58. HEMSTERHUIS, François. Alexis ou De l’age d’or. Riga, Hartknoch, 1787.8vo, pp. 188, [2, blank]; with the rare foldout plate comprisinga diagram bound at the end; small stain to the top corner of thetitle-page, some very occasional very light soiling and foxing,but a very clean and crisp copy in contemporary greenmorocco, gilt sides with rolled and filleted borders, rosettes andcorner-pieces with dragonfly tools, flat spine tooled in gilt withacorns and fleurons, red morocco lettering-piece, gilt inner andouter dentelles, preserving the original pink silk bookmark,boards slightly warped, sides a little rubbed; contemporarymanuscript quotation from Ovid at foot of p.171; from thelibrary of the scholar and book historian Piet Buijnsters andhis wife Leontine, with their bookplate to front pastedown‘Collectie Buijnsters Smets’. £1750First edition, rare, of an influential work of pre-Romantic aesthetics. Alexis isone of four Platonic dialogues written by the Dutch philosopher FrançoisHemsterhuis, and is one of his most important works. Although written in 1783 itdid not appear in print until this edition of 1787, with a German edition appearingin the same year. ‘In Alexis Hemsterhuis, perhaps influenced by contemporaryGerman philosophy, presented for the first time his concept of the golden age andthe harmonious development of the individual. He also introduced the notion ofthe value of poetical truth (truth discovered by the poet in moments of enthusiasm)… his thought was received with admiration and approval by representatives of theSturm und Drang and romantic movements in philosophy’ (Encyclopedia ofPhilosophy III, 474).A fairly rare item; Copac only records 2 copies in the UK, while Worldcat notes 6copies in the US.59. JESSOP, Thomas Edmund. [Manuscript notes for a course of lecturesgiven at Hull University]. [N. p., n. d., probably 1940s].Manuscript on paper, 4to, a notebook of c. 100 leaves, c. 35 lines to a page, inJessop’s minute but legible hand, blue and black ink; with interlinear andmarginal corrections and additions, and numerous manuscript notes, cuttings,bookmarks, and a few letters loosely inserted; a well-preserved archive, bound incontemporary cloth-backed boards, upper side lettered ‘University College of Hull’in gilt, paper label hand-lettered ‘British Philosophy’; upper joint partly split.£1750Unpublished substantial small archive gathering manuscript lecture notes onBritish philosophy by T. E. Jessop (1896–1980), the eminent scholar andbibliographer of Berkeley, Hume and the Scottish Enlightenment. The lecturenotes concern Bacon (ff. 11-31), Hobbes (ff. 35-62), and Locke (ff. 65-98).Born in Huddersfield and educated at the University of Leeds then Oriel College,Oxford, Jessop started as an assistant lecturer at the University of Glasgow from1925 to 1928. He ‘became the first member of the Philosophy Department at theUniversity of Hull, serving as its sole member for seventeen years, while alsoteaching courses for the psychology degree. He was the first Ferens Professor of
Philosophy from 1928 to 1960, after which he served from 1960 to 1980 asprofessor emeritus, teaching at various universities abroad. [… He] is best knownfor his bibliographical and editorial contributions to the study of George Berkeley.[…] Jessop is additionally recognized for his controversial development of anaccount of Berkeley as a common sense realist’ (Dictionary of Twentieth-CenturyBritish Philosophers).The main corpus of Jessop’s papers is preserved at the University of Hull.THE EDINBURGH ENLIGHTENMENT DEPICTED60. KAY, John (artist) [and James PATERSON and [?]James ThomsonCALLENDER]. A Series of original portraits and caricature etchings, by the lateJohn Kay ... with biographical sketches and illustrative anecdotes. [Edited byJames MAIDMENT.] Edinburgh, Hugh Paton, 1837-1838.Two vols, 4to in 2s (261 x 202mm), pp. I: iv, 430, iv, ix, [1]blank; II: [2], ii, 472, iv, iv, xi, [1] blank, [v]-xix, [1] blank; 357engraved and aquatint plates, one folding, including a rebusletter to Sir Lawrence Dundas; some light spotting andoffsetting, 5Q1 in volume I with small marginal tear, 2 plateswith skilful repairs, a few trimmed, but nonetheless a verygood set, in contemporary red half crushed morocco gilt byTout, spines gilt in compartments, lettered directly; engravedarmorial bookplates of Thomas Gaisford (1779-1855) and latenineteenth-century monogram bookplates ‘ALF’ to frontpastedown. £2500First edition of a collection of portraits by the Edinburgh-born artist John Kay(1742-1826) of the Scottish Enlightenment society, including celebrated figures ofthe period such as Lord Kames, William Robertson, Sir Walter Scott, AlexanderFraser Tytler and Adam Smith, here depicted in two etchings which are ‘the onlyauthentic likenesses that exist of the great economist’ (ODNB).
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