Presse mappe - Observatoire

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Baktash-‐Sarang Javanbakht, SUn-tled, 2010. Pencil on paper, 39 x 59 inches © Baktash-‐Sarang JavanbakhtJ. P. RITSCH-‐FISCH GALERIEDirector : Jean-‐Pierre Ritsch-‐FischGallery creadon’s year: 1996www.ritschfisch.comcontact@ritschfisch.com+33 3 88 23 60 746 rue des Charpenders67000 StrasbourgFocus ardst : Baktash-‐Sarang Javanbakht, born in 1981Others ardsts exhibited on the booth: Morton Bartleh, Antoine Bernhardt, Hiroyuki Doi, Sylvia Marquet, Francis Marshall, Thomas PalmePrices of the works: from 800 € to 8 000 €Presse mappe I Seite 68
Galerie RömerapothekeDirector : Philippe ReyGallery creadon’s year: 2003www.roemerapotheke.chgallery@roemerapotheke.ch+41 43 317 17 80Raemistrasse 18CH-‐8001 ZurichFocus ardst : Jana Gunstheimer, born in 1974Others ardsts exhibited on the booth: Marcel Gähler, Eva Grün, Felice Varini, Caro Suerkemper, Florian Heinke, Chrisdan Weihrauch, Alexandre JolyPrices of the works: from 600 € to 25 000 €Who does the future of art belong to?The worth of an ardst does not lie in the ardsdc truth a person possesses or seems to possess, but rather in the hard work he has put into understanding the underlying mechanisms of art. Since not only possession can broaden horizons but also the path. Sincerity goes hand in hand with authendcity and this in turn is visible in handwridng, signatures and in pardcular types of work that can only be produced if nothing is quoted, copied or imitated. Jana Gunstheimer’s blurring of ficdon and reality makes her work a metaphor of ardsdc pracdce, of the unique design of worlds whose potendality determines their strength. Caro Suerkemper uses seeming baroque ambiguity to make her style unique and disdncdve whereas Marcel Gähler and Chrisdan Weihrauch transform familiar, ogen unspectacular places, which seem mysdc and are frequently ignored into artwork with extreme dimensions – something only a visionary is capable of. Viennese ardst Eva Grün rules about self-reveladon and masquerade, seriousness and humour, polidcs and Dadaism and gives her work impish dtles which drive one to reflect on their meaning: Nothing clearly we don’t know. QED. Or rather – the future of art belongs to them.Presse mappe I Seite 69
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EDITORIAL7 Jahre für die zeitg
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Liste der GalerienDRAWING NOW I
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HighlightsDRAWING TALKS. Zum zwe
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galerie du jour agnès bDirector
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Bendana | Pinel Art Contemporain
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Galerie Bertrand BaraudouDirector
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