WALPOLE’S MAYFAIR72. [LONDON.] Nine manuscript volumes of ‘Land Tax Assessments’ for theParish of St George’s Hanover Square, covering modern Mayfair, part of StJames’s, Pimlico and Knightsbridge, comprising: Conduit Street Ward 1743,1746, and 1747, Grosvenor Street Ward 1746 and 1747, Dover Street Ward1746 and 1747, and the Out Ward 1746 and 1747.Nine slim folio volumes, in total c. 314 pages, plus a few leaves of calculations andblanks; ruled as ledgers in red ink and completed in brown ink in various hands;each volume signed at the end by the assessors, normally four in number; stitchedin the original stiff marbled paper card covers, with manuscript paper cover-labels.£4500A fascinating piece of social history, listing the heads of every household withthe amount of Land Tax due in London’s new and fashionable residentialdistrict of Mayfair.The parish of St George’s Hanover Square, created in 1724, stretched from OxfordStreet in the North to St James’s, Knightsbridge and Pimlico in the South, and fromSwallow Street (later Regent St) in the East to part of Hyde Park in the West.Among the notables listed in Hanover Square (in Conduit St. Ward) are FrancisDashwood (of the Hellfire Club), Viscount Cobham of Stowe, the Earl ofWestmoreland and the Duke of Roxburgh. Berkeley Square (Grosvenor St andDover Street wards) was home to the unfortunate Commodore Byng, the Duke ofManchester, and Lord North (father of the future Prime Minister).Horace Walpole makes an appearance under Arlington St. – the house at no. 17 inwhich he had been born and which formed part of his inheritance from his fatherin 1745. Among other figures with literary connections are ‘Lady Babb Montagu’,friend and companion of the bluestocking novelist Sarah Scott, in Audley St.;Martha Blount, Pope’s old friend and intimate, to whom he had given a 26-yearlease on a house in Berkeley Street in 1743; in Bruton Street, Pope’s perpetual rivalColley Cibber; and in George Street, the salon hostess Frances Boscawen, with herhusband the future Admiral.The biggest tax burdens fell on the Duke of Devonshire, whose house on Piccadilly(here listed under Stratton St) was designed by William Kent and had been finishedin 1740; and on Charles Sheffield (née Herbert) who had inherited Buck House onthe death of his half-brother in 1735. Both faced a whopping £300 a year in landtax, and Sheffield eventually disposed of his burden to George II in 1761.The London Metropolitan Archives hold copies of the Assessments for the City ofLondon for 1692-4 and 1730-1930, but a much less complete run for Middlesexand the Liberty of Westminster (in which the present parish sat): 1767, 1781(incomplete), and 1797-1832.
73. LOSTELNEAU, Colbert de. Le mareschal de bataille. Contenant lemaniment des armes. Les evolutions. Plusieurs bataillons, tant contrel’infanterie que contre la cavalerie. Divers ordres de batailles. Avec un brefdiscours sur les considerations que doit avoix un souverain, avant que lecommencer de guerre. Paris, Estienne Migon, 1647.Folio, pp. [xii], 459, [1, blank], 48 near full page engravings of pikemen andmusketeers, and with over 400 typographic illustrations printed in red, black andyellow; title in red and black; a fine copy, bound in full nineteenth-century brownmorocco, gilt coat of arms of Count de Mornay-Soult of Dalmatia on both covers,triple gold fillet border, dentelles, gilt edges, spine richly gilt in compartments, titleand date gilt to spine; bookplate of Armand Gritton to front pastedown. £5500First and only edition, printed for privatecirculation, of this military treatise writtenduring the Thirty Years’ War by Colbert deLostelneau, French Marshal and Commander ofthe French Royal Guards, advising infantryofficers on the training and organisation of theirtroops, in a period which had seen a dramaticgrowth in army size and drastic changes inmilitary tactics.Lostelneau begins with step-by-step instructions, accompanied by 48 largeengraved plates based on those by Jacob de Gheyn in his Wapenhandelinghe,demonstrating the use of the infantry’s two main weapons of the period, themusket and the pike, and follows with recommended drill manouvres, batallionformations and battle orders, which he illustrates with over 400 geometricdiagrams printed in three colours, with a new technique invented by the printer,achieved with a specially cut font of characters. The work ends with an essaycounselling the king, and military leaders in general, on how best to be preparedfor war.
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