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Of Pickaninnies and Nymphets: Race in Lolita - Project MUSE

Of Pickaninnies and Nymphets: Race in Lolita - Project MUSE

Of Pickaninnies and Nymphets: Race in Lolita - Project MUSE

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<strong>Race</strong> <strong>in</strong> <strong>Lolita</strong> 5Although this encounter proves noth<strong>in</strong>g but a m<strong>in</strong>or impediment to Humbert’sstratagem, a similar <strong>in</strong>cident is reported with<strong>in</strong> pages of the commencementof Part Two’s road trip: “I shudder when recall<strong>in</strong>g that soi-distant‘high-class’ resort <strong>in</strong> a Midwestern state, which advertised ‘raid-the-icebox’midnight snacks <strong>and</strong>, <strong>in</strong>trigued by my accent, wanted to know my dead wife’s<strong>and</strong> dead mother’s maiden names” (147). Furtive discrim<strong>in</strong>ation is thus apattern on the road, <strong>and</strong> Humbert’s denunciation is doubly damn<strong>in</strong>g as heconverts “high-class” <strong>in</strong>to an epithet with his French <strong>and</strong> his scare quotes,a riposte that suggests that a truly high-class establishment, sans quotationmarks, ought to be above such petty discrim<strong>in</strong>ation. 10 The <strong>in</strong>quir<strong>in</strong>g <strong>in</strong>nkeepersshare their doubts about Humbert with Charlotte herself, whose suspicionsare rankled once he becomes a marriage prospect: “she also askedme had I not <strong>in</strong> my family a certa<strong>in</strong> strange stra<strong>in</strong>. I countered by <strong>in</strong>quir<strong>in</strong>gwhether she would still want to marry me if my father’s maternal gr<strong>and</strong>fatherhad been, say, a Turk” (74–75). 11 The possibility of Humbert’s hav<strong>in</strong>g miscegenatedblood haunts much of the novel <strong>and</strong> affects his descriptions ofDolores’s pollution, descriptions which, as we will see, aga<strong>in</strong> suggest that theracialized aesthetic <strong>in</strong>forms the novel’s larger ethical arc.Later <strong>in</strong> the novel Humbert comes to marshal the image of his own miscegenatedblood <strong>in</strong>sofar as he figures <strong>Lolita</strong> herself as polluted by it, but <strong>in</strong> thatmoment at The Enchanted Hunters, he is offended enough by the clerk’spresumptive discrim<strong>in</strong>ation to react <strong>in</strong>dignantly. In fact, once the mistakenname on the telegram is cleared up, another curious detail is offered—Humbert <strong>and</strong> Dolores’s luggage is h<strong>and</strong>led by a “hunchbacked <strong>and</strong> hoaryNegro <strong>in</strong> a uniform of sorts” (117). This bellhop leads the way to room 342as Humbert refers to him as “Uncle Tom” (118). Is this an example of the<strong>in</strong>jured Humbert, however “attractively simian” he admits to be<strong>in</strong>g (104),the management, to “ref<strong>in</strong>ed f<strong>in</strong>e folks, young <strong>and</strong> old” (115). What suchstatements “really” mean perhaps Humbert could say.10. By 1954, the number of Jews on the American travel scene was greatenough to warrant Bernard Postal <strong>and</strong> Lionel Koppman’s A Jewish Tourist’sGuide to the U.S. The po<strong>in</strong>t of this volume was not to provide a list of friendlyhotels, but rather a comprehensive account of Jewish contributions toAmerican character so that “The traveller who makes all or part of the journeymapped out <strong>in</strong> this book is sure to stub his toe on American Jewish historywherever he goes” (xii).11. Humbert himself associates his pedophilia with his be<strong>in</strong>g turn’d Turk:“In my self-made seraglio, I was a radiant <strong>and</strong> robust Turk, deliberately, <strong>in</strong>the full consciousness of his freedom, postpon<strong>in</strong>g the moment of actuallyenjoy<strong>in</strong>g the youngest <strong>and</strong> frailest of his slaves” (60).

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