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Constantine - The Novelization - Whoa is (Not)

Constantine - The Novelization - Whoa is (Not)

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"Fili Redemptor mundi, Deus, m<strong>is</strong>erere nob<strong>is</strong>. Fili Redemptor mundi, Deus, m<strong>is</strong>erere…"<strong>The</strong> room seemed to recede from <strong>Constantine</strong>, the way the ground recedes below a rocket, andthe electricity crescendoed to a searing flash of light that consumed all the world... and protractedinto a single line of light that stretched out to an impossible attenuation, exactly equaling infinity.H<strong>is</strong> soul was between worlds, hurled there, for the moment, by the chair and Midnite, but stillconnected to h<strong>is</strong> body by the Silver Cord. That cord, he knew, could stretch across a universe, solong as the spell held; and the spell was held in place by a powerful will: Papa Midnite."Pater de cael<strong>is</strong>, Deus, m<strong>is</strong>erere nob<strong>is</strong>. Fili Redemptor mundi, Deus, m<strong>is</strong>erere nob<strong>is</strong>..."<strong>The</strong> voice echoed between galaxies, from far away, from the beginning of time. It seemed to<strong>Constantine</strong> that he was at the end of time. It could have no end, and it had one, all at once. Allparadoxes seemed to stand out here - finitude and infinitude, space that went on forever, yetcurved; time and timelessness ex<strong>is</strong>ting all in the same ex<strong>is</strong>tential structure. Time... that's what heneeded, to surf the stream of time, coursing the surface of it like a speedboat over a river - able tomove against the current.Here, he could choose the place in the time-flow he wanted to occupy. If he reached out withh<strong>is</strong> psychic field and v<strong>is</strong>ualized what he wanted, he'd be drawn there, to a particular place - andtime. Earth...And he saw Earth turning below him. Now - he must move in time as well as space. Picturethe spear. Sangre de dio. <strong>The</strong> bloodied spear of the crucifixion...He reached out, v<strong>is</strong>ualizing Chr<strong>is</strong>t at the crucifixion....<strong>The</strong>re he was. He was looking through time at the Man Himself. Ecce Homo: Behold theman.Chr<strong>is</strong>t was a dark-skinned man, with long black hair dirtied by blood from the crown ofthorns; he was lean, h<strong>is</strong> nose hooked, h<strong>is</strong> brow a bit heavy; h<strong>is</strong> eyes, h<strong>is</strong> black eyes, oh, h<strong>is</strong> veryblack eyes -- looked back at <strong>Constantine</strong>. That should not have been possible, <strong>Constantine</strong> should havebeen inv<strong>is</strong>ible. Yet Chr<strong>is</strong>t was looking back at him!<strong>Constantine</strong> shuddered, feeling that gaze penetrate to h<strong>is</strong> soul. He felt a vast pity wash overhim from the figure on the cross. Strange that a man being crucified would feel pity for anyoneelse. A crow had settled on Jesus' shoulder and was trying to peck at h<strong>is</strong> eyes... and yet Jesuspitied <strong>Constantine</strong>. He pitied all the world.Was th<strong>is</strong> an opportunity? A chance for redemption, a way to cash in h<strong>is</strong> one-way ticket toHell? <strong>Constantine</strong> wanted to ask the figure on the cross for help - but he remembered Angela andh<strong>is</strong> m<strong>is</strong>sion. Whatever redemption Jesus might offer could require time. Midnite would notsustain the spell indefinitely. And as <strong>Constantine</strong> hesitated he saw the Roman soldierapproaching Jesus, driving the spear into h<strong>is</strong> side to speed h<strong>is</strong> end.Blood and water twined down the spear, just as the Bible had described, and a foxfire seemedto glimmer along its iron point. <strong>The</strong> sky beyond split with lightning; clouds black as judgmentgathered; somewhere was the rumble of graves erupting their dead, and the cry of Pontius Pilateawakening in the night, in terror - without knowing why.<strong>Constantine</strong> forced himself to focus on the spear and followed it, as if fast-forwarding,pursuing it through time, strobing through scenes in the life of the Roman guard, who sold it to aChr<strong>is</strong>tian monk, from whom it was stolen; and again it was stolen, and kept in a dark placeunderground in Rome, and then a Nazi archaeolog<strong>is</strong>t exposed it to the light, and put it in a box, tobe transported to their secret occult research team in Mexico...."Pater de cael<strong>is</strong>, Deus, m<strong>is</strong>erere nob<strong>is</strong>. Fili Redemptor mundi, Deus..."<strong>Constantine</strong> seeing the stream of time from a particular angle, time for a human being like atunnel made of human shapes, a flow of endless buildings-up and collapsings, growth and death,lives passing in the flux of a single wave.Whenever <strong>Constantine</strong> moved through time it was not just h<strong>is</strong> point of view, not some d<strong>is</strong>tant"scrying"; h<strong>is</strong> soul was actually time-traveling. H<strong>is</strong> spiritual substance took the journey - a part

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