Max Beckmann Distinguished Visitorship - Villa Grisebach

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24 906 R Paul Pfeiffer Honolulu/Hawaii 1966 – lives in New York “FOUR HORSEMEN OF THE APOCALYPSE (26)”. 2006 Fujiflex C-print. 122 x 174 cm (48 x 68 ½ in.). From the edition of 6 and 2 artist’s proofs. Framed. Donated by the artist, courtesy Carlier I Gebauer, Berlin € 10.000 – 15.000 $ 13,000 – 19,400 Paul Pfeiffer was the Guna S. Mundheim Fellow in the Visual Arts at the American Academy in Berlin in the fall of 2011. The 46-year-old American Paul Pfeiffer is one of those artists who use the moving image like others use canvas and a brush. In Pfeiffer’s videos - or in film stills like the present lot - there is always something to see. Far more important, however, is what can no longer be seen. When basketball players battle for points, it is the ball that is missing: digitally excised, the blank space is flooded with light and thus symbolic meaning. Sports as mass entertainment, a grotesque dance around the golden calf. In other works, Pfeiffer tests boundaries – his own and the viewer’s: one of his most well-known works is Empire which nominally is about wasps building a nest in real-time. Effectively, however, the film is about the futility of grasping the whole, because no one will be able to view the film in its entirety – the running-time is three months. <strong>Grisebach</strong> 11/2012
<strong>Grisebach</strong> 11/2012 25
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Page 17 and 18: LAYOUTÄNDERUNG FOTO BEACHTEN Grise
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Max Beckmann Distinguished Visitorship - Villa Grisebach

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