidoDirector : Aniello PlacidoGallery creadon’s year: 2007www.galerie-­‐placido.cominfo@galerie-­‐placido.com+33 1 42 74 23 2141 rue Chapon 75003 ParisGianni Dessì, Un-tled, 2005. Mixed media on paper, 70 x 50 cm © Galerie Placido et l’ardsteFocus ardst : Gianni Dessì, born in 1956Others ardsts exhibited on the booth: Arcangelo, Sylvie Fajfrowska, William Mackendree, Valerio Adami, Piero Pizzi CannellaPrices of the works: from 1 000 € to 15 000 €Presse mappe I Seite 62

Polad-­‐HardouinDirector : Dominique Polad-­‐HardouinGallery creadon’s year: 2001www.polad-­‐hardouin.comcontact@polad-­‐hardouin.com+33 1 42 71 05 2986 rue Quincampoix 75003 ParisAyako David-­‐Kawauchi, The mocking of Christ, 2012. Charcoal and black stone on cardboard, 100 x 70 cm © Joël DavidFocus ardst : Ayako David-­‐Kawauchi, born in 1963Others ardsts exhibited on the booth: Wu Xiaohai, Daniel FlammerPrices of the works: from 800 € to 5 000 €The gallery Polad-­‐Hardouin was launched in 2001 with a tribute to the painter and draughstman Stani Nitkowski. Following the spirits of that exhibidon, the gallery has chosen to support and reinstate ardsts belonging to the New Figuradon movement like Maryan or Michel Macréau. Younger ardsts with unusual backgrounds like the Syrian Sabhan Adam, rapidly joined the crew. Following the dynamics of these events, the gallery has organised a series of solo shows by Gérard Alary, Raphaëlle Ricol, Wu Xiaohai, Marcel Hüppauff, Christophe Boursault, Andrew Gilbert, Raynald Driez, Emmanuelle Renard and more recently Anya Belyat-­‐Giunta; beher known in the world of furniture and design, Elizabeth Garouste has presented for the first dme her drawings and sculptures in November 2011. In a constant effort to discover and share emerging painters and graphic ardsts, the gallery has been recently showing works by Caroline Demangel, Ayako David-­‐Kawauchi and Daniel Flammer.Ayako David-­‐ Kawauchi was born in Ehime, Japan. Ager studying Art and Design in Tokyo, she graduated from the ENSAD in Paris. She now lives and works in Paris. She began her career as a texdle designer and gradually shiged towards graphic arts. Since 2005, she devotes herself endrely to drawing. She has regularly exhibited in France (galerie Plume, galerie Chrisdne Phal, Paris, DRAWING NOW PARIS, Paris), Switzerland (Galerie C, Neuchâtel) and Japan (Ultra 2, Tokyo Art Fair). She is represented today by the gallery Polad-­‐ Hardouin.Presse mappe I Seite 63

Galerie Pascal PolarDirector : Pascal PolarGallery creadon’s year: 1985www.pascalpolar.bepp@pascalpolar.be+32 2 5378 136Chaussée de Charleroi 1081060 BruxellesBelgiqueFocus ardst : Miguel Sancho, born in 1957Others ardsts exhibited on the booth: Ricard Aymar, Cornelis, Eduardo Infante, Lance Letscher, Neumann, SchwontkowskiPresse mappe I Seite 64

Galerie Catherine PutmanDirector : Eléonore ChadnGallery creadon’s year: 2005www.catherineputman.comcontact@catherineputman.com+33 1 45 55 23 0640 rue Quincampoix75004 ParisBénédicte Henderick, #8, 2012. Technique mixte sur carte à jouer, 35 x 28 cm © Bénédicte Henderick – galerie Catherine PutmanFocus ardst : Bénédicte Henderick, born in 1967Others ardsts exhibited on the booth: Bernard Moninot, Champion Métadier, Frédéric PoinceletPrices of the works: from 1 000 € to 7 000 €The gallery Catherine Putman specializes in works on paper by contemporary ardsts, unique artwork, photography and prints.Since the opening of the new venue in 2005, 40 rue Quincampoix in Paris, the gallery has organised over thirty exibidons of French and foreign ardsts' work: Georg Baselitz, Urs Lüthi, Champion Métadier, Tony Cragg, Agathe May, Bernard Moninot, Sophie Ristelhueber, Georges Rousse, etc. The programme regularly rotates monographic and collecdve exhibidons.The gallery Catherine Putman is a place enjoying an indmate atmosphere which is well suited for presentadon of artwork on paper. It supports ardsts in their producdon of drawings, prints and photographies by exhibidng them at the gallery, at a number of art fairs and by publishing new edidons of their work.Presse mappe I Seite 65

Galerie Rabouan MoussionDirector : Jacqueline RabouanGallery creadon’s year: 1989www.galerie-­‐rabouan-­‐moussion.comrabouanmoussion@noos.fr+33 1 48 87 75 91121, rue Vieille du Temple75003 ParisKirill Chelushkin, Un-tled, 2012. Graphite on canvas, 205 x 215 cm © Galerie Rabouan MoussionFocus ardst : Kirill Chelushkin, born in 1968Prices of the works: from 6 000 € to 30 000 €Kirill Chelushkin was born on the outskirts of Moscow in 1968. Ager training as an architect, he devoted himself to illustradons and drawing.In the late 1990s, he made acquaintance with the ardst and theorist Dimitry Goutov and his Livchitz Insdtute. This club for aesthedc and ideological reflecdon reinterprets the thinking of the Soviet art historian, Michael Livchitz, an ardent defender of socialist realism, and cridcizes the formalist deviances of modernism. This encounter encouraged Kirill Chelushkin to pracdce an art essendally visual, but more axed on the reality surrounding him. He made a series of drawings of Moscow seen through his car windscreen. «Moscow Mood» describes a dark misty city like a nocturne by Whistler, an impressionist road movie in a city in complete chaos.His portraits are imbued of socialists’s techniques and subjects.Krill Chelushkin plays with the textures of the world cides reflecdons in the rain, mud truck stuck, moonlight scahered by streetlights ... This cataclysmic realism reminds us of the fragility of being in a world where nature takes its course.In 2005, Chelushkin took to sculpdng figures in thick slabs of white polystyrene. In parallel, he condnued his photo and video invesdgadon into the old forbidden cides and the factories in decline, monumental remains that dominate the Russian landscape with their sublime, lugubrious silhouehes.He devotes himself to a representadon of the reality that surrounds him: that of a Russian polidcized, torn between memories of the past and the contemporary outrages.Presse mappe I Seite 66

Petra Rinck GalerieDirector : Petra RinckGallery creadon’s year: 2008www.petrarinckgalerie.demail@petrarinckgalerie.de+49 211 15776916Ackerstrasse 19940233 DüsseldorfMarsha Cohrell, Hitherto Unknown lights, 2011. Iron oxide on mulberry paper, 62,4 x 97,9 cm © The ardstFocus ardst : Marsha CohrellOther ardst exhibited on the booth: Lothar GötzPrices of the works: from 1 200 € to 12 000 €A gazillion dny white dots, dashes, and spherical vibradons that might be stars, planets, or molecules drig across empty black space. Where the previous images roiled and overwhelmed, these assert a calm geometry of deep contempladon, the entropic distribudon of dots steadied by the subtle grid formed by the seams between the dled sheets of mulberry paper. Geometric rigor is further superimposed by horizontal, verdcal, and, in most of these works, diagonal white lines that act like the crosshairs of a celesdal viewing scope, their spartan alignment ploƒng Sol Lewih–like vanishing points into bohomless saturadon.Look closely, though, and you can see how these clean white lines are complexes of cause and effect: somedmes they trace vectors from the file, leg white in the prindng; they may also be folded, and thus be white by removal; or they might not be lines in the first place, exactly, but rather a conspiracy of dots. In the last case, if Cohrell folds the dot-­‐cluster along its spine the paper will comply readily, perforated by the dny variance of the thickness of the toner –– a sort of homemade, limit-­‐case laser milling. ...Presse mappe I Seite 67

Baktash-­‐Sarang Javanbakht, SUn-tled, 2010. Pencil on paper, 39 x 59 inches © Baktash-­‐Sarang JavanbakhtJ. P. RITSCH-­‐FISCH GALERIEDirector : Jean-­‐Pierre Ritsch-­‐FischGallery creadon’s year: 1996www.ritschfisch.comcontact@ritschfisch.com+33 3 88 23 60 746 rue des Charpenders67000 StrasbourgFocus ardst : Baktash-­‐Sarang Javanbakht, born in 1981Others ardsts exhibited on the booth: Morton Bartleh, Antoine Bernhardt, Hiroyuki Doi, Sylvia Marquet, Francis Marshall, Thomas PalmePrices of the works: from 800 € to 8 000 €Presse mappe I Seite 68

Galerie RömerapothekeDirector : Philippe ReyGallery creadon’s year: 2003www.roemerapotheke.chgallery@roemerapotheke.ch+41 43 317 17 80Raemistrasse 18CH-­‐8001 ZurichFocus ardst : Jana Gunstheimer, born in 1974Others ardsts exhibited on the booth: Marcel Gähler, Eva Grün, Felice Varini, Caro Suerkemper, Florian Heinke, Chrisdan Weihrauch, Alexandre JolyPrices of the works: from 600 € to 25 000 €Who does the future of art belong to?The worth of an ardst does not lie in the ardsdc truth a person possesses or seems to possess, but rather in the hard work he has put into understanding the underlying mechanisms of art. Since not only possession can broaden horizons but also the path. Sincerity goes hand in hand with authendcity and this in turn is visible in handwridng, signatures and in pardcular types of work that can only be produced if nothing is quoted, copied or imitated. Jana Gunstheimer’s blurring of ficdon and reality makes her work a metaphor of ardsdc pracdce, of the unique design of worlds whose potendality determines their strength. Caro Suerkemper uses seeming baroque ambiguity to make her style unique and disdncdve whereas Marcel Gähler and Chrisdan Weihrauch transform familiar, ogen unspectacular places, which seem mysdc and are frequently ignored into artwork with extreme dimensions – something only a visionary is capable of. Viennese ardst Eva Grün rules about self-­reveladon and masquerade, seriousness and humour, polidcs and Dadaism and gives her work impish dtles which drive one to reflect on their meaning: Nothing clearly we don’t know. QED. Or rather – the future of art belongs to them.Presse mappe I Seite 69

Semiose galerieDirector : Benoît PorcherGallery creadon’s year: 2007www.semiose.comb.porcher@semiose.com+33 9 79 26 16 3854 rue Chapon75003 ParisFrançoise Pétrovitch, Ventriloquist, 2012. Ink wash drawing, 120 x 80 cm © H.Plumet, Courtesy Semiose galerie, ParisFocus ardst : Françoise Pétrovitch, born in 1964Prices of the works: from 1 000 € to 8 000 €Born in 1964, Chambéry. Lives and works in Cachan. With both lightness and gravity, Françoise Pétrovitch always takes us where one does not exepct. Proceeding most ogen in series, she reflects non the world with an incisive eye that renders major current events as if they were the dny things in life. The duality, the absence, the inaccessible indmacy, appears on the surface of the paper. Whether by pencil or brush, it is her drawings that provoke our emodons.The words, the objects, the animals, and the disturbing forms shake our habits and trouble our certaindes. They give us a glimpse of secret spaces, unavoidably disturbing and interesdng. Somewhere between tendernessand cruelty, Françoise Pétrovitch reminds us that are fragile, not far removed from the world of animals.Among her famous exhibidons we can underline Tenir debout at FRAC Alsace (2005), two solo show in Japan (2007), a big solo show in Musée de la chasse et de la nature in Paris (2011) and another one in French insdtute NYC (2012). She also have shown her artworks in famous group show such as Etre present in MAC/VAL (2007), Un monde sans mesure at MAC Ibirapuera in Sao Paulo (2009). Furthermore she prepare a solo show in FRAC Provence Alpes Côtes d'Azur and a solo show at Semiose gallery in 2013.Presse mappe I Seite 71

Russell Crohy, The Cape, 2010. ink and gouache on paper on fiberglass sphere, 36 inch diameter globe. Courtesy Galerie Suzanne TarasieveFocus ardst : Russell Crohy, born in 1956Others ardsts exhibited on the booth: Jean Bedez, Alkis Boutlis, Josef Ofer, Tim PlamperPrices of the works: from 1 500 € to 35 000 €Galerie Suzanne Tarasieve, ParisDirector : Suzanne TarasieveGallery creadon’s year: 2003www.suzanne-­‐tarasieve.cominfo@suzanne-­‐tarasieve.com+33 1 42 71 76 547 rue Pastourelle75003 ParisRussell CrohyBorn in 1956, in San Rafael, California / Lives and works in Ojai & Upper Lake, California, USA.Known for paper-­‐coated suspended globes and large-­‐scale books containing a fervent network of ballpoint pen lines and color washes, Crohy’s vast body of work challenges the very definidon of drawing, pushing the genre towards minimal sculptural installadon.A serious amateur astronomer for decades, Crohy studied the night sky udlizing his own array of telescopes, with occasional sojourns to professional observatories, along with making important observadonal contribudons to accredited astronomy organizadons such as NASA and ALPO. He obsessively documented the night sky and celesdal phenomenon with his signature simplicity of line. The resuldng body of astronomical work was informed by actual sciendfic research, yet infused with the poedc license of the ardst.Russell Crohy has taken part in numerous solo and group exhibidons notably at the Turner Contemporary in Margate (Revealed: Turner Contemporary Opens, 2011) and the Judith Rothschild Foundadon Contemporary in New York (Compass: Drawings from the Museum of Modern Art New York, 2011).His work features in numerous public collecdons, in pardcular at the Centre Georges Pompidou / Musée Nadonal D'Art Moderne de Paris, the Whitney Museum of American Art (New York) and the Los Angeles County Museum of Art.Presse mappe I Seite 72

Thessa HeroldDirector : Thessa HeroldGallery creadon’s year: 1993www.thessa-­‐herold.comgalherold@free.fr+33 1 42 78 78 687 rue de Thorigny75003 ParisHenri Michaux, Undtled, 1974. Indian ink, 72 x 102 cm © Alberto RicciFocus ardst : Henri Michaux, born in 1899Others ardsts exhibited on the booth: Camille Bryen, Bertrand Dorny, Wifredo Lam, Farhad Ostovani, Pancho Quilici, Joseph Sima, Raoul Ubac, Ung-­‐No Lee, Franklin Chow Prices of the works: from 1 800 € to 50 000 €Established in 1970 under the name of Gallery of the Seine, situated Rue de Seine, where the ardsdc acdvity was intense, the Thessa Herold gallery sehled down in 1993 in Le Marais, next to the Picasso museum, where a significant part of the contemporary ardsdc creadon moved todayThe gallery organizes every year several exhibidons accompanied with catalogs designed and realized by its care among which poets, writers and art historians sign the forewords. At DRAWING NOW PARIS 2013, the Thessa Herold gallery will present around Henri Michaux's works, drawings, watercolors and gouaches of his contemporaries: Camille Bryen, Roberto Maha, Wifredo Lam, Joseph Sima, Raoul Ubac, Ung-­‐no Lee; and wandng to grant a part equal to the ardsts of the new generadons will be also present the works of Franklin Chow, Bertrand Dorny, Pancho Quilici, Farhad Ostovani ardsts for whom the Thessa Herold gallery has already organized several exhibidons.Presse mappe I Seite 73

Christos Veneds, Anemic Archives, 2012-­‐2013. Installadon, pencil on book covers, variable dimensions © Christos Veneds et TinT galleryTinT galleryDirector : Andromachi PesmatzoglouGallery creadon’s year: 2002www.dntgallery.grdnt@otenet.gr+30 2310 23568913, Chr. Smyrnis str.GR-­‐546 22 ThessalonikiFocus ardst : Christos Veneds, born in 1967Others ardsts exhibited on the booth: Emmanouil Bitsakis, Christos Delidimos, Maria Kriara, Ulrich VoglPrices of the works: from 650 € to 8 800 €TinT gallery has, since 2002, been under a new name and management with the aim of promodng and presendng trends in contemporary art, focusing on conceptually based works by young ardsts. Since 2003, TinT gallery has collaborated with other cultural insdtudons such as the Macedonian Museum of Contemporary Art, the Museum of Cinematography and the Museum of Photography etc, organizing off site projects and large-­‐scale cultural events. TinT gallery launched its Project room during 2004, a specially designated exhibidon space, where young ardsts are given the opportunity to experiment with in situ installadons within a non-­‐profit gallery seƒng. Together with group exhibidons undertaken by independent curators, the gallery has accommodated since 2007, several autonomous teams of ardsts. The outcome has been a series of highly intriguing exhibidons. In his work, the installadon endtled Anemic Archives, Christos Veneds draws by playing a game between the modon and wridng of the images, their reading and interpretadon. The work’s dtle is a joining of the terms “The Anomic Archive” (the well known ardcle by Benjamin Buchloh for the work Atlas by G. Richter) and “Anemic Cinema” (work by M. Duchamp). Lined up in a row, his 'animated' drawings, albeit fragmented, create a lively narradve. Both the subjects of 'bare life' he chooses to draw and the bare backs of books, i.e. the point where the content is violently removed for the sake of flow and union of the "film", intensify the cognidve lawlessness of Vened's images and add drama to his narradon. Presse mappe I Seite 74

TRINITY CONTEMPORARYDirectors : John Winter / Luce GarriguesGallery creadon’s year: 2008www.trinitycontemporary.comluce@trinitycontemporary.com00 44 20 7493 491629 Bruton StreetLondon W1J 6QPEmma McNally, IF.1 interference field, 2012Digital sampling from a drawing of chalk and gouache on paper primed with gum arabic and black pigment, 76 x 56 cm © Trinity Contemporary et Emma McNallyFocus ardst : Emma McNally, born in 1969Others ardsts exhibited on the booth: Kate Atkin, Siân Bowen, James Brooks, Layla Curds, Jane Dixon, Frances RichardsonPrices of the works: from 2 000 € to 10 000 €Trinity Contemporary deals specifically with recent Bridsh drawing. Selected works by emerging and more established ardsts are kept in stock viewable by appointment and through a series of themadc exhibidons. The aim of this exhibidon programme is to explore contemporary drawing pracdce and quesdon the boundaries between drawing and other mediums. The gallery has developed this program by commissioning works from the ardsts and producing a series of catalogues with texts by Catherine Lampert, Francesco Bonami, Jeremy Cooper and Richard Cork. Further, since 2010, an ardst is invited each year to take over the gallery and to present a body of work that broadens the understanding of drawing. These are part of our series called Trinity Project and are accompanied by fully illustrated and documented publicadons.Trinity Contemporary is run by Luce Garrigues who curates the exhibidon programme.Emma McNally. Born in 1969. Lives and works in LondonEmma McNally describes her works as a visualisadon of complex systems, as a` visual thinking` around quesdons of space. Her drawings are ogen associated with mappings and constelladons. They appear to be the result of sciendfic readings yet they have been made intuidvely. Emma has an ability to quesdon boundaries to ensure that her pracdce is constantly an experimental venture in tune with a world in a perpetual state of flux: there is an ongoing feedback loop between her drawing on paper and the space of digital manipuladon where a different nature of spadal thinking is possible.Presse mappe I Seite 75

Thomas Müller, Un-tled, 2003. Chalk, pencil, oil sdck and ink on paper, 115 x 180 cm © Thomas MüllerVidal-­‐Saint PhalleDirectors : Bernard Vidal / Nathalie BertouxGallery creadon’s year: 1989www.vidal-­‐stphalle.comcontact@vidal-­‐stphalle.com+33 1 42 76 06 0510 rue du Trésor75004 ParisFocus ardst : Thomas MüllerPrices of the works: from 800 € to 8 000 €Presse mappe I Seite 76

Galerie & Edidon Stephan WitschiDirector : Stephan WitschiGallery creadon’s year: 2006www.stephanwitschi.chgalerie@stephanwitschi.ch+41 44 242 37 27Zwinglistrasse 12CH – 8004 ZürichSwitzerlandPeter Radelfinger, m&m, m_012_V216a, 2010. Brush drawing oil on ploter paper, 76 x 48 cm © Peter RadelfingerFocus ardst : Peter Radelfinger, born in 1953Others ardsts exhibited on the booth: Thomas Oh, Karoline SchreiberPrices of the works: from 800 € to 10 000 €Since the 1980’s Peter Radelfinger has concentrated almost exclusively on the medium of drawing and the value of this medium today with regard to the great variety of media now available. Using extremely simple means, Radelfinger manages to consistently create drawings full of allusions that interweave extremely dissimilar subjects together in a wihy and enigmadc way. Without accusing or moralising he highlights contemporary issues, which are at dmes unpleasant or fraught with conflict.The fundamental issues of the condidons of percepdon and the reflecdons on the essence of drawing are present in all his works. Through his incisive use of both new digital technologies and tradidonal means, Radelfinger plays an important part in the further development of the medium of drawing, therefore making an excidng contribudon to contemporary art producdon.His works have been exhibited in many museums and galleries, among others in the Münchner Stadtmuseum (München); Overbeck-­‐Gesellschag, Lübeck; Gallery Basta, Hamburg; Kunstsalon Wilde Gans, Berlin; Atelier Frankfurt, Frankfurt a. Mainz; Kunstverein Galeriehaus, Nürnberg; Art Museum Berne; Art Museum Aarau; Musée Rath, Geneva; Kunsthalle Winterthur.Presse mappe I Seite 77

Galerie ZürcherDirector : Bernard ZürcherGallery creadon’s year: 1992www.galeriezurcher.cominfo@galeriezurcher.com+33 1 42 72 82 2056 rue Chapon75003 ParisBrian Beloh, Un-tled, 2012. Mixed media, 11,5 x 9 inches © Galerie Zürcher, Paris-­‐New YorkFocus ardst : Brian Beloh, born in 1974Others ardsts exhibited on the booth: Katharina ZiemkePrices of the works: from 350 € to 5 000 €The Brooklyn ardst Brian Beloh makes deliriously seducdve paindngs. His art is animated by both Madsse and the Marx Brothers and involves collecdng, cuƒng, slicing, and dicing exisdng material into a range of new forms, proffering a relentless, freewheeling, and ogen mysterious joie de vivre. His « laminated drawings » are « silly, jazzy, syncopated, and immensely colorful » and « demonstrate a giged ardst improvising a process as much as compledng a work of art. » (The Brooklyn Rail, November 2012). Brian Beloh’s work is a part of the Museum of Modern Art’s permanent collecdon. His exhibidons have been reviewed in the NY Times and The New Yorker, Art in America among others.Since 1992, the Galerie Zürcher presents contemporary works through an affirmadon of cridcal preferences based on an “indmate convicdon” rather than a market strategy. Its ambidon: promodng ardsts who aren’t yet well known. 15 years ager the creadon of the gallery in Paris, Bernard and Gwenolee Zürcher decided to extend its acdvides by opening a new space in New York, the Zürcher Studio. They now hold a dozen solo exhibidons each year in the two galleries, along with shows organized by « curators », which provide opportunides to bring in other ardsts. So Galerie Zürcher is a single team, working in two separate galleries : the Galerie Zürcher in Paris, in the Marais Beaubourg district, near the Centre Pompidou, and the Zürcher Studio in New York, in the NoHo district of downtown Manhahan, near the New Museum.Presse mappe I Seite 78

Liste der präsenderten Künstler I EMERGENCEGalerie ALB AnoukLeBourdiecDirector : Anouk Le BourdiecGallery creadon’s year: 2011www.galeriealb.comgaleriealb@gmail.com+33 1 49 96 58 0947 rue Chapon75003 ParisThe Kid, Humanity is overrated, number III, 2012. Pen ball on paper, 42 x 60 cm © Galerie ALBFocus ardst : The Kid, born in 1991Others ardsts exhibited on the booth: Valendn van der Meulen, Samuel Mardn Prices of the works: from 400 € to 6 900 €Young ardst, he established his plasdc créadon and exhibidon for the first dme in France. His young age disapears under his huge dimensions drawings, where a dip in the violence let shows an ob-­‐ session for fragility. From the everyday life scene, the emodon is palpable. This fixadon of the Peter Pan’s charcoal image in front of this consumpdon....“To quote Oscar Wilde, ‘Behind every exquisite thing that existed, there was something tragic.’ It that’s the thing that all the Kid’s subjects have in common—behind their youth and beauty lies a tragic story, like a flower that is desdned to fade. The goal is to capture them in their defining moments, forever caught between innocence and corrupdon.”Personal Exhibidon on the Gallery -­‐ 28 march to 11 may 2013.Presse mappe I Seite 79

BlackstonDirectors : Theodore Blackston & Rhiannon KubickaGallery creadon’s year: 2009www.blackstongallery.cominfo@blackstongallery.com+1-­‐212.695.820129C Ludlow StreetNew York, NY 10002United StatesFocus ardst : Shawn Kuruneru, born in 1984Shawn Kuruneru, Arer Image, 2012. Pen on canvas, 121.9 x 152.4 cm © de l'ardsteOthers ardsts exhibited on the booth: Agnes Barley, Amy Feldman, Patrick KeeseyPrices of the works: from 1 500 € to 7 000 €Blackston is pleased to present the work of four ardsts – Agnes Barley, Amy Feldman, Patrick Keesey, Shawn Kuruneru -­‐-­‐ for whom drawing is a core component of their pracdce, whether as a final statement of work or as the basis for preparadon of their work in a different medium. Blackston’s feature ardst, Shawn Kuruneru, employs rigorous applicadon of miniscule ink marks over paper, canvas and panel surfaces to create highly detailed minimalist work. The unduladon and accumuladon of these marks develop compelling visual connecdons and perspecdve shigs, as well as altering the texture and tone of each surface.Amy Feldman, uses drawing as an integral part of her art-­‐making. She prepares for her paindngs by making drawings – quick and casual and frequently cut and reassembled . They are an intrinsic foundadon of her planning process -­‐-­‐ and she translates the nonchalant, free-­‐hand nature of her drawings to her studied paindngs.Agnes Barley’s geometric, collage drawings are reducdve and methodical exploradons of structure and form. Her work examines concepts of place, context, dme and meaning.Patrick Keesey concentrates on the reladonship between seeing and marking, and the essendal tension inherent in the process of drawing. His work is a record of the movement of eye across a plane. The resuldng non-­‐representadonal, shapes and mark accumuladons explore the potendal of form and space in their own right.Presse mappe I Seite 80

Galerie Marie CiniDirector : Marie CiniGallery creadon’s year: 2009www.galeriemariecini.comcontact@galeriemariecini.com+33 1 42 71 44 1216, rue Saint-­‐Claude 75003 ParisElisabeth S. Clark, Between Words, 2009. Score (bound), 30 x 42 cm © Elisabeth S. Clark – Galerie Marie CiniFocus ardst : Elisabeth S. Clark, born in 1983Others ardsts exhibited on the booth: Leïla Breh, Ulrike Möschel, Jérémie Delhome Prices of the works: from 550 € to 6 000 €Through the most radical and minimal of contemporary art pracdces, Elisabeth S. Clark explores the topography of language, sound, dme and thought and the definidons surrounding these landscapes.Her works speak of displacement and disappearance – but also of transformadon and appearances. Elisabeth S. Clark adds, removes, establishes protocols and ogen refers to literature, music or science.Elisabeth S. Clark, born in 1983, is an ardst who lives and works between London and Paris. She received her MA from the Slade School of Fine Art in 2008 and a BA from Goldsmiths University in 2005. Since graduadng, she has been based primarily in Paris where she was awarded residencies with the Fondadon d’entreprise Hermès (2010), Le Pavillon, Laboratoire de Créadon du Palais de Tokyo (2011) and more recently, in New York, Medellin, Bad Ems (2012). Recent exhibidons include at Palais de Tokyo (Paris), Fondadon d’entreprise Ricard (Paris), La Biennale de Lyon en Résonance (Lyon, France), Dallas Contemporary (Dallas, USA), ROOM gallery (London) and Site Gallery (Sheffield, UK) among other venues. Clark has also been the recipient of numerous awards, including the honorary Clare Winsten Research Fellowship Grant and a travel scholarship in South America. In October 2012, invited by the Fondadon d’entreprise Hermès and Actes Sud, she presented a new “Book Concerto” performance during the FIAC art fair in Paris. In parallel, she also presented her first solo exhibidon, "N'either N'or", at the Galerie Marie Cini.Presse mappe I Seite 81

Galerie Gourvennec OgorDirector : Didier Gourvennec OgorGallery creadon’s year: 2011www.galeriego.comcontact@galeriego.com+33 9 81 45 23 807 rue Duverger 13002 MarseilleSteve Veloso, Interpréta-on libre d’après un mo-f tradi-onnel gabonais / 1, 2012Graphite on paper, 150 x 210 cm © Gourvennec OgorFocus ardst : Steve Veloso, born in 1979Others ardsts exhibited on the booth: Timothée Talard, Rob de Oude, David LasnierPrices of the works: from 350 € to 7 000 €« My work consists in quesdoning the field of the art, its pracdce as well as its recepdon.At first I used a process of exposure bringing to think about the status of the work of art, its ardficial / this ardficial product which consdtutes a work of art, and to highlight the fact that an object remains in the end only an object, even if in the best case, what it sends back to us by looking at it, exceeds widely its materiality. So, What I mean by exposure is the fact of arriving at the formal result which I consider as a space of seducdon, and at the same dme to show all the process which brings to this space of seducdon.(…)At the same dme, since two years, my researches brought me to quesdon our vision of the abstracdon via the use of marks in the modern art history and the contemporary as well as in the African or South American tradidonal art, tradidonal sociedes using powerful psychotropics.For some of them, the use in a ritual way in the taking of powerful psychotropics provoke abstract visions which are retranscribed in the art of these sociedes (tapestries, braids, costumes, architectures, others). So, the used forms are somedmes very close to those appeared with the modern art and undl today. "Presse mappe I Seite 82

Yifat Bezalel, A Broken Hill, 2010. Pencil and ink on paper, 220 x 150 cm © Tate 2011Gowen ContemporaryDirector : Laura GowenGallery creadon’s year: 2009www.gowencontemporary.cominfo@gowencontemporary.com+41 (0)22 700 30 684 rue Jean-­‐Calvin1204 Genève, SuisseFocus ardst : Yifat Bezalel, born in 1975Prices of the works: from 1 200 € to 12 000 €Yifat Bezalel’s work is essendally composed of pencil and ink drawings on paper or wood, installadons and films. Bezalel’s drawings and installadons are the representadon of the creadve process and thinking of the ardst. Her concerns with real/unreal, physical and metaphysical space, fullness/empdness, fragility and uncertainty are displayed in an inordinate space. The narradve of Bezalel’s works, only at a first sight easily accessible, conceals a deep reflecdon touching polidcal, religious and philosphical aspects, as well as formal and theoredcal aspects of the ardsdc research. Yifat Bezalel was born in 1975 in Tel Aviv and studied at the Betzalel Academy of Art and Design in Jerusalem. She currently lives and works in Tel-­‐Aviv. Bezalel has extensively exhibited in Israel and, since 2011, in Europe. Recent exhibidons include Alice in Wonderland at the Tate Liverpool, travelling to the the MART Rovereto and the Kunsthalle Hamburg (group exhibidon 2011-­‐2012) ; VIDA Museum Borgholm, Sweden (solo, 2012). Upcoming group exhibidons include : MACRO Museo di Arte Contemporanea di Roma, Rome (2013 ; Personal Structures, Palazzo Bembo, Venice (2013).Presse mappe I Seite 83

Emmanuel HervéDirector : Emmanuel HervéGallery creadon’s year: 2011www.emmanuelherve.combonjour@emmanuelherve.com+33 9 51 10 96 586 rue Jouye Rouve75020 ParisDerek Sullivan, Illustra-on from The Albatross (K), 2010Coloured pencil and gouache on paper, 61 x 46 cm © Derek Sullivan et Emmanuel HervéFocus ardst : Derek Sullivan, born in 1976Others ardsts exhibited on the booth: Fernanda Gomes, Roxane Borujerdi, Charles-­‐Henri MonvertPrices of the works: from 1 000 € to 5 000 €Founded in 2011 : galerie Emmanuel Hervé opened in October 13 with a solo show by Pierre Paulin in a very small space in Belleville (in East Paris). Playing on the architectural qualides of a space with reduced dimensions, the gallery presents the work of internadonal ardsts in France and barely visible with the breadcrumb trail could be a shared interest in the same economy of means in the producdon of their works. Each exhibidon will be accompanied by an edidon by the ardst and produced by the gallery.The represented ardsts are : Jacques André, Roxane Borujerdi, Fernanda Gomes, Charles-­‐Henri Monvert, Sophie Nys, Pierre Paulin and Derek Sullivan.Presse mappe I Seite 84

James Brooks, Sentence number 10 on Conceptual Art, 2011. Pen on tracing paper, 27,9 x 21,6 cm, US Leher format © James BrooksGalerie Laurent MuellerDirector : Laurent MüellerGallery creadon’s year: 2010www.galerielaurentmueller.cominfo@galerielaurentmueller.com+33 1 42 74 04 2575 rue des Archives 75003 ParisFocus ardst : James Brooks, born in 1974Others ardsts exhibited on the booth: Motoko Dobashi, Sebasdan Gögel, Mardn Meyenburg, Roland StratmannPrices of the works: from 700 € to 1 500 €The galerie laurent mueller is a newly founded gallery for emerging ardsts in Paris. It is working together with young ardsts to promote their work in France and abroad through a programme around solo posidons as well as curated group shows of own and invited ardsts. The programme focusses around the themes of connecdons, lines, condnuity, progress and perspecdves. Crag, not only as ardsdc experdse but a state of mind, as holisdc approach to one's work as well as to the viewpoints, trends and feelings of our society also plays a role.The further goal of the gallery is to enable an exchange between ardsts, their ideas, their cultures and their styles through confrontadon and dialogue. Presse mappe I Seite 85

SATORDirector : Vincent SatorGallery creadon’s year: 2011www.galeriesator.comvincent@galeriesator.com+33 1 42 78 04 848 passage des Gravilliers 75003 ParisGabriel Leger, The big game, 2009. Charcoal on paper, 70 x 100 cm © Gabriel Leger & galerie SatorFocus ardst : Gabriel Leger, né en 1977Others ardsts exhibited on the booth: Sylvain Ciavaldini, Raphaël Denis, Truc-­‐AnhPrices of the works: from 250 € to 2 800 €Founded and directed by Vincent Sator to promote up-­‐and-­‐coming contemporary French and internadonal ardsts, Galerie Sator opened its doors in Paris in October 2011. Taking an interest in all mediums (paindng, photography, drawing, objects, installadons, video…) Galerie Sator endeavors to support ardsts whose work balances between conceptual and aesthedc poles. Man and his representadon are at the heart of the gallery’s approach.With a degree in Polidcal Science and Art History, Vincent Sator has worked in France, Switzerland and Hong Kong for public insdtudons as well as private art galleries such as the Musée Nadonal d’Art Moderne, la direcdon des Musées de France, the Musée du Louvre, and Blondeau Fine Arts Services in Geneva. In 2007 he co-­‐founded Galerie Blue Square in Paris, specializing in contemporary Russian art, which he co-­‐directed undl 2010. Gabriel Leger (born in Paris in 1977, lives and works in Paris) creates ficdonal universes quesdoning Man’s reladonship to the world, his self-­‐control, and his surroundings. Profoundly anchored in a reladonship between mark and design, developed on a plurality of supports and maintained by research into diverse technical processes, the work of Gabriel Leger is a narradon of man, imprinted with mystery and poetry, absurdity and quotadons. His oniric universe draws its source from the connecdon man maintains with the world and his desire for mental construcdon.Presse mappe I Seite 86

Zachary Bruder, They Want Back What They Have Lent You, 2012. Ink, pen, and collage on panel, 15 5/8 x 11 1/4 inches. Courtesy Show RoomShow RoomDirector : Jeannie WeissglassGallery creadon’s year: 2011www.showroom170.cominfo@showroom170.com646 559 2856170 Suffolk St. New York, New YorkFocus ardst : Zachary Bruder, born in 1984Other ardst exhibited on the booth: Anne DelelportePrices of the works: from 1 500 € to 15 000 €Show Room is proud to present the new work of Zachary Bruder and the Found Drawings of Anne Deleporte.Zachary Bruder’s drawings are visually elegant, strikingly simple with a nod to Pop Art and Brancusi . They are also maps for ideas and belief systems. Working with a limited palehe, he propels his shaped panels into acdve vessels of meaning and informadon.. The polygon he favors refer to signage, banners , flags, placards , perhaps the outline of ardfacts, and are steeped in polidcal and cultural mohos. .Saturated dots of black ink applied to the surface act as stars that seek to connect. These interacdons create constelladons within the shaped frame. From microcosm to macrocosm, cell to atom, everything in the world is essendally made up of the same material, Bruder’s energized picture plane transformed to entropy.Zachary Bruder was born in 1984 and lives and works in New York City.His recent exhibidons include "Greasy Pink, NY, NY, "The Color Gray", Homeland, Houston,TX and The “Brucennial 2012”, Curated by Vito Schnabel and the Bruce High Quality Foundadon, NY, NYPresse mappe I Seite 87

SOD GalleryDirector : Marie KirkegaardGallery creadon’s year: 2011www.sodgallery.dksod@sodgallery.dk+4520123053Holbergsgade 17CDK-­‐1057 Copenhagen KDenmarkSilas Inoue, Secondary Depreva-on, 2012. Watercolor and pen on paper, 64 x 110 cm © SOD GalleryFocus ardst : Silas Inoue, born in 1981Other ardst exhibited on the booth: Rasmus RosengaardPrices of the works: from 1 000 € to 1 400 €Established in June 2011, SOD the only specialized gallery in Copenhagen striving to show current trends in contemporary drawing more coherently.The ardsts represented by SOD Gallery work within a variety of media, rooted in a dynamic approach to drawing, reflecdng mixed media expression and thereby expanding the current horizons, to create a lasdng contemporary impression, of drawn arts uniqueness.The focus ardst at DRAWING NOW PARIS 2013 is Danish-­‐Japanese ardst Silas Inoue. Through a diverse ardsdc pracdce consisdng of drawings, watercolors and sculptural objects Inoue work with a visual poetry in which each work is the subject of a contempladve work, dedicated to various thought experiments and a meditadve absorpdon in the material.Ogen inspired by poedc literature Inoue seems to raise various holisdc and existendal quesdons that are ogen expressed as nightmarish or adventurous frames of mind that relate to the darker sides of life.The second ardst represented by SOD is Rasmus Rosengaard. The focal point of his ardsdc pracdce is the monochrome work, its materiality and its contempladve opportunides.Rosengaard will present some large scale drawings, where he in graphite alone tests the limits and possibilides of the frey monochrome, which involves a special focus on the processing of sensidve and ambient elements of the picture plane. The drawings are done on paper or canvas with graohite dust, which undergoes a long-­winded process in which the graphite is smoothed on the surface with a cloth to create and explore a spadal depth or evocadve elements.Presse mappe I Seite 88

The Running Horse Contemporary Art SpaceDirector : Lea SednaouiGallery creadon’s year: 2009www.therunninghorseart.cominfo@therunninghorseart.com+9611562778Emi Miyashita, Breast Tour, 2012. Pencil on paper, 20,5 x 26,5 cm. Courtesy The Running HorseFocus ardst : Emi Miyashita, born in 1985Others ardsts exhibited on the booth: Alfred Tarazi, Hiba Kalache, Carlo Keshishian, Charif GhahasPrices of the works: from 1 400 € to 4 000 €The Running Horse Contemporary Art Space, opened in May 2009, is located in the Karandna industrial district of Beirut, Lebanon.The Running Horse (TRH) acts as a communicadve plamorm looking to foster contemporary visual language by invidng emerging ardsts from Lebanon and the Middle East to ardculate concepts and generate creadve possibilides through different media that cover paindng, photography, sculpture, video and installadon. In addidon to presendng local ardsts to a wider internadonal public, TRH also works to introduce emerging and mid-­‐career internadonal ardsts through various themadc exhibidons to the Lebanese audience and the wider Middle Eastern community, advocadng thus a permanent discourse in visual culture.The ardsts exhibited at DRAWING NOW PARIS 2013 are Hiba Kalache (Lebanon), Carlo Keshishian (England), Emi Miyashita (Focus ardst – Japan) et Alfred Tarazi (Lebanon).Emi Miyashita works on pencil on paper miniatures, represendng sexual organs set in asexual environments surrounded by objects, accessories and minute people. The ardst conveys her desires and apprehensions seƒng up these well alive organs in a fantasdc world. The works are accompanied by magnifying glasses, invidng the viewer to come closer, and observe closely the indmate world of the ardst.Emi Miyashita born in 1985 in Miyagi, Japan is a graduate from Central Saint Mardns College of Art & Design, and of Chelsea College of Art, London.Presse mappe I Seite 89

GALERIE VINCENZ SALA Paris-­‐BerlinDirector : Helmut BauerGallery creadon’s year: 1986www.vsala.comvincenz.sala@vsala.com52 rue Notre Dame de Nazareth75003 ParisMyriam El Haïk, Cahier de puni-ons IX (polychrome), 2012. Felt-­‐dp on paper, 15 x 21 cm © DRFocus ardst : Myriam El Haïk, born in 1973Prices of the works: from 250 € to 2 500 €Myriam El Haïk (1973), is a French-­‐Moroccan ardst, performer and composer. Her more recent work explores repeddve wridng. Simple signs that vaguely but explicitly refer to Arabic lehers are lined up, right to leg. A fairly rapid scribbling with colored felt-­‐dp pens, inidally on paper in her ‘cahiers de punidon’, then directly on the wall. Monochromadc or superposed in layers of different colors, the lined up signs create rhythmic fields. And broader rhythmic structures emerge between the superposed layers suggesdng some curved form, a piece of cloth, perhaps a flag. Polyrhythmic music, work with basic rhythmic modfs that get out of, and back into, step is not far. As for music the making is important. Whether bend over a table laboriously filling her ‘cahiers’ or upright in front of a wall, the exercise is physical. It engages, informs, and in its obsessive repeddveness eventually forces the body. Myriam El Haïk’s works reflect on the physical disciplines surrounding wridng and the learning of wridng. Perhaps, Myriam El Haïk’s “wridngs” really belong to another stream of her work: performance. It’s the act of wridng, silently, at a given place and a given dme. A memory that is physical more than anything else, a meaning well before the meaning that comes with the lehers of some alphabet. In her recent creadons, she comes to weave bonds between different mediums : drawing, music, dance and video.Presse mappe I Seite 90

Galerie With TsjallingDirector : Tsjalling VenemaGallery creadon’s year: 2010info@withtsjalling.nl+31-­‐6-­‐44896856Oosterstraat 269711 NV Groningen Julio Pastor, African Guerilla Boy -­‐ Zuiderkerkstraat, 2009watercolour and pencil on cohon paper, 13 x 18 cm © Julio Pastor/galerie with tsjallingFocus ardst : Julio Pastor, born in 1981Others ardsts exhibited on the booth: Chiaki Kamikawa, Jans MuskeePrices of the works: from 250 € to 2 500 €Julio Pastor (1981), comes from Mexico City, but now lives in Groningen, the Netherlands. His moving from one of the worlds largest cides to a town of nearly 200.000 inhabitants has largely affected his view on how urban infrastructure affects his everyday habits. This way he became much more sensible to issues concerning urban planning, and the subject maher of his art producdon is pointed at quesdoning the way cides are being built, restructured and adapted.The training programme for running a marathon allows the ardst to discover certain things in the city of Groningen which would have otherwise remained unnodced. The series of small watercolours that show different places in Groningen where he has found the same graffiƒ stencil of a young African guerilla reflects these findings. Using watercolours he tries to show places where the city shows a certain fragility. He tries to take profit of the pardcular characterisdcs that the medium of watercolour can offer. Some of these pieces were therefore drawn on the spot, becoming, this way, the recording of a long period of dme that the ardst spent in front of the subject maher.A new series of drawings is currently evolving during an ardst-­‐in-­‐residency stay in Berlin. Here Pastor is searching for places that show this city that is always changing. Constantly construcdon work is taking place, but somedmes buildings are leg unfinished, like the monument designed by Albert Speer, that was leg in a residendal area ager World War 2.Presse mappe I Seite 91

XPO galleryDirector : Philippe RissGallery creadon’s year: 2011www.xpogallery.cominfo@xpogallery.com17 rue Notre Dame de Nazareth75003 ParisVincent Broquaire, Big Rock, 2012. Ink on paper, 46 x 35 cm. Courtesy xpo galleryFocus ardst : Vincent Broquaire, born in 1986Other ardst exhibited on the booth: Cedric QuissolaPrices of the works: from 800 € to 4 000 €With black felt-­‐dp as his medium of choice, Vincent Broquaire portrays the shiging landscape of a world subject to the buffedng forces of invendon. Bent on depicdng reality -­‐ along with all its absurdides -­‐ he sketches its hidden fantasy and ambidon. Through the humor of his spontaneous reflecdons we see the other side of a perfect society. Vincent Broquaire, conversant with new technology, idendfies the limits of our influence and control over innovadon, and conceives the consequences of our irradonal undertakings. From the news in brief to the most dramadc stories, his distanced and cridcal perspecdve brings out their poedcal designs and underlying pathos.Presse mappe I Seite 92

DRAWING NOW PARIS l PARCOURSA LABEL TO PROMOTE THE CONTEMPORARY DRAWINGUnter diesem im Jahr 2009 ins Leben gerufenen Label finden im Rahmen einer freundschaglichen Partnerschag in Museen, Kunstzentren, Sdgungen und an privaten Ausstellungsorten in Paris und im Pariser Großraum Ausstellungen moderner und zeitgenössischer Zeichnungen stah.Über die begrenzte Dauer der Messe hinweg möchte dieses Label auf die Bedeutung der Zeichenkunst hinweisen und auf alle Veranstaltungen aufmerksam machen, die diese Kunstgahung zum Thema haben. Die reichhaldgen öffentlichen oder privaten Kollekdonen nutzen die im Zusammenhang mit der Messe entstehende Dynamik, um die Aufmerksamkeit des Publikums auf andere Herangehensweisen an die Zeichnung zu lenken.DRAWING NOW I PARCOURS möchte die zeitgenössische Zeichnung über eine autonome Website, die auf aktuelle Ausstellungen an den Partner-­‐Veranstaltungsorten hinweist, das ganze Jahr lang beleben.PARTNER 2013Arts DécoradfsCentre Culturel SuisseEcole Spéciale d'ArchitectureFrac Ile-­‐de-­‐France / Le PlateauGoethe-­‐InsdtutInsdtut NéerlandaisLAM-­‐ Lille Métropole Musée d'art moderne, d'art contemporain et d'art brutMaison RougeMAMVPMusée de la Chasse et de la NatureMusée du Quai BranlySèvres-­‐Cité de la CéramiquePresse mappe I Seite 93

ARTS DÉCORATIFS107, rue de Rivoli -­‐ 75001 ParisT +33 1 44 55 57 50 I www.lesartsdecoradfs.frTuesday to Sunday from 11am to 6pm -­‐ last dcket sold at 17h30 pm. Thursday : up undl 21pm for temporary exhibidon -­‐ last dcket sold at 20h30pm Closed on MondayGraphic enchantments of Emilio Terry : cridcal selecdon of proto drawingsBaroque and neo-­‐classical, inventor of the "Louis XVII style", admirer of Palladio and Ledoux, Emilio Terry (1890-­‐1969) condnues to feed the confluent imaginadons and imaginadve worlds of designers, architects, decorators and French or foreign landscapers. The presentadon of twenty works from the outstanding collecdon of the Department of Graphic Arts of the Musée des Arts décoradfs (not less than 1200 drawings) authorizes, on the principle of accumuladon, miscellaneous comparisons and lisdngs, the coverage of a temporal prism open from the 1930s to the turn of the 1970s, the materiality of the carried out orders (or in progress because not achieved), the resdtudon of hexagonal and internadonal sociability links ded by the creator connected to many social networks (versus Boni de Castellane) and assured of a famous clientele (from Anna de Noailles to Charles Beistegui).Curator : Agnès Callu -­‐ Musée des Arts décoradfs, Departement of Graphic Arts– Cabinet of DrawingsEmilio Terry y Sanchez (1890 -­‐ 1969), Projet : pavillon, France, 1932. Encre noire et lavis, inv. 47773.72CENTRE CULTUREL SUISSE38, rue des Francs Bourgeois -­‐ 75003 Paris (entrée au fond du passage)T +33 1 42 71 44 50 I ccs@ccsparis.com I www.ccsparis.comFrom Tuesday to Sunday : 1pm -­‐ 7pm I free entrance for the exhibidonsMarc Bauer, The Collector01/02 -­‐ 14/04/13The collector is the one who gathers what is scahered, He creates an order of its own in the universe and sat in his power by controlling the objects that belong to him. This exhibidon presents drawings on paper or on aluminum, as well as wall drawings, Marc Bauer focuses on a dark period of History, France under the Occupadon, and in pardcular on the spoliadon of Jewish property by Nazis. He retraces atmospheres of parisian collector’s apartments leg hurriedly, and put into perspecdve with other collecdons. Marc Bauer (born in Geneva in 1975) lives and works in Berlin. Personal exhibidons are planned at gallery Freymond-­‐Guth in Zurich in 2013 and FRAC Auvergne in 2014.On Saturday April 13, projecdon at 8.00 pm of the animated film The Architect (26 ') from Marc Bauer, with live music from French rock group Ka„a. This project is inspired by Nosferatu, eine Symphonie des Grauens (1922) by Friedrich Wilhelm Murnau.Marc Bauer, Le Collec-onneur, 2012. © Marc BauerPresse mappe I Seite 94

FRAC ILE-­‐DE-­‐FRANCE / LE PLATEAUPlace Hannah Arendt -­‐ 75019 Paris (angle de la rue des Alouehes et de la rue Carducci)T + 33 1 76 21 13 41 I info@fracidf-­‐leplateau.com I www.fracidf-­‐leplateau.comFree entrance. Opening days and hours : Wednesday to Friday from 2 p.m to 7 p.m. Saturday and Sunday from 12 p.m to 8 p.mPaint it Black.14/03 -­‐ 12/05/13A black-­‐and-­‐white exhibidon based on recent acquisidons by the Frac Ile-­de-­‐France, Paint it Black. proposes a radical formal concept, the beher to bring out the intrinsic logic of each of the works on view, which can be based on an abstracdon of reality, conjure up the perforce selecdve work of memory, or propose various cosmic visions of the world… By referring explicitly to music, Paint it Black. is endowed with a set of scores which, in a conceptual manner that has historically encouraged black and white in its quest for the ideal, pace the exhibidon like so many potendal refrains. Exibidon curator : Xavier FranceschiDove Allouche, Les Fumeurs Noirs_8, 2010. Collecdon du Fonds régional d’art contemporain Île-­‐de-­‐France, © Dove AlloucheWith the works of Dove Allouche, Inaki Bonillas, Francesco Gennari, Joachim Koester, Bertrand Lamarche, Benoît Maire, Ralph-­‐Eugene Meatyard, Helen Mirra, Evariste Richer, Ben Rivers, Margaret Salmon, Béatrice Samson, Wolfgang Tillmans…GOETHE-­‐INSTITUT17, Avenue d’Iéna -­‐ 75116 Paris (1st floor)T +33 1 44 43 92 30 I www.goethe.deFree entry during library hours : Tuesday, Wednesday and Friday from 1 to 8 p.m., Thursday from 10 to 4 p.m., Saturday from 10 to 2 p.m.Comic-­‐TransferBerlin-­‐Paris-­‐Beyrouth, the city and its bordersAn exhibit by Zeina Abirached, Paula Bulling and Nicolas Wild09 -­‐ 27/04/13Three cides, three ways of looking at a city, a culture, a society – three ways of experiencing the borders of a metropolis. For two weeks, Zeina Abirached, Paula Bulling and Nicolas Wild, the comic book authors, changed places in life and work. A game of hare and hounds, a paper trail, a treasure hunt, prepared by each of the authors led them to unexpected, unusual or emblemadc places, in search of the geographic, religious and social borders of the city.This exhibit follows their paths through sketches, original drawings and stories from the blog created especially for the occasion. This will give visitors a taste of the larger exhibit to be presented in 2014 that will bring together all the ardsts who took part in the Comic-­‐Transfer Project.You will find everything you want to know about the project at: blog.goethe.de/comic-­transferPresse mappe I Seite 95

INSTITUT NÉERLANDAIS121 rue de Lille -­‐ 75007 ParisT +33 1 53 59 12 40 I info@insdtutneerlandais.com I www.insdtutneerlandais.comEveryday from 1 to 7pm except MondayPeter Vos, Métamorphoses14/03 -­‐ 26/05/13LAM-­‐ LILLE MÉTROPOLE MUSÉE D'ART MODERNE, D'ART CONTEMPORAIN ET D'ART BRUT1 Allée du Musée -­‐ Villeneuve-­‐d'AscqT +33 +33 3 20 19 68 68 I info@musee-­‐lam.fr I www.musee-­‐lam.frEveryday from 10am to 6pm except MondayJockum Nordström16/02 -­‐ 19/05/13Jockum Nordström (1963, Stockholm) is one of the most renowned Swedish ardsts of his generadon.The exhibidon at the LaM is his first museum retrospecdve in France, and second in importance ager the one at the Stockholm Moderna Museet in 2005. Comprising almost a hundred art works, it unfolds a comprehensive panorama of his work, from his pencil drawings done between 1995 and 2010 to his more recent collages, including his architectural models and his photographic collages of 2006-­‐2010.Jockum Nordström, Vägvisaren, 2012. Collage, watercolor and graphite on paper, 135 x 100 cmPhoto: P. Cox. © Courtesy David Zwirner, New York/London; Galleri Magnus Karlsson, Stockholm; and Zeno X Gallery, Antwerp. © Adagp Paris, 2012Presse mappe I Seite 96

MAISON ROUGE FONDATION ANTOINE DE GALBERT10 bd de la basdlle -­‐ 75012 Paris T +33 (0)1 40 01 08 81 I info@lamaisonrouge.org I www.lamaisonrouge.orgWednesday to sunday open from 11am to 7pm . Thursday up to 9am Under Influences15/02 -­‐ 19/05/13La maison rouge presents, from February 15th to May 19th 2013, Under Influences, a major exhibidon which addresses the reladonship between ardsts and psychotropics.Since the dawn of dme, ardsts were all but compelled to try out their effects.Leaving moral judgement aside, the exhibidon proposes (necessarily non-­‐exhausdve) examples of the interreladons between creadve processes and the use of psychodynamic substances borrowed from ardsts like Henri Michaux, Yayoi Kusama, Carsten Höller…. Carsten Höller, Amanite fluorescente, 2004. Sérigraphie manuelle 2 couleurs fluo sur papier Velin d'Arches 400 gr., cadre bois et verre, 112 x 99 cm et 118 x 105 cm. Edidon de 8 © photo DR. Courtesy Air de Paris, Paris.MUSÉE D’ART MODERNE DE LA VILLE DE PARIS11 avenue du Président Wilson -­‐ 75116 ParisT +33 1 53 67 40 00 I www.mam.paris.frOpen Tuesday -­‐ Sunday : 10 am -­‐ 6 pmLINDER, Woman/Object01/02 -­‐ 21/04/13An ARC exhibidonThe Musée d’Art Moderne de la Ville de Paris is presendng the first-­‐ever retrospecdve of the work of Bridsh ardst Linder Sterling, known as Linder. The layout of the exhibidon reflects the three main currents in her oeuvre: the visual arts, music and fashion.Comprising some 200 works, the exhibidon offers a broad selecdon of photographs, photomontages, lightboxes and works on paper, together with costumes, videos, sound installadons and recordings of performances, including the 1981 concert which featured her wearing a dress made of raw meat.Linder, Hiding but s-ll not knowing, 1981-­‐2010 © LinderPresse mappe I Seite 97

MUSÉE DE LA CHASSE ET DE LA NATURE62, rue des Archives -­‐ 75003 ParisT +33 1 53 01 92 40 I www.chassenature.orgFrom Tuesday to Sunday 11am to 6pm. Wednesday up to 9h30pm. Closed on monday Arno Kramer08/04 -­‐ 29/09/13The musée de la Chasse et de la Nature seeks to examine the reladonship between man and his natural environment through ardsdc and cultural heritage they inspire. Through its cultural program, thinkers and ardsts of our dme are invited to enrich the perspecdve developed by the permanent exhibidon of the museum. The Dutch designer and curator Arno Kramer (born 1945) is invited to create a monumental and ephemeral drawing as to invade the walls of the staircase of the hôtel de Guénégaud, built by François Mansart (1598 -­‐1666). The dreamlike and inhabited landscape offers a renewed percepdon of this masterpiece of the "god of French architecture"...SÈVRES-­‐CITÉ DE LA CÉRAMIQUE2, place de la Manufacture -­‐ 92310 SèvresT +33 1 46 29 22 00 I www.sevresciteceramique.frInk for goldDrawings ans engravings of ornaments Sèvres03/04 -­‐ 13/05/13Adapted to the specific needs related to the producdon of Sèvres, engraving let report, at will, friezes, rosehes and ahributes on difficult surfaces to decorate with ease and accuracy difficult to achieve manually. Many designs of ornaments and decoradve friezes, and also the collecdon of engraved plates, sdll in use in decoradng shops, show the place of this technique in Sèvres. Etching is used in the workshops of the Manufacture in the second half of the eighteenth century for tesdng transfer of gold decoradve paherns on some parts service, but the first prindng workshop was established in 1806 at the Manufacture. The significant growth of this technique in Sèvres during the first half of the nineteenth century is linked to the creadon of large tableware and vases. This tradidon has condnuedundl today, while adapdng to the changing shapes, designs and styles. Since the 1960s, ardsts like Mitsuko Takano, Roberto Maha and Philippe Favier renewed use of this technique in creadng contemporary pieces. The presentadon of drawings and engravings ornaments Sèvres from the nineteenth to the twenty-­‐first century, explains the role of etching in the set design and show the major role of Sèvres in the history of decoradve arts. Philippe Favier, Décor pour une assieBe plate en porcelaine de Sèvres. Encre sur papier, 24.5 x 17.5 cm. Commande pour l'Elysées créé par Philippe Favier pour le service du nouveau millénaire. © G.Jonca Sèvres -­‐ Cité de la CéramiquePresse mappe I Seite 98

Die wichdgsten partnerMAIN SPONSORFrom the first edidon SOFERIM supports the fair and the contemporary creadon while condnuing to promote a parisian real estate tradidon. www.soferim.comOFFICIALS PARTNERSSaguez & Partners is one of the first internadonal French design agency. The 130 people team occupies La Manufacture, a former factory converted according to its own design, a lifestyle and producdve space which unites the reason and the sensibility. Some projects : Calligaris, Foncier Home, Grand Palais, Lafayehe Maison, Les Puces de Saint-­‐Ouen, Silvera, Sony Style George V, Aéroports de Paris, Unibail-­‐Rodamco, SNCF, Kusmi Tea, Nespresso… The logo DRAWING NOW PARIS was created in 2011 by Saguez & Partners who accompanies the brand and the event ever since.Link between drawing and paper; Inapa, distributor of prindng papers, will join Drawing Now for the 4th consecudve year. The catalog of the 2012 edidon was printed on Bamboo Disdncdon (coverage) and Inapa Imagine Silk (inside) allowing development of reproducdons of Ardsts, and thereby offering “a beaudful work” for the Art lovers.Inapa is also 8 000 items, a wide range of print media and the choice of leading brands. Exclusive brands: Unique By Inapa. Inapa brands: for economical or innovadve soludons. A complete range of packaging soludons and consumables as well as many supports for digital prindng. INAPA "soludons" to answer to all the communicadon needs of your business.Founded in 1761, Faber-­‐Castell is the world’s leading manufacturer of graphite and colour pencils. With its rich heritage and in keeping with its dmes, Faber-­‐Castell wants to honour the contemporary art and is proud to be part of DRAWING NOW PARIS since 2012.Presse mappe I Seite 99

VIP CLUB PARTNERSContemporary design: discovering new talent Nicolas Feuillahe has always ahached great importance to modern art. Transcending the role of patron or sponsor, Nicolas Feuillahe evokes the creadve freedom that laughs in the face of convendon and surprises the senses, and is where the brand recognises its true values. Above and beyond a passion for design, Nicolas Feuillahe seeks more than anything to sdmulate innovadon and discover new talent.Nespresso's Grand Crus come on stage at DRAWING NOW PARIS as ardsts with a unique personality awakening gourmet sensadons in each of us. Since more than 20 years, Nespresso, in its search for elegance and innovadon, invites leading figures of the ardsdc and design environment such as Andrée Putman, Konstandn Grcic, the collecdve 5.5 Designers, Chrisdan Ghion, Manish Arora, in order to share moments of inspiradon and excepdon. Therefore it is natural for Nespresso, pioneer and worldwide reference for the pordoned and upscale coffee, to be partner of the 7th edidon of DRAWING NOW PARIS I LE SALON DU DESSIN CONTEMPORAIN.SUPPLIERS PARTNERSARTEUM is a new concept store "Arts & Design" that distributes an original set of products licensed by ardsts. Paindngs, photographs, sculptures, reproducdons of works, design, products and cultural items are offered at affordable prices. In Paris, Arteum shops are in Carrousel du Louvre, Bercy Village, Cnit La Défense, Printemps Haussmann, Montparnasse and Parly 2. Arteum also offers its endre selecdon on its online store www.arteum.com. The first Japanese boudque is now open in Tokyo.Presse mappe I Seite 100

Media partnerPresse mappe I Seite 101

Prakdsche InformadonenCARROUSEL DU LOUVRE : 99 rue de Rivoli, 75001 ParisÖFFNUNGSZEITEN FÜR DAS PUBLIKUMDonnerstag 11. April, Freitag 12. April, Samstag 13. April von 11 bis 20 Uhr I Sonntag 14.April von 11 bis 19 UhrPRESSE-­‐VERNISSAGE. Mihwoch 10. April ab 11 UhrVERNISSAGE. Mihwoch 10. April von 18 bis 22 UhrEINTRITTSPREISEVoller Preis: 15 €Ermäßigter Preis: 8 € Kostenlos für Besucher unter 18 Jahren (wir bihen Besucher ab 13 Jahren, am Messeeingang eine Freikarte zu lösen)Katalog : 15 €Eintrih + Katalog: 20 €ANFAHRTMetrostadon Palais Royal-­‐Musée du Louvre: Linie 1 und 7Bushaltstelle Palais Royal-­‐Comédie Française: Linie 21/27/39/81/95Zugang zur Tiefgarage Carrousel-­‐Louvre über die Avenue du Général Lemonnier, 75001, Paris INFORMATIONEN+ 33 (0) 1 45 38 51 15 I info@drawingnowparis.comwww.drawingnowparis.comVERANSTALTERCPCT Arts&Events48 rue Raymond Losserand, 75014 Paris+ 33 (0) 1 45 38 51 15info@drawingnowparis.comwww.drawingnowparis.comUNTER DER SCHIRMHERRSCHAFT VON MADAME AURÉLIE FILIPPETTI, MINISTER FÜR KULTUR UND KOMMUNIKATIONPressekontaktAgence Observatoirewww.observatoire.frAurélie Cadot : aureliecadot@observatoire.fr68 rue Pernety, 75014 Paris+33 (0)1 43 54 87 71Presse mappe I Seite 102