Germany. The home of the Swedish photobook. Greger Ulf ... - Steidl
Germany. The home of the Swedish photobook. Greger Ulf ... - Steidl
Germany. The home of the Swedish photobook. Greger Ulf ... - Steidl
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150<br />
David Parker<br />
Sirens<br />
“<strong>The</strong>n all at once <strong>the</strong> wind fell, and a calm came over all <strong>of</strong> <strong>the</strong> sea, as though some power lulled <strong>the</strong> swell.”<br />
Homer. <strong>The</strong> Odyssey<br />
When Odysseus instructed his crew to lash him to <strong>the</strong> mast <strong>of</strong> <strong>the</strong>ir ship, he was preparing himself to hear <strong>the</strong> sirens’<br />
song, “<strong>the</strong> song <strong>of</strong> <strong>the</strong> universe”. <strong>The</strong>ir sweet singing, claims <strong>of</strong> omniscience and power to calm <strong>the</strong> waters, unfailingly<br />
lured sailors <strong>of</strong>f course to <strong>the</strong>ir destruction. Odysseus plugged his crew’s ears with beeswax, so that he alone could<br />
savour <strong>the</strong> seductive laments <strong>of</strong> <strong>the</strong> sirens and experience a mystical encounter with <strong>the</strong> sublime.<br />
Dreams and <strong>the</strong> sea are <strong>the</strong> closest we come to o<strong>the</strong>r worlds, and <strong>the</strong> solitary sea-stacks that David Parker has<br />
photographed, or sirens, as <strong>the</strong>y appear to him, stand as guardians on <strong>the</strong> threshold <strong>of</strong> both worlds. For Parker <strong>the</strong><br />
sirens’ song is a call to contemplation, not action, and <strong>the</strong>se images chart his fascinated encounters with an enchanted<br />
world <strong>of</strong> forgotten archetypes. His pictures are intended, siren-like, to lure <strong>the</strong> viewer into a mysterious abstract world,<br />
both concrete and ineffable.<br />
Myths and legends have <strong>of</strong>ten been inspired and shaped by geologic landforms and similarly, David Parker uses <strong>the</strong><br />
natural world as an arena for <strong>the</strong> personal exploration <strong>of</strong> mythic, symbolic and metaphoric motifs, a <strong>the</strong>me which he<br />
previously developed in <strong>The</strong> Phenomenal World (an award winning book published by Edition 7L in 2000).<br />
Ultimately <strong>the</strong> sirens song is <strong>the</strong> song <strong>of</strong> art, “which charms and fascinates us into <strong>the</strong> ego-diminishing state <strong>of</strong><br />
aes<strong>the</strong>tic enchantment, perhaps <strong>the</strong> goal and consolation <strong>of</strong> all art”.<br />
David Parker was born in 1949 in England and was trained as an engineer and illustrator, before moving into<br />
photography. He has published two monographs, and continues to make his own large scale toned silver-gelatine prints.<br />
David Parker<br />
Sirens<br />
With an essay by Marina Warner<br />
Book design by David Parker<br />
92 pages with 38 quadrotone plates<br />
16.5 x 11.25 in. / 42 x 28.5 cm<br />
Clothbound hardcover<br />
$ 85.00 / £ 48.00 / R 70.00<br />
ISBN: 978-3-86521-306-8<br />
PostScript Bild<br />
(9783865213068)<br />
151