11.07.2015 Views

Presse mappe - Observatoire

Presse mappe - Observatoire

Presse mappe - Observatoire

SHOW MORE
SHOW LESS
  • No tags were found...

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Claudine Papillon GalerieDirectors : Claudine et Marion PapillonGallery creadon’s year: 1989www.claudinepapillon.comgalerie@claudinepapillon.com+33 1 40 29 07 2013, rue Chapon75003 ParisFrédérique Loutz, Overflow, 2012. Mixed media on canvas, 300 x 130 cm. Courtesy Galerie Claudine Papillon © Photo Laurent ArdhuinFocus ardst : Frédérique Loutz, born in 1974Others ardsts exhibited on the booth: Grégoire Bergeret, Cathryn Boch, Gaëlle Chotard, Erik Dietman, Loha Hannerz, Frédéric Lecomte, Jean-­‐Claude Ruggirello, Didier Trenet, Françoise VergierPrices of the works: from 1 000 € to 15 000 €Claudine Papillon opened her own gallery in 1989. In 2004 she moved into a new space of 250 m², situated in the Marais, close to the Pompidou Centre. Within her program, she sdll support ardstes who became emblemadc figures of the gallery (Dietman, Fridfinnsson, Roth) and wants to show as well the richness and the diversity of the french scene welcoming those ardsts who share her sensibilides, her sense of poetry and humor, her audacity, and occasionally even her sense of and-­‐conformity.Frédérique LOUTZ – Born in 1974, currently lives and works in Marseille. A resident of the Villa Medici in Roma in 2006-­‐2007, she was nominated for the Daniel & Florence Guerlain Prize for contemporary drawing in 2009, and pardcipated that same year in the Force de l’art Triennal. Her works are in important private and public collecdons (such as FNAC, Centre Georges Pompidou, FRAC Picardie, FRAC Auvergne). In the last years, she has also been commissioned for many works in public space, private patronage and fashion. She teaches drawing in the Marseille school of fine arts. I make use of mythology and tales, because there is no psychology, only acdons. In my work as far as I'm concerned, there is no tragedy, no humour, no drama and nothing absurd, just an inversion of worlds without hope or salvadon. I blend repertoires to specify the addresses. Playing with sense and sound are gymnasdcs that strengthen the physical move.**Frédérique Loutz, Entre-enne (conversadons), 2012<strong>Presse</strong> <strong>mappe</strong> I Seite 59

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!