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moving on 2008 Lewes district primary schools annual ... - Viva Lewes

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THE LADIES OF MILLER’S<br />

Two women briefly turned <strong>Lewes</strong> into an oasis in the pre-war cultural desert<br />

Frances Byng-Stamper and Caroline Lucas were<br />

two wealthy and eccentric sisters known in 1940s<br />

<strong>Lewes</strong> as the Ladies of Miller’s – so nicknamed because<br />

not <strong>on</strong>ly was it evident by their bearing and<br />

manners, their lace and sequined clothing that they<br />

were indeed ladies, but the home <strong>on</strong> <strong>Lewes</strong> High<br />

Street which they purchased had been the locati<strong>on</strong><br />

for a family of millers - the house, in fact, of <strong>Lewes</strong>’s<br />

main flour merchants. What the nickname does not<br />

indicate, is that these Ladies can claim a place of central<br />

importance, both in the history of regi<strong>on</strong>al art<br />

development, and in the history of printmaking in<br />

Britain.<br />

Picture above:The Sisters [aka The Upper Classes] by Cedric Morris. Above right: The Schoolroom by Vanessa Bell<br />

The Ladies of Miller’s initially came from Kent,<br />

from an aristocratic family (the ‘Byng’ in their name).<br />

Caroline, the youngest, was very much the apple of<br />

her mother’s eye and inherited the entire Byng wealth<br />

– a not inc<strong>on</strong>siderable fortune. She remained unmarried<br />

throughout her life, but her sister, Frances, married<br />

Edwin Stamper and so<strong>on</strong> after all three moved<br />

to Rodmell, where they purchased the Northease<br />

Estate. With its fine Queen Anne manor house (now<br />

the Northease Manor School) the Estate, when first<br />

bought by the sisters, had over a thousand acres and<br />

extended across the entire Ouse Valley.<br />

Caroline, particularly, always had an interest in the

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