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174 Ellsworth Kelly Sketchbook 23 1954 This reproduction of Ellsworth Kelly’s 1954 Sketchbook 23, offers a rare glimpse into the celebrated artist’s rigorous exploration of line, form and composition. Drawn into a blank book, Kelly’s line forms a continuous gesture over 25 pages as the artist saw and captured the changing fall of shadows while riding on a bus in Paris, pursuing a path of eccentric discovery and distillation through subtle variations and bold transformations. Ellsworth Kelly was born in Newburgh, New York, in 1923. His first one-person exhibition was held in 1951 in Paris, where the artist was studying on the G.I. Bill following World War II. He returned to the United States in 1954, renting a studio in downtown New York City, and his position among America’s most esteemed painters began to take form. Since that time, the artist’s work has been the subject of numerous major retrospectives worldwide and is presently included in all of the most important public collections of contemporary art. Kelly currently lives and works in upstate New York. Exhibition: Matthew Marks Gallery, New York, November 11, 2006 to January 27, 2007. Ellsworth Kelly Sketchbook 23 1954 Book design by Ellsworth Kelly and Gerhard Steidl 48 pages, fully illustrated 7.3 x 10 in. / 18.5 x 25.5 cm Clothbound hardcover with dust jacket $ 30.00 / £ 17.50 / € 25.00 ISBN: 978-3-86521-415-7 PostScript Bild (9783865214157) 175
176 Not an Object, Not a Monument Tony Smith: The Complete Large Scale Sculptures Between 1960 and 1980, the year of his death, Tony Smith produced 47 large-scale outdoor sculptures. These sculptures were both revolutionary and vastly influential. This publication is the first to bring together all these works in a single volume, chronologically exploring the developments in Smith’s significant body of work. Fabricated in steel and painted black, Smith’s sculpture evolved from early minimal works to monumental pieces of great geometric intricacy. An architect working under Frank Lloyd Wright and a painter who was a close friend to Jackson Pollock and Barnett Newman, Smith was always concerned with the potential of purified form and color. His sculpture, which he approached late in life, solidifies these investigations, many of his first distilled forms becoming components of his later larger works. This volume also includes excerpts of interviews with Smith, highlighting the artist’s passionate approach to sculpture. Tony Smith was born in 1912. Initially acclaimed as an architect and painter, Smith did not concentrate on or exhibit his sculpture until 1961. From the time of his first one-person museum exhibition to that of his death, Smith established himself as one of the most important and influential artists of the twentieth century. His work continues to be widely shown, most recently including solo museum exhibitions at the Museum of Modern Art, New York, in 1998; and IVAM, Valencia, in 2002; as well as permanent installations at museums and public spaces in major cities throughout the world. Not an Object, Not a Monument Tony Smith: The Complete Large Scale Sculptures With text by Tony Smith Book design by Bernard Fischer 104 pages, 54 tritone plates 9.8 x 12.9 in. / 25 x 33 cm Hardcover $ 30.00 / £ 20.00 / R 30.00 ISBN: 978-3-86521-313-6 PostScript Bild (9783865213136) 177
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Page 41 and 42: 80 Joakim Eskildsen The Roma Journe
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Page 71 and 72: 140 Ed van der Elsken Jazz Original
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Page 75 and 76: 148 Autoroute Pyong Yang - Kaesong
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Page 79 and 80: 156 Clare Richardson Beyond the For
Page 81 and 82: 160 Antony Gormley Over the past 25
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Page 85 and 86: 168 Amelia Earhart - Image and Icon
Page 87: Ellsworth Kelly Tony Smith Ken Pric
Page 91 and 92: 180 Martin Creed Berlinde de Bruyck
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