Galerie Jean BrollyDirector : Jean BrollyGallery creadon’s year: 2001www.jeanbrolly.comgalbrolly@wanadoo.fr+33 1 42 78 88 0216 rue de Montmorency 75003 ParisDavid Scher, Scene II, The Fish, 2012. Ink on paper, 50 x 64 cm © Courtesy Galerie Jean BrollyFocus ardst : David Scher, born in 1952Others ardsts exhibited on the booth: Mathieu Cherkit, Benjamin Swaim, David TremlehPrices of the works: from 400 € to 5 000 €David Scher is a New Yorker, prolific and muld faceted ardst : musician, poet, painter and drawer, David Scher's output is profuse, and varied, striking a teetering balance between the everyday and the extraordinary, ogendmes exposing both qualides in the same obscure character or situadon. Disparate elements emerge, as fragmentary as memory. Muted colors, gestures that gently seduce, all coalesce, imbued with an irradonal humor, a dadaist absurdity. " I think that I drew before knowing how to speak ", declares David Scher. David Scher was born in 1952 in Saint Louis (Missouri).He lives in Marseille for 3 years.<strong>Presse</strong> <strong>mappe</strong> I Seite 18
Guy Oberson, Other Tomorrows (The Hero), 2012. Black chalk on paper, 60 x 90 cm © Galerie CGalerie CDirector : Chrisdan EggerGallery creadon’s year: 2011www.galeriec.chinfo@galeriec.ch0041 32 724 16 260041 79 414 00 15Esplanade Léopold Robert 1a2000 Neuchâtel, SuisseFocus ardst : Guy Oberson, born in 1960Others ardsts exhibited on the booth: Edwige Fouvry, Stéphanie Jeannet, Ayako David KawauchiPrices of the works: from 1 200 € to 4 000 €Guy Oberson lives and works in Fribourg CH and in Berlin DEThe drawings in black lead pencil by Guy Oberson strike by a destrucdve dynamism accentuated by the blackness of the stroke, the whiteness of the light, and always by the verdcal lines that sweep across the paper giving rise to a screen through which the fascinated eye has to fray its way. By intensely studying those landscapes, those figures or those portraits they dematerialize to evoke corresponding spiritual images, interior spaces, just as if our fears or our aspiradons find themselves perfectly expressed.Faced by these visions of a dramadzed nature, black lead is also exploited to realise huge drawings that hit us in an unstoppable spiral that goes from interior rupture to renouncement. Yet again, the spectator is struck by the network of lines that trouble percepdon of the figures or the landscapes to the extent that the more one approaches the work the more the surfaces and the curves drown themselves and the contours loose themselves undl, before his very eyes, the subject disembodies to become an imaginary landscape modelled by a dim light. C. Schuster CordoneEvents 2012-‐2013:Performance in the studio of the cineaste Jennifer Alleyn, Montreal Canada (September 2012)Collecdve exhibidon “The landscape in all its facets” Musée de Charmey, Switzerland, 16.09-‐11.11.2012Collecdve exhibidon, « VERSO » Musée suisse du Vitrail à Romont, Switzerland, autumn 2013Collecdve exhibidon, « Portraits », Galerie C, Neuchâtel, Switzerland, September 2013, with Guy Oberson, Mingjun Luo, Grégory Cumins, Li Xiaofei and Gérard Alary<strong>Presse</strong> <strong>mappe</strong> I Seite 19
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