The Archaeology of Celtic Art

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LATER BRONZE AGE AND HALLSTATT ORIGINSFigure 2.1 Late Bronze Age vessels with bird and sun-disc ornament. 1, Hajdúböszörmény,Hungary; 2, Tiszavasváry, Hungary; 3, Unterglauheim, Bavaria; 4, Mariesminde,Fyn, Denmark. Adapted from Kossack (1959), Patay (1990) and Thrane (1965).wheeled cauldron was evidently not restricted to the Urnfield culture zone, however;from Denmark comes the wheeled cauldron from Skallerup, and there is evidence bothfrom artefacts and from rock-carvings <strong>of</strong> ritual symbolism. Sun symbolism plainly is <strong>of</strong>great antiquity in both Central and Northern Europe, and for the period immediately21
Figure 2.2 Late Bronze Age cult vehicles. A: 1, Milavec, Bohemia; 2, Acholshausen, Bavaria; 3,Orastie, Romania; 4, Burg-im-Spreewald, Brandenburg. Adapted from Piggott(1983) and Müller-Karpe (1980). Not to scale. B: Dupljaja, Serbia. Inv. No. 4533.Photo: the National Museum in Belgrade.
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Page 5 and 6: First published 2007by Routledge2 P
Page 8: LIST OF COLOUR PLATES(The colour pl
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Page 14 and 15: PREFACEMy interest in Celtic art ar
Page 16: PREFACEFinally, I should record my
Page 19 and 20: DEFINITIONS, MATERIAL AND CONTEXTat
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Page 35 and 36: LATER BRONZE AGE AND HALLSTATT ORIG
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Page 45 and 46: Figure 2.5 The Urnfield warrior, eq
Page 55 and 56: 3THE LA TÈNE EARLY STYLESOrigins a
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Page 67 and 68: THE LA TÈNE EARLY STYLESFigure 3.5
Page 69 and 70: Figure 3.6 Dürrnberg bei Hallein,
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Page 73 and 74: THE LA TÈNE EARLY STYLESFigure 3.8
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THE LA TÈNE DEVELOPED STYLESsince
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THE LA TÈNE DEVELOPED STYLESidenti
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THE LA TÈNE DEVELOPED STYLESWaldal
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Figure 4.7 Torcs and arm-ring from
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Figure 4.8 La Tène decorated potte
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Figure 4.9 Münsingen, Berne. A: ce
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THE LA TÈNE DEVELOPED STYLESon the
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Figure 4.11 Insular early La Tène
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THE LA TÈNE DEVELOPED STYLESvexing
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THE LA TÈNE DEVELOPED STYLESPrunay
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THE LA TÈNE DEVELOPED STYLESgroupi
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THE ART OF THE SWORDSMITHwhich spec
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THE ART OF THE SWORDSMITHstylized b
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THE ART OF THE SWORDSMITHFigure 5.2
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Figure 5.3 ‘Halimba’ scabbard f
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THE ART OF THE SWORDSMITHconservati
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THE ART OF THE SWORDSMITHAmeglia, c
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THE ART OF THE SWORDSMITHapart from
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Figure 5.7 Scabbards from eastern E
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THE ART OF THE SWORDSMITHtriangles
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THE ART OF THE SWORDSMITHtheme, an
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Figure 5.9 Irish engraved scabbards
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THE ART OF THE SWORDSMITHand freque
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6THE LA TÈNE LATERRELIEF STYLESBro
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Figure 6.1 La Tène ‘Plastic Styl
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THE LA TÈNE LATER RELIEF STYLEShem
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THE LA TÈNE LATER RELIEF STYLESA d
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THE LA TÈNE LATER RELIEF STYLESinh
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THE LA TÈNE LATER RELIEF STYLESin
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THE LA TÈNE LATER RELIEF STYLESwit
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THE LA TÈNE LATER RELIEF STYLESess
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THE LA TÈNE LATER RELIEF STYLESFig
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THE LA TÈNE LATER RELIEF STYLESpla
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Figure 6.10 British Iron Age brooch
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7INSULAR BRITISH ART TO THEROMAN CO
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INSULAR BRITISH ART TO THE ROMAN CO
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Figure 7.1 Engraved and relief orna
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Figure 7.3 The Witham shield. Adapt
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Figure 7.5 Iron Age decorated potte
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Figure 7.7 Mirrors from Holcombe, D
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Figure 7.8 Mirror from Desborough,
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8LA TÈNE AND NON-LA TÈNEIN IRELAN
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LA TÈNE AND NON-LA TÈNE IN IRELAN
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Figure 8.3 Irish ‘La Tène’ - 1
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Figure 8.4 1. Knock (‘Clonmacnois
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Figure 8.5 Irish ‘La Tène’ - 2
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Figure 8.6 The Turoe stone, Co Galw
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Figure 8.7 Ireland and Northern Bri
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Figure 8.8 Ceremonial head-gear. A:
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Figure 8.9 Ornamented discs. A: Ban
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SOUTH-WEST EUROPE AND THE CELTIBERI
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Figure 9.2 Anthropomorphic and zoom
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Figure 9.4 Celto-Ligurian statuary.
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Figure 9.6 Celtiberian swords and s
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LATER STYLES AND ROMANIZING INFLUEN
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Figure 10.10 Scottish cast bronze a
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11LATER INSULAR ART IN BRITAINAND I
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LATER INSULAR ART IN BRITAIN AND IR
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Figure 11.4 The Norrie’s Law, Fif
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Figure 11.10 Technical details of t
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12CONCLUSIONSArchaeology and Celtic
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CONCLUSIONSFirst, we should try to
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CONCLUSIONSOn the principle that th
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CONCLUSIONSDespite some recent rese
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CONCLUSIONSVehicle embellishments,
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CONCLUSIONSof the wearer. In the co
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CONCLUSIONS13). On the other hand,
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BIBLIOGRAPHYAllen, D. and Nash, D.
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BIBLIOGRAPHYColes, J. M. (1962) ‘
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BIBLIOGRAPHYFirth, R. (1951a) ‘Th
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BIBLIOGRAPHYHarding, D. W. and Gill
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BIBLIOGRAPHYKristiansen, K. and Jen
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BIBLIOGRAPHYNeedham, S. (1979) ‘T
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BIBLIOGRAPHYRyan, M. (1989) ‘Chur
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BIBLIOGRAPHYVillard-Le Tiec, A., Ch
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INDEXbeads: amber 45; ‘dumb-bell
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INDEXcrowns 153, 183-5, 184; see al
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INDEXHounslow 224, 265Hradenin 270,
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INDEX‘ornament horizon’ 173Orna
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INDEXsymbol stones, Class I 239, 24
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The Archaeology of Celtic Art

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