The Archaeology of Celtic Art

More documents

Recommendations

Info

LIST OF FIGURES2.1 Late Bronze Age vessels with bird and sun-disc ornament 212.2 Late Bronze Age cult vehicles 222.3 Strettweg, Austria, cult vehicle 242.4 Hallstatt period animal imagery in bronze and pottery 252.5 The Urnfield warrior with equipment 282.6 A: late Bronze Age cuirass from Marmesses 31B: Class B Atlantic cauldron from Shipton-on-Cherwell, Oxfordshire 312.7 Images from decorated pottery from Sopron district, Hungary 353.1 Details from the Klein Aspergle grave-group 393.2 Italic imports north of the AlpsA: Distribution of beaked flagons 41B: Distribution of cordoned buckets 413.3 Palmette and lotus in early La Tène art 433.4 Engraved ornament on the Reinheim and Waldalgesheim flagons 463.5 The Somme-Bionne, Marne, open-work disc 503.6 Dürrnberg bei Hallein, Grave 44/2: principal grave-goodsA: weaponry 52B: drinking vessels and related items 533.7 Face masks in early La Tène art 553.8 Sculpture in early La Tène art 563.9 Exotic influences in late Hallstatt grave-goods 593.10 Belt attachments from north and south of the Alps 603.11 The Glauberg bronze torc 644.1 Transition towards the Developed La Tène Styles 664.2 Phalerae with open-work borders from St Jean-sur-Tourbe 674.3 Open-work mount from La Bouvandeau 684.4 Engraved decoration of the Besançon bronze flagon 694.5 Developed Style in the Champagne 714.6 Ornament from Waldalgesheim, Mainz-Bingen, grave-group 734.7 Torcs and arm-ring from the Marne region 784.8 La Tène decorated pottery from Champagne 804.9 Münsingen, BerneA: cemetery plan 82B: some characteristic brooch types 834.10 Scabbards with ‘Vegetal Style’ ornament 85ix
LIST OF FIGURES4.11 Insular early La Tène metal-work 864.12 The Prunay ‘Les Commelles’ vase and the Canosa helmet 895.1 Hungarian and related scabbard ornament – 1 975.2 Eastern and western scabbards 985.3 ‘Halimba’ scabbard from Co Veszprem, Hungary 1005.4 Hungarian and related scabbard ornament – 2 1015.5 Dragon-pairs and their distribution 1035.6 Finds from the site of La Tène 1055.7 Scabbards from eastern England 1085.8 ‘Chagrinage’ 1095.9 Irish engraved scabbards 1146.1 La Tène ‘Plastic Style’ ornament in Bohemia and Moravia 1206.2 Relief style arm- and ankle-rings 1236.3 Open-work mounts from Brno-Maloměr˘ice 1256.4 The stone sculpted head from Mšecké Žehrovice 1276.5 Helmet with bird-crest, Çiumeşti, Romania 1296.6 Silver ring with bull’s head terminals from Trichtingen 1316.7 Rein-rings and linch-pins with face-images in relief 1346.8 Bull’s (A) and owl’s (B) heads from the Brå cauldron 1356.9 The Wandsworth ‘face-mask’ shield 1376.10 British Iron Age brooches 1387.1 Engraved and relief ornament of Torrs horns and pony-cap 1447.2 The Witham sword and scabbard mount 1477.3 The Witham shield 1487.4 The Wandsworth circular shield 1517.5 Iron Age decorated pottery from Southern Britain 1567.6 Aylesford, Kent, and Marlborough, Wiltshire, bucket ornament,with head from Rynkeby cauldron, Denmark 1587.7 Mirrors from Holcombe, Devon and Nijmegen, Holland 1607.8 Mirror from Desborough, Northants, and collar from Balmaclellan,Kirkcudbrightshire 1628.1 Beehive querns and the Irish La TèneA: ‘La Tène’ finds in Ireland 165B: distribution of beehive querns in Ireland 1658.2 Regional distributions of late Bronze Age metal-work in Ireland 1678.3 Irish ‘La Tène’ – 1: horse-bits, Y-pendants, spear-butts and querns 1708.4 Knock (‘Clonmacnoise’) torc and Loughnashade horn 1748.5 Irish ‘La Tène’ – 2: pins and brooches 1768.6 The Turoe stone, Co Galway 1808.7 Ireland and Northern Britain: comparative metal-work 1828.8 Ceremonial head-gear 1848.9 Ornamented discs 1869.1 ‘Plastic Style’ torcs and arm-rings from south-western France 1929.2 Anthropomorphic and zoomorphic ‘matchstick’ images on pottery 1949.3 Celto-Ligurian sanctuariesA: Glanum, St Remy-en-Provence 197B: Entremont, Aix-en-Provence 197x
Page 2: THE ARCHAEOLOGY OF CELTIC ARTTemper
Page 5 and 6: First published 2007by Routledge2 P
Page 8: LIST OF COLOUR PLATES(The colour pl
Page 14 and 15: PREFACEMy interest in Celtic art ar
Page 16: PREFACEFinally, I should record my
Page 19 and 20: DEFINITIONS, MATERIAL AND CONTEXTat
Page 21 and 22: DEFINITIONS, MATERIAL AND CONTEXTca
Page 23 and 24: DEFINITIONS, MATERIAL AND CONTEXTAp
Page 25 and 26: DEFINITIONS, MATERIAL AND CONTEXTdi
Page 27 and 28: DEFINITIONS, MATERIAL AND CONTEXTon
Page 29 and 30: DEFINITIONS, MATERIAL AND CONTEXTth
Page 31 and 32: DEFINITIONS, MATERIAL AND CONTEXTin
Page 33 and 34: DEFINITIONS, MATERIAL AND CONTEXTTh
Page 35 and 36: LATER BRONZE AGE AND HALLSTATT ORIG
Page 39 and 40: Figure 2.2 Late Bronze Age cult veh
Page 45 and 46: Figure 2.5 The Urnfield warrior, eq
Page 55 and 56: 3THE LA TÈNE EARLY STYLESOrigins a
Page 57 and 58: THE LA TÈNE EARLY STYLESexamples a
Page 59 and 60:
THE LA TÈNE EARLY STYLESthat has a
Page 61 and 62:
THE LA TÈNE EARLY STYLESfrom the p
Page 63 and 64:
Figure 3.4 Engraved ornament on the
Page 65 and 66:
THE LA TÈNE EARLY STYLESdevised on
Page 67 and 68:
THE LA TÈNE EARLY STYLESFigure 3.5
Page 69 and 70:
Figure 3.6 Dürrnberg bei Hallein,
Page 71 and 72:
THE LA TÈNE EARLY STYLESfinger-rin
Page 73 and 74:
THE LA TÈNE EARLY STYLESFigure 3.8
Page 75 and 76:
THE LA TÈNE EARLY STYLESOrientaliz
Page 77 and 78:
Figure 3.10 Belt attachments from n
Page 79 and 80:
THE LA TÈNE EARLY STYLESand three
Page 81 and 82:
Figure 3.11 The Glauberg bronze tor
Page 83 and 84:
THE LA TÈNE DEVELOPED STYLESFigure
Page 85 and 86:
THE LA TÈNE DEVELOPED STYLESFigure
Page 87 and 88:
THE LA TÈNE DEVELOPED STYLESdisint
Page 89 and 90:
THE LA TÈNE DEVELOPED STYLESsince
Page 91 and 92:
THE LA TÈNE DEVELOPED STYLESidenti
Page 93 and 94:
THE LA TÈNE DEVELOPED STYLESWaldal
Page 95 and 96:
Figure 4.7 Torcs and arm-ring from
Page 97 and 98:
Figure 4.8 La Tène decorated potte
Page 99 and 100:
Figure 4.9 Münsingen, Berne. A: ce
Page 101 and 102:
THE LA TÈNE DEVELOPED STYLESon the
Page 103 and 104:
Figure 4.11 Insular early La Tène
Page 105 and 106:
THE LA TÈNE DEVELOPED STYLESvexing
Page 107 and 108:
THE LA TÈNE DEVELOPED STYLESPrunay
Page 109 and 110:
THE LA TÈNE DEVELOPED STYLESgroupi
Page 111 and 112:
THE ART OF THE SWORDSMITHwhich spec
Page 113 and 114:
THE ART OF THE SWORDSMITHstylized b
Page 115 and 116:
THE ART OF THE SWORDSMITHFigure 5.2
Page 117 and 118:
Figure 5.3 ‘Halimba’ scabbard f
Page 119 and 120:
THE ART OF THE SWORDSMITHconservati
Page 121 and 122:
THE ART OF THE SWORDSMITHAmeglia, c
Page 123 and 124:
THE ART OF THE SWORDSMITHapart from
Page 125 and 126:
Figure 5.7 Scabbards from eastern E
Page 127 and 128:
THE ART OF THE SWORDSMITHtriangles
Page 129 and 130:
THE ART OF THE SWORDSMITHtheme, an
Page 131 and 132:
Figure 5.9 Irish engraved scabbards
Page 133 and 134:
THE ART OF THE SWORDSMITHand freque
Page 135 and 136:
6THE LA TÈNE LATERRELIEF STYLESBro
Page 137 and 138:
Figure 6.1 La Tène ‘Plastic Styl
Page 139 and 140:
THE LA TÈNE LATER RELIEF STYLEShem
Page 141 and 142:
THE LA TÈNE LATER RELIEF STYLESA d
Page 143 and 144:
THE LA TÈNE LATER RELIEF STYLESinh
Page 145 and 146:
THE LA TÈNE LATER RELIEF STYLESin
Page 147 and 148:
THE LA TÈNE LATER RELIEF STYLESwit
Page 149 and 150:
THE LA TÈNE LATER RELIEF STYLESess
Page 151 and 152:
THE LA TÈNE LATER RELIEF STYLESFig
Page 153 and 154:
THE LA TÈNE LATER RELIEF STYLESpla
Page 155 and 156:
Figure 6.10 British Iron Age brooch
Page 157 and 158:
7INSULAR BRITISH ART TO THEROMAN CO
Page 159 and 160:
INSULAR BRITISH ART TO THE ROMAN CO
Page 161:
Figure 7.1 Engraved and relief orna
Page 179 and 180:
Page 181 and 182:
Figure 7.3 The Witham shield. Adapt
Page 183 and 184:
Page 185 and 186:
Page 187 and 188:
Page 189 and 190:
Figure 7.5 Iron Age decorated potte
Page 191 and 192:
Page 193 and 194:
Figure 7.7 Mirrors from Holcombe, D
Page 195 and 196:
Figure 7.8 Mirror from Desborough,
Page 197 and 198:
8LA TÈNE AND NON-LA TÈNEIN IRELAN
Page 199 and 200:
LA TÈNE AND NON-LA TÈNE IN IRELAN
Page 201 and 202:
Page 203 and 204:
Figure 8.3 Irish ‘La Tène’ - 1
Page 205 and 206:
Page 207 and 208:
Figure 8.4 1. Knock (‘Clonmacnois
Page 209 and 210:
Figure 8.5 Irish ‘La Tène’ - 2
Page 211 and 212:
Page 213 and 214:
Figure 8.6 The Turoe stone, Co Galw
Page 215 and 216:
Figure 8.7 Ireland and Northern Bri
Page 217 and 218:
Figure 8.8 Ceremonial head-gear. A:
Page 219 and 220:
Figure 8.9 Ornamented discs. A: Ban
Page 221 and 222:
Page 223 and 224:
SOUTH-WEST EUROPE AND THE CELTIBERI
Page 225 and 226:
Page 227 and 228:
Figure 9.2 Anthropomorphic and zoom
Page 229 and 230:
Page 231 and 232:
Figure 9.4 Celto-Ligurian statuary.
Page 233 and 234:
Page 235 and 236:
Figure 9.6 Celtiberian swords and s
Page 237 and 238:
Page 239 and 240:
Page 241 and 242:
Page 243 and 244:
Page 245 and 246:
LATER STYLES AND ROMANIZING INFLUEN
Page 247 and 248:
Page 249 and 250:
Page 251 and 252:
Page 253 and 254:
Page 255 and 256:
Page 257 and 258:
Page 259 and 260:
Page 261 and 262:
Page 263 and 264:
Page 265 and 266:
Page 267 and 268:
Page 269 and 270:
Figure 10.10 Scottish cast bronze a
Page 271 and 272:
11LATER INSULAR ART IN BRITAINAND I
Page 273 and 274:
LATER INSULAR ART IN BRITAIN AND IR
Page 275 and 276:
Page 277 and 278:
Figure 11.4 The Norrie’s Law, Fif
Page 279 and 280:
Page 281 and 282:
Page 283 and 284:
Page 285 and 286:
Page 287 and 288:
Page 289 and 290:
Page 291 and 292:
Page 293 and 294:
Figure 11.10 Technical details of t
Page 295 and 296:
12CONCLUSIONSArchaeology and Celtic
Page 297 and 298:
CONCLUSIONSFirst, we should try to
Page 299 and 300:
CONCLUSIONSOn the principle that th
Page 301 and 302:
CONCLUSIONSDespite some recent rese
Page 303 and 304:
CONCLUSIONSVehicle embellishments,
Page 305 and 306:
CONCLUSIONSof the wearer. In the co
Page 307 and 308:
CONCLUSIONS13). On the other hand,
Page 309 and 310:
BIBLIOGRAPHYAllen, D. and Nash, D.
Page 311 and 312:
BIBLIOGRAPHYColes, J. M. (1962) ‘
Page 313 and 314:
BIBLIOGRAPHYFirth, R. (1951a) ‘Th
Page 315 and 316:
BIBLIOGRAPHYHarding, D. W. and Gill
Page 317 and 318:
BIBLIOGRAPHYKristiansen, K. and Jen
Page 319 and 320:
BIBLIOGRAPHYNeedham, S. (1979) ‘T
Page 321 and 322:
BIBLIOGRAPHYRyan, M. (1989) ‘Chur
Page 323 and 324:
BIBLIOGRAPHYVillard-Le Tiec, A., Ch
Page 325 and 326:
INDEXbeads: amber 45; ‘dumb-bell
Page 327 and 328:
INDEXcrowns 153, 183-5, 184; see al
Page 329 and 330:
INDEXHounslow 224, 265Hradenin 270,
Page 331 and 332:
INDEX‘ornament horizon’ 173Orna
Page 333 and 334:
INDEXsymbol stones, Class I 239, 24
show all

The Archaeology of Celtic Art

Create successful ePaper yourself

Delete template?

Save as template?