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CURVATURE<br />
Is it Crimp or<br />
Something Else?<br />
Eric Hoffman feels that his comments<br />
regarding crimp have been misrepresented and<br />
takes this opportunity to clarify his position and<br />
to examine, once again, some of the facts that<br />
underlay the debate.<br />
FIGURE 10:22 UNPROCESSED SPECIALTY FIBER CHART<br />
Fiber Fineness Fiber Length Price Tag Source<br />
Fine wool 21µ 58mm $6 Roberto Fuchs<br />
Alpaca 20–28µ 4cm $12–$28 Wool Record, Prosur IAA<br />
Cape mohair 25um (kid) Annual length $24–$28 Wool Record<br />
Chinese cashmere 13–15µ 32mm $74–$84 Wool Record<br />
Guanaco 14–18µ 35mm $2009 (not Dhd) European processors<br />
$400 Dhd<br />
Vicuna 12–14µ 35 mm $400–$600 European processors<br />
Notes All monetary amounts in US dollars. One kilogram equals 2.2 pounds. Prices are<br />
for raw fl eeces. These prices are 1999 international market approximations. Prices often<br />
fl uctuate rapidly, but for comparative purposes these prices represent ranking of speciality<br />
fi bre animals, with sheep’s wool the standard to which all fi bre is held. There may be sidebar<br />
markets and information that are not included in these estimates.<br />
Sources Thanks to Adriana McGuire and Proyecto ‘Ganaderia Extensiva y Sustenable del<br />
Guanaco/Llama’ Del Fundcacion Habitat; International Alpaca Association (IAA) in Peru,<br />
Grupo Prosur (Sarfaty) in Peru; The Wool Record, and Roberto Fuchs for information found in<br />
this chart.<br />
46 Alpaca World Magazine <strong>Winter</strong> 2004/05<br />
I<br />
read Mike Safl ey’s article The Case<br />
for Crimp, Autumn 2004 Alpaca World<br />
Magazine, with great interest. Mike<br />
introduced a fresh topic: fi bre curvature,<br />
he included graphs and close-ups of<br />
fi bre samples and an antagonist to his<br />
crimp theory. As the person named as<br />
the antagonist in his story, I’m grateful to<br />
Alpaca World for allowing me to respond.<br />
In many cross-species fi bre studies,<br />
including alpacas, fi neness (AFD), and<br />
low variability (SD/CV), are the two most<br />
important properties for processing.<br />
We are just beginning the study of<br />
fi bre curvature, there is much that is not<br />
known. I would like to expand on the<br />
concepts in Mike’s article by addressing<br />
the following areas:<br />
❍ What have fi bre scientists and large<br />
alpaca fi bre processors said about<br />
crimp, curvature and the correlative<br />
data in this relatively new area of<br />
study on alpaca fi bre?<br />
❍ What is the difference between<br />
hearsay and verifi able data?<br />
❍ What constitutes peer review and<br />
a bonafi de scientifi c study? m. Are<br />
curvature and crimp the same thing?<br />
❍ What correlative data actually exists<br />
about crimp or curvature and other<br />
characteristics?<br />
❍ What does the highest frequency of<br />
curvature actually look like?<br />
❍ Are there fi bre studies correlating<br />
qualities in alpaca fi bre that include<br />
crimp? And lastly…<br />
❍ What new tools have been added to<br />
histogram measurements that will<br />
help breeders get a fi x on correlative<br />
factors such as low microns, standard<br />
deviation, microns over 30, curvature<br />
and medullation?<br />
Before we get started on a discussion of<br />
curvature in fi bre, I’d like to free myself<br />
from the anti-crimp role that Mike has<br />
assigned me. He offers the following<br />
quote from my book, The Complete Alpaca<br />
Book, as evidence of my bad attitude<br />
towards crimp:<br />
‘Huacaya as a breed has some<br />
amount of curvature in the fi bres, in<br />
other words crimp or crinkle. In some<br />
alpaca show systems, the various types<br />
of crimp are assigned different values.<br />
Such hair splitting distinctions between<br />
styles of crimp may serve the purpose of<br />
identifying differences between individual<br />
animals in high-stakes alpaca shows, but<br />
commercial processors in Peru who move<br />
tons of fl eeces through their scouring<br />
vats based on handle classing (with some<br />
recently introduced micron sampling) are<br />
not making such distinctions in the fl eece<br />
used to create their high-fashion endproducts<br />
found in the top salons in Milan,<br />
Paris, and Geneva…’<br />
This is just a statement about the<br />
reality of the milling process in Peru. It<br />
is not a condemnation of crimp. Their<br />
processing criterion for excellence is<br />
different than current show standards.<br />
Mike continues, ‘Eric’s (Hoffman) primary<br />
argument is based on the fact that<br />
producers do not pay a premium for fi bre<br />
with superior expression of crimp.’ This<br />
is silly. There is and was no argument<br />
by me, or any of the other nine authors<br />
contributing to the The Complete Alpaca<br />
Book about crimp’s value or lack of it. To<br />
apply Mike’s logic is to say we are also<br />
against handle, average fi bre diameter,<br />
standard deviation, microns over 30µ,<br />
yield, medullation, dietary infl uences,<br />
colour, luster, density, strength, cuticle<br />
scale structure, fl eece regeneration,<br />
dyeing and numerous other fi bre<br />
properties because we don’t mention<br />
paying a premium for any of these<br />
individually either!<br />
The Complete Alpaca Book’s narrative<br />
style offers footnoted text with clear<br />
language and closure on topics where<br />
good scientifi c data supports it. There are<br />
fi ve chapters addressing some aspect of<br />
fi bre, and three solely focused on fi bre. All<br />
of the fi bre chapters were peer reviewed;<br />
high-ranking offi cials at Michell & CIA<br />
reviewed the one Mike quotes. Where<br />
data is sketchy on a topic or contradictory<br />
and agreement doesn’t exist, the<br />
text presents different viewpoints.<br />
Contradicting data is put forth so the<br />
reader can understand the discussion<br />
that is underway. In some areas, such<br />
as identifying a species standard for the<br />
optimum fl eece weight with desirably<br />
low microns, we published new material.<br />
In other areas such as follicle density<br />
studies we did not fi nd enough large-scale<br />
studies to ‘declare’ a species parameter,<br />
so we published what had been reported<br />
and didn’t offer a conclusion. Objective<br />
data on fi neness, standard deviation,<br />
coeffi cient of variation, fl eece weight,<br />
staple regeneration, strength, milling<br />
standards and practices were obtainable<br />
and reported. In general there was<br />
widespread agreement around the world<br />
that fi neness, little or no medullation, and<br />
the lowest possible coeffi cient of variation<br />
encompassed the most essential qualities<br />
for the fi bre’s performance and value.<br />
At the time the text was developed<br />
(2001–2003), the role of crimp had<br />
attracted more than one viewpoint.<br />
Even the defi nition of the word crimp<br />
was debatable and still is. For example,<br />
Dr Tumen Wuliji, a fi bre scientist<br />
who worked with Agresearch in New<br />
Zealand’s Tara Hills alpaca herd assigned<br />
crimp a secondary importance, less<br />
important than fi neness, little or no<br />
medullation, length, yield and colour.<br />
On the other hand, Dr Jim Watts, a<br />
fi bre scientist in Australia working from<br />
a Merino sheep model, emphasized<br />
eliminating medullation and creating