- Page 5 and 6: Contentswithout INVERTED COMMAS…
- Page 7 and 8: without INVERTED COMMASLet us talk
- Page 9: hori zon
- Page 12 and 13: Why doesa Belarusianhear novoice of
- Page 15 and 16: give up. Of course, for him that co
- Page 17 and 18: of its fellow citizens? Certainly y
- Page 19 and 20: they would not have been able to su
- Page 21 and 22: embed the Belarusian identity in Eu
- Page 23 and 24: in collaboration with philologists
- Page 25 and 26: acking independent culture, promoti
- Page 27 and 28: the tools and methods conducive to
- Page 29 and 30: Valiantsin AkudovichPhilosopher, es
- Page 31 and 32: What is your attitude to the change
- Page 33 and 34: How can you evaluate or try to diag
- Page 35 and 36: Troitsa for several years, and I se
- Page 37 and 38: The most important positive trend i
- Page 39 and 40: human rights situation in Belarus i
- Page 41 and 42: or a dozen of painters... Within tw
- Page 43: the context in which this art is cr
- Page 47 and 48: Belarusian contemporary art is repr
- Page 49 and 50: The only difference is that the “
- Page 51 and 52: Some authors left for good and buil
- Page 53 and 54:
Belarusian art “underground” to
- Page 55 and 56:
Meeting at round tables, Belarusian
- Page 57 and 58:
The 00s: the attack of youngstersTh
- Page 59 and 60:
community. During four days, six yo
- Page 61 and 62:
in the plays of the Free Theater. U
- Page 63 and 64:
Independent theater in contemporary
- Page 65 and 66:
Independence islandDirector Eugene
- Page 67 and 68:
physicality; that sphere had been a
- Page 69 and 70:
Britain, Vasilliy Sigarev and Maksi
- Page 71 and 72:
Belarus remains uncharted territory
- Page 74 and 75:
N.R.M. stayed in my perception as a
- Page 76 and 77:
Rock bandsBelarus:unchartedterritor
- Page 78 and 79:
concerts: I got trapped by modulati
- Page 80 and 81:
The painpointsof theBelarusianliter
- Page 82 and 83:
The painpointsof theBelarusianliter
- Page 84 and 85:
The painpointsof theBelarusianliter
- Page 86 and 87:
The painpointsof theBelarusianliter
- Page 88 and 89:
Modern Belarusian cinema is a myste
- Page 90 and 91:
Dawn atcolonialruinsThe storyline o
- Page 92 and 93:
Dawn atcolonialruinswished to see t
- Page 94 and 95:
Dawn atcolonialruinsThe film’s ch
- Page 96 and 97:
Dawn atcolonialruinsconcentrates on
- Page 99:
culture interviews
- Page 102 and 103:
Tatiana Artimovich: Valentina, the
- Page 104 and 105:
position our exhibitions as curator
- Page 106 and 107:
far. Of course, we are interested i
- Page 108 and 109:
his or her innermost? What is the r
- Page 110 and 111:
even with no value to anyone, in or
- Page 112 and 113:
State,writer,publicationI.L.: I thi
- Page 114 and 115:
State,writer,publicationpopulation
- Page 116 and 117:
State,writer,publicationin Belarusi
- Page 118 and 119:
With no independent record label en
- Page 120 and 121:
S.R.: How was the idea of your late
- Page 122 and 123:
Show businessin a countrythat bansa
- Page 124 and 125:
Show businessin a countrythat bansa
- Page 126 and 127:
ecause it is state ‐owned. Still,
- Page 128 and 129:
Belarusian independent music projec
- Page 130 and 131:
Ishallmakea stormЕ.К.: We started
- Page 132 and 133:
S.R.: In your view, a project can
- Page 134 and 135:
Ishallmakea stormЕ.К.: I link the
- Page 136 and 137:
While cinematography all over the w
- Page 138 and 139:
as the script writer Gennady Shpali
- Page 140 and 141:
Shoota goodfilmthe beginning to the
- Page 142 and 143:
А.К.: Yes, there are. But, their
- Page 144 and 145:
The Minister of Culture has found t
- Page 146 and 147:
There arestill someartistsout there
- Page 148 and 149:
There arestill someartistsout there
- Page 150 and 151:
There arestill someartistsout there
- Page 152 and 153:
There arestill someartistsout there
- Page 155 and 156:
Solidarity with Democratic Belarus,
- Page 157 and 158:
epresent and protect common propert
- Page 159 and 160:
Specific regulations of some types
- Page 161 and 162:
NGOs can engage in entrepreneurship
- Page 163 and 164:
the city of Minsk. The legislative
- Page 165 and 166:
of the state, and on the status of
- Page 167 and 168:
Any association that is not control
- Page 169 and 170:
actively learning from the experien
- Page 171 and 172:
as freedom, human rights, independe
- Page 173 and 174:
Educational associations are tradit
- Page 175 and 176:
The legal framework governing the a
- Page 177 and 178:
election monitoring teams’ assist
- Page 179 and 180:
culture, history, and sightseeing,
- Page 181 and 182:
already in 1996. The climax of the
- Page 183 and 184:
the Polish Democracy Support Fund t
- Page 185 and 186:
taking over certain public tasks) t
- Page 187 and 188:
c) Dependent organizations - such a
- Page 189 and 190:
state system, nothing should preven
- Page 191 and 192:
Despite the centuries ‐long discu
- Page 193 and 194:
Fight for independence in the early
- Page 195 and 196:
Mid-‘90s: a new page in Belarus
- Page 197 and 198:
The association of relatives of pol
- Page 199 and 200:
With history textbooks re ‐writte
- Page 201 and 202:
The 2008 reform consolidated the st
- Page 203 and 204:
The role of teachersNot only pro
- Page 205 and 206:
with necessary tools. They suggest
- Page 207:
aim at building a modern Belarusian
- Page 211 and 212:
Intellectuals in Belarus view their
- Page 213 and 214:
is joined by the historian Alexey B
- Page 215 and 216:
the last twenty years and take a lo
- Page 217 and 218:
ought by the old system, and get th
- Page 219 and 220:
Т.А.: Right. We all clearly reali
- Page 221 and 222:
the Development of the Belarusian L
- Page 223 and 224:
the government has been giving us p
- Page 225 and 226:
language and to the culture in gene
- Page 227 and 228:
to Chinese than to Russian. We have
- Page 229 and 230:
A.B.: Zhanna, the work of BAJ in Be
- Page 231 and 232:
in this country in the past year, a
- Page 233 and 234:
Such problems are hitting hard the
- Page 235 and 236:
Zh.L.: I have a reserved attitude t
- Page 237 and 238:
The Belarusian state treats gender
- Page 239 and 240:
which together with a person in nee
- Page 241 and 242:
at improving social protection of w
- Page 243 and 244:
protectionist policies do as much h
- Page 245 and 246:
Belarusian officials for the most p
- Page 247 and 248:
А.К.: What are the main spheres o
- Page 249 and 250:
А.К.: Besides the National Legisl
- Page 251 and 252:
to time. As soon as the political s
- Page 253:
modern Belarusian culture exists an
- Page 256 and 257:
AuthorsAndrei Rasinski - is a Belar
- Page 258:
kulturaenter.plmiesięcznik wymiany