of portions of a window, a few recorded only in photographic form. The displaysinclude those for seasonal windows (New Year, Back to School, etc.), thematicwindows (France and the Sea, the Hunt), and specific book or series launches(Larousse in Quarto, L’Histoire de France). Regrettably, the drawings are notsigned and we have been unable to identify the commercial artist(s) responsible forthe work, but it is a riot of bold blocks of colour, jaunty angles and classic midcenturytypography.From 1953 to the late 1960s the art director of Larousse was the noted graphicdesigner Jean Carlu, and it is likely he also played a role in the window designsproduced during that period. His iconic Père Noel for example, can be seen on aposter on the rear wall of a maquette from 1955, and flying over a Christmaswindow in a photograph of 1959. Carlu employed designers as diverse as Picart-le-Doux, Jean Colin, and the typographer Roger Excoffon; by the 1970s the publicitydepartment of Larousse employed as many as thirty people (Mollier & Dubot,Histoire de la librairie Larousse, 2012, p. 542).67. LECTIONARY, in Latin, a single leaf with three drawings, depicting StMichael vanquishing the devil, St Luke and Saints Simon and Juderespectively, delicately executed in ink, colours, shell gold and silver. NorthernItaly (?Lombardy), c. 1400.A complete leaf, 260 x 178 mm (200 x145 mm), 38 lines written in arounded gothic hand in dark brownink, ruled in plummet, three 3-lineinitials in blue or red with contrastingpenwork, headings in red; the silveroxidized; probably recovered from abinding and with consequent stainingand creasing, inner margin slightlytrimmed, verso very worn. £4500From a curious illustrated lectionaryof fine quality. Illustratedlectionaries of this sort seem to havebeen a very unusual genre in thelater Middle Ages and we have beenunable to locate any close parallels toour leaf. The picture-book mise-enpagesuggests a didactic function (theinstruction of minors, perhaps?). Thepresent leaf with readings for thefeasts of St Michael (29 September),St Luke (18 October) and Ss Simonand Jude (28 October), with readingsfrom the Gospels of Matthew, Lukeand John.
68. LEIBNIZ, Gottfried Wilhelm. Oeuvres philosophiques latines & françoisesde feu. Tirées de ses manuscrits qui se conservent dans la bibliotheque royale aHanovre et publiées par Mr. Rud. Eric Raspe. Avec une Préface de Mr.Kaestner. Amsterdam et Leipzig, J. Schreuder, 1765.[bound with:][SIGORGNE, Pierre, or Louis DUTENS, attributed authors]. InstitutionsLeibnitiennes, ou précis de la monadologie. Lyon, Périsse, 1767.Two works bound in one vol., 4to, pp. [iv], xvi, [2], 540, [18]; [ii], viii, 136; titlesprinted in red and black, finely engraved vignette on first title, several otherwoodcut head-pieces and initials throughout; the odd spot, very faint marginalfoxing in a couple of quires, but a very good, clean copy, in contemporary half calf,sprinkled boards, flat spine filleted in gilt with gilt contrasting morocco letteringpieces;upper joint cracked, extremities worn, spine a bit rubbed; neatcontemporary note on the verso of errata; from Basle University library, with smallstamp and de-accession in the lower margin of first title-page. £3750First edition of Leibniz’ fundamental Nouveaux essais sur l’entendementhumain, here published as part of the first collected edition of hisphilosophical works in French and Latin. The Nouveaux essais take up 496 ofthe 540 pages and offers one of the most important refutations of Locke’s Essay onHuman Understanding: a defence of the existence of non-material substance (see N.Jolley, Leibniz and Locke), and a refutation of the conventional nature (‘il y aquelque chose de naturel dans l’origine des mots’, p. 241).The Leibniz is bound with a beautiful copy of the first edition of the anonymouslypublished Institutions Leibnitiennes, also issued in octavo in the same year. It is‘an accurate but critical account of Leibniz’s cosmological theories’ (DSB),attributed to Pierre Sigorgne, the author of the Instutions Newtoniennes, orsometimes to Louis Dutens.A SINGLE MAN POSSESSED OF A GOOD FORTUNE69. LEIGH, Sir Samuel Egerton. Munster Abbey, a Romance; interspersedwith Reflections on Virtue and Morality. Edinburgh, Printed by John Moir … forW. Creech, Cross, and S. Cheyne … [and] for Hookham & Carpentar … Vernor &Hood … London, 1797.Three vols, 12mo in sixes; a very good copy apart from a little spotting and a tear tothe blank margin of K3 in volume I; contemporary half calf and marbled boards,morocco labels; armorial bookplate of Sir Henry Hay Makdougall of Makerstoun.£1250First edition. Despite its ‘Gothic’ title this is a novel of contemporary high life inEngland and on the Grand Tour, avoiding ‘extravagant descriptions of supernaturalscenes and events’. Munster Abbey in Devon is the seat of the hero, Mr. Belford, abachelor ‘happily possessed of a fortune, ample as his wishes’. This was Leigh’sonly novel – he died at 26 – assembled by his widow from her husband’s ‘scatteredpapers’ and, the ‘Advertisement’ implies, possibly finished by her.
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