The Archaeology of Celtic Art

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PREFACEFinally, I should record my thanks to the University of Edinburgh for allowing mesabbatical leave in the session 2005–6 to complete the book, and to the ResearchCommittee of the School of Arts, Culture and Environment for a subvention towardsthe cost of photographic material and reproduction fees.D. W. HardingGullane,June 2006xv
Page 2: THE ARCHAEOLOGY OF CELTIC ARTTemper
Page 5 and 6: First published 2007by Routledge2 P
Page 8: LIST OF COLOUR PLATES(The colour pl
Page 11 and 12: LIST OF FIGURES4.11 Insular early L
Page 14 and 15: PREFACEMy interest in Celtic art ar
Page 18 and 19: 1DEFINITIONS, MATERIALAND CONTEXTFe
Page 20 and 21: DEFINITIONS, MATERIAL AND CONTEXTMo
Page 22 and 23: DEFINITIONS, MATERIAL AND CONTEXTth
Page 24 and 25: DEFINITIONS, MATERIAL AND CONTEXTim
Page 26 and 27: DEFINITIONS, MATERIAL AND CONTEXTex
Page 28 and 29: DEFINITIONS, MATERIAL AND CONTEXTin
Page 30 and 31: DEFINITIONS, MATERIAL AND CONTEXTwh
Page 32 and 33: DEFINITIONS, MATERIAL AND CONTEXTTu
Page 34 and 35: 2‘AN ART WITH NO GENESIS’Later
Page 36 and 37: LATER BRONZE AGE AND HALLSTATT ORIG
Page 42 and 43: Figure 2.4 Hallstatt period animal
Page 48 and 49: Figure 2.6 A: late Bronze Age cuira
Page 52 and 53: Figure 2.7 Images from decorated po
Page 56 and 57: THE LA TÈNE EARLY STYLESFigure 3.1
Page 58 and 59: Figure 3.2 Italic imports north of
Page 60 and 61: Figure 3.3 Palmette and lotus in ea
Page 62 and 63: THE LA TÈNE EARLY STYLESHochscheid
Page 64 and 65: THE LA TÈNE EARLY STYLEShandle wit
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THE LA TÈNE EARLY STYLESneck-guard
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THE LA TÈNE EARLY STYLESmatched by
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Figure 3.6 Continued.
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Figure 3.7 Face masks in early La T
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THE LA TÈNE EARLY STYLESsuggested,
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THE LA TÈNE EARLY STYLESFigure 3.9
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THE LA TÈNE EARLY STYLESeyebrows,
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THE LA TÈNE EARLY STYLESsimple app
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4THE LA TÈNEDEVELOPED STYLESIn lat
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THE LA TÈNE DEVELOPED STYLESFigure
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Figure 4.4 Engraved decoration of t
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Figure 4.5 Developed Style in the C
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Figure 4.6 Ornament from Waldalgesh
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THE LA TÈNE DEVELOPED STYLESbracel
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THE LA TÈNE DEVELOPED STYLESsome u
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THE LA TÈNE DEVELOPED STYLESand Ar
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THE LA TÈNE DEVELOPED STYLESfrom s
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Figure 4.9 Continued.
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Figure 4.10 Scabbards with ‘Veget
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THE LA TÈNE DEVELOPED STYLESfinish
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Figure 4.12 The Prunay ‘Les Comme
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THE LA TÈNE DEVELOPED STYLESeviden
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5THE ART OF THE SWORDSMITHJacobstha
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THE ART OF THE SWORDSMITHseemed an
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Figure 5.1 Hungarian and related sc
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THE ART OF THE SWORDSMITHsimplified
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Figure 5.4 Hungarian and related sc
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Figure 5.5 Dragon-pairs and their d
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Figure 5.6 Finds from the site of L
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THE ART OF THE SWORDSMITHLaddering
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THE ART OF THE SWORDSMITHFigure 5.8
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THE ART OF THE SWORDSMITHlater dati
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THE ART OF THE SWORDSMITHscabbard.
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THE ART OF THE SWORDSMITHobvious, b
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THE ART OF THE SWORDSMITHreliable a
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THE LA TÈNE LATER RELIEF STYLESWal
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THE LA TÈNE LATER RELIEF STYLESwor
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Figure 6.2 Relief style arm- and an
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Figure 6.3 Open-work mounts from Br
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Figure 6.4 The stone sculpted head
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THE LA TÈNE LATER RELIEF STYLESFig
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Figure 6.6 Silver ring with bull’
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THE LA TÈNE LATER RELIEF STYLESexp
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Figure 6.8 Bull’s (A) and owl’s
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Figure 6.9 The Wandsworth ‘face-m
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THE LA TÈNE LATER RELIEF STYLESMos
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INSULAR BRITISH ART TO THE ROMAN CO
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Page 178 and 179:
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Figure 7.2 The Witham sword and sca
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Figure 7.4 The Wandsworth circular
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Page 190 and 191:
Page 192 and 193:
Page 194 and 195:
Page 196 and 197:
Page 198 and 199:
Figure 8.1 Beehive querns and the I
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Figure 8.2 Regional distributions o
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LA TÈNE AND NON-LA TÈNE IN IRELAN
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Page 212 and 213:
Page 214 and 215:
Page 216 and 217:
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Page 222 and 223:
9SOUTH-WEST EUROPE ANDTHE CELTIBERI
Page 224 and 225:
SOUTH-WEST EUROPE AND THE CELTIBERI
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Page 228 and 229:
Page 230 and 231:
Figure 9.3 Celto-Ligurian sanctuari
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Page 236 and 237:
Page 238 and 239:
Figure 9.7 Celtiberian brooches. 1,
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Figure 9.9 The Celtiberian warrior
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Page 244 and 245:
10LATER STYLES ANDROMANIZING INFLUE
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LATER STYLES AND ROMANIZING INFLUEN
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Figure 10.2 Trans-alpine trade in t
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Figure 10.3 Late La Tène cult figu
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Figure 10.4 Late La Tène cult figu
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Figure 10.7 Native art in Northern
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Figure 10.9 Native art in Roman Bri
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LATER INSULAR ART IN BRITAIN AND IR
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Figure 11.5 Symbol stone art. 1, Ab
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Figure 11.6 Animal imagery in later
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Page 288 and 289:
Figure 11.8 ‘Ultimate La Tène’
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Figure 11.9 The Book of Durrow, f.
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CONCLUSIONSin the intervening centu
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CONCLUSIONSsurvive. Animal and bird
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CONCLUSIONSHallstatt Fürstengräbe
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CONCLUSIONSHallstatt C-D sword typo
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CONCLUSIONSrepresented in the Celti
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CONCLUSIONSthe west Hallstatt zone
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BIBLIOGRAPHYAntJArchJBARBRGKBSPFCAr
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BIBLIOGRAPHYBrailsford, J. W. (1975
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BIBLIOGRAPHYDietler, M. (1990) ‘D
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BIBLIOGRAPHYand Historical Linguist
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BIBLIOGRAPHYJ-L., Hincker, V. and F
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BIBLIOGRAPHYSeptentrionale, Études
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BIBLIOGRAPHYPlanck, D. (1982) ‘Ei
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BIBLIOGRAPHYStead, I. M. (1985a) Ce
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INDEXItalics denotes Figures; bold
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INDEXBýčí Skála 25Cabezo de Mon
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INDEXgaesatae 29, 212, 215Gallarus
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INDEXLouernius 12Lough Neagh 240, 2
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INDEXRudston 142Rynkeby 158, 159Ryn
Page 334:
INDEXXerxes 58yoke fittings 73, 74,
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